Anna ZAMORSKA (b.08.03.1942- ) Born Poland. Lives Wroclaw. Anna Zamorska graduated from the Wroclaw Academy of Fine Arts in 1965. In 1984 she undertook a six residency at Gippsland Institute of Advanced Education, Churchill (later Federation University) and participated in the Ceramics Symposium "Strzelecki Spotkanie". Her works are in museums throughout Europe, the Americas, Japan, Taiwan and South Korea. Since 1974, the artist has been a member of the International Ceramics Academy (IAC) based in Geneva / Switzerland. Fireclay Chair.anna zamorska, ceramics, jan feder memorial ceramics collection, gippsland campus, strzelecki spotkanie, chair

Images of Anna Briggs as she makes her way from a house to the train station, showing the different terrains and challenges she handles using her cane to guide her.16 digital images of Anna Briggsvision australia, orientation and mobility, anna briggs

John Puttick, Chairman of Vision Queensland, with Anna Bligh, Minister for Disability Services (later to become Queensland Premier).2 col. photographs of John Puttick and Anna Blighvision qld, john puttick, anna bligh

Anna Bligh, Queensland Minister for Disability Services, with a Vision Queensland client.1 x col. photograph of Anna Bligh and a Vision QLD personvision qld, anna bligh

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. If you have information on this artist or artwork please use the email link below rightart, artwork, anna blandford

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork

Cardboard-backed large monochrome (sepia-toned) photograph of posed crew onboard Anna Elsfleth. crew, anna, elsfleth, german, ships, crew photo, crews and ships

Anna Woods, 1848-1920, was a daughter of James Burns Woods and his wife Anna, née Coates. The Woods family migrated to Victoria in 1864. In 1974, Anna married Ewen Rankin, who held land adjoining her father's property near Linton. Ewen and Anna build a house which they called 'Glenree'. Anna and Ewen Rankin had eight children - Catherine (Kate), James, John, Anna, Mary, Lucy, William (Bill) and Ewen. The Rankins were active members of the Presbyterian congregation in Linton.Black and white photograph which shows a woman wearing a dark dress with full sleeves and a wide decorative collar. A small brooch is pinned on the collar. The woman's hair is parted in the centre and drawn back. Anna Rankin née Woods.anna rankin (née woods)

Slides of works produced by sculptor Anna Cohn between 1970 and 1984. It is available for loan to members of Women's Art Register and visitors to Richmond Library. These slides are significant in that the set is one of around 1000 such sets that are invaluable to Art ResearchersSet of twenty slidesEach slide has a sticky label with a number, the inscription Cohn, Anna, a title and other information including date, location and sizecohn, sculpture, sculpture society, arts writer, anna cohn

Ewen and Anna Rankin (nee Woods)ewen rankin, anna rankin, anna woods

Anna Howley, Assistant with the Vice Chancellor's Officeanna howley

James Venn Morgan was known affectionately as ‘The Father of Kew’. Born in Somersetshire on February 21, 1823, he sailed to Australia in April, 1851. James V. Morgan, was a member of one of the first parties to leave for the diggings. At Chewton, near Castlemaine his party tried their luck in an abandoned shaft, and in two weeks returned to Melbourne after having won 35lb weight of gold. James Venn Morgan was content with his success, and induced his partners to invest their money with him in land. After obtaining the advice of a friend, the party negotiated with Mr Samuel Watts, of Collingwood, who had recently purchased land from the Crown, and from him they took over at £15 an acre about 32 acres of land in the district that is now known as Kew. This land extended from where the Kew Post-office now stands to the locality of the Boroondara Cemetery. Here it was that Mr Morgan decided to settle, and, after having had the land surveyed, the partners apportioned it by drawing straws for the four sections into which it had been divided. One of them sold his holding later in the year for £100 an acre, and was sorry for it afterwards. In 1853 Mr. Morgan built the first house in Kew, and this house is the one in which he still resides. Here with his wife, he settled down to market gardening and dairying. So successful was the new venture that he induced his father and other members of the family to come out to Australia to assist him. Gradually the district became settled, Mr. Morgan parted with a portion of his holding, and subdivided and built on the remainder, which he still retained. In 1884 he found himself in a position to retire from active business. He celebrated his 100th birthday in 1923. He was later to die in the same year. The Argus, 17 January 1923.Rare and-tinted framed photograph af Annie Morgan, the wife of one of the founding pioneers of the district.Hand tinted photograph in a gilt frame of Anna Morgan (nee Chidgey), the wife of James Venn Morgan. Anna Morgan was the wife of one of Kew's earliest pioneers and landowners. She died in 1915.anna morgan, kew - pioneers

Anna ROBIESON at the launch of the Women of Port Melbourne Exhibition & book, October 2005, Anna Robieson at the launch of the Women of Port Melbourne exhibition18/10/2005 Anna Robiesonwomen of port melbourne, anna robieson

Phonograph record with yellow and black "M-G-M" label. A Side: "T'ho Voluto Bene", B Side: "Anna" - Soundtrack of the I.F.E. film, "Anna". Artist: Silvano Mangano, vocal, with Instrumental accompaniment. The cover is coloured red and bone.Reference number MGM 5142

This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape

Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne Exhibition & book, October 2005. Anna ROBIESON & Perc WHITE at the launch of the Women of Port Melbourne exhibition18/10/2005 Anna Robieson, Perc Whitewomen of port melbourne, anna robieson, perce maguire-white

The wedding of Anna (Black / Mavrokefalos) and Nicholas Stratos in Melbourne in 1936. Pictured is the bride Anna together with her attendants: bridesmaids Evgenia Raftopulos and Fifi Krizos, page boy John Kostos, and flower girl Kaliope Varvarigos.A copy of a studio wedding photograph of a bride, a bridesmaid, two flower girls and an page boy.kostos, kostopulos

Digital copy of news article reporting Briar Hill Primary School past pupil Anna Wilson, an Olympic cyclist.Digital copy of newspaper clippingbriar hill primary school, briar hill state school, anna wilson, olympic games sydney 2000

Digital copy of news article reporting on Briar Hill Primary School past pupil Anna Wilson, an Olympic cyclist.Digital copy of newspaper clippingbriar hill primary school, briar hill state school, anna wilson, olympic games sydney 2000

Photograph of a portrait of Anna Flintoff dated circa 1855. The Flintoff family came to Greensborough circa 1841. They owned, farmed and leased land north of the present Civic Drive.Digital copy of black and white photograph.flintoff family, anna flintoff

Anna Robbins (pictured here) was the manager of the Burke Museum in the early 2000s, starting in around 2003 and leaving her position in July 2007. This photograph is significant because it depicts a prominent staff member of the museum, most likely at an important event.A black and white circular photograph printed on rectangular paper.Top right text: 7306 Bottom left text: Anna Robins.museum, burke museum, beechworth, museum staff, manager, photos, nametag, anna, robbins

This is a copy of the Will of Anna Mayo Bostock the wife of John Augustus Bostock a grazier from " Preston", Mansfield Victoria. It was made on 1940. Bostock family members have been important in the history of Warrnambool since the early days of settlement. This item is of minor importance as part of the Bostock collection held by the WDHS This is a A3 piece of paper folded in two to make four pages. It has black typing on the four pages. 1940 Will of Mrs A M. Bostock

Hardcover novel, Cross Corners by Anna B Werner with red cover and coloured illustration of a young girl seated on a chair reading with her dog at her side. Black lettering for title and author on cover and spine which also has a floral pattern and publisher listed.fictionA late 18th Century novel with religious themes. The life of a young girl in the late 1800's and her family.fiction, children's books, books, religion

© Anna Lanyon , Carmel Wallace 2004. Apart from any fair dealing for the purposes of private study, research, criticism or review permitted under the Copyright Act, no text, image or part thereof may be reproduced, stored in a retrieval system, or transmitted in any form, without prior written permission from the authors.This suite of etchings explores the natural and social history of Fawthrop Lagoon, an ancient intertidal lagoon that lies at the heart of Portland on the far south-west coast of Victoria, Australia. The work records and interprets essential moments in the life of the lagoon, the plants, birds, insects, water-creatures and humans who have lived and continue to live around its shores. A suite of seven mixed media artworks each piece framed. Each piece is unique and is labelled as A/P (Artists Proof) Text: Anna Lanyon Images: Original etchings printed by Carmel Wallace at Portland Bay Press Victoria Australia 2004 Medium: Etching with chine collé Paper: Blue Lake (Australia) 100% cotton rag 600gsmfawthrop lagoon, portland, victoria, australia, plants, birds, insects, water, creatures, humans

Book with aqua cover and black and white print. Coloured headshot of a woman (author Anna Kent) wearing a surgical mask and scrubs, a necklace and a badge with a blsck firearm within a red circle and a diagonal line through it (a "no guns" or "gun free zone" symbol) wraps around the spine and both front and back covers. Back cover has a tatement by the author and two reviews of the book. In Frontline Midwife, Anna Kent shares her extraordinary experiences as a nurse, midwife and mother, illuminating the lives of women that are irreparably affected, includes her work with Medicines Sans Fromtiersnursing, midwifery, anna kent, medicines sans frontiers

Yellow air tank with black respirator and backstrapU.S DIVERS/ AQUA-LUNG/A AND BASS STRAIT MEDICAL CENTRE OPERATION WITH AMBULANCE SERVICE/ AQUA-LUNG U.S. DIVERS/ MODEL NO. 119/ U.S. DIVERS CO. SANTA ANNA CAL/ ON OFF/780/3AA250 USD 60 ICC3AA2 CO/U.S. DIVERS/ MHT PORPOISE AUSTRALIA/PORPOISE