Was the building of the Old Colonial Bank of Australasia Ltd. At the time of the photograph operating as a doctors office.14cm x 9cm black and white photograph building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker rendering on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. The newsagency neighbouring the property can be seen.Written on the back: 39 Sydney Coll Bank 115store front, shop front, antiques, antiques dealer

Estate of Kenneth Lay Antique Dealer - no ProvenanceCoat of Arms of England- Lion and Unicorn Dieu et Mon Droit Cross Stitch with Bead highlights Wooden tray with feet and glass top No 5 on reversebead work, tray insert, 19th century

Estate of Kenneth Lay Antique Dealer High St Armadale - no provenancePainted Rural Scene of woodcutter and daughter with cottage in background Hand embellished silk surface embroidery with metal thread highlights 18th century, woodcutter, rural idyll, georgian silk embroidery

Donation of the estate of Kenneth Lay Antique Dealer High St ArmadaleThree Priests under a Canopy with Jesus Christ on altar, surface embroidery in silk. Couched goldwork highlights, painted body of Christ ? cochineal. Priest/Bishop faces painted - under garment painted outline in now dark brown ink. In old wooden frame. 18th century, silk embroidery, gold work, renaissance, religious, jesus christ

The declaration was noticed in an antique shop by a Dutch antique dealer who purchased it and donated it to the DAHC.Official declaration establishing the Dutch Consulate in Melbourne. The framed declaration is signed by the Dutch Minister of Foreign Affairs and the Dutch Queen, Wilhemina of Orange, on 9 May 1924.Dated: 9 Mei negentien vier en twintig ( 9 May 1924 ) and signed by Queen Wilhelmina. Has creases that somebody tried to fix with white-out.

BIARRI had an annual day where an antique dealer valued items brought in by the public.Six colour photographs 7142 Models of Sailing Ships 7142-1 Two men seated holding an item. 7142-2 A man with magnifying glass examining a necklace with a woman standing. 7142-3 Two people a woman to the right with a man next to her. 7142-4 Seven people four seated on one side of a table, three standing on the other side.biarri

BIARRI had an annual day where an antique dealer valued items brought in by the public.4 Colour photograph of various items at the appraisal day. 7154 Pan American Toy airplane sitting in front of its box 7154-1 Two people sitting at a table on which is a chair the man is writing 7154-2 A sitting male holding a white flower patterned vase. 7154-3 A male examining a brown patterned jug. biarri

Business card for a local furniture and antique dealer, Any Old Thing Will Do, at 600 Morwell Avenue Bundoora. Business card, white card with blue text.business cards, furniture shops, french polishers, any old thing will do, morwell avenue bundoora

A box containing a variety of items - (I) Newspaper and magazine cuttings covering a range of topics. Sources include 'The Age' and 'The London Illustrated News. These are all in two F.J. Every paper bags. (II) 3 travel brochures. (III)3 'Antique Dealers' Fair brochures.' 1966. (IV) Booklet titled 'Little Johnnnie's Prayers.' 1939 - 1964.lydia chancellor, collection, current affairs, history, news, antiques, tourism, sydney, travel, religion

Purchased in Athens from antiques dealer (Pandrossou St, Monastirki) by donors sister in the 1970's. Guests in Turkey would be offered water to wash their hands and yagliks to wipe them. When everyone sat crossed legged at low tables, yagliks were also used to cover their laps from spills. They were also used to wrap items such as an important letter, sum of money, present, jewellery, gift of fruits or sweets, an article of clothing - all wrapped in an embroidered yaglik or bocha (square cloth). The richer the wrapping the greater the compliment. In wealthy households, as soon as a girl was old enough she would learn embroidery and start preparing for her trousseau and her home furnishings.Example of Ottoman EmbroideryTseure (Turkish towel), embroidered both ends with floral motifs in pink, blue, green and yellow threadflower, floral

Purchased in Athens from antiques dealer (Pandrossou St, Monastirki) by donors sister in the 1970's. Guests in Turkey would be offered water to wash their hands and yagliks to wipe them. When everyone sat crossed legged at low tables, yagliks were also used to cover their laps from spills. They were also used to wrap items such as an important letter, sum of money, present, jewellery, gift of fruits or sweets, an article of clothing - all wrapped in an embroidered yaglik or bocha (square cloth). The richer the wrapping the greater the compliment. In wealthy households, as soon as a girl was old enough she would learn embroidery and start preparing for her trousseau and her home furnishings.Example of Ottoman EmbroideryYaglik (Turkish towel), embroidered both ends with geometric motifs in grey, blue, red and metallic threadflower, floral

Purchased in Athens from antiques dealer (Pandrossou St, Monastirki) by donors sister in the 1970's. Guests in Turkey would be offered water to wash their hands and yagliks to wipe them. When everyone sat crossed legged at low tables, yagliks were also used to cover their laps from spills. They were also used to wrap items such as an important letter, sum of money, present, jewellery, gift of fruits or sweets, an article of clothing - all wrapped in an embroidered yaglik or bocha (square cloth). The richer the wrapping the greater the compliment. In wealthy households, as soon as a girl was old enough she would learn embroidery and start preparing for her trousseau and her home furnishings.Example of Ottoman EmbroideryTseure (Turkish towel), embroidered both ends with floral motifsflower, floral, geometric

A Souvenir Booklet recording the Section photos and a Nominal roll of those who served 1942-45 at the Land Headquarters Cartographic Company, Australian Survey Corps located at "Fortuna Villa" Bendigo was produced at the end of WWII. Each member of the unit was presented with a copy of the booklet. The booklet besides being a great memory for those who served is a very valuable resource as it names the individuals in the photographs and very importantly records a Nominal Roll of unit members and their Military details. This booklet is one of those original booklets. The booklet has been reprinted on a number of occasions with different coloured covers. The first and original booklet had a red cover. Editions with brown, dark blue and black exist. The black covered edition was the last reprint. This booklet was donated by Carol Hargrave of Grenfell, NSW after discovering it in an old trunk that she purchased. A black covered edition was donated by a local Bendigo Antique Dealer in September 2024.A4 sized red cloth covered hard covered book mainly containing sub-unit photographs of section members and includes their names. 23 x double sided pages of photographs and 2 double sided pages of a Nominal Roll of those who served at Fortuna 1942 - 45. Each of the 50 pages were scanned at 600 dpi in JPEG (.jpg) format and stored on the attached 16GB USB Memory Stick. The images have been converted into MPEG-4 (.mp4) video format, 9Mb in size that runs for 4 Minutes and is also stored on the memory stick.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania, awards, trophy

This foundry had been a landmark in Mt Korong Road for many years. It began with an Osborne and Mitchell. After 1914 when mining declined, it became the Golden City Implement boundary and the name can still be seen painted on on the façade which faces the intersection of Marong Road (Calder highway) and Eaglehawk Road. The interior is a mass of used and un-used machinery scattered amongst modern lathes and more modern apparatus. The yard was a fascinating graveyard of past times, with old mining and agricultural scrap everywhere mixed up with coke and slag from the smelting sheds at the rear. A feature of the foundry was the manufacturer of cast iron lace. This document provides a historical and contemporary overview of the Osborne family's blacksmith and metalworking business in Bendigo, highlighting its longevity, operations, and significance: The business dates back to at least 1855, originally starting as a general store before evolving into a metalworking factory. The original founders were Osborne and Mitchell; Mitchell left early on, and the business changed hands several times before being acquired by Oscar Osborne (not related to the original Osborne founder). Oscar Osborne managed the machine shop and foundry, eventually acquiring it. His sons, Charles and Walter, now run the business with Stan, a descendant of the original founder. The current operators are Charles and Walter Osborne (brothers) and Stan (a descendant of the original founder but not directly related to the brothers). The business is known for its continuity and resilience, surviving as one of the oldest in Bendigo while others have disappeared or are newcomers. The workshop covers about a third of an acre and houses a large array of machinery and tools (nearly 200 between the three operators). The Osbornes pride themselves on traditional skills and methods, many of which are being lost in modern times. They are renowned for repairing a wide range of metal items, especially for antique dealers, and for producing high-quality crowbars and decorative iron lace for both restoration and new construction. Much of their work comes from Adelaide, and they maintain a steady demand for their specialized services. T he foundry and machine shop are considered landmarks in Bendigo, located on Eaglehawk Road opposite the Marong turn-off.The business was deeply embedded in the local community and history, with the Osborne name still prominent in the district.National Trust Survey Data Sheet and article from the Bendigo Advertiser November 4th 1981. Osbornes Ironbark Foundry This items contains the following documents 3084.47a Bendigo advertiser Article 4th November 1981 "Bendigo Firm is Still Going Strong" 3084.47b National Trust Data Survey Sheet July 9th 1977 3084.47c Black and White photo of Charles Osbornehistory, national trust bendigo collection, bendigo, foundary, iron bark bendigo

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

The c1920 brick shop and side dwelling is one of just three early 20th century shop buildings left in Eltham and one of just two that have intact facades. These shops are physical links with the country village of Eltham at that time and their siting in isolated locations along the street reflects that village era. Since the 1950s Eltham's main street has changed dramatically and the intact pre 1940 buildings such as this shop are key components of the section of Main Road south of Henry Street which still has a streetscape recognisable from that earlier time. The side dwelling illustrates the common practice of that time for shopkeepers to live at their premises. In the 1990s this was an antique Shop and in 2010 “Eltham Cycles”. It is now a popular eatery – Zen Den. 35mm colour positive transparency (1 of 23) Mount - Kodak EktachromeProcess Date MAY 88Meltham, main road, antiques and old wares, cafe zen den, restaurants, second hand dealer, second life decor pty ltd, shops

118 pages, illustratednon-fictionIt contains hundreds of silver marks making the process of identifying that special item you have found- quick and easy. A practical guide used by antique dealers world wide for yearsenglish silver, scottish silver, irish silver, hall-marks, makers marks

Article about Bruce Reynolds, a licensed secondhand dealer with an interest in the repair of old furniture and jewellery. He has raised money for charity by exhibiting a collection of authentic antique and period costume jewellery. He lives in Vermont and is a member of the Society. Cutting from Nunawading Gazette 18th May, 1994Article about Bruce Reynolds, a licensed second-hand dealer with an interest in the repair of old furniture and jewellery. reynolds, bruce, antique shops, jewellers

Was the building which housed the Old Colonial Bank of Australasia Ltd.9cm x 12.5cm black and white photograph of the building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker brickwork on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. Signage on the building states "Dornal Antiques".storefronts, retail store, antique dealers, antiques

Was the site of the Old Colonial Bank of Australasia Ltd.9.5cm x 10cm coloured photograph of the building at 39 Sydney Street. The double story building has an ornate light-coloured facade, which darker brickwork on the sides. Arched windows on the ground floor and rectangle window with trim on the top floor. Signage on the building states "Dornal Antiques". There is also a planter out the front on the footpath.storefront, shopfront, antiques, antique dealers, retail stores

294 p. : pale blue cover embossed with pattern of leaves/treesfictionBook centres around the life of Joseph Quinney, a London antique dealer. Explores Quinney's relationship with his family, his business rivalries, love, and romance. fiction, antique dealers, horace annesley vachell