Watsonia High School cookery apron made in 1965 needlework class by Dawn Petts for 1966 cookery class.White and blue cotton apron, with small white towel "DP" embroidered on apron and towelapron, watsonia high school

Donor, Mr Graham White, found it among his grandmother's things when she died in 1973, aged in the 90's.Stamped linen apron pattern, with design of Captain Cook's cottage - circa 1930. Labelled Large Size, ladies apron, Fautley's No. 1423. Not worked.Fautley's No. 1423 Large size ladies apronembroidery, 1920-40, australia, kits, aprons

Sepia photograph of two nurses on front cover, along with title and authors names. Title and authors names also printed on spine. Back cover has photographs and information about the authors along with a photograph of the Bendigo Base Hospital badge. Numerous black and white photographs and illustrations within.non-fictionA history of nurse training at the Bendigo Hospital.nurse training, nurses, bendigo hospital, bendigo, hospitals-victoria

Unframed postcard - sepia- ShinyPostcard - Kodak Australia, July 1909, see "Waratah" (loss 7/09) on "Argus" sign

Handmade hostess apron, made as an engagement gift by Joan Chambers, the donor's Ranger Guide leader, on the occasion of the donor's engagement in 1970, aged 22. The donor described the item as a 'hostess apron' as it was decorative and not for real kitchen duties.Blue hostess apron. Hand-made. Scalloped edges, with appliquéd and embroidered female dancers. aprons, hostess aprons, protective wear, fashion design, fashion 1970s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Multicoloured cotton apron using a fabric design employing floral emblems and figurative detail. The apron is hemmed with a pleated fabric of a different colouraprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

Northern District School of Nursing nurse's base uniform 1950s - 70sTwo white cotton aprons with four buttonholes at the waist for closing and two buttons on (a) for the two shoulder straps. Apron (a) has 'Bullock' and 'NT3' in black marking pen on the waist. Apron (b) has 'H.Gill' in black marking pen inside base of top and 'BAS - 574' on apron base openiing.nurses uniform, northern district school of nursing, apron

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Handmade apron created out of a blue and white dress fabric that has a pattern of leaves. The apron is highlighted with red braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion 1950s

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pleated pink and white striped cotton apron interspersed with bands of a separate blue and white fabric.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Pink and white cotton apron highted with blue braid.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan, fashion design, women's clothing -- 1950s, fashion -- 1950s

Calico sheet with stencil for apron indicated by broken line. Stencil pattern for embroidery of door and two windows, shutters steps and two dogs.Semco Fashion apron Semco design K897handcrafts, needlework

One of a collection of fourteen items of protective wear and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, possibly from published patterns, using fabrics originally deigned for dresses. Typically, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Although not uncommon, hand-made protective clothing in the form of aprons and pinafores often represents samples and styles of 'women's work' using remnant fabrics often designed for other purposes. While generally utilitarian, women found means of gracing these items by the use brightly coloured fabric or patterns, the positioning of pockets and the use of contrasting fabrics to provide visual interest.Simple blue and white apron embroidered with a border in cross stitch, the same stitch used to create a repeated pattern of dogs and balls in profile.aprons, protective clothing, handmade clothing, costume accessories, lisa sylvan

From McNamara collection Stated as midwife apron but unsure if black apron was used! Heather & Isobel McNamara.Large black apron with ties.mcnamara, apron, midwifry

leather apron used by blacksmith c1900leather apron worn by employees as protective clothing at Holden and FROSTLeather blacksmith apron with straps and pocketapron, blacksmith

Kew Historical Society has a large costume collection, including examples of formal wear, day wear, underwear, and protective clothing. As the Society has been located at the Kew Library since 1987, it uses display space within the library to mount small displays such as this display of aprons and pinafores. Larger exhibitions are typically held at the Kew Court House. Displays and exhibitions are mounted by the collections group; on this occasion, by Margaret Robinson, Robert Baker, and Jan Walker. Display of nine aprons and pinafores at Kew Library, 2024. The items date from the 1940s to the 1960s and are drawn from a large collection of protective wear in our collection.costumes, protective wear, clothing, aprons, pinafores

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Apricot-coloured cotton apron, hand embroidered with a design of a woman in a garden. The apron has two symmetrically placed embroidered pockets. The apron may be a Semco pattern.clothing - women's, aprons, fashion design, fashion -- 1950s

White cotton nurse's apron. Bodiec joins a 5 cm wide band and 60 cms long skirt. Skirt is plain in the front, with gathers at the back. Front of the bodice extends in wide 8 cms wide straps, which cross over at the back, and fasten with a button and buttonhole to the back waistband. The skirt of the apron extends right around the body, and overlaps, and fastens with two buttons and buttonholes 14 cms overlap. Worn by Merryn Ellison.Tape stitched inside apron, embroidered with the name: Merryn Ellison.costume, female, nurse's white cotton apron

May have been made for the apron exhibition Small black & white apron . Yellow tape measures along top of pocket and hem of apron. Pair of scissors attached with a red cord. domestic life

Purchased by donor from hill tribes in Sapa region of Northern Vietnam, part of traditonal clothing - apron/skirt panelEmbroidered panel, part of apron/skirt.

This apron and hat were made and worn by Jeanette McIver. Jeanette attended the Sunshine Technical School from 1954 to 1957.Creamed coloured cooking apron and hat.sunshine technical school, derby road, sunshine

This uniform was made for the students of the Ballarat College of Advanced Education, School of Nursing. It was probably used in about 1986, then put on display in the School of Nursing until 2005..1) White princess style uniform with central front zipper and set in side pockets. It has machine embroidery around the collar and short sleeves. It has a back yoke with side pleats. .2) The apron is junior navy in colour with green binding and an orange emblem on the front left breast. It has a full back and front with ties at the side. Apron is printed in orange with - Ballarat C.A.E. Nursingnursing, ballarat college of advanced education, school of nursing, student nurse uniform, nurse uniform, nurse apron, apron, costume, textiles

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne.Coffee-coloured decorative lace apron.clothing - women's, aprons, fashion design, fashion -- 1950s

A Mahakala dancing apron is a sacred garment used in Tibetan Buddhist ceremonial masked dances (Cham) to represent Mahakala, the fierce protector deity and emanation of compassion. The apron makes up part of a costume of a monastic dancer. It was worn either with a mask or as part of the ‘Black Hat Dance’. Mahakala is a primary Wisdom Dharmapala (protector) in Tibetan Buddhism, representing a wrathful manifestation of Chenrezig, that removes obstacles to enlightenment. Often appearing in black with multiple arms, he symbolizes the transformation of negative emotions into wisdom, protecting practitioners and the Buddha's teachings. Made of silk brocade this sacred apron features a wrathful face, bulging eyes, fangs, and skull motifs to ward off evil and destroy obstacles. The apron is mounted on a metal hanging rod.buddhist art, tibetan buddhism, holy objects

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Rectangular white cotton apron, hand embroidered with a design of a basket of flowers. The apron may be created from a Semco pattern.clothing - women's, aprons, protective wear, fashion design, fashion -- 1940s

Created for Ballarat Apron Festival to present Ballarat's Aboriginal history, to be displayed along side the Festival's Ballarat Apron. Oil painting on handmade treated canvas apron. Two large thick cotton ties at waist and loop for neck. marlene gilson, ballarat, wadawurrung, aboriginal

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Hand-embroidered apron. Possibly a Semco pattern. The apron is edged in yellow fabric and has multi-coloured sprays of embroidered flowers.clothing - women's, aprons, protective wear, fashion -- 1950s, fashion design

1930's style apron of cream cotton embroidered with bright red and blue flowers and green leaves. The top of apron is cut to resemble a waistcoat with 3 large red buttons. Entire apron is bound with red bias binding.embroidery, surface stitchery, australia, 1920-40, aprons

Part of a collection of pieces which belonged to the donor's grand parents.Black satin afternoon tea apron decorated with jet beads in a stylised pattern. Lined with black cotton satin. Half apron with ties. Hand beaded, machine stitched constructionbeadwork, beading, aprons, 1900-20