Pamphlet written by Box Hill Historical Society Inc. 1987Pamphlet written by Box Hill Historical Society Incroberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, box hill historical society, box hill artists camp

Image of a Tom Roberts painting on front of soft covered book titled The Artists' Camp at Box Hill - Eleanor Finlay, Marjorie MorganFOREWORD by William Dargie Kt., C.B.E., FRSA (London) FRAS (NSW) As one born between two worlds I find it difficult to identify wholly with either Australian art of the late 19th and early 20th centuries or the infinitely varied styles of today. At the beginning of the 1930s, when I first began to take any sort of interest in art, I had the natural feeling of youth that anything that had happened thirty to forty years ago was already far down the dark and backward abysm of time. As for today, all that one of my generation can do is to enjoy what is enjoyable and avert one's eyes and close one's ears against the rest. This is the time of life one realizes that distaste, as well as taste can be cultivated. Well, youth repeats itself in each generation and among the young there will always be .some determined and dedicated to the making of new images of the physical world. All artists throughout history have shared this common experience. All have remembered the suddenly-formed friendships, the sketching expeditions and camps, the first exhibitions, the formation of groups, the 'manifestos' - these last to return in later life all too often as embarrassments - but above all, the enthusiasm. 'Bliss was it in that dawn to be alive but to be young was very heaven'. Thus we can be time-travellers back one hundred and six years to that first plein-air camp set up by Roberts, McCubbin and Abrahams on part of David Houston's property at Box Hill. This was indeed the prelude to all that followed: Mentone and the meeting with the young Streeton painting on the rocks, and Heidelberg later.

Piper Crescent and Artists Hill have since been sealed and the house redeveloped. Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: The property shown is 24 Piper Crescent which still exists and has not been redeveloped. 12 Artists Hill is a new-build (c. 2001) to the left of 24 Piper.Roll of 35mm colour negative film, 2 strips (composite of two frames)Kodak GB 200 5096artists hill, eltham, houses, streets

Piper Crescent and Artists Hill have since been sealed and the house redeveloped. Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: The property shown is 24 Piper Crescent which still exists and has not been redeveloped. 12 Artists Hill is a new-build (c. 2001) to the left of 24 Piper.Roll of 35mm colour negative film, 2 stripsKodak GB 200 5096artists hill, eltham, houses, streets

Piper Crescent and Artists Hill have since been sealed and the house redeveloped. Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: The property shown is 24 Piper Crescent which still exists and has not been redeveloped. 12 Artists Hill is a new-build (c. 2001) to the left of 24 Piper.Roll of 35mm colour negative film, 2 stripsKodak GB 200 5096artists hill, eltham, houses, streets

Brochure written by Box Hill Historical Society and published by Box Hill City Council in 1987 on the 'Artists Park', Gardiners Creek, Box Hill.Brochure written by Box Hill Historical Society and published by Box Hill City Council in 1987box hill artist's camp, heidelberg school, city of box hill, box hill historical society, gardiners creek, roberts tom, mccubbin frederick, abrahams louis, streeton arthur, condor charles

Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. They later moved to Heidelberg. Plein air painting instigated by Tom Roberts.Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. painting, roberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, heidelberg school, conder, charles, humphrey, mather, john, handasyde, stewart, hansen, theo brooke, gardiners creek, dewar, s. g.

Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: Photo is 32 Piper Crescent and the land to the right (behind the fenceline) is now the back of the properties at 1 to 4 Artists Hill.Roll of 35mm colour negative film, 2 stripsKodak GB 200 5096artists hill, eltham, houses, streets

Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: Photo is 32 Piper Crescent and the land to the right (behind the fenceline) is now the back of the properties at 1 to 4 Artists Hill.Roll of 35mm colour negative film, 2 stripsKodak GB 200 5096artists hill, eltham, houses, streets

Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: Photo is 32 Piper Crescent and the land to the right (behind the fenceline) is now the back of the properties at 1 to 4 Artists Hill.Roll of 35mm colour negative film, 2 stripsKodak GB 200 5096artists hill, eltham, houses, streets

Peter Conlan (via MysteryMonday website post) FEBRUARY 13, 2018 AT 12:13 PM: Photo is 32 Piper Crescent and the land to the right (behind the fenceline) is now the back of the properties at 1 to 4 Artists Hill.Roll of 35mm colour negative film, 2 strips (composite of three frames)Kodak GB 200 5096artists hill, eltham, houses, streets

History, biographies and illustrations of the artists of the Heidelberg School, Box Hill.heidelberg school, artists' camps, biographies, mccubbin> frederick, abrahams> louis, streeton> arthur (sir), condor> charles, humphrey> tom, sutherland> jane, davies> david, paterson> john ford, handasyde> stewart, hansen> theo brooke, withers> walter, alston> aby, brun> vincenzo

The drawing is an artist's impression of Flagstaff Hill, Warrnambool, in 1855. It was presented to Flagstaff Hill Maritime Village by Mr R A Ramsay.The drawing is significant for its subject, a local maritime village and port. It is significant as a depiction of what the young town of Warrnambool could have looked like in 1855. Drawing in colour within an oval, with typed inscription below it. Mounted behind glass in a black rectangular frame with a cream matte. Artist's impression of Flagstaff Hill, town buildings of Warrnambool, Lady Bay with jetty, sailing ships in the bay, and Middle Island in the year 1855. Title; "Flag-Staff Hill", Artist; H. H. Ramsay It was presented to Flagstaff Hill by Mr R A Ramsay. Typed below the drawing; Left: "FLAG-STAFF HILL". Centre: "Drawn by Mr H. H. Ramsay - Presented by Mr R. A. Ramsay." Right: "WARRNAMBOOL IN 1855" On the back in pen "REC / 359A" (sighted before reframing)flag-staff hill, warrnambool 1855, drawing, local history, flagstaff hill maritime museum and village, great ocean road, shipwreck coast, h h ramsay, r a ramsay, flagstaff hill, warrnambool, flagstaff hill maritime museum, flagstaff hill maritime village, maritime museum, lady bay, middle island, coloured drawing, oval drawing

A collection of papers presented at meetings of the Box Hill Historical Society detailing history of local families, churches, schools and other significant histories.A collection of papers presented at meetings of the Box Hill Historical Society detailing hsitory of local families, churches, schools and other significant histories.box hill, balwyn, (mr) andrew murray, parer family, fulton family, brock family, surrey hills, r. smith, w. a. rolfe, box hill artists' camp, lutheran cemetery, doncaster, box hill art group, box hill ballet group, (mrs) m de f bishop, (mrs) p. reichl, (mrs) d. woodford, (mr) k. g. mcintyre, box hill horticultural society, (mr) william deveraux harbert, (mrs) jean uhl, h. white, b. j. blanchen, e. b. scott, g. f. broomhead, (mrs) marjorie morgan, (mrs) mona webster, (mr) frank bamford

A collection of papers presented at meetings of the Box Hill Historical Society detailing hsitory of local families, churches, schools and other significant histories.box hill, balwyn, murray, andrew, parer family, fulton family, brock family, surrey hills, smith, r., rolfe, w. a., box hill artists' camp, lutheran cemetery, doncaster, box hill art group, box hill ballet group, bishop, m de f, reichl, p. (mrs), woodford, d. (mrs), mcintyre, k. g., box hill horticultural society, broomhead, g. f., morgan, m, webster, m., bamford, f.

Collection of brochures relating to Box Hill, including Box Hill Artists' Camp , Box Hill cemetery (2001), Box Hill Historical Society and Burwood Primary School (1989).5 Pages HG Booklet 48harry gilham collection, burwood, box hill

Pamphlet on Box Hill Artists Camp and the move to Eaglemont, near Heidelberg when the term Heidelberg School began to be used, in 1988. The Box Hill Camp was made on David Houston's property on Gardiners Creek, south of Canterbury Road, between the present sites of Bowater Scott and Box Hill Golf Club.Pamphlet on Box Hill Artists Camp artists camps, roberts, tom, mccubbin, frederick, streeton, arthur, conder, charles, abrahams, louis, houston, david, gardiners creek

Lynne MAKINGS (1950- ) Artist Lynne Makings is an instigator and member of the Soldiers Hill Artist Collective, an eclectic group of artists from all various disciplines, residing within the region of Soldiers Hill, Ballarat. When this work was undertaken Lynne Makings was enrolled in a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy. The work was awarded a Deputy VIce Chancellor's Award, and was acquired from the 'End of Year Exhibition' (EYE).Double sided artwork comprising of numerous Indian Bean Tree seeds (Catalpa Bignoniodes). The seeds have been placed between to sheets of perspex. lynne makings, artwork, artists, indian bean tree seeds, catalpa bignoniodes, dvc award, end of year exhibition, eye

Press Cuttings. Three manila folders containing articles of historical interest: A. Life in Australia's capital cities in colonial days. Six 'Dear Diary' articles by Margaret Carlyon in 'New Idea' from Oct 1967 to Aug 1968. B. The Artie Fadden Story. A series of 12 newspaper articles told by Sir Arthur Fadden to Elgin Reid of the Melbourne Herald. July 1968. C. 'Men at Work' stories by Anthony Hill, artist Gerry Lants of the Melbourne Herald, Aug to Nov 1968. Fourteen articles on various occupations. The compiler of these 3 folders is not identified.Details of articles handwritten in ink on the cover of each foldernewspaper, margaret carlyon, elgin reid, anthony hill, colonial life, arthur fadden, occupations

The wedding gown was worn by Lucy Kneeshaw Prout for her marriage to John Sommers on 29th November, 1871 at Trinity Church of England and Ireland, Williamstown, Victoria. Lucy was born in Woolwich, Kent, England in August 1850 and immigrated to Australia with her family in 1852 on the 'SS Coromandel'. She was the youngest of five children. Their parents were Edward and Elizabeth Prout (nee Hall). Lucy died in 1940 - 90 years of age. John E. Sommers was born in Glasgow, Scotland in 1846 and emigrated to Australia with his family in June 1853 on the 'Tongataboo'. His marriage certificate shows that he was an engineer. He studied at the National Gallery's School of Design under both Clark and Campbell from 1872 to 1879. He drew a compressed charcoal and pencil portrait of Fred McCubbin in 1876. The portrait was displayed in the Golden Summers exhibition at the National Gallery of Victoria in 1985 and is shown on page 40 of the Golden Summers catalogue. Their grand-daughter, Mrs Marjorie Gibson (born 1910) said he was associated with the Heidelberg School and the Box Hill Artists Camp. He is also noted in the 'Book of Australian Artists'. He exhibited prolifically with the Victorian Artists Society until his resignation in 1898. In 1881 John Sommers took employment with the Education Department at Castlemaine (Ref. Golden Summer catalogue - pages 26 and 40). John died in 1930 aged 84 years. John and Lucy Sommers children John and Dora both studied at the National Gallery of Victoria, so senior was added to John E. Sommers Senior's works. There is a short biography on page 26 of Golden Summers. Researched by Valda and Ted Arrowsmith May 2006.One piece old gold Paper Taffeta wedding gown, stand up collar, piped in green taffeta. Forty covered buttons from neck to hemline. Shaped sleeve with 15cm cuff and three buttons. Two rows of seven cm appliqued green and gold shaped fans along hemline. Two rows of green and gold piping and 8cm deep gold fringe. Back of dress has central panel of pleats and six covered buttons and a square cut hem line for the train at back. Dress bodice is lined and has two 7cm bones in side seam.costume, female ceremonial

The use of sails to propel a ship along its course dates back at least to 3000 BC., to the Egyptians who used sails to move their vessels up and down the Nile. Sailing ships then developed with the Greeks, Romans, Phoenicians, Vikings and other cultures. Their use was widespread until the 19th century which saw the development of the steam engine, and more recently, the diesel engine. Sailing ships slowly declined in use and number until now, most sailing ships are used for recreational purposes.This picture shows the widespread use of sail for trading purposes.Picture of a sailing ship at a wharf with other ships in the background, by artist Rowland Hilder. Natural wood frame.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, maritime painting by rowland hilder, painting of sailing ship

This maritime painting is unsigned and the artist is unknown. The ship in this painting is unidentified.Painting is an example of 19th century artwork.Painting, rectangular, watercolour mounted on card. Maritime theme depicts a three-masted ship at sea, sails rigged, bow facing right, hull is black and white. Figures are onboard.flagstaff hill maritime museum & village, maritime museum, maritime village, flagstaff hill, warrnambool, painting, 19th century, ship at sea, seascape, wall decoration, maritime painting