A hand carved wooden ash tray. The base is wattle and the rim is brass.ash-tray smoking personal-effects

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1920-1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model with cement sheet lining. Made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray, town hall, cigarette tray, smoker's ash tray

The word ashtray came into use around the 1920 and is a receptacle for ash from cigarettes and cigars and are typically made of fire retardant material such as glass, heat resistant plastic, pottery, metal, or stone. The most common ashtray design is a shallow cylinder with a flat base, designed to rest on a table. Other ashtrays, particularly in public places, are either wall or floor mounted. While simple, utilitarian forms of ashtrays existed long before the 19th century, it was during the start of the 20th century that the design, aesthetics and their popularity took off. As more women began to smoke. in the early 1900s, the ashtray went closer to being an art form as many women avoided the use of the traditional ashtray as it failed to reflect their feminine values, regarded as an item rather basic in design the general societal through of the time was that smoking was an activity exclusive to men. What emerged were detailed, often very fancy ashtrays acceptable to women depicting either pastoral scenes or vibrantly coloured landscapes. As time went on, and the onset of women smoking both cigars and cigarettes became less of a departure from the average person, ashtrays saw a decline in design and aesthetics beginning more of a shift towards practicality. The subject item is a primitive form of ashtray used in public spaces any time from the 1900 -1960s and is not associated with an historic person or event. However the item could have come from the Warrnambool Town Hall given the inscription on the base of the item.Ash tray-large rectangular floor model made from a wooden box covered with textured metal on the outsideThe metal has a relief design embossed at the top back "smokers" and "Town Hall" printed on bottom.flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ash tray

Demonstrates domestic items manufactured soon after the establishment of the tramway systems in Ballarat.Ash Tray - white glazed on front, unglazed rear with gold edge trim, light weight China in the shape of a "spade" with an image of the intersection of Sturt St and Lydiard St from the Post Office looking at the buildings on the south side of Sturt St including the Town Hall with two electric trams and the tram lines in the view. One of the trams is hauling a trailer. Possibly made mid to late 1900's. On rear has the makers stamp of "W&R Stoke on Trent" http://nicholnack.com.au/wiltshaw-robinson-patterns/index.php - accessed details that it is the mark of Wiltshaw and Robinson.tramways, trams, ash tray, sturt st, lydiard st, town hall

WWI historical significanceWWII Trench Art in the form of an ash tray made out of 25 lb shell with a Dutch Guilder Coin in the middle of ash tray.On the base: 373, WY, 1943, CF, MQ, 25PR II.

Made during WW2 by gun mechanic Jack Morris of Bayswater during his time in the Navy on board the Ship "Arunta".Brass ashtray made with two bullets and a detonator cover. ash tray, bullets

Presented to Carlton FC secretary H O Bell in recognition of Carlton's 1947 premiershipThe awarded trophy although for the 1947 season was passed onto former Carlton player Cyril Mann who missed selection for the 1945 Grand Final (The Blood Bath) victory over South Melbourne. Cyril Mann's maternal Grandfather William Cooper "is remembered as the Australian Aboriginal political activist, much-respected community leader and genuine man of stature whose extraordinary lifetime achievements cannot be properly acknowledged in the limited space available here". Tony De Bolfo 2013.Comprises stainless steel & bronze. Small bronze medallion sits atop ash tray on a small pedestal."Awarded to H O Bell Secretary Carlton Football Club 1947 PREMIERS" The VFL emblem is depicted on one side of the medallion.

Re collection of "William Anthony Theodore DSM", PM 2981. Refer Cat. No. 7926P for his Service Details.Clear glass ash tray. In centre, emblem for Rats of Tobruk Association on blue background. Item is round in shape with a blue base.Inscribed "Western Australia 30th Anniversary Perth 1971".tobruk, 30th anniversary, william anthony theodore dsm, souvenir

Made by an Italian POW whilst interned in Tatura during WW2.Egg shaped stone carved ash tray with text and marking which have been etched into the stone. Brown colour with cream flecks.Ricordo, POW, Italiano around edge; on base POW Italisculpture, ricordo, bilney r, italian pow's, tatura pow camps

Small oval glass ash-tray with a centre picture of Lake Mulwala and the bridge to Yarrawonga taken from Cypress Gardens, Mulwala NSW"Lakeside Yarrawonga", VIC Cypress Gardens painted on the side of boat can also be read.

This item belonged to Mr. F. Johns father of the donor.An ash tray in the form of a chimney place with hood over the fire grate and a place to rest lighted cigarette so the smoke goes up the chimney. Inscribed with "Smugglers Hearth"Registered Design 35246personal effects, smoking accessories

Ash tray-large rectangular floor. Made from a wooden box covered with textured metal and relief design. Has "smokers" across top of back. "Town Hall" printed on bottom. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Ash tray, rectanglar, moulded glass with coloured photo of Blue Lake, Mount Gambier on base. Donated by Mrs G Angus, 309B Koroit St, W'bool 27 Feb 1979.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Base and plane from Bruce Reynolds estate. Cleaned and assembled by Ted Arrowsmith and plane and tray joined together with a new fitted chrome rod for support.|Plane made during by a member of the R.A.A.F as a recreational activity using hand tools. Generally they were nickel plated on returning home.Small brass caste of an aircraft, hand finished and then nickel plated by a serviceman on active service. Silver in colour with red, white and blue R.A.A.F. roundals. Mounted on a chrome rod fixed to the ash traymetalcraft, electroplated nickel silver, personal effects, smoking accessories

Base of a mortar cylinder which has been made into an ash tray. Lining of inside of tray has been painted red. there is a brass post in the centre of the tray. the post has cord wound around it.Engraved on the outside of the tray is "HMAS Vandetta - vietnam 1969HMAS Vandetta - Vietnam 1969trench art, hmas vendetta

This flip top pocket steel ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. Tin plated mild steel round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access. personal effects, tobacco waste products, smoking accessories

This flip top pocket aluminium ash tray was at the beginning of the social "cleaning up" of cigarette ash and related products. This cigarette waste container was for those occasions when it was polite not to throw the cigarette ash and used up cigarettes "buts" on the ground, or if working in any rural area during a dry fire prone season, when discarding burning cigarette waste could set up a severe "bush" fire. It was also at the beginning of an intensive look at the affects of smoking upon the health of users. Later in the 1900s was a time when medical evidence supported a ground swell of the anti smoking movement which resulted in further restrictions of the use cigarette smoking in public places. Before the anti cigarette smoking revolution, it was both fashionable and manly to either roll your own cigarette or open up a packet of "tailor made's". In the rural and man's man environment the roll your own provided a visual acknowledgement that the user was "true blue" Aussie male and not a city boy. The cycle of use of cigarettes has drastically changed from when this item was first used. Today's society (post 2000) has produced a ground swell of government and non government organisations whose aim is provide a cigarette "ash" free environment and society. This is highlighted in the beginning of the 2000 millennium by a cigarette "Free" Australia campaign, and the pocket flip top personal ash tray as a practical solution for butt litter disposal.This light weight aluminium pocket ash tray not only was used when social graces required it to, but also provided a container for any unfinished cigarettes or stogies (cheap half used cigars). In rural areas (open fresh air countryside), where time was always made available for the "smoko" (Australian rest period), at any time, especially after some hard physical work, the ability to have a self contained ashing apparatus, not to offend the gentler folk, was a pre-requisite . The rural environment, in the days of these cigarette ash containers,was one which could range from harsh and unforgiving to mild and relaxing. Smoking could be enjoyed anywhere and at any time without too much "fussing" around. This ash tray was mobile, convenient, unobtrusive and regarded by the user as being considerate to those around. It also eliminated the tell tale evidence that the "no smoking" signs had been ignored. The Kiewa Valley was like many rural ares that found it hard for smokers to come to grips with a governmental "non smoking policy" to indoor recreational and other "confined space" environments. The covered lid reduces odors and eliminates ashes from being blown around.Aluminium round container with a lid. The opening lid is spring loaded, hinged top, circular and fixed by a clasp, pop- riveted (4) onto the main housing. Opposite the hinge the lid is held closed by a small metal ball fitting tightly to the top wall of the container. The lid is opened by the use of a fingernail positioned at junction of lid to body. This edge is bevelled to allow access.personal effects, tobacco waste products, smoking accessories, tobacco

Trench Art made from brass ordnance pieces. The base & stand are made from a 75 mm shell casing & a .50 cal projectile. The top is made from a .50 cal, .303 projectile to form a Lightning Fighter aircarft.“75 mm. M18 LOT 2 - 1306 - 28 BB, CO 1941”military history, trench art, souvenirs, ashtrays

A round metal ashtray that has silver colour on top and golden colour bottom. The ashtray also has a straight handle in the middle.Gunline development ... This ashtray was made from the base of the second last 5 inch (122 mm) shell fired in anger against north Vietnamese army.hmas brisbane, trench art, ashtray

Ash Tray made in South Vietnam. Peter Umina collection, refer Cat No 2446 for his service details..1) Ash Tray base from large calibre shell. 2.) 50 calibre round that screws into base with washer & screw.military history - trench art, personal effects - smoking accessories

This item is from the private collection of George Shirling of Red Onion, Falls Creek. It is typical of the range of souvenirs used to promote Falls Creek in the 1950s. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. In 1981 he graduated in sport psychology and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is representative of souvenirs used to promote Falls Creek in the 1950s.A green ceramic ash tray with gilt trims and printing. A typed display card is included.Across centre in gold - Falls Creek Makers Mark underneath: C. R. Hose within a map of Australia On Card: ITEM No. 127 Ceramic Ash Tray - green and gold - 3" X 3" - inscribed in gold "Falls Creek" Purchased by the donor in 1953george shirling, falls creek souvenirs

Miniature bath shaped metal ash tray. On one side there is a rest for a cigarette. The bath shape rests on 3 ball shaped legs. Has been painted blue by the donor. Originally metal unpainted. The head end is higher - sloping down to the foot end. Presumably made by POW's during WW2. Found in 1956 in a tunnel by a Dhurringile boy.ash tray, metal work, dhurringile pow camp, presbyterian church, orphans, orphanage

This is an ash tray sold to tourists as a souvenir of a visit to Warrnambool. It would have been relatively cheap to buy. Souvenirs such as this were mass-produced for the tourist market and a relevant photograph inserted on the base to suit the town or settlement where they were sold. As cigarette-smoking is no longer so socially acceptable, items such as this one are no longer sold as tourist souvenirs. This item is of interest as an example of the type of souvenir sold to tourists in Australia in the first half of the 20th century, probably in the 1940s or 1950s. It is of particular local interest because it contains a photograph of Warrnambool during that time. This is a souvenir tin ash tray circular in shape. It has a colour photograph of Warrnambool inserted into the base of the dish (Flagstaff Hill showing part of the fortifications, the Lower Lighthouse, a camping ground and Warrnambool Bay). The ash tray has three lips on the side of the dish for resting a cigarette. The base is gold-coloured and is slightly tarnished. ‘Warrnambool Victoria’ tourism in warrnambool

These two trays appear to have been made as souvenirs, perhaps to commemorate the end of World War One, as the halfpennies date from 1914 to 1918. They may have been used either as ash trays or trinket trays.These trays have no known local significance but are retained as mementos of the souvenirs produced for the Australian tourist market after World War One.These are two circular-shaped brass ash trays or dishes. One has five English halfpennies affixed to the edge of the tray and one has the Rising Sun emblem of the Australian Army affixed to the centre of the tray. Both trays are slightly stained.‘English made’world war one, history of warrnambool

This ash tray is a souvenir of the City of Geelong and has been inscribed and used in 1927 as a presentation piece by the Southern Union Insurance Company of Australia. It has been presented to an employee of the company, N. Robilliard. He is possibly the son of James and Ellen Robilliard, De Jersey Norman Robilliard, who died in Warrnambool in 1973. This ash tray is of interest as an example of the type of gift given to employees in the 1920s. It is believed that the recipient was a resident of Warrnambool. This is a circular clear glass ash tray with a silver-coloured metal rim around the top edge. There are four metal scoops and a metal badge affixed to the top rim. There is also an inscription engraved on the metal rim. The silver rim is tarnished. Badge: ‘Souvenir City of Geelong’ Inscription: ‘Presented by the Southern Union Ins Co Ltd to N. Robilliard in recognition of his service as agent 7.2.27’ norman robilliard, southern union insurance company of australia