Digital Images of hand made poppies made for the ANZAC Centenary at Federation Square, Melbourne.5000 poppies, poppies, wwi, commemoration, federation square, fed square, melbourne, atrium, panel, world war one centenary, anzac

Born in Dublin, Ireland, Michael Cusack emigrated to Australia in 1982 and currently lives and works in Byron Bay, Australia. He holds a Master of Visual Arts from Queensland College of Art, Griffith University, Brisbane. His work is widely admired and features in several major public and corporate collections including Artbank; BHP Billiton; Macquarie Bank; and Newcastle Region Art Gallery in addition to various private collections in Australia, Hong Kong, United Kingdom and Ireland.abstract, abstract painting, painting, australian art

Colour photograph. From level five atrium after completion of renovation works. Taken from the north of the Atrium facing south over Lonsdale street. historic buildings, cultural structures and establishments

This view of the building is no longer possible due to the QV Melbourne development in the early 2000's. Colour photograph. Whole eastern side of QVWC building before the addition for cafe and atrium was added.historic buildings, photographs

Colour photograph. Newly created architectural model of the QVWC. Annexe or Rooftop atrium not included. Only a southern end image. architectural models, historic buildings, models

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. The atrium, Southeastern Massachusetts Technological Institute, 1963-6, (now UMass Dartmouth), Dartmouth, Massachusetts, USA. (Architect: Paul Rudolph.)Made in Australia / 33 / JUL 69M2 / Encircled 26 (Handwritten)slide, robin boyd

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. The atrium, Southeastern Massachusetts Technological Institute, 1963-6, (now UMass Dartmouth), Dartmouth, Massachusetts, USA. (Architect: Paul Rudolph.)Made in Australia / 35 / JUL 69 M2 / Encircled 19 (Handwritten)slide, robin boyd

Robin Boyd travelled to the USA and Britain for several weeks. He attended the opening of the new Australian Chancery in Washington DC, where he had designed an innovative exhibition with cylindrical display cases and sound recordings.Colour slide in a mount. The atrium, Southeastern Massachusetts Technological Institute, 1963-6, (now UMass Dartmouth), Dartmouth, Massachusetts, USA. (Architect: Paul Rudolph.)Made in Australia / 34 / JUL 69M2 / Encircled 16 (Handwritten)slide, robin boyd

Colour photograph. Rooftop, level five facing north east looking at the frame and basic structure of what was to be the atrium. Ladder in centre of photo. Taken during restoration inspection. building construction, historic buildings

Black and white photograph. Taken on the rooftop facing south towards Lonsdale street in what is the atrium. Glass panels are erected, scaffolding present in frame. Taken during restoration inspection. building construction, historic buildings, cultural structures and establishments

Black and white photograph. Level five taken from rooftop area towards what is the Atrium when it was being constructed. Walls and windows are erected. Taken during restoration inspection. historic buildings, building construction, cultural structures and establishments

Colour photograph. Interior of level 5 atrium after renovations works have been competed. Taken facing south west. There is a room divider in the foreground, left of frame. Stained glass window seen in background. historic buildings, cultural structures and establishments, christmas, official events

Located within the heart of the winery, the atrium style Cellar Door was designed by legendary Australian architect; Robyn Boyd and constructed in 1972. Offering views of the century old storage casks and famous dirt floors, the Cellar Door offers an up close experience to the making of our world famous wines.Black and white photograph of the interior of a wine cellar with stacks of wine casks of various sizes. A substantial number of people are in a glassed-in area at the back of the room. Glassed-in area ( cellar door sales area) designed by Robyn Boyd. 1972On back of photo: "S/S [upper case H in a circle] Morris"wineries, north east victoria, wine industry, morris winery, robyn boyd, rutherglen australia, winery, cellar door

The 2007 Emerging Writers' Festival was programmed by Steve Grimwade and ran from Friday, 25 May to Sunday, 27 May 2007, at the Melbourne Town Hall, State Library Victoria and Federation Square. Special events in 2007 included: - Friday night launch featuring a keynote speech by Waleed Ali on issues key to emerging writers - The 48-Hour Play Generator - Scrabble - the best in wordplay – the Festival's Saturday night party - Independent Press and Zine Fair – all day Sunday in the Atrium - RMIT Gallery art/text exhibition from May 1 - Speed Dating for writers and editorsA collection of digital photographs, taken at various events associated with the 2007 Emerging Writers' Festival.2007 emerging writers' festival, steve grimwade, literary programming, the wheeler centre, emerging writers', literary, festival, melbourne

Two short sections of flooring cut for distribution during Deakin Universities ‘Open Day’ in December 1994. This was during the conversion of Dalgety Wool Store to Deakin University’s Woolstore Campus. These small pieces of timber are part of Geelong’s history and were salvaged from the Dalgety Woolstores during the renovations. Hundred of meters of ironbark, red gum, pine and other timbers, some more than a century old, were reclaimed from the site and have been recycled as furniture and featured building materials for the woolstore campus. The old brick stores, located on a formerly neglected section of the Corio Bay shoreline, now house the administration and chancellery, architecture and building schools, information technology services, the student union, a cafeteria and, as the focal facility, a Great Hall seating 1500 people and acoustically tuned for symphony orchestras. The refit was developed from the existing grid of substantial timber columns and beams extending over 52,000 square metres. This framework was filled with lightweight panels to enclose workplaces and removed in some parts to establish courtyards, atriums and streets. The brick facades were redefined with new doors and double-glazed windows in proportion to original fenestration. Bright colours and industrial finishes identify the new insertions.Square sections of redgum lumber cut into floorboards. The sides of the lumber have a grove cut on one side and a matching section to fit within this groove on the other side. This has been done to ensure the floorboards have a tight and consistent fit with one another. The bottom of the lumber also has an additional grove running through the middle of the redgum. On top, one of the sections of lumber has three nail holes, which travel all the way through to the bottom of the wood.deakin university, dalgety wool store, red gum

Published: The Age 4 April 1934 p11 Published title: "DEMOLITION AND BUILDING ACTIVITIES IN THE CITY." Published caption: "Interesting studies in the building activities in the city are afforded by the above three photographs taken yesterday when work ceased owing to the rain. That on the left is a striking picture of the remains of the Palace Hotel buildings, running back from Bourke street to Little Collins street, better known as the Bijou Theatre. This is the largest demolition contract ever undertaken in Melbourne. The view is towards Bourke street, from a vantage point in Little Collins street. In the right centre of the ruins may be seen a large portion of the light frame and lattice work which extended over the once well known arcade. In the background three stories of Melbourne Coffee Palace, on the opposite side of Bourke street rise above the front of the theatre in the photograph, and the Melbourne General Hospital is just discernible through the mist at the top. The steel frame work in the centre picture is readily identifiable as that erected for the extension of the State Savings Bank at the south-west corner of Bourke and Elizabeth streets. The steel skeleton to the right, suggestive of immense strength, is that nearing completion in Collins street for the Bank of New South Wales." Trove article identifier: http://nla.gov.au/nla.news-article203828669 Description: Partial demolition of three-storied and five-storied buildings. One building has a large atrium. View of buildings taken from rear. Building at 225 Bourke Street (between Swanston and Russell, south side) contains Bijou Theatre. Also Victoria Arcade, built 1876, architect Joseph Reed. On other side of Arcade is Gaiety Theatre (formerly known as Oxford Theatre). Cityscape in background. Opposite is Melbourne Coffee Palace, built 1882, demolished c.1970. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer Louise McKenzie: "The largest demolition contract ever undertaken in Melbourne… The building on the left is a striking picture of the remains of the Palace Hotel buildings, running back from Bourke Street to Little Collins Street, better known as the Bijou Theatre. This is the largest demolition contract ever undertaken in Melbourne.” – The Age The Bijou Theatre was erected in 1877 and originally built as part of Victoria Arcade, which was entered through the Bourke Street frontage. The Theatre was “de rigueur with the gallants and belles of the period. Dainty ladies and white gloved, stiff collared dandies thronged the ‘promenade’ which runs under the theatre.” (Herald 5 Feb 1934) However by 1885, after a fire, the building had been rebuilt to include the three level Bijou Theatre. In November 1890, Arthur Streeton worked there briefly as a scenery painter. By 1909 it was the first “legitimate” theatre in Melbourne to screen films on a semi-permanent basis, while also covering vaudeville, pantomime and its wildly popular final program, “Mickey the Mouse” Revue. In this photo, it is being demolished by Whelan the Wrecker. The tiny iron spiral staircases that led to the dressing rooms (and down which more than one unwary actor sometimes fell) were salvaged and built into the fabric of Monsalvat at Eltham. References: https://theatreheritage.org.au/on-stage-magazine/stage-by-stage/item/52-bijou-theatrePhotographer notations on slide: "B20".demolished buildings, 1930-1939, joseph reed, theatres

Project for centenary of WWI - 5000 poppiesDigital Images of hand Crocheted poppies at Federation Square, Melbrourne.5000 poppies, poppies, wwi, commemoration, federation square, fed square, melbourne