The vote was made online, so the paper vote papers were kept and donated. Letter from Australian Statistician David W. Kalisch regarding the Australian Marriage Survey, and a photograph of the ballot paper and envelope.australian marriage law, marriage equality, australian bureau of statistics, gay marriage, same sex marriage

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The register is a record of the weddings that took place at the Mission to Seafarers church district in 1916. Each register is a legal contract, with all the information needed to legalise a marriage under Australian law. The last four pages of the register are consent forms.The register documents the weddings that took place at the Mission to Seafarers church in 1916.On the front cover, in the pink square, typed in black ink: OFFICE OF THE GOVERNMENT STATIST 1916 / NOTE /THIS BOOK OF MARRIAGE FORMS IS DEEMED SUFFICIENT FOR THE CELEBRATION OF AT LEAST 25 MARRIAGES, AND CONTAINS:- / 30 MARRIAGE INFORMATION PAPERS (FOR THE PURPOSE OF INSURING ACCURATE INFORMATION BEFORE TRANSCRIPTION INTO THE MARRIAGE REGISTER, AND OF SAVING TIME AT THE CEREMONY) / 5 CONSENT FORMS (FOR MARRIAGES OF MINORS); / 10 QUARTERLY SUMMERIES (WHICH MAY ALSO BE USED AS WRAPPERS FOR QUARTERLY RETURNS, &C.) / THIS BOOK IS TO BE REGARDED AS CHURCH PROPERTY, AND / IS TO BE IN THE CUSTODY OF THE CLERGYMAN OFFICIATING FOR THE / TIME BEING AT THE PARISH OF DISTRICT CHURCH. / 17595.register, wedding, marriage, marriages, mission to seafarers, dio-marriages, 1916

This register was used by the Mission to Seamen, in the St. Peter's Seamen's Church from the 14th of December, 1935 to the 3rd of May, 1941. It records the weddings that took place at the church, along with all the information necessary to legalise the marriage under Australian law.The register details weddings conducted at the St. Peter's Seamen's Church between 1935 to 1941.Front cover: REGISTER NO. 4 / 14-12-35 / TO / 3-5-41 handwritten in ink. In the top right hand corner of the the front cover is a Mission to Seamen, Melbourne stamp, in blue ink.wedding, mission-to-seamen, wartime, register, marriages, dio-marriages, st peter chapel, mission to seafarers, seamen's mission

This photograph features a woman and a man, both older, seated together on a bench at Benalla railway station, c.1917. The woman on the left, wearing a hat and face veil is Mrs Kelly (Ellen Quinn Kelly), Ned Kelly’s mother and the man beside her is Ned Griffiths. Born in 1832 in Ireland, Ellen married John ‘Red’ Kelly, an ex-convict who also originated from Ireland, in 1851. She met Kelly after emigrating to Australia with her parents. Ellen and John Kelly had 7 children, the eldest of these is the infamous Bushranger Edward "Ned" Kelly. John Kelly died in 1866. Ellen had 7 children to care for and not much money so she relocated the family to Greta where she had relatives. Ellen remarried in 1874 to a young George King, an American originally from California. The couple married in Benalla and together they had 3 children. Ellen and King's children would later adopt the surname Kelly after George disappeared in 1877. Ellen spent three years in prison for the assault of Constable Fitzpatrick (an incident surrounded by mythology and uncertainty). She later passed away in her early 90s on the 27th of March 1923 at Greta. In this photograph, Albert "Ned" Griffiths wears a hat, full suit, and glasses. He is Ellen Kelly's son-in-law from his marriage to her daughter Grace Kelly. Ned Griffiths was born in 1871 and died in 1939. He married Grace Kelly in 1889 in Benalla and together the couple had nine children.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Individuals like Ellen Kelly played an essential part in the Kelly story which have been adapted for popular culture. The study of these individuals through their images and records can help researchers to correctly interpret their involvement with Ned Kelly and the Kelly gang.Original sepia rectangular photograph developed on matte photographic paper, mounted on board.Reverse: (Top half of reverse) Mrs Kelly/Mother of Ned Kelly And Mr Ned Griffiths her/ Son in law – husband/ Of Grace Kelly/ (Down right side of lower half of reverse) 855-184-1kelly album, ellen kelly, ned griffiths, photograph, grace kelly, mourning attire, ned kelly, mother, son-in-law, the kelly gang, burke museum, sepia photo, mounted photo, victoria, benalla, australia, 1917, benalla railway station

ESCAPE TO ELTHAM traces the family of John and Anna Lane who lived in Shanagolden in County Limerick during the early and middle parts of the 1800s. They lived during a time of conflict and famine. This story follows the movements of their son, Richard, and daughter, Anne, who migrated to Australia. The marriage of Anne to Tobias Butler and Richard's life establishing his farm on the Yarra River in the 1850s are explored. Marriage, children, deaths and a murder in 1861 are changes forced on the family. Richard's son, Patrick, marries a young Bridget Carrucan but when the global recession of the 1890s decimates Patrick's businesses he heads to the arid Western Australian goldfields to 'make his fortune'. The large family follows and settles in Boulder where the behaviour of a couple of the boys gets them into scapes with the law. This story celebrates the tenacity of a family whose members left adversity in Ireland hoping for a kinder life in Australia.john lane, anna lane, richard lane, patrick lane, bridget carrucan

This unusual wall decoration was created by Anna Wilson (nee Henry), daughter of pioneer John Stephenson Henry, who arrived in Australia from Ireland with his children in 1851. Family documents confirm that Anna most probably made the diorama for her sister-in-law, who married a member of the Giles family. The diorama was later given to Vera Giles who was a family friend and possibly related to Anna’s sister-in-law by marriage. The diorama is now part of the Giles Collection. Anna married William Wilson in 1860, who had arrived in Australia from County Tarrane in about 1850, aged 19. In 1869 they moved to their new property called ‘Glenlyall’ in Cooramook, north of Grassmere, Victoria, where he lived for 49 years until his death in 1918. He left behind a family of four sons and a daughter. The Giles Family There are many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The family of the creator Anna Wilson nee Henry and her husband William Wilson are of significance to the early history of Victoria and the South West of Victoria in particular, being pioneer families who farmed the land, built the towns and cities and contributed to their communities. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Wall decoration, diorama with decorative gild frame and glass front. The 3-dimensional seascape includes sailing boats, land and sea, all made from materials such as shells, coral and seaweed. The work was made by Anna Wilson. It is part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods, 19th century decor, 19th century handcraft, handcraft, wall hanging, diorama of a seascape

Paper pamphlet printed by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Prince Henry, Duke of Gloucester, KG, KT, KP, GCB, GCMG, GCVO, PC (Henry William Frederick Albert; 31 March 1900 – 10 June 1974) was the third son and fourth child of King George V and Queen Mary. He served as Governor-General of Australia from 1945 to 1947, the only member of the British royal family to hold the post. Princess Alice, Duchess of Gloucester, GCB, CI, GCVO, GBE (born Alice Christabel Montagu Douglas Scott; 25 December 1901 – 29 October 2004) was the wife of Prince Henry, Duke of Gloucester, the third son of King George V and Queen Mary. She was the mother of Prince William of Gloucester and Prince Richard, Duke of Gloucester. The daughter of the 7th Duke of Buccleuch, Scotland's largest landowner, she became by marriage a princess of the United Kingdom, and a sister-in-law to Edward VIII and George VI. She was thus an aunt by marriage to Elizabeth II. Princess Alice was extremely well travelled, both before and after her marriage. At the time of her death at 102, she was the oldest living member of the British royal family. David W. Streader (1887 - 1978) was Mayor of Bendigo from 1946 - 47. He was a JP and belonged to the Loyal Sandhurst Lodge. Paper pamphlet printed in blue, purple and red ink by the COGB and signed by Mayor David W Streader to thank the children who participated in the welcoming tableau for the Duke and Duchess of Gloucester to Bendigo, Thursday, 14th November, 1946. Souvenir / City of Bendigo / To the Children who participated in the TABLEAU / welcoming THEIR ROYAL HIGHNESSES, / THE DUKE and THE DUCHESS of CLOUCESTER / BENDIGO, Thursday, 14th November, 1946 / [ decorative line break] / After following with rapt attention the various phases / of the TABLEAU of WELCOME in THEIR honour, HIS ROYAL / HIGHNESS, THE DUKE OF GLOUCESTER, on behalf of the / DUCHESS and HIMSELF, said :- / [italics] "I am deeply moved by this magnificent spectacle. / Will you kindly convey my grateful thanks to all / concerned in the presentation of this beautiful / tableau ?" / in conveying this message to you, may I , as Mayor of / the City, add my personal congratulations and thanks to/ those of THEIR ROYAL HIGHNESSES for such a delightful / effort. / [signed] David. W. Streader / Mayor duke and duchess of gloucester, governor-general, city of greater bendigo royal visits, city of greater bendigo tourism, mayor d.w. streader, mayoress streader

Caroline Lewers, née Murrell, b. 1867 at Happy Valley, was a daughter of Ambrose and Mary Murrell. Prior to her marriage, Caroline Murrell assisted her mother to manage the Victoria Hotel in Linton. In 1910 she married William Ochiltree Lewers (son of Annie Lewers and Samuel Lewers). Caroline's sister-in-law Lily (Mary Lillian) Murrell, née Young, was born in Birmingham, England, and migrated to Australia with her father James Young when she was seven. In Australia James Young changed his name to Clarke and was known as James Young Clarke (Lily also used this surname). James Young Clarke moved with Lily to Linton, where he ran J Y Clarke's tobacconist and barber shop in Sussex Street. Lily Clarke married William Murrell, son of Ambrose and Mary Murrell, in 1901. They lived at Daylesford and other localities before returning to Linton in about 1912, when William Murrell took over management of the newsagency. Caroline on left, in fur coat; Lily on right, in print dress.Black and white copy of original photograph which shows two women walking in a street near shops. Both are wearing hats and coats. An unidentified man is walking behind them. The photograph was most likely taken by a street photographer and the two women in it appear to have been out shopping.caroline lewers (née murrell), lily murrell (née young/clarke)