Donated by Mr Leslie Rourke.wool industry wool sales sheep stations - management textile mills textile mills, c. of a. - australian taxation office, wool industry, wool sales, sheep stations - management, textile mills

Slim Bound Wages Ledger Book, Dark Green Cover, for perriod 1939-1948. Only a sample of pages scanned. Includes loose copies of "Rates of Weekly Installment Deductions" from Commonwealth of Australia Taxation Office and Victorian Chamber of Manufacturers for 1947, 1951,1952 and 1953 (Not scanned)

Documents: Collection of Legal Documents: Solicitors, Registrar General's Office, State Savings Bank, Department of Mines Victoria, Share Brokers, Taxation Office, The Union Trustee of Australia Limited, Profit and Loss Statements, Letter from South Costerfield Antimony & Gold Mining Company No Liability & other letters, Letter Dated 26-10-1953 states Mine not worked for many years may go into Liquidation, 17-03-1955 Company has disposed of all assets and entered into voluntary liquidation.organization, business, industrial - mining, mccoll rankin & stanistreet, mining, gold mining, central napoleon

Ruby married Archie Harker. They lived laterly in Grange Street Mont Albert.6 various coloured papers tax assessments in a buff coloured envelpe from the Taxation Office Commonwealth of Australia.

Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

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