non-fictionAncestors of a Wimbledon Champion (2010) by June Shanahan tells the story of June’s sister Margaret Court (née Smith) and her ancestors. Margaret grew up in Albury and became one of the greatest tennis players that the world has seen.margaret court, margaret smith, ancestry margaret court nee smith, wimbledon champions, australian tennis players

Leather album belonging to Nell Hopman and containing photographs taken by her on a 1938 tour to Europe with other Australian tennis and cricket players. Materials: Leather, Paper, Photographic emulsiontennis

Ambassadors of the Arthritis Foundation of Victoria's "Give Yourself A Sporting Chance" campaign pose for a photo at the AFV's headquarters in Elsternwick. Pictured are: (back row, from left to right) Neale Fraser (Australian champion tennis player), Pam Ryan Kilborn (sprinter, long jumper, pentathlete, and world record hurdler), and Peter Thomson (Australian champion professional golfer); and (front row, from left to right) John Landy (Australian world record middle-distance runner and, later, Governor of Victoria 2001-2006), and George Latham (champion Australian croquet player, coach, and administrator).Colour photo of five people in a courtyard with two large ferns. Two people are sitting on a park bench and three people are standing behind them, holding up a sign.[On a white label, handwritten in blue ink] Back: Neale Fraser, Pam Ryan (Kilborn) Peter Thomson Front John Landy, George Lathamarthritis foundation of victoria, afv, give yourself a sporting chance, injury prevention, neale fraser, tennis, pam ryan kilborn, hurdler, sprinter, long jumper, pentathlete, peter thomson, golfer, john landy, middle -distance runner, governor of victoria, george latham, crocquet player, coach, administrator, victorian croquet association

Dorothy Round in shorts English-born Dorothy Round (1909-1982) plays tennis at Albert Park Cricket Ground, wearing her signature white sleeveless dress with divided skirt, pleated to form loose shorts. Dorothy won Wimbledon in 1934 and 1937, and the Australian Open in 1935. In the early 1930s, many women players in Europe and USA swapped stockings and long skirts for bare legs, short skirts and shorts. In October 1933, Mr Harley Malcolm, Secretary of Lawn Tennis Association Australia (LTAA) declared, “I consider shorts not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut themselves in such a costume is unreasonable.” However by November, the Victorian Lawn Tennis Association (VLTA) officially allowed shorts at Kooyong for both sexes. At the July 1934 Wimbledon Women’s Final, played in front of the King and Queen, Dorothy wore a sleeveless dress with the skirt divided. Her American competitor, Helen Jacobs, wore white tailored shorts with a black stripe on either side, described as “mannish, though businesslike”. In October, Australian tennis player Mrs Nell Hopman warned, “When Miss Dorothy Round arrives in a few weeks’ time, the LTAA will have to reconsider its decision about women playing in dresses, as she is sure to bring a trunkful of shorts. Miss Round has a “shorts only” rule which I fancy she will stick to here. She is the most stylish player I saw abroad.” The papers also reported that “Mrs Hopman saw no “he girls” among tennis players in Europe. Even the almost universal rule for shorts did not make them look masculine.” Dorothy said, “I wear shorts because they do not get in the way as a frock does. Mine are made in one piece and this avoids any tightness around the waist.” Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer. Photographer notations on slide: "Mrs D Round; D Round B6" Description: Dorothy Round plays tennis at Albert Grounds, Albert Park, Melbourne. She is wearing her signature white sleeveless dress with divided skirt, pleated to form loose shorts. Research by project volunteer, Fiona Collyer: Dorothy Round (1909-1982) was an English tennis champion from Dudley, Worcestershire. She won the Wimbledon Women’s Singles in 1934 and 1937. In 1935 she won the Australian Championships Women’s Singles in Melbourne. Dorothy won the Mixed Doubles at Wimbledon in 1934, 1935 and 1936. Dorothy was a staunch Methodist and taught Sunday School at Dudley Wesleyan Methodist Church throughout her career. She did not drink, smoke, dance or play tennis on Sundays and declined to compete in the 1933 French Open as tennis officials refused to comply to her scheduling preferences of No Sundays. During the Wightman Cup in New York when play was rained out on the Saturday, Dorothy refused to return on the Sunday. Officials reluctantly agreed to reschedule the clash for Monday, where she put in a sub par performance, prompting the New York Times to quip “Miss Round doesn’t play on Sundays, and doesn’t play particularly well on Mondays!”. In the early 1930s many women tennis players in Europe and USA abandoned their stockings and long skirts for bare legs, short skirts and shorts and some men swapped their long flannel trousers for shorts. British player Henry “Bunny” Austin was the first top male player to wear shorts at Centre Court Wimbledon in 1933, and his sister Joan Lycett nee Austin became the first female player to play without stockings on Centre Court, appearing with bare legs and ankle socks in 1931. In 1933 Mr Harley Malcolm, Secretary of the Lawn Tennis Association Australia (LTAA) and referee of big tournaments , said “the rules say regulation costume must be worn – I consider shorts are not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut themselves in such a costume is unreasonable.” (Herald 5/10/1933) However, by November 1933 the Victorian Lawn Tennis Assn officially allowed shorts as regulation dress at Kooyong for both sexes. One speaker suggested that as the majority of women were knock-kneed, the privilege of wearing shorts would not be taken up extensively by them. He added that women were not intended by nature to wear such garments. Another member mentioned that men were rather handsome objects and “works of art” and would carry off the short pants vogue nicely. (Sun Sydney 15/11/33) At the 1934 Wimbledon Singles Finals, playing in front of King George V and Queen Mary, Dorothy wore her signature outfit of sleeveless white dress with the skirt divided and pleated to form loose shorts and American Helen Jacobs wore white tailored shorts with a black stripe on either side described as “mannish, though business like.” In the lead up to Dorothy’s arrival in Australia to compete in the Australian Championship of 1935, there was much speculation written in the press about Dorothy’s preference for wearing shorts. Tennis player Mrs Nell Hopman warned “When Miss Dorothy Round arrives in a few weeks’ time, the Australian Lawn Tennis Association will have to reconsider its decision about women playing in dresses, as she is sure to bring a trunkful of shorts.” “Miss Round has a “shorts only” rule which I fancy she will stick to here. She is the most stylish player abroad.” Mrs Hopman saw no “he girls” among the tennis players in Europe. Even the almost universal rule for shorts did not make them look masculine. Mrs Hopman brought back a couple of pleated pairs that tennis player and designer Mrs Fearnley-Whittingstall (nee Eileen Bennett) made popular and worn by most English players. “They are really quite radical for they look no more startling than a short, pleated skirt” she said. (Newcastle Sun 1/10/1934) Writing for the Sydney Morning Herald 6/12/34, Dorothy said ”I have heard that a photograph of a player wearing shorts was sent to the Queen for her approval and I understand that she said in reply “that they were very attractive”. The Queen is a frequent and interested visitor to Wimbledon so this story is most credible and possibly explains the lack of official opposition to shorts this year.” “I wear shorts because they do not get in the way as a frock does. You have probably noticed that mine are made in one piece and this avoids any tightness around the waist. I don’t know whether shorts have come to stay. They do not suit everybody and the majority of the men don’t like the women in them and this may help condemn the fashion. I really think the men dislike them because too many people who shorts obviously do not suit rushed to be in the fashion and the result was devastating. For my part, I hope that this comfortable fashion endures.” Dorothy’s doubles partner, English tennis champion Fred Perry, did not approve of shorts for men and was particularly perturbed at the idea of women wearing them. Fred always wore long, white flannel trousers and white collared polo shirt on the tennis court. In July 1935 Dorothy took up a post as a dress designer and sportswear design advisor at British outfitters Jaeger. She published two books – “Modern Lawn Tennis” in 1935 and ”Tennis for Girls” in 1938 – described as cheerful and sensible guides. In 1937, Dorothy married Dr Douglas Leigh Little at Dudley Wesleyan Methodist Church. Her wedding dress was designed by renowned fashion designer Teddy Tinling who specialised in designing tennis dresses. (Tinling designed the dress worn by Billie Jean King for the famous “Battle of the Sexes” tennis match against Bobby Riggs in 1973.) News reel co. Gaumont British News filmed the wedding, showing 10,000 people, mostly women, surging towards the couple, describing it as a riot, and quipping that Dorothy’s forehand was useful when cutting the wedding cake. The city of Dudley gifted the couple an antique walnut bedroom suite chosen by them. Dorothy and Douglas had a son, Ian, and a daughter, Patricia. She gave up competitive tennis to coach and write newspaper articles. In later life she took up golf. Dorothy died of cancer in 1982 aged 73. She was inducted into the International Tennis Hall of Fame 1986. In 2004 a bronze bust of Dorothy was installed at Wimbledon, and in 2013 a life size bronze statue was erected at Priory Park, Dudley. References: MRS. HOPMAN RETURNS (1934, October 1). The Newcastle Sun (NSW : 1918 - 1954), p. 9. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article166292409 FIGURED IT OUT (1933, November 15). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article230199908 FASHIONS OF THE TENNIS COURTS. (1934, December 6). The Sydney Morning Herald (NSW : 1842 - 1954), p. 7 (Women's Supplement). Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article28021332 Leading Tennis Referee Condemns Wearing of Shorts (1933, October 5). The Herald (Melbourne, Vic. : 1861 - 1954), p. 11. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article243193607 DOROTHY ROUND Chooses Going-Away TROUSSEAU (1937, September 4). The Australian Women's Weekly (1933 - 1982), p. 39. Retrieved September 20, 2023, from http://nla.gov.au/nla.news-article51588090 Ban On Shorts For Tennis Girls? (1934, April 15). The Sun (Sydney, NSW : 1910 - 1954), p. 3. Retrieved February 5, 2024, from http://nla.gov.au/nla.news-article230535547 Dorothy Round Little - one of Britain's greatest champions, 13 September 2009, Tennis Forum, https://www.tennisforum.com/threads/dorothy-round-little-one-of-britains-greatest-champions.409612/Photographer notations on slide: "Mrs D Round; D Round B6".tennis, clothing and dress, 1930-1939

This calendar was issued to customers of Harry Taylors Mens Shopin Warrnambool in 1962. Harry Taylor came to Warrnambool in 1932 and opened a menswear shop in Liebig Street. By 1962 Harry’s sons were running two shops at 132 and 136 Liebig Street. In the 1980s the shop at 132 Liebig Street was known as Taylors Colonial. Today this shop is still operated by members of the Taylor family under the name of Surfodesy. Members of the Taylor family been associated with men’s wear and sports wear shops in Warrnambool, for over 80 years and so any historical item connected with the shops is of some importance. The production for customers of a yearly calendar by businesses was, and still is, a feature of our social history.This is a 1962 calendar printed in blue and red on white paper. It has been produced for Harry Taylor’s Men’s Shop in Warrnambool and features two photographs, one of Margaret Smith, the tennis player and one of the Duke of Edinburgh. There is much typed material showing dates etc of prominent sports activities in Australia in 1962. A calendar for 1962 is at the bottom of the page.warrnambool, calendar

Four females in tennis outfits, one sitting at the front. ballarat school of mines, tennis

File sizes Review ideal file sizes for photos http://www.tennishistory.com.au/equipment/vintage-racquets/racquet-retailing.html Extract - Born in Bendigo in 1905, Albert Brewer came to Melbourne in 1920 to commence work as a furniture factory machinist at Rojos Pty.Ltd. in Little Lonsdale Street Melbourne . http://en.wikipedia.org/wiki/Catgut Catgut is a type of cord[1] that is prepared from the natural fiber in the walls of animal intestines.[2] Usually sheep or goat intestines are used, but it is occasionally made from the intestines of a hog, horse, mule, pig or donkey. The name neither implies nor derives from any association with cats. The word catgut may have been an abbreviation of the word "cattlegut". Alternatively, it may have derived by folk etymology from kitgut or kitstring -- the word kit, meaning fiddle, having at some point been confused with the word kit for little cat. According to legend, string makers of the 17th century deliberately misled people to believe that the strings were made of cat intestines in order to protect their industry, as any association with cats was superstitiously believed to be extremely bad luck, and to be avoided at all costRacket or Racqet. A teardrop shaped wooden frame with tight interlaced network of strings. The strings are made of Cat-gut, several are broken. See narrative on Cat gut.The racket is branded Colt at the base of the tear drop and Designed for Young Players. Made by Brewer Australia. Maker of the Worlds famous style,is printed on the handle on both sides. The frame is made of laminated wood. The paint is in poor condition.The racket has a leather grip, the grip is is worn and stained. .Powerhouse Museum Collection Thesaurus Light bats consisting of a network of cord or nylon stretched in an elliptical frame, used chiefly in playing ball games like tennis, badminton, etc.Colt. Made by Brewers Australia. Maker of the Worlds Famous style leader. Designed for young playersball, sport, leather, game, racquet, racket, colt, cat gut, strings, young players, brewer, handle, grip

Photograph of Swedish former world N.1 Tennis player Stefan Edberg playing in Australia Bendigo Advertiser description on back of photo: Stefan Edberg (Sweden)recreations, sports, awards

Tennis greats Rod Laver and Frank Sedgman with Watson Holden. Cars were made available to transport players during the Australian Open.Digital copy of black and white photographpurcell stubley, watson holden, frank sedgman, rod laver

Michael Collins, senior tennis player and coach at Greensborough Tennis Club played in the successful Australian team in the Von Cramm Cup in June 2015.News clipping, black text, colour image.michael collins, greensborough tennis club

The picture was possibly taken during the opening of the court.The 20s was the golden age of tennis around the world and its popularity was growing in Australia as well. It is unclear why it was decided to build a tennis court at the Mission but Reverend Weller, freshly arrived from the UK, probably saw the opportunity to entertain the benefactors and attract a younger generation to visit the Mission. And it was surely popular with the young ladies of the Harbour Light Guild. See pictures 0518 and 0521.Young unidentified tennis players (men and women) posing behind the net of the Mission to Seamen court.tennis court, sports, lhlg, seamen, officers, siddeley street, weller album, cadets, 1926

New tennis courts on Diamond Street, Diamond Creek. The car belongs to Dr. E. Cordner Senior who was a keen tennis and football player. The courts were originally located at a site below Fyffe Street but were demolished when railway construction began in 1911. - Yarra Plenty Regional Library (via Picture Victoria) http://www.picturevictoria.vic.gov.au/site/nillumbik/NillumbikLocalHistoryDigitisationProject/6918.html The official opening of the Diamond Creek Tennis Club was on Saturday, December 2nd, 1922 where Dr. E. R./ Cordner (President) presided. 1922 'Diamond Creek.', Advertiser (Hurstbridge, Vic. : 1922 - 1939), 8 December, p. 2. (AFTERNOON), viewed 16 Feb 2020, http://nla.gov.au/nla.news-article56637465 The car belonging to Dr Cordner is a Ford Model T. The first Australian made Model T came off the production line in Geelong, 1 July, 1925. Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmcar, diamond creek, diamond creek tennis club, diamond street, dr edward rae cordner snr, ford model t, motor vehicles

Newspaper Clipping from "The Mail", 16-1-1996. P 9 "Maroondah players"'. Sue SalibaFormer Australian junior tennis champion, Sue Saliba, has moved from the international tennis circuit to coaching juniors at the Parkwood Tennis Club in Wonga Road.Following her junior title in 1974, Sue, now 38, joined the professional ranks and moved to the international circuit in 1996. At her peak, Sue was ranked No. 1 in Victoria and No. 3 in Australia.

From caption on back: Photograph of Robert (Bob) Maurer (left) and Barry Keith Taylor, now dec. (right). Greensborough Tennis Club near Plenty River mid 1960s. Barry's parents lived behind the Commercial Bank of Australia in Main Street; Greensborough. He attended Ivanhoe Grammar early 1960s. Very good tennis player.Original photograph of Greensborough Tennis Club players 1960s.Black and white photograph of two men at tennis club.Caption on back of photo.greensborough tennis club, robert maurer, barry keith taylor, rosemary isaacs

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Wertheim sewing machine in carry case, hand operated with two spindles, handle with locking pin, which turns lever between spokes of main handle, hand brake. The machine is table-mounted with a Turkish walnut base. The base can be attached to a cast iron table with a foot treadle as an optional extra. The walnut base has marquetry to the front set out as a measure for material. There is also an accessory box inside the carry case containing 20 additional items for use with the machine. Wertheim brass trademark badge riveted to the body of the machine of a crouching dwarf with a hammer with the name of the company Wertheim and Frankfurt. Gold filigree decoration in gold paint adorns the main body of the machine. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand operated sewing machine, crank handle sewing machine, wertheim, dressmaking, taylor, domestic, clothing, hugo wertheim, joseph wertheim

Hugo Wertheim (1854-1919), was a merchant and manufacturer and was born on the 12th July 1854 at Lispenhausen, in the German electorate of Hesse-Kassel, son of Meyer Wertheim and his wife Minna, née Heinemann. Hugo reached Melbourne in October 1875. He soon began advertising, from premises at 39 Flinders Lane East, as agent for his father's cousin Joseph Wertheim, a well-established manufacturer of sewing machines. Hugo returned to Germany where he married Joseph Wertheim's daughter Sophie Emilie (1864-1953) on 30 August 1885 at Frankfurt. the couple then came to Melbourne. In a short time, with extensive advertising, Hugo established a substantial business, selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He also mounted elaborate displays at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. O. C. Beale worked with him before setting up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Wertheim opened a large, innovative piano factory at Richmond, Melbourne, intending to produce 2000 pianos and player pianos annually, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis on 11 July 1919 at his home at South Yarra, his wife, two daughters and three sons survived him; Herbert Joseph (1886-1972), the eldest, continued the business. Rupert became a share broker and went on to represent Victoria in inter-State tennis in 1913-27 and Australia in Davis Cup matches against Czechoslovakia in 1922. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices.Early Australians had to be self-reliant in regards to making and mending their clothes and utensils. This sewing machine was one of many items used that exhibit the skill and craftsmanship of the women in these early families. A sewing machine was a necessary part of each home and this item demonstrates how women of the time managed had to become self-reliant in the repair and making of their families clothes to make their household budgets go further.Sewing machine, Wertheim brand “ Syst 182” hand crank operated machine with folding handle, timber case and carry handle. Metal machine is painted black, with remnants of gold, red and green scrolls and floral decoration. Machine has base with inlaid measuring rule across front and 2 holes drilled through the base (perhaps for mounting machine to a bench). Machine tilts open, hinged on one side, after thumb screw is unwound, revealing machine’s workings and serial number. Base has a fitted round, concave, silver metal pin holder with lid that hinges open, and symbol pressed into lid; several pins are inside. Body of machine has brand name transfer across front and oval metal trademark disc on front. Metal sliding covers over footplates have stamped lettering. Timber machine case or cover includes an accessory box with sliding cover and metal hook and eye latch, and inside the box are 23 metal sewing attachments, a disc and a stick of black crayon with maker’s trademark on it paper cover. Workings of machine have seized up. The crayon wrapper has printed on it “For the wonderful Wertheim new family machine made in Germany ‘Syst. 182’”, and the maker’s symbol with “Trademark” beside it. Made for Hugo Wertheim.“WERTHEIM” transfer across front and back of machine body. Cover of pin holder has symbol ‘Wings above a shield’. Maker’s trademark on gold oval disc, “WERTHEIM / FRANCFURT” and picture of a dwarf with a hammer. Left footplate has script “Syst 182”, right footplate has stamp in oval shape “MANUFACTURED IN - - /SPECIALLY FOR / HUGO WERTHEIM” Serial Number “7501”flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sewing machine, hand crank sewing machine, hugo wertheim, wertheim, clothing manufacturer, sewing, syst 182

A black and white photograph that was taken at Mary-Lyn Guest House in Marysville. Mary-Lyn was a part of the Mary Chain of guest houses built by Eric Dowdle in the Depression years. The photograph is of a group of tennis players at Mary-Lyn.A black and white photograph that was taken at Mary-Lyn Guest House in Marysville.marysville, victoria, australia, mary chain guest houses, mary-lyn guest house, eric dowdle, photograph, tennis

On Wednesday, October 20, 1999, World Osteoporosis Day (WOD), Osteoporosis Victoria conducted a morning of physical activities with the Year 9 students at Shelford Girls' Grammar School in Caulfield. Titled, "Come & Try Day", the activities on offer included abseiling, golf, table tennis, Tai Chi, football, and indoor lawn bowls. In this photo, students learn techniques used in the game of lawn bowls from some experienced players.COL photo of a group of teenagers and a few older adults. They are inside a building, where a portable bowling green with a wooden frame at one end has been placed on the parquetry floor. The teenagers are wearing pale blue polo shirts and navy blue tracksuit pants. The adults are wearing navy or white and navy tracksuit jackets over either navy or grey trousers. Most of the teenagers are holding a small black bowling ball in their hands. One older woman is holding a smaller white ball in one hand. There are several black bowling balls on the artificial bowling green on the floor.world osteoporosis day, wod, osteoporosis victoria, ov, come & try day, active for life, just 30 minutes a day, physical activities, exercise, indoor lawn bowls, shelford girls grammar school, year 9 students, year 9 cohort, high school, secondary school, caulfield, 1999

On Wednesday, October 20, 1999, World Osteoporosis Day (WOD), Osteoporosis Victoria conducted a morning of physical activities with the Year 9 students at Shelford Girls' Grammar School in Caulfield. Titled, "Come & Try Day", the activities on offer included abseiling, golf, table tennis, Tai Chi, football, and indoor lawn bowls. In this photo, Arthritis Victoria's Tim Bryer practices bowling a ball on an artificial indoor court while a few experienced players and school students look on.COL photo of a man bowling a small black lawn bowl along a portable artifical bowling green. He is wearing a blue collared shirt and dark trousers. There are four people of varying ages watching him bowl. Two teenagers are wearing blue polo shirts with navy blue trousers; a middle-aged man is wearing a white shirt and blue tie, with a navy and white tracksuit jacket over navy blue trousers; while an older woman is wearing a navy tracksuit. They are in a school hall or gymnasiun. In the background, some open lawn bowl cases are sitting on top of some black plinths stacked up against a wood-panelled wall.world osteoporosis day, wod, osteoporosis victoria, ov, come & try day, active for life, just 30 minutes a day, physical activities, exercise, indoor lawn bowls, shelford girls grammar school, year 9 students, year 9 cohort, high school, secondary school, caulfield, 1999

Published: The Age, Sat 14 October 1933 Published title: A Royal Portrait Published caption: "Seen at his studio, Alphington, Mr. W. B. Mclnnes's portrait of the Duke of York, which he painted recently on commission from the trustees of the Castlemaine Gallery, at St. John’s Wood, London, impresses as a vital record of one whose natural habitat is a palace, and whose place in life is one of near relationship to the throne of England. The Duke is painted in the uniform of the admiral of the fleet, a highly ornate vesture entailing much elaboration of gold and numerous medals, in dealing with which the artist has not failed to centre his attention on the head, and has succeeded in producing what is undoubtedly a soundly painted portrait and a good likeness. During the five fittings Mr. Mclnnes, apart from the ordinary social amenities, found his Royal sitter little inclined to talk, though he spoke feelingly of his trip to Australia and the pleasure it had given him: but with the Duchess the tendency to be sociable was much more clearly pronounced. She took, and expressed, a keen interest in the social and political matters of the day with a special concern for the supremacy of England and Australia in all questions relating to sport, such as cricket, tennis and golf. She spoke well of her portrait painted by Quinn, and regretted that she would not see the two hung side by side at the Castlemaine Gallery." Description: An unframed painting of a standing, middle-aged man dressed in the uniform of a Royal Navy admiral of the Fleet with medals, sash, ornate belt, cuffs and epaulettes. His left hand rests on the handle of a sword in its scabbard and his bicorn hat and white gloves are on a table beside him. To his right is a globe of the world showing Australia. Research by project volunteer, Fiona Collyer: In 1933, Castlemaine Art Gallery trustees commissioned artist W.B. McInnes (1889-1939) to paint a portrait of Prince Albert, Duke of York as a companion piece to the portrait of his wife, the Duchess of York, that the gallery had commissioned Australian official war artist James Quinn (1869-1951) to paint in 1930. During the First World War, the Duchess’s childhood home, Glamis Castle in Scotland was used as a makeshift military hospital and convalescence home for wounded soldiers. Many servicemen from the Castlemaine area recuperated there and had fond memories of the kindness of the teenage Lady Elizabeth Bowes-Lyon (1900-2002, later Duchess of York) who spent the war years running errands and aiding in the welfare and morale of the patients. In 1927, the Duke and Duchess of York (later King George VI and Queen Elizabeth) came to Australia to formally open the newly built Parliament House in Canberra and to tour the country. While visiting Victoria in April, they embarked on a whistle-stop train journey to Bendigo, stopping at Kyneton for ten minutes and Castlemaine for 15 minutes. At Kyneton, an excited crowd of 10,000 people welcomed the couple with “three cheers and three cheers for Baby Betty” before the Duchess was presented with a bouquet of locally grown roses and the Duke a bound album of photographs of noted beauty spots of the district. Next the Royal Couple stopped at Castlemaine to the cheers of 15,000 people. There the couple were presented with a basket of prime quality Harcourt apples and a pair of cot blankets, manufactured at Castlemaine Woollen Mills, a birthday gift for baby Princess Betty. The Duchess recognised Colonel W.E. James, of the Seventh Battalion, who had convalesced at Glamis Castle in 1917, and they chatted before the train departed, while the Duke shook hands with returned soldiers. Last stop was the town of Bendigo which was colourfully decorated with bunting and flags, arches and flowers. 3000 pigeons were released on their arrival and the liberated birds circled overhead for several minutes as if to welcome the Royal Couple. A crowd of 50,000 cheering people lined the streets in bright sunshine as the couple drove by. From an arch over Hargreaves Street, pretty girls showered the pair with rose petals. The Duke was presented with a gold nugget and an album, handsomely bound in morocco, of a history of the Bendigo mining industry, while the Duchess received a bouquet of prize winning white chrysanthemums. After 75 minutes in Bendigo they journeyed back to Melbourne for a State reception. While the couple were in Melbourne, the Duke often played lawn tennis at the Government House courts with three times Grand Slam champion Norman Brookes, who declared that while he considered the Duke a second class player whose serve lacked sting, he had a fine backhand and with time and practice he could become a first class player. The federal Parliament had previously been situated in Melbourne, but Canberra was chosen as the location for Australia’s capital as a compromise between fierce rival states, Victoria and NSW. It is written in the Constitution that the federal capital would be in “the State of NSW... distant not less than one hundred miles from Sydney.” The word Canberra is thought to derive from the local Ngunnawal word “Kanbarra” meaning “meeting place”. The Provisional Parliament House was a large, white, three storey building facetiously dubbed “The Wedding Cake”, plonked down in a bare, former sheep paddock. It was decorated for the event with Union Jacks and Australian red ensign flags. On 9 May, the day of the opening, the expectant crowd assembled in front of the building. Only two of the spectators were Aboriginal. One was Jimmy Clements (1847-1927, aka Nangar or Yangar, but popularly known as “King Billy”), accompanied by his three dogs. (The title “King” or “Queen” was often given by white settlers to Aborigines who were seen as allies and could maintain good relations between First Nations groups and the colonists. Some were given inscribed brass breastplates or gorgets to wear.) Jimmy was an excellent horse breaker and expert tracker for the police. He was also the nephew of “Queen” Nellie Hamilton (1842-1897) of the Canberra-Queanbeyan region, home of the Ngambri and Ngunnawal people. Nellie was the oldest surviving full-blooded Aboriginal woman in the district. The other was George John Noble (1840s-1928, aka Ooloogan, also “Marvellous” due to his regular use of the word). Both were initiated Wiradjuri walamira elders: “clever men” believed to have the ability to heal physical and spiritual ailments. They were also travelling showmen, skilled at boomerang and spear throwing and often performed at country agricultural shows and football matches. They had walked barefoot for three days from the Brungle Mission, near Gundagai. 11 May 1927, The Argus reported that “King Billy... claims sovereign rights to the Federal Territory” which the National Archives of Australia describes as “possibly the first recorded instance of Aboriginal protest at Parliament House in Canberra.” 10 May 1927, The Argus reported on Jimmy Clements: “During the wait great interest was taken in the appearance near the east stand of an aborigine, a member of the Gundagai tribe, and a well known character in the district. He was very old and grey and ruggedly picturesque. He was determined to go his own way in spite of the arguments of two inspectors and one sergeant of police. Immediately and instinctively the crowd in the stands rallied to his side. There were choruses of advice and encouragement for him to do as he pleased. A well-known clergyman stood up and called out that the aborigine had a better right than any man present to a place on the steps of the House of Parliament and in the Senate during the ceremony. The old man’s persistence and the sympathy of the crowd won him an excellent position and also a shower of small change that must have amounted to 30/ or 40/ [shillings].” At 10.30 am, Australia’s eighth Prime Minister, Mr Stanley Bruce (1923-1929) welcomed the Royal couple onto the crimson carpeted portico. Unfortunately, Dame Nellie Melba’s rendition of “God Save the King” and the greater part of the Duke’s reply was drowned out by the roar of squadrons of aeroplanes circling overhead. A brief religious service followed, conducted by leaders of the Methodist, Presbyterian and Anglican churches. Interestingly, there was no Roman Catholic representation at the ceremony even though around one quarter of Australians were Catholic at the time. The Duke unlocked the front doors with a golden key, then unveiled a statue of his father King George V by sculptor Sir Bertram Mackennal in the King’s Hall. Then the official party, Senators, members of the House of Representatives and invited guests entered the Senate chamber where the Duke read a message from the King, establishing Canberra as the seat of the Federal Government, watched on by Australia’s elite. The conclusion of the ceremony was announced by a gay fanfare of trumpets from the entrance of Parliament House and a 21 gun salute and answered by cheers from the crowd. The dignitaries then feasted on a luncheon of turtle soup, poached schnapper, fillets of beef, roast chicken and ham, straw potatoes, green peas, Canberra Pudding (a pudding made with dripping, dried fruit and jam), fruit, ices, coffee and cheese. They toasted the King with non-alcoholic fruit punch as the Federal Capital Territory (later ACT) was a “dry” area and no speeches were made. The diary entry that day of Ethel Baird, Lady Stonehaven, the wife of the Governor-General, is brief and to the point: “To P.H. & waited for Yorks. Ceremony went off without a hitch. Ghastly Banquet Lunch.” Later that day, the Duke mounted a coal black mare, police horse Number 303 which had been hastily re-named “Black Bess” for the occasion, to receive the final salute from the assembled troops and returned soldiers dressed in mufti. The RAAF squadron were flying overhead in “V” formations when suddenly, one of the planes, piloted by Flying Officer Francis Charles Ewen, left the formation, nose-diving 900 metres from Parliament House and landing behind the Y.W.C.A. refreshment marquee. Francis, aged only 28, tragically died of his wounds later that day. The Federal Capital Commission contracted Sargent’s Pies of Sydney to supply 5000 meals for the event. They supplied pies, sausage rolls, scones and sandwiches with the agreed price of 3 shillings a head. Only 1200 meals were served and the uneaten remainder dumped, with the Commission bearing the cost of the unsold food. An estimated crowd of 20,000 attended the opening, far fewer than the expected 100,000. Many visitors travelled long distances, bringing their own hampers of food and camping in tents as there was very limited accommodation available. Thousands of people around Australia listened to the ceremony broadcast on the wireless, with receiving sets installed in schools, public halls and workplaces and it was also filmed for posterity. The next morning, the Royal couple, along with Prime Minister Bruce and Mrs Bruce held an informal public reception on the steps of Parliament House where early settlers, residents and visitors to Canberra filed past them. The Press widely reported Jimmy Clements’ encounter with the Duke and Duchess. The Sun-Pictorial reported 11 May 1927: "MET THE DUKE. ABORIGINE KING HE APPROVED Sugarbag: Sports Suit. John Clements, otherwise King Billy, a full blooded aborigine king, aged 86, was among the 2000 who filed past the Duke and the Duchess at the public reception at Canberra to day. “How you likem Duke and Duchess Billy?” he was asked afterwards. “I think they are both very nice.” he replied in good English. King Billy was a very bedraggled figure, with tangled locks and a beard which almost hid his wrinkled and black face. He wore an old sports suit and carried a sugarbag. Passing the Duke and Duchess he turned full towards them. The crowd cheered, and the Duke and Duchess smiled. The Duke was particularly amused.” The Canberra Times reported 13 May 1927: "A REAL AUSTRALIAN. A quaint but pathetic figure stood in broad relief in the queue of ranks at the reception. Where his dusky forbears have gathered in native ceremonial for centuries past, a lone representative of a fast vanishing race saluted visiting Royalty. Despite the grotesque garb and untamed mane the aborigine comported himself not without dignity. With his three faithful dogs, he made an immediate target for a battery of cameras.” "The Argus reported 11 May 1927: "...an ancient aborigine who calls himself King Billy and who claims sovereign rights to the federal Territory walked slowly forward alone and saluted the Duke and Duchess. They cheerily acknowledged his greeting. The old aborigine, with his long, matted beard and nondescript clothing, is a popular identity of Canberra, and must be one of the most extraordinary figures who has received a Royal salute.” The Sun (Sydney) reported 10 May 1927: “Suddenly, in the midst of the forest of green and white colored hats of women, appeared a head with a shaggy leonine mane and a patriarchal beard. Jacky, the aboriginal, an identity of the district, who is also known as the King of Canberra, had arrived to testify to his loyalty. He saluted the Duke with an excellent dash, and shambled past with his faithful sheep dog aide-de-camp at his heels. The Duke and Duchess were highly amused at this quaint figure moving along with a sort of bodyguard of shrieking young boys and girls.” The Sydney Morning Herald 11 May 1927 mistook Jimmy for his friend “Marvellous”: “...the appearance of an aged aboriginal widely known in the district as “Marvellous, the uncrowned king of Queanbeyan." His beaming black countenance was almost hidden beneath a shock of hair and beard. Bare-footed and carrying a sugar bag in one hand and a tiny Australian flag in the other, he at first mistook a policeman at the foot of the steps for the Duke. To his great embarrassment and to the vast amusement of the onlookers, the policeman became the object of a hearty salutation. However, "Marvellous" was quickly shepherded back to a position in the procession and as he passed along brought his hand up to an approved military salute for the benefit of their Royal Highnesses. The Duke returned it with a special wave.” The Labor Daily 11 May 1927 irreverently reported on the scene: "People March Past. Some 400 people, old identities of Canberra marched past. They were mostly aged ladies with memories faithfully preserving the traditions of other days and curtsied reverently. The younger generations, who speedily joined the procession, behaved differently however. Surely it was the most motley collection that ever passed before Royalty. Men without collars jostled others well dressed. Fat women, young women, children of all heights and ages were there. The oldest inhabitants, in the persons of the abo, "Marbly", and his companion were present. The poor old fellows evidently were keen to get closer to the Duke than the procession dared go, but they were overawed by the stern glances of military men.” The Canberra Times reported 13 May 1927: "...and towards the end of the procession, a full-blooded aboriginal, bareheaded and barefooted, and carrying an old swag on his back, made a picturesque figure as he several times saluted the Royal couple, his old eyes beaming inexpressible delight.” The Register reported 11 May 1927: "PUBLIC MARCH PAST. Old “Jacky”, an aboriginal identity of the district, who has been following the proceedings of the various ceremonies with apparently great interest, appeared in the march past. He halted in front of the steps and raised his hand to his shaggy grey locks in an attempt at a salute. Smiling, the Duke returned the salute, and the Duchess bestowed a charming smile on the figure of mingled pathos and comedy.” Tweed Daily reported 12 May 1927: “King Billy” WAS THERE. Appropriately enough, the inevitable “King Billy” with his refreshing impression of possum and gum-leaves, was present at the dedication of the Federal capital at Canberra. Bare-footed, in a dingy old suit and battered felt hat, he wandered on to the empty stand after the illustrious assemblage had passed into Parliament House. A desolate figure in all that he stood for, he proved, an amiable representative of the dispossessed race. He cheerfully waved a Union Jack for the camera man, and grinned into the very eye of a movie man’s camera without flinching.” Footage of Jimmy filmed that day features in the film “The Birth Of White Australia” produced in 1928 and shows him enthusiastically waving a small Union Jack flag in front of Parliament House with his three dogs at his feet. The caption reads " "King Billy" calls for cheers for the son of the great white King across the seas. “Mine tinkit that pfellers father budgeree King liket me” supposedly says Jimmy." Jimmy told the Daily Telegraph, 13 May 1927 “I have opened your Parliament House on my own ground, now you can go and look at it." Jimmy died on 28 August 1927, aged 80. The Herald newspaper on 30 August 1927, published an illustration depicting Jimmy’s dog standing on his grave, his customary chimney pot hat leaning on his headstone. The caption reads: “The Dead King — His Only Mourner. Drawn by Will Dyson (King Billy, last of the Canberra aborigines, lived just long enough to see the Duke of York open Australia’s capital on the site where his tribe once roamed. He died in the Queanbeyan Hospital yesterday morning.)” A letter published in the Sydney Morning Herald, 19 September 1927 reported: "Old King Billy... Sir, ...I would like to mention... the passing away of one, if not the last remaining aboriginal chieftains. He may be called “Old King Billy,” and his death occurred here in Queanbeyan a few weeks ago. The removal of this well-known black has left another big gap in all that remains distinctively Australian in character. He was one of the last remaining tribe of the Monaro district, and one of the most predominant personalities throughout the Commonwealth. ...he had lived through 80 years all told. He was on many occasions sought by artists for his splendid physique and personality as a model, and many a journey he has had to make to Sydney on that account. A more striking and pronounced type could not be found. ...A very fine cast in lifelike form is to be seen in the Australian Museum, Sydney ...his last important appearance in public was at the Commonwealth celebrations at Canberra, to which territory he partly belonged. ...we have no aborigine statue chiselled to the memory of their race, a more fitting and lasting memorial could not be undertaken than to have one modelled from this fine figure and erected to the memory of his race at Canberra... It would be a fitting adornment if planted with the Australian gumtrees for any avenue or garden. [King Billy] ...a very intelligent fellow, responding readily to kindness and common sense. Hoping yet to see a befitting testimonial and a lasting memorial to a race that is rapidly and I may say, unfortunately, disappearing, I am etc., SYDNEY R.OAKLEY, Queanbeyan." The “lifelike form” referred to by the correspondent was a sculpture that Jimmy Clements had posed for: “The Wunderlich Aboriginal Group” for The Australian Museum in Sydney. In 1925, Mr Ernest Wunderlich, director of Wunderlich Limited, manufacturer of building materials and President of the Board of Trustees at The Australian Museum, commissioned renowned sculptor George Rayner Hoff (sculptor of the Anzac Memorial in Hyde Park, Sydney, National War Memorial in Adelaide, and “Lion” the original Holden Motor Company car emblem) to sculpt a life sized Aboriginal family group diorama as a gift to the Museum. There was much concern at this time that the Aboriginal population and especially the “full blooded” were fading into oblivion so fast that they may soon become extinct. Three “full blooded” Aborigines were chosen for models. An article in The Australian Museum magazine, July/September 1926 about The Wunderlich Aboriginal Group explained “...it will not be many years before the aborigine, in New South Wales and Victoria at least, will be an entity of the past. Every year sees a shrinkage in their number, and the coastal tribes that once roamed the Sydney district are, unfortunately, no longer with us. ...the man, who is hurling a boomerang, is Yangar, or “Jimmy Clements,” son of Gayan-Bleuet-Galoom, the late “King of Orange,” western New South Wales. “Jimmy” is an old man, but well preserved. He has a very retentive memory and recollects the various tribal customs and initiation ceremonies, but regarding these he is extremely reticent and will not communicate his “honoured secrets.” The female figure is “Nellie Walker,” a daughter of Geri-Bungel, and a native of Bombala, Monaro district, southern New South Wales. The boy is Harold Marsh, aged nine years, who was born at Kinchela, Macleay River, northern New South Wales. He is now living at the Brewarrina settlement... In the selection of aborigines great care had to be taken to ensure that the individuals were pure bloods, and to the Aborigines’ Protection Board and the Police Department of this State thanks are due for the valuable assistance rendered by them.” Ngarigo woman, Nellie Bungil Walker (1867-1932) had five children, two died as babies and her remaining children were taken from her. She worked as a domestic and was living at La Perouse Aboriginal Community, Sydney at the time of her sculpture’s creation. In the years after the sculpture was made, Nellie and Rayner remained friends. Yaegl boy Harold “Harry” Marsh was from the Kinchela Aboriginal Training Home for boys near Kempsey, (1924-1970), an agricultural training institution under the jurisdiction of the Aboriginal Protection Board to house Aboriginal boys forcibly removed from their families “in the interest of the moral or physical welfare” of the boys. The boys at Kinchela were aged 5-15 years old and referred to as numbers, not names and any connection to Aboriginal culture or language was forbidden. Brutal and cruel physical punishment and sexual assaults were rampant. Survivors recall being flogged and chained naked to a huge Morton Bay fig tree overnight or “sent down the line” where every boy was ordered to punch the “wrong doer” as hard as possible for fear that they would be next. The Kinchela children are acknowledged as part of the Stolen Generation. In 1925, Rayner Hoff created a terracotta bust “Harry Marsh” which is in the collection of the Art Gallery of New South Wales. The figures of the trio were modelled in clay before being cast in plaster and hand-coloured by Museum artist Miss Ethel A. King. The finished figures were completed with wigs and fur pelts and with Jimmy hurling a boomerang and Nellie holding a dilly-bag. They were placed in a glass cabinet in the Australian Ethnology Gallery. The subjects were not named. The Sydney Morning Herald 1 July 1926 critiqued the sculptures. "A GROUP OF STATUARY. MUSEUM’S ACQUISITION. Artistically the group is very fine, for the sculptor has caught his subjects in attitudes that reveal all the stalwart athletic lines of their bodies... The man, who is depicted as about 60 years of age, is bearded, immense, and savagely primitive-is throwing a boomerang, and beside him a boy, aged about 11 years is following beneath a shading hand, the flight of birds at which the hunter aims. Behind them, patient, obedient, stand(s) the woman waiting with her dilly bag to gather the spoils.” In 1996, Nellie’s daughter, Victoria Kempsey née Walker, happened to visit The Australian Museum and saw the sculpture of her mother, displayed semi-naked in a glass cabinet, alongside glass cabinets of taxidermied animals. She had last seen her mother 62 years previously when Nellie was dying from tuberculosis. Greatly distressed, Victoria wrote to the Museum requesting that they remove the sculpture, which they did. In 2023, a documentary was produced called “Her Name Is Nanny Nellie” which follows the journey of Nellie Walker’s great-granddaughter Auntie Irene Ridgeway discovering Nellie’s story, honouring her life and restoring her sculpture. Irene told Refinery29 Australia that “It was about reclaiming her life, reclaiming her history and who she really was as a real person. She was not a naked and unnamed lady standing in a museum. It's giving them back their families, they weren't just there to be looked at as flora and fauna or as 'natives'." The documentary was written and directed by Irene’s son Daniel King and premiered at the 2023 Adelaide Film Festival and broadcast on NITV. The restored sculpture of Nellie, dressed in 1920s style clothing was displayed at The Australian Museum, Sydney in The Bayala Nura Gallery in 2023. Irene wanted Nellie to be depicted in the way she actually was when she posed for the sculpture in 1925. The other two sculptures were not displayed due to ongoing conversations with family members and the fragility of the sculptures. It is anticipated that they may be displayed in the future. Melbourne born William Beckwith (Bill) McInnes (1889-1939) studied drawing at National Gallery School in Melbourne from the age of 14 under the tuition of artist Frederick McCubbin before succeeding his former teacher as Master of Drawing at the School from 1916-1934. He was acting Director of the NGV and Head of the National Gallery School from 1934. In 1927, Bill and official war artist H. Septimus Power were commissioned to paint the opening of the new federal Parliament House in Canberra. Septimus painted the general scene of the arrival of the Royal entourage in front of Parliament House, while Bill depicted the ceremony inside the Senate chamber. Bill was widely acclaimed for his landscapes and lauded as the heir to great Australian landscape artist Arthur Streeton. He won the Archibald Prize seven times (including the inaugural, a portrait of architect Desbrowe Annear) which made him a highly sought after portrait painter and he earned kudos for his commission to paint the Duke of York. During the breaks in painting the portrait, the pair chatted and Bill was surprised by the Duke’s wide knowledge of Australian affairs. The Duke was particularly interested to hear how the rabbit crisis was being handled. Bill’s work is held in major Australian galleries including the NGV, which has 12 of his paintings in their collection. Bill was married to fellow artist Violet McInnes and they lived at “The Poplars” in Alphington with their six children. Violet painted still life of flowers and portraits. In 1941, she entered her portrait of fellow artist Sybil Craig into the Archibald Prize and in 1945 Violet was appointed an official war artist. Defending his traditional style Bill said “...we in Australia have not been bitten by Cubism or Futurism or other of the “isms”...and I am glad of it”. References: THE DUCHESS OF YORK. (1931, December 7). The Argus (Melbourne, Vic. : 1848 - 1957), p. 8. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article4427568 WAR NURSE (1930, March 11). The Sun (Sydney, NSW : 1910 - 1954), p. 1. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article223714728 The Royal Visit. (1927, April 29). The Age (Melbourne, Vic. : 1854 - 1954), p. 9. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article205813465 Canberra. (1927, April 30). Advocate (Burnie, Tas. : 1890 - 1954), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article68233606 Australian Dictionary of Biography, Nangar, https://adb.anu.edu.au/biography/nangar-33736 Australian Dictionary of Biography, Jimmy Clements, https://en.wikipedia.org/wiki/Jimmy_Clements Wikipedia, George John Noble, https://en.wikipedia.org/wiki/George_John_Noble PARLIAMENT AT CANBERRA. (1927, May 14). The Australasian (Melbourne, Vic. : 1864 - 1946), p. 37 (METROPOLITAN EDITION). Retrieved December 25, 2024, from http://nla.gov.au/nla.news-article140733921 CANBERRA CEREMONY (1927, May 10). The Argus (Melbourne, Vic. : 1848 - 1957), p. 19. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article3853643 CANBERRA. (1927, May 11). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved November 24, 2024, from http://nla.gov.au/nla.news-article3853897 THE FINAL SCENES (1927, May 11). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved January 10, 2025, from http://nla.gov.au/nla.news-article236614453 TWIN SONS (1927, May 10). The Sun (Sydney, NSW : 1910 - 1954), p. 11. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article223616143 National Archives of Australia, Aboriginal [Jimmy Clements, a Wiradjuri elder] on steps of Parliament House (King Billy), https://recordsearch.naa.gov.au/SearchNRetrieve/Interface/ViewImage.aspx?B=3050026 Sydney Morning Herald, The chant of Jimmy Clements: I’ll do the honours on my ground, thanks, https://www.smh.com.au/national/the-chant-of-jimmy-clements-i-ll-do-the-honours-on-my-ground-thanks-20241023-p5kkt5.html MET THE DUKE (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 14. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article275177101 PUBLIC MARCH PAST. (1927, May 11). The Register (Adelaide, SA : 1901 - 1929), p. 11. Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article54271512 A REAL AUSTRALIAN (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 12. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article1213124 THE PEOPLE'S DAY (1927, May 13). The Canberra Times (ACT : 1926 - 1995), p. 3. Retrieved April 3, 2025, from http://nla.gov.au/nla.news-article1213105 KING BILLY" WAS THERE. (1927, May 12). Tweed Daily (Murwillumbah, NSW : 1914 - 1949), p. 2. Retrieved November 27, 2024, from http://nla.gov.au/nla.news-article190193273 A BUSY DAY. (1927, May 11). The Sydney Morning Herald (NSW : 1842 - 1954), p. 15. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article16374845 Nothing Wrong With Canberra Opening, Says "King Billy" (1927, May 13). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 2. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article245750627 THIS IS MARVELLOUS! (1927, May 11). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 16. Retrieved December 9, 2024, from http://nla.gov.au/nla.news-article275177155 Mildenhall's Canberra, Royal Visit, May 1927. Canberra citizens passing the Royal Party on the front steps of Parliament House at the Civic Reception 1927 [photograph], https://mildenhall.moadoph.gov.au/rephoto/62 Australian Dictionary of Biography, 1927 - Jimmy Clements, John Noble, and the Opening of Parliament House, https://adb.anu.edu.au/the-quest-for-indigenous-recognition/jimmy-clements YouTube, The Birth of White Australia (1928), amateurish racism on the big screen [Jimmy Clements at 11.12 minutes in], https://www.youtube.com/watch?v=OByX4iPsTgo YouTube, We Were Just Little Boys, https://m.youtube.com/watch?v=u4Hw9d91k2E WASTE AT CANBERRA. (1927, May 20). The South Eastern Times (Millicent, SA : 1906 - 1954), p. 1. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article200058308 YouTube, Museum of Australian Democracy at Old Parliament House, Whispers in the Corridors-An Aboriginal Presence, https://www.youtube.com/watch?v=fwifXP61M5Y History Snoop, Air Fatality in Canberra Scars an Historic Day in Australia, https://www.historysnoop.com/air-fatality-in-canberra/ YouTube, NFSA Films, The Opening Of Canberra, Australia's Capital City, https://www.youtube.com/watch?v=pOA8llA0iE0 Pauline Conolly, Pudding & Pies at Parliament House, https://paulineconolly.com/2022/pudding-and-pies-at-parliament-house/ THE MENU (1927, May 5). The Sun (Sydney, NSW : 1910 - 1954), p. 13 (FINAL EXTRA). Retrieved April 2, 2025, from http://nla.gov.au/nla.news-article223623278 PROMISING (1927, May 7). The Sun (Sydney, NSW : 1910 - 1954), p. 2. Retrieved December 15, 2024, from http://nla.gov.au/nla.news-article223616208 The Dead King -- His Only Mourner (1927, August 30). The Herald (Melbourne, Vic. : 1861 - 1954), p. 6. Retrieved November 3, 2024, from http://nla.gov.au/nla.news-article244196114 The VOICE of the CITY (1927, August 31). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 4. Retrieved December 26, 2024, from http://nla.gov.au/nla.news-article246406061 THE LAST OF HIS TRIBE. (1927, September 2). Bairnsdale Advertiser and Tambo and Omeo Chronicle (Vic. : 1882 - 1946), p. 6. Retrieved December 24, 2024, from http://nla.gov.au/nla.news-article269318935 GONE WEST. (1927, September 17). The Irwin Index (Mingenew, WA : 1926 - 1956), p. 1. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article251554113 King Billy Dead. (1927, September 10). The Port Macquarie News and Hastings River Advocate (NSW : 1882 - 1950), p. 5. Retrieved December 1, 2024, from http://nla.gov.au/nla.news-article112534982 DEATH OF KING BILLY OF CANBERRA. (1927, September 16). Huon Times (Franklin, Tas. : 1910 - 1933), p. 5. Retrieved December 23, 2024, from http://nla.gov.au/nla.news-article136428435 OLD KING BILLY. (1927, September 19). The Sydney Morning Herald (NSW : 1842 - 1954), p. 5. Retrieved November 19, 2024, from http://nla.gov.au/nla.news-article16404722 "Marvellous" is Dead. (1928, March 30). The Gundagai Times and Tumut, Adelong and Murrumbidgee District Advertiser (NSW : 1868 - 1931), p. 2. Retrieved December 8, 2024, from http://nla.gov.au/nla.news-article122748136 LAST OF LACHLAN RIVER TRIBE (1926, May 3). Evening News (Sydney, NSW : 1869 - 1931), p. 7. Retrieved December 18, 2024, from http://nla.gov.au/nla.news-article117289515 Coal Strike Effects (1926, June 11). The Daily Telegraph (Sydney, NSW : 1883 - 1930), p. 14. Retrieved November 30, 2024, from http://nla.gov.au/nla.news-article245759732 SBS On Demand, Her name is Nanny Nellie, https://www.sbs.com.au/ondemand/movie/her-name-is-nanny-nellie/2300137539512 The Australian Museum Magazine, Vol. 2, No. 11, July-Sept 1926, The Wunderlich Aboriginal Group, https://shorturl.at/uViTe ABC News, King Billy and Marvellous were not invited to the 1927 opening of Parliament House — but that didn't stop their fight for sovereignty, https://shorturl.at/HGpjC Museum of Australian Democracy at Old Parliament House, The thieving diva: behind the scenes of the opening ceremony at Parliament House, https://www.moadoph.gov.au/explore/stories/heritage/the-thieving-diva-behind-the-scenes-of-the-opening-ceremony-at-parliament Refinery29, Beyond a museum glass case: one First Nations woman's quest to reclaim her ancestors' story, https://www.refinery29.com/en-au/my-name-is-nelly-documentary-irene-ridgeway-interview Sydney Morning Herald, Why it took 100 years to restore the dignity of Nanny Nellie, https://www.smh.com.au/national/why-it-took-100-years-to-restore-the-dignity-of-nanny-nellie-20230719-p5dpjo.html Australian Museum, Meeting Nanny Nellie, https://australian.museum/publications/explore_summer2024/nanny-nellie/ ABORIGINES. (1926, July 1). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved November 29, 2024, from http://nla.gov.au/nla.news-article16302447 Wikipedia, Kinchela Aboriginal Boys Training Home, https://en.wikipedia.org/wiki/Kinchela_Aboriginal_Boys%27_Training_Home Art Gallery NSW, Harry Marsh by Rayner Hoff, https://www.artgallery.nsw.gov.au/collection/works/59.2000/ Art Gallery of South Australia, Lion (produced for the Holden Motor Company) by Rayner Hoff, https://www.agsa.sa.gov.au/collection-publications/collection/works/lion-produced-for-the-holden-motor-company/27253/ Wikipedia, William Beckwith McInnes, https://en.wikipedia.org/wiki/William_Beckwith_McInnes DUKE OF YORK PORTRAIT UNIVEILED IN CASTLEMAINE GALLERY (1933, December 4). The Sun News-Pictorial (Melbourne, Vic. : 1922 - 1954; 1956), p. 18. Retrieved April 4, 2025, from http://nla.gov.au/nla.news-article276125581 Castlemaine Art Museum, Portrait of His Royal Majesty the Duke of York, https://collection.castlemaineartmuseum.org.au/objects/181/portrait-of-his-royal-majesty-the-duke-of-yorkPhotographer notations on slide: "Portrait of Duke of York by W.B. McInnes 1933 B4".1930-1939, aboriginal culture, royal visits, openings (events), sculpture, land rights, museums, museum displays

Published: 21 March 1934 The Age p11 Published title: CROWDED TOURIST SHIP WILL CARRY TEST AND DAVIS CUP TEAMS. Published caption: Carrying an exceptionally large number of tourists, business men and prominent sporting personalities, R.M.S. Orford sailed for London yesterday. Over two hundred passengers embarked at Melbourne, and on leaving the Australian coast there will be two thousand persons on board. The Australian Test team will join the vessel at Fremantle and the remaining two Davis Cup representatives will embark at Adelaide. A picture of the Orford taken just as she moved out from Station Pier, Port Melbourne, under her own steam. Trove article identifier: http://nla.gov.au/nla.news-article203826897 Description: Passenger ship about to depart Station Pier, Port Melbourne. Research by project volunteer, Fiona Collyer: The RMS Orford was built by Vickers-Armstrong Shipyard Barrow-in-Furness, Cumbria, England and launched in 1927 by Lady Ryrie, the wife of Sir Granville Ryrie, the Australian Ambassador to the UK. The Orford was owned by the Orient Steam Navigation Ltd and was designed for the mail and passenger service between England and Australia. She was 20,000 tons, 658 ft long, 75 ft across and 80 ft high from water-line to deck. She had eight decks, a swimming pool and cost more than £1,000,000. She could travel at 20 knots – 480 miles a day, a 5 week voyage between Australia and England. There were enough lifeboats to accommodate every person on board. Promoted as a ship of comfort, luxury, speed and grace with spacious, beautifully decorated lounges, smoking-rooms and writing rooms, the SMH 23/11/1928 review said “sitting-rooms where the furniture recreates the air of quiet, exquisite, safe luxury; suites where you may retire from other people, and on a sea voyage other people, even the most charming other people, often begin to resemble one’s worst enemies towards the end of several weeks sea voyaging together”. “Travel like a human being. This is what the great liners give you today. The Orford dining room is enormous (it seated 350 people) the walls sweep up to a white, cool roof supported on decorative pillars. Panels of grey scagliola and carved designs remove the bleak, comfortless air which used to cling to dining-rooms of ships. Everything about them was so wretchedly temporary that you could not enter them without wishing that you stayed at home. They gave you the creeps and indigestion. This room is gay, bright, sunlit, like a luxurious café overlooking the sea.” “You really feel in here that you are a human being and not a piece of cargo endowed with sensation.” The Orford had the punkah louvre system of ventilation which forced draughts through every part of the ship, ensuring “No Ship Smells!!” and avoiding - “… a mayonnaise of all the unpleasant odours generated under heaven. From the hot oil of the engines, from those overheated, bottomless pits below the water-line, from new paint and food, from people perspiring at work, from rope and tar and grease and fruit and wet clothes and tobacco, rises a deplorable incense that lingers unsettlingly in the nostril long after one has left the ship. Those dreadful odours will never rise to torture the senses of passengers who feel that all is over with them.” The modern electric kitchen had a roll making machine capable of producing 2000 rolls for the table an hour and a bread and butter machine which cut the bread into slices and spread the butter in one operation. (The Week – Brisbane 30/11/1928) On 13/10/1928, the Orford made its first voyage to Australia with 520 first class and 1100 3rd class passengers. The name of the passengers embarking and disembarking and their reason for visiting were published in newspapers and the number of migrants for the New Settlers Scheme and the Dreadnought Boys Co program to promote and assist the migration of British youths willing to become farm workers in Australia 1911-1939 were noted too. On the 19th March 1932, RMS Orford featured in the “Parade of Ships” celebrating the official opening of the Sydney Harbour Bridge. Only country people were allowed to book a ticket as a guest on board. The Post Office issued commemorative postage stamps showing the Orford sailing under the bridge. In March 1934, the Orford sailed from Australia to London, via Colombo, Aden, Port Said, Naples, Villefranche, Toulon, Parma, Gibraltar and Channel Port. Amongst the 2000 passengers on board was the Davis Cup Tennis team, tennis champions Joan Hartigan and Nell Hopman, the Australian Test cricket team and British champion swimmer Joyce Cooper. Every day tennis player Harry Hopman and an Australian Press Association reporter radioed through reports on their activities, which included – - Test cricket batsman Len Darling having spend 4 days in his cabin after straining his groin when he slipped over while playing ball tennis in his slippers. - Batsman Bill Brown dancing the fox-trot, displaying footwork similar to the grace he showed at the wicket. - Alluding to the seasickness of Don Bradman and Stan McCabe and how they were making up for meals lost on the Great (very choppy) Australian Bight. - Miss Joan Hartigan discarding her bright blue shorts for brighter blue bathers and being first into the pool. - Bowler Bill O’Reilly being tripped by a passenger on the deck and spending the voyage with bandaged wrists with daily updates of his progress in the press. - Wicketkeeper Ben Barnett’s conjuring tricks and constant whirring movie camera. - Results of the quoits, ball tennis and bridge tournaments. A fancy dress ball was held one night and the cricketers dressed as sheiks and sang “The Riff Song” from the pre-code 1929 operetta film “The Desert Song” starring John Bates as the Red Shadow and Myrna Lay as a native dancing girl. Alan Kippax’s beard blew overboard! Joan Hartigan dressed as Burlington Bertie from the music hall song and Nell Hopman a doll in a box wearing a crinkled paper dress. On arrival at Southampton, while they waited for the gangway to be lowered, Bradman entertained the team at the piano playing popular tunes while the cricketers sang. . In 1935, RMS Orford’s third class accommodation was converted to tourist class. Her passenger capacity was now 468 First Class, 515 tourist class and 440 crew. First saloon from Sydney fares cost for single £76, £82, £88 and Third Class fares were £21, £23, £25. Less than a penny a mile. . In 1936, the Orford embarked the exiled Emperor of Ethiopia, Haile Selassie at Gibraltar on his way to the UK. In 1939, she was requisitioned for Australian government service and on 7/1/1940 she conveyed the first Australian troops to Egypt and was then used to carry French troops from Tamatave, Madagascar to Marseilles. On 1/6/1940 RMS Orford was bombed and set on fire at Marseilles by German aircraft. 14 crew were killed, 25 wounded. In 1947, the wreck was re-floated and broken up at Savona. . . References: R.M.S. ORFORD. (1928, November 23). The Sydney Morning Herald (NSW : 1842 - 1954), p. 14. Retrieved September 15, 2023, from http://nla.gov.au/nla.news-article16511535 ARRIVAL OF THE ORFORD (1928, November 30). The Week (Brisbane, Qld. : 1876 - 1934), p. 21. Retrieved September 15, 2023, from http://nla.gov.au/nla.news-article181126802 CROWDED TOURIST SHIP WILL CARRY TEST AND DAVIS CUP TEAMS. (1934, March 21). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved October 5, 2023, from http://nla.gov.au/nla.news-article203826897 Photographer notations on slide: "B19".tennis, ships

Tennis champion Fred Perry backhands the ball at Kooyong, 1934 “I didn’t aspire to be a good sport, “champion” was good enough for me.” Fred Perry (1909-1995) was an English tennis champion who won eight Grand Slam titles including Wimbledon in 1934, 1935, 1936 and the Australian Open in 1934. Australian sports journalist Alan Trengove remarked, “When Perry walked out to play in his crisp white flannels and matching white blazer, thousands of female hearts missed a beat!” In 1935, Fred and Dorothy defeated Harry and Nell Hopman in the Wimbledon mixed doubles, and in 1936 they won against America. Fred started a successful sportswear brand in 1952, which continues today. Fred initially wanted a smoking pipe as the emblem as he was an enthusiastic smoker, but was talked out of it because it wouldn’t appeal to women. The familiar laurel was used instead. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer Fiona Collyer. Photographer notations on slide: "F. Perry 1934 Action B42" Photograph taken at Kooyong, Melbourne, but used in article about Wimbledon 1934. Published: The Age 7 July 1934 p 13 Published title: "THE FINAL STAGE." Published caption: F. J. Perry (England) Trove article identifier: http://nla.gov.au/nla.news-article205525840 Research by project volunteer Fiona Collyer: Frederick John Perry, 18 May 1909 to 2 Feb 1995 Fred Perry was an English tennis and table-tennis champion. He won eight Grand Slam titles – Wimbledon Gentlemen’s Singles, US Open three times, Australian Open and French Open once each. Fred had natural hand-to eye co-ordination, solid strokes and a devastating forehand that he used soon after the ball bounced. His fierce competitiveness and unabashed confidence gave him the winning edge. Fred was born in Stockport, Cheshire in 1909. His father, Samuel, a committed socialist, was a cotton spinner who became Secretary of the Co-Operative Party and later a Labour and Co-Operative Party M.P. When Fred was nine years old the family moved to Ealing, London. In 1929, at the age of 19, Fred became the World Champion at table-tennis – a new international sport at the time. He then decided to switch from table-tennis to tennis after his father told him to stop spending so much time in the smoke-filled halls that held table-tennis events. “You look like death warmed up.” he said. In the tennis world, Fred was regarded as an upstart intruder, and was the victim of snobbery and prejudice for his working class background. Fred trained with Arsenal Football Club in defiance of the LTA (Lawn Tennis Association) which had a dim view of extra-curricular exercise. His sarcastic toff-baiting call of “very clevah” when an opponent played a good shot and his habit of vaulting over the net whenever he won a match made Fred compelling to watch. Fred’s prize for winning Wimbledon was a £25 shopping voucher and a replica trophy. There was no on-court presentation; instead it was the custom to offer congratulations in the dressing rooms. One of the defining moments of Fred’s career came on the day he won Wimbledon for the first time in 1934. He was in the bathtub after the match when he over-heard former tennis player Brame Hillyard, a committee member of the All-England Club talking to Australian runner-up Jack Crawford. “This was the one day when the best man didn’t win.” Hillyard had brought a bottle of champagne and an All-England neck-tie, which was official recognition of Fred now being a member of one of the sporting world’s most elite clubs. Instead of a formal presentation to Fred, Hillyard draped the tie unceremoniously over his seat in the dressing room, handed Jack the bottle of champagne, and left. “Instead of Fred Perry the Champ, I felt like J. Fred Muggs the Chimp!” he said. When Fred finally went professional, an official at LTA told him he would never wear the club sweater again. Fred said “I made sure he wouldn’t have to worry about that, I sent a sleeve to him as a present!” In 1935, RKO offered Fred a contract for two movies at $50,000 each, but he had to turn down the offer as it would be in breach of LTA rules and he would lose his amateur status. In 1935, Fred married American film actress Helen Vinson in Harrison, New York, waking up a registrar at five minutes to midnight to avoid being married on Friday the thirteenth – “To be on the safe side” they said. In 1936, having been world number one tennis player for three years, Fred quit amateur tennis and moved to America. He joined tennis players Ellsworth Vines and Don Budge on a professional tennis circuit, travelling around US cities and receiving a share of the gate receipts. The All-England Club removed his honorary membership and the tie that went with it – “After all the trouble they’d gone to presenting it to me.” he quipped acidly. Despite being a three-time Wimbledon champion, Fred was barred from playing on LTA affiliated courts, so when he held his pro-tour through the UK in 1937, the matches had to be played on a portable wooden court, transported around by truck to football grounds. Fred was co-owner of the Beverley Hills Tennis Club. The exclusive membership consisted of Hollywood actors, directors, writers and studio heads. At the launch of the re-branded club in 1937, Fred played a doubles match with Charlie Chaplin, Groucho Marx and Ellsworth Vines, which he won with Charlie. Watching on was a Who’s Who of Hollywood actors including Barbara Stanwyck, Joan Crawford, the Marx Brothers, Errol Flynn, and Ronald Coleman to name a few. Fred was romantically linked to Hollywood actresses Marlene Dietrich, Jean Harlow, and Bette Davis, and was engaged to British actress Mary Lawson. In 1939, he became a US citizen and in 1942 enlisted in the US Air Force. Fred wore medical gauze around his right wrist while playing to stop sweat from flowing onto the handle of his racket and to wipe sweat from his brow. He paired up with former footballer Austrian Tibby Wegner to develop an anti-perspirant device. The prototype towelling sweatbands were given free to players at tournaments and proved popular. In 1952, Fred Perry Sportswear began and the trademark slimfit white polo shirt with embroidered laurel wreath on the left breast was born. The laurel wreath was inspired by Wimbledon’s original emblem and is the ancient symbol for triumph and victory. Fred was an enthusiastic pipe smoker and wanted a pipe to be the logo, however he was persuaded that it wouldn’t appeal to women. Years after the brand started, French tennis champion and sportswear designer Rene Lacoste and Fred were interviewed together for TV. Lacoste said ”I made the shirt and you made me a great compliment doing the same thing.” Fred responded “You made the back of it longer than the front – so between us we revolutionised it, didn’t we?” After Fred retired from competition tennis in 1956, he worked as a BBC tennis commentator for TV and radio and wrote columns for British newspapers. He also coached at Beca Raton Club in Florida and was director of golf at Runaway Bay in Jamaica. In 1984, 50 years after his first title, Wimbledon erected a statue of Fred. “I never thought I’d live to see the day when a statue was put up to the son of a Labour M.P. inside the manicured grounds of Wimbledon,” he said. Fred married four times, firstly to Texan actress Helen Vinson. His final marriage to Barbara Riese in 1952 lasted until his death. They had two children, Penny and David. Fred died in the Epworth Hospital, Richmond, Melbourne after falling in his hotel bathroom while visiting for the Australian Open. His ashes are in an urn near his statue at Wimbledon. - In 1975, Fred was inducted into the International Tennis Hall of Fame. - In 2002, the Fred Perry 23 km walking route was opened in Stockport. - An English Heritage blue plaque was attached to his Ealing house where he lived in from 1919-1935. A letter to The Times… In 1932, Dr Daniel Prenn and Gottfried Von Cramm of Germany beat the formally dominant Great Britain team of Fred Perry and Bunny Austin in the Davis Cup. Prenn was not selected for the 1933 Davis Cup Team after Chancellor Adolf Hitler announced his “Aryan only” agenda for Germany’s sporting bodies. Dr Prenn, a Jew, was born in Vilnius (then part of Russia), and in 1920 his family fled to Berlin as refugees after the pogroms. On 15 April 1933, Fred Perry and Bunny Austin (a member at the Oxford Group, a Christian anti-war movement), wrote a letter of protest to the London Times: "Sir, We have read with considerable dismay the official statement which has appeared in the Press that Dr D.D. Prenn is not to represent Germany in the Davis Cup on the grounds that he is of Jewish origin. We cannot but recall the scene when, less than twelve months ago, Dr Prenn before a large crowd at Berlin won for Germany against Great Britain the semi-final round of the European Zone of the Davis Cup, and was carried from the arena amidst spontaneous and tremendous enthusiasm. We have always valued our participation in international sport, because we believed it to be a great opportunity for the promotion of better international understanding and because it was a human activity that countenanced no distinction of race, class or creed. For this reason, if for none other, we view with great misgivings any action which may well undermine all that is most valuable in international competitions. Yours faithfully, H.W. Austin, Fred Perry.” Daniel Prenn emigrated to Britain in 1935. References: Fred Perry: British tennis legend, Kevin Jefferys, Pitch Publishing, 2017 'Fred Perry: The hero from the wrong side of the tramlines', Paul Newman, tennis correspondent, The Independent, 21 November 2015 https://www.independent.co.uk/sport/tennis/fred-perry-the-hero-from-the-wrong-side-of-the-tramlines-a6743721.html. 'Fred Perry: the radical of Wimbledon', Bob Holman, Socialist Worker, 26 June 2009 https://socialistworker.co.uk/comment/fred-perry-the-radical-of-wimbledon/ 'Daniel Prenn (1904-1991) – A little-known Jewish German tennis player', newmark401, Tennis Warehouse forums, 12 May 2011 http://tt.tennis-warehouse.com/index.php?threads/daniel-prenn-1904-1991-–-a-little-known-jewish-german-tennis-player.379780/Photographer notations on slide: "F. Perry 1934 Action B42".tennis, 1930-1939

Australian tennis champion Joan Hartigan stoops to hit a low ball at the Victorian Championships, Albert Grounds in 1934. Photographer notations on slide: "Miss Hartigan Age 12-12-34 B62" Published: The Age (Melbourne, Vic. : 1854 - 1954), Wednesday 12 December 1934, page 13. Published title: INCIDENTS OF YESTERDAY'S CHAMPIONSHIP TENNIS. Published caption: Miss J. Hartigan in a curious attitude as she tries for a low ball from Miss D. Stevenson whom she defeated in straight sets. Trove article identifier: http://nla.gov.au/nla.news-article205077983 Description: A young woman on a tennis court wearing a white tennis dress and sun visor holds a tennis racquet while stooping and holding her knee. Research by project volunteer,Fiona Collyer: Joan competed in the 1934 Victorian Tennis Championships and was defeated in the singles final by Wimbledon champion Miss Dorothy Round of England, 9-7, 6-0. Writing in the Sydney Morning Herald newspaper on 17 December 1934, Dorothy Round stated “As far as international matches are concerned, Joan is an inexperienced player, and Australians should remember this, and not think that she should win every time. Her tennis has by no means reached its apex and there is a great future for her, given the right practice and match experience.” However, in the 1935 Wimbledon Championships Ladies’ singles, Joan sensationally eliminated 1934 title holder, Dorothy Round in the the quarterfinals, 6-4, 4-6, 3-6. When interviewed, Dorothy said -“I just did my best, but Miss Hartigan played too well for me” The Daily Express described Joan as a “one-stroke terror. Nobody thought that the modest, almost apologetic lassie from ‘down under’ would win.” The Daily Telegraph wrote -“Miss Hartigan has the right heart for lion hunting. Stubbornly and courageously she defended with her backhand until she got the ball that fed her robust forehand.” Unfortunately Joan was defeated in the semifinal in straight sets by American champion Mrs Helen Wills Moody, the ultimate winner of the tournament. Joan Marcia Hartigan (Bathurst) 1912-2000 was an Australian tennis champion. She won the Australian Championships Women’s singles (now known as the Australian Open) in 1933, 1934, 1936 and was a Wimbledon Ladies’ singles semifinalist in 1934, 1935. A tall, stylish presence in visor and pleated dress, Joan was renowned for her power game and her “upside down backhand” i.e. striking the shot with the same face of the racquet that she hit her forehand. Joan’s world ranking was No. 8 in 1934. Unfortunately, her career was interrupted by the outbreak of World War Two when international matches were suspended for five years so Joan’s potential was never reached. Joan enlisted in the Australian Military Forces during World War Two and in 1947 she married Hugh Bathurst, private secretary to Senator James Fraser, Prime Minister Ben Chifley’s Health Minister. They had a daughter Mary and a son Thomas who became Chief Justice of NSW. Joan died in Sydney in 2000. References: INCIDENTS OF YESTERDAY'S CHAMPIONSHIP TENNIS. (1934, December 12). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved March 18, 2024, from http://nla.gov.au/nla.news-article205077983 AUSTRALIAN PLAYERS. (1934, December 17). The Sydney Morning Herald (NSW : 1842 - 1954), p. 10. Retrieved March 19, 2024, from http://nla.gov.au/nla.news-article17114940 MISS HARTIGAN (1935, July 4). Newcastle Morning Herald and Miners' Advocate (NSW : 1876 - 1954), p. 9. Retrieved March 21, 2024, from http://nla.gov.au/nla.news-article138142569Photographer notations on slide: "Miss Hartigan Age 12-12-34 B62".tennis, 1930-1939

“How’s the wicket, Bert?” During the 4-Day Victoria v South Australia Sheffield Shield match, held 13-17 November 1936 at the Melbourne Cricket Ground, the play was often interrupted by rain squalls, causing the groundsmen to cover their carefully prepared wicket with tarpaulins to protect it. “How’s the wicket, Bert?” is the question on everyone’s lips – Will it be a batsman’s nightmare? A bowler’s dream? Will the spectators see a full day’s play or will rain spoil it? With a twinkle in his eye, Bert “Maker of Pitches” Luttrell, the MCG curator’s response is: “It’s not the wicket when batsmen get out early, it’s good bowling!” FRC Published: The Age 17 November 1936 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Fiona Collyer.  Photographer notations on slide: "Covering wicket during Vict v Sth Aust Cricket at M.C.G. Nov 1936 B117" Published: Age (Melbourne, Vic. : 1854 - 1954), Tuesday 17 November 1936, page 13 Published title: SHEFFIELD SHIELD CRICKET. Published caption: Placing the tarpaulin over the wicket during one of the showers. This was done four times during the day. Trove article identifier: http://nla.gov.au/nla.news-article205952141 Description: Nine men wearing black macintoshes and hats drag a tarpaulin over a cricket pitch. There is a bucket containing pegs in the foreground. Research by project volunteer, Fiona Collyer: During the four day Victoria v South Australia Sheffield Shield match, held 13-17 November 1936 at the Melbourne Cricket Ground, the play was often interrupted by rain squalls, causing the groundsmen to cover their carefully prepared wicket with tarpaulins to protect it. “How’s the wicket, Bert?” is the question on everybody’s lips - will it be a batsman’s nightmare? A bowler’s dream? Will the spectators see a full day’s play or will rain spoil it? With a twinkle in his eye, Bert “Maker of Pitches” Luttrell, the MCG curator’s response is: “It’s not the wicket when batsmen get out early, it’s good bowling!” Albert (Bert) John Wesley Luttrell 1875-1951, was born in Geelong and worked as a painter and decorator. He played cricket for Clarendon Cricket Club while helping to prepare the wicket at Kardinia Park. In 1890, Mr Phillip Russell, a wealthy merino sheep breeder of Osborne House, North Geelong, offered Bert the job of curator and cricket player for his team “The Nondescripts”, a social team who played at his private oval at Osborne House. After five years at Osborne House, Bert took up a position at Geelong Grammar School and then in 1900 he was appointed curator of Warehousemen’s Ground, Albert Park (later called Albert Ground). There he prepared the tennis courts for the 1908 Davis Cup - Australia v USA featuring the eventual winner of the tournament, Wimbledon champion Sir Norman Brookes. Following the retirement of the MCG curator, Bert was offered the position there for the 1919/20 season. Sport was resuming at the MCG after the suspension caused by the Great War and the Spanish Influenza pandemic. Cricket grounds and matches are always at the mercy of the weather. Sudden heavy downpours can make the ground unfit for play. In 1933, Bert invented and patented an absorbent roller for soaked pitches. Similar to a lawn mower in appearance, it was fitted with a rubber sponge which sucked up the water and then squeezed it into a tank. The sponge was said to mop up a gallon (3.78 litres) of water in 32 seconds and remove 100 to 120 gallons (378 - 454 litres) of water from any wet sports ground in an hour. Bert worked as a curator of the MCG for nearly 30 years, invariably creating his famous “shirt front” wicket. He retired in 1947 due to ill health. He was married to Emma and they had six children- Albert, Harry, Nell, Lily, Frank and Jack. Bert died at home in South Yarra in 1951 at 76 years of age. References: SHEFFIELD SHIELD CRICKET. ENGLISH FLYING BOAT. VICTORIA DOCK. (1936, November 17). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved May 19, 2024, from http://nla.gov.au/nla.news-article205952141 To Dry Grounds (1933, May 13). Sporting Globe (Melbourne, Vic. : 1922 - 1954), p. 3 (Edition2). Retrieved May 20, 2024, from http://nla.gov.au/nla.news-article183038194 No title (1937, February 25). The Age (Melbourne, Vic. : 1854 - 1954), p. 10. Retrieved May 19, 2024, from http://nla.gov.au/nla.news-article206185862 GOSSIP of THE GAME (1937, November 12). The Herald (Melbourne, Vic. : 1861 - 1954), p. 21. Retrieved May 20, 2024, from http://nla.gov.au/nla.news-article244541623Photographer notations on slide: "Covering wicket during Vict v Sth Aust Cricket at M.C.G. Nov 1936 B117".cricket, 1930-1939

“MISS JOAN HARTIGAN, the well known New South Wales tennis player, who intends to play at Wimbledon this year. A photograph taken on board R.M.S. Orford before she sailed yesterday.” - The Age Photographer notations on slide: "B19" Published: Age (Melbourne, Vic. : 1854 - 1954), Wednesday 21 March 1934, page 13 Published title: MISS JOAN HARTIGAN Published caption: MISS JOAN HARTIGAN the well-known New South Wales tennis player, who intends to play at Wimbledon this year. A photograph taken on board R.M.S. Orford before she sailed yesterday. Trove article identifier: http://nla.gov.au/nla.news-article203827087 Description: On the deck of a ship, a smiling young woman wearing a white hat, printed fabric dress with brooch and holding a black clutch bag stands next to a middle aged man wearing a dark three piece suit and necktie with cornflower buttonhole and lapel pin and a newspaper under his arm. Research by project volunteer, Fiona Collyer: Twenty-one year old Australian Championships, (now known as the Australian Open) winner Miss Joan Hartigan and Mr Harley Malcolm, Lawn Tennis Association of Australia (LTAA) Honorary Secretary and referee, embark on the R.M.S. Orford at Station Pier, Port Melbourne on their way to Wimbledon. The Australian Test cricket and Davis Cup teams were also on the same voyage. Joan Marcia Hartigan (Bathurst) 1912-2000 from Sydney, won the Australian Championships three times in 1933, 1934, 1936 and was a Wimbledon semifinalist in 1934, 1935. A tall, stylish presence in visor and pleated dress, Joan was renowned for her power game and her “upside down backhand” i.e. striking the shot with the same face of the racquet that she hit her forehand. Joan’s world ranking was No.8 in 1934. Unfortunately, her career was interrupted by the outbreak of WW11 with international matches suspended for five years. Joan enlisted in the Australian Military Forces during WW11 and in 1947 she married Hugh Bathurst, private secretary to Senator James Fraser, Prime Minister Ben Chifley’s Health Minister. They had a daughter Mary and a son Thomas who became Chief Justice of NSW. Joan died in Sydney in 2000. In October 1933, Mr Harley Malcolm, declared “I consider shorts not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut in such a costume is unreasonable.” However, Harley was on the wrong side of history. In Europe and USA, many women tennis players were swapping their long skirts and stockings for bare legs, short skirts and shorts and men their long flannels for tailored shorts. In 1933, Henry “Bunny” Austin stunned the Wimbledon crowd when he wore shorts onto Centre Court - the first top male player to do so. He found it too hot to play in long trousers so he asked his tailor to run up some prototype shorts. At the 1933 Wimbledon Women’s Final, in front of the King and Queen, English champion Dorothy Round wore her trademark sleeveless dress with a divided skirt and her American competitor Helen Jacobs wore white, tailored shorts with a black stripe on each side, described as “mannish, though businesslike.” In November 1933, the Victorian Lawn Tennis Association officially allowed shorts as regulation dress at Kooyong for both sexes. In 1935, Dorothy wore her shorts while competing in Melbourne at the Australian Championships, Kooyong and there was hardly a murmur of dissent. Mr Harley Malcolm was involved with Australian tennis for 57 years, first as a player, then as a referee and administrator. He always wore a cornflower buttonhole on his lapel as he said the blue in that flower was his favourite colour. Cornflowers are sometimes referred to as “bachelor’s button” due to the old practice of men wearing cornflower buttonholes to indicate they are either in love or ready for courting. The Bleuet de France is the French flower of remembrance. References: WOMEN CITIZENS' MOVEMENT. (1934, March 21). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved March 20, 2024, from http://nla.gov.au/nla.news-article203827087 'Joan Hartigan', Wikipedia, https://en.wikipedia.org/wiki/Joan_Hartigan Leading Tennis Referee Condemns Wearing of Shorts (1933, October 5). The Herald (Melbourne, Vic. : 1861 - 1954), p. 11. Retrieved March 6, 2024, from http://nla.gov.au/nla.news-article243193607 REMEMBERING 57 YEARS OF TENNIS (1947, December 10). Daily Mercury (Mackay, Qld. : 1906 - 1954), p. 5. Retrieved April 1, 2024, from http://nla.gov.au/nla.news-article171166922Photographer notations on slide: "B19".tennis, 1930-1939, ships, sport, clothing and dress

A brown wooden award with the words 'The Arthur Nothing Trophy' and 'Victoria v South Australia' inscribed on the base. A table tennis player sits on top of the award, with the sole winner's name and score inscribed below it '1978 Victoria 61-20'.Wooden upright rectangle with two shoulders, curved mid-section topped by gold coloured person with table tennis batThe Arthur Nothling trophy Victoria v. South Australiaassociation for the blind, awards

Swish is a fast paced game played on a table tennis table with an upright board instead of a net. Players hold a miniature cricket bat and use an audible ball that must go under the middle board and off the table to win a point. Players must use only their bat to keep the ball on the table, and not their body, and keep the ball moving along the surface of the table. In this image, two men hold bats and attempt to return the ball back to their opponents. 1 black and white photograph of men playing swishswish, recreation, royal victorian institute for the blind

The plastic ball has bells inside to make it audible when it is hit by the rectangular wooden 'Swish bat'. 'Swish' is a fast, invigorating game, and was developed by blind people in Australia and has been played here for many years. It is played on both a recreational and competitive level; and allows blind, vision impaired and sighted people to compete on almost equal terms. Swish is like table tennis, but instead of hitting a ball over a net, the ball is hit under a net and must travel along the surface of the table. The net is at a height that so that those players with various degrees of sight do not have an advantage over blind players. Swish is either played as a doubles or singles competition. The game can be played from one game to the best of five, and the first to eleven or the advantage of 2 after eleven.1 swish ball with 26 holes containing 3 metal bellsrecreation, swish

The plastic ball has bells inside to make it audible when it is hit by the rectangular wooden 'Swish bat'. 'Swish' is a fast, invigorating game, and was developed by blind people in Australia and has been played here for many years. It is played on both a recreational and competitive level; and allows blind, vision impaired and sighted people to compete on almost equal terms. Swish is like table tennis, but instead of hitting a ball over a net, the ball is hit under a net and must travel along the surface of the table. The net is at a height that so that those players with various degrees of sight do not have an advantage over blind players. Swish is either played as a doubles or singles competition. The game can be played from one game to the best of five, and the first to eleven or the advantage of 2 after eleven.1 swish ball with 28 holes containing 4 metal bellsrecreation, swish