Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd. Related to border sample 88.0047 (old registration number). Part of ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd. Sultana worsted Axminster 27" carpet body sample made by John Crossley & Sons Ltd.Sultana worsted wool Axminster linen back manfd. 1893 4 27" body carpet J.C & Sons Ltd Halifax Englandweaving, john crossley and sons, carpet

Rug was made on National Wool Museum Brinton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. On the afternoon of 28/4/1988 Queen Elizabeth was presented with a similiar rug but latex backed and labelled.Rug was made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth. Detail of rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label on rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II. Label for rug made on National Wool Museum Brunton Axminster Gripper Loom by Brintons Carpets Geelong staff prior to the visit of Queen Elizabeth II.weaving, national wool museum, axminster

Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Part of ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Belmont Axminster pattern no. 46/8562, made by Brintons Geelong. Belmont Axminster pattern no. 46/8562, made by Brintons Geelong.Brintons Geelong 46/8526 10 Belmont 82weaving, brintons pty ltd (geelong), carpet

Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102. Artist's watercolour sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4102.4/4102 Roll 4 M6weaving, carpet

Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch. Sketch from which carpet manufacturing pattern is graphed out. Genoese (Axminster) 4/4180. Artist's paint sketch.4/4180 Genoese MS recolored lighter ground burgundy goldweaving, carpet

Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930. Part of a ten piece collection originally donated to the Queensland Museum by Mr Doug Glanville.Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930. Heavy Axminster carpet sample from Brintons Kidderminster England, from a Wilton loom circa 1930.Brintons Conda - 6weaving, brintons ltd (uk), carpet

Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. The border framed the edge to stripe of object 88.0048 (old registration number), laid to fill floor space. Part of the ten piece collection originally presented to the Queensland Museum by Mr Doug Glanville.Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England. Sultana worsted Axminster border made by John Crossley & Sons, Dean Clough Mills, Halifax, England.Sultana worsted 3 1' 10 1/2" 5/8 Border Carpetweaving, john crossley and sons, carpet

Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225. Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.4/418 Genoese MS. M6 RE MG. in Burgundy P2 S7 1st stockweaving, carpet

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Rug was made on National Wool Museum Brinton Axminster Gripper Loom by Brintons Carpets Geelong Staff prior to the visit of Queen Elizabeth. On the afternoon of 28/4/1988 Queen Elizabeth was presented with a similiar rug but latex backed and labelled.weaving, axminster

The Axminster Carpet Loom has been set up as a focal point in the centre of the National Wool Museum. The loom was originally built by Brintons in England around 1910 and was initially operating in Geelong in 1960. Brintons designed and built most of their own looms and ancillary equipment. When superseded in 1975 the loom was donated to the Melbourne College of Textiles for weaving training. The College has now donated the loom to the National Wool Museum and Brintons engineering staff has restored it to full working condition. This loom is known as an Axminster gripper loom. The gripper system was invented by Brintons in 1890 and operates using a gripper shaped like a birds beak. This grips the yarn, the yarn is then cut and the gripper swings down to place the tuft into the woven backing. This particular loom also uses a jacquard system for weaving colours. In jacquard weaving, punched cards are used to instruct the loom as to which colour to use. The system was invented by Joseph Jacquard, a silk weaver from Lyon, and was introduced in 1804. It revolutionised pattern weaving as it had the capacity to create intricate patterns through the use of the cards. By 1833 there were approximately 100,000 power-looms used in Great Britain that had been influenced by Jacquards invention. Joseph Jacquard died in 1834. Charles Babbage was later to adapt Jacquards punch-card system to produce a calculator that was the forerunner of todays methods of computer programmingAxminster carpet loom featuring over 1000 Jacquard punch cards and over 100 bobbins of different colours of wool.loom carpet wool, geelong woolbrokers' association, geelong, auction

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation of Jacquard card. Genoese (Axminster) 4/4226. Three sketches, gouache, two long and one short designs. The two long sketches are pasted at one end onto backing paper, which contain inscriptions. Floral design in blues, pink, mauves, white, grey and greens.Genoese 4/4226 AL Ingramweaving, carpet, ingram, a l

This rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Orange, cream, green, red and black patterned carpet with jute backing.back: [handwritten] 2/57axminster loom, carpet, sample, rug, wool, national wool museum, brinton's

This rug was woven in the mid-1990s at the Tascot Templeton Carpet (TTC) mills in Devonport, Tasmania. It was an in-house design. The rug was woven as a one-off design exercise and was given a Golden Thread Award by the Australian Wool Corporation. The design never went into standard stock production and was never released for public sale. This rug has been woven with 100% wool on a 1 metre wide loom. The loom was purchased by TTC from United Carpet Mills of Preston and the rug was woven to demonstrate the capabilities of these looms. This rug is an example of Wilton weaving. Wilton differs from Axminster in that it is usually Loop Pile and 100% wool whereas Axminster is Plush (cut) pile and normally 80/20 wool nylon blend. TTC manufactured primarily high-quality narrow and broad loom, Axminster and Wilton carpets for the domestic and commercial market. They operated from the early 1960s until their closure in 2011. This rug was also on display in the Tascot Templeton head offices before being donated to the National Wool Museum in 2021 by Roger Warn. 3 x 3-meter carpet rug woven in 1-meter wide sections. The pattern repeats 3 times both in the width and the length. Starting from the bottom left corner, a square can be seen within a larger circular shape. These circular shapes connect end on end across the width and length of the rug. 5 Circles make up the length of the rug while 6 circles make up the width. Numerous small shapes encompass the entirety of the rug. These small shapes work together to form many interconnected repeating forms that draw your eye in a new direction every time you look at the rug. The predominant colour of the rug is a purple background with blue, cream and orange colours making up the foreground colours.carpet rugs, woollen rugs, tascot templeton carpets, axminster carpet loom

The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons

This rug was woven at the Geelong Wool Museum in an elephant print pattern developed in the 1920s. Part of a working exhibit, it was created on a Jacquard loom manufactured in Kidderminster, UK in 1910s, and assembled in Australia. From the pamphlet: This rug was designed by Brinton's Carpets, a company that produced carpets in Geelong until 2008. The design was produced exclusively for the National Wool Museum, and came from an earlier design housed in Brinton's UK Persian Rug Archive and was recoloured for the Australian market. This Rug was produced on a 1910-built Axminster Jacquard Carpet Loom, donated to the Museum by Brintons. It forms the centrepiece of the National Wool Museum, where visitors daily experience this extraordinary machine in operation. Using Jacquard technology which is over 200 years old, individual coloured yarns of 80% wool and 20% nylon blend are used to produce high quality and long lasting durability.'Manor House' Hall runner. Elephant print pattern.amess house, churchill island, geelong wool museum, hall runner, joseph jacquard

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Two black and white photographs of Her Majesty Queen Elizabeth II, accompanied by the City of Greater Geelong Mayor, Jim Fidge, watching a shearing demonstration by local Geelong shearers outside the then National Wool Centre. Her Majesty Queen Elizabeth II opened the Wool Week Display in the almost complete National Wool Centre during her visit in April 1988.royal visit, wool centre, geelong, queen elizabeth ii, prince philip, national wool centre., bicentenary celebrations

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his herding talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page title: Hello, Goodbye Your Highnessroyal visit

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Souvenir newspaper, consisting of one large rectangular pieces of newsprint folded in half to form two pages. It contains articles and photographs relating to Her Majesty Queen Elizabeth II visit to Geelong in April 1988 where she opened the Wool Week Display in the almost complete National Wool Centre.Front page heading: Queen of heartsroyal visit

Originating in New Zealand, the Drysdale, represented by Bilby Bill, was developed in the 1930s at Massey University (Canterbury) by crossing a coarse haired Romney and the hardy Cheviot breed. First imported to Australia in 1975, the Drysdale, due to a genetic abnormality, produces coarse, long staple fleece. This same gene also gives them their horns, something that generally does not occur in the parent breeds. Their fleece grows very fast, up to 25cm every six months; as such shearing is carried out twice a year. The coarse and hard wearing wool is mostly used for the manufacture of carpets. The Drysdale is a medium to large stocky sheep, weighing approximately 55kg and produces about 6 to 8kg of fleece per animal annually, which is 35 to 45 microns in diameter. The yarn used on the National Wool Museum’s Axminster Gripper Loom to make the Manor House Rug is spun from the wool of Drysdale sheep.Taxidermied male Drysdale sheep. Medium sized animal with white body coloration. Large horns protruding from the top of the skull. drysdale, sheep, new zealand