This Christening gown belonged to William Edward Housden who was born in Castlemaine in 1890 and died in Warrnambool in 1972. He served in World War One and married Lucy Knowles in 1921. It was on occasions, and still is, a common practice to make a special dress for a baby's Christening or to use a gown that has been handed down over the generations. This is a fine example of a Christening gown made for a baby 130 years ago.This is a Christening gown made of cream cotton. It is high waisted with a gathered skirt and a pintucked bodice with hand embroidered leaves and fine drawn thread work. The draw string waist opens at the back. It has long sleeves with lace and embroidered cuffs. There is lace and draw string tape around the neck. The seams have been machined.william edward housden, christening gowns

Christening gowns are traditional outfits made just for baby’s baptism. They are almost always white and can be very ornate, highly decorated garments. Usually, the christening gown is quite long – much longer than the baby being christened, particularly when it is worn by a young or very small baby. Many families keep a “family” christening gown that has been passed down through various family members and is used for the baptism ceremony. This christening robe was probably used by the Cameron family.The christening gown was a late 18th century innovation usually made of white lawn, muslin or net, longer than the baby and fancier than a day gown. The design was a more moderate version of contemporary adult fashion. Most 19th century christening gowns featured lace. All, until the end of the century, had low necklines and short sleeves. This gown reflects the style of christening robes in the early 20th century. A high waisted, short-sleeved long white broderie anglaise christening robe made of fine cotton. It is hand made edged with machine stitched cut work lace. The bodice is pin tucked.christening-robe clothing-childhood

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.A220 Four generations of the Faragher family -great grandmother Jane Trigg (seated right), grandmother Sarah Wright (seated left), mother Elsie Faragher (standing at back) and baby Stan Faragher (seated centre front). Elsie Wright is Myrtle Uebergang's sister. There are two copies of the photograph -one a loose mounted copy (pictured), the other was framed. The wooden frame cost 3/9. A duplicate copy in the frame is on display. Black and white photograph of three women and a child. The old lady seated on the right is wearing a long sleeved dress/jacket with beaded bodice and a brooch at the neck. She has a white lace cap and net mittens. The woman on the right is wearing a tailored suit. The jacket has four buttons closure and two buttons on the turned back cuffs. A white blouse with wide pointed collar completes the outfit. The young woman at the back has her hair parted in the centre with plaited buns over the ears. Her frock has a self-fabric sash at the waist, six covered buttons down the front and decorative panels at each shoulder edged with beads. The wide white pointed collar sits on the shoulders. A white insert at the neck has a brooch attached. the child has long hair and wears a one piece outfit with short legs and buttons at the shoulder. His long sleeved shirt has a wide collar. He wears dark socks and button-up shoes.allansford, koroit, four generations, photographs, jane trigg, elsie faragher, stan faragher, sarah wright, myrtle uebergang

This baby’s long cotton gown is an example of the dressmaking and lacework skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shirec1900 and this item shows the skill and craftsmanship of the women of these families A baby's long, fine white cotton christening dress with short sleeves, lace bodice ,and lace inserts on front panel. Pin tucks and lace form the lower part of gown and the cuffs and neckline have lace edgingclothing, crochet, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, lacework, moorabbin shire, bentleigh, mckinnon, hunt ailsa, dairy farms, fruit orchards

This cotton baby's nightgown is and example of the dressmaking skills of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utnesils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A long, white cotton baby's nightgown with collar and bodice ties. Lace panel to bodice, and guipure frills and hand embroidery to collar and cuffs.brighton, moorabbin, pioneers, bentleigh, cheltenham, market gardeners, oakleigh, clothing childrens, dressmakers home

This long calico baby's nightdress is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A short-sleeved, long calico baby's nightgown. There is extensive hand-embroidery and pin-tucks on the bodice. Waist ties embroidered at the front. Crochet edges to neck and sleeves. The garment opens at the back.clothing, brighton, moorabbin, pioneers, dendy henry, market gardeners, dressmakers, craft work

The pioneer settlers and market gardeners of Moorabbin Shire were very committed to their religious observances. The meetings and celebrations of religious rites gave them companionship and support during the difficult times of establishing their market gardens. The craftsmanship and skills of the families is shown in the clothing they made. The skill and craftsmanship shown in this christening - baptism - gown is and example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire. The Maggs family were early settlers of this areaBaby's long, white cotton christening gown, with hand-embroidered feather stitch and very fancy extensive cut-work to the bodice and skirt. Short sleeves with scalloped edges. c1900. Good condition.clothing, brighton, moorabbin, pioneers, bentleigh, dressmaking, dendy henry, market gardeners, maggs geoff, craftwork, christening gown

This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork

This baby’s long, white cotton christening gown is an example of the dressmaking skills of the women of the pioneer settlers families in Moorabbin Shire c1900Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families The Peck family were early settlers in Moorabbin ShireA baby’s long, white cotton, christening gown with pin-tucks and bodice tiesclothing, moorabbin, ormond, bentleigh, dressmaking, market gardeners, early settlers, craftwork, mr peck, christening service, rites, baptism

Baby's long cotton nightdress.Bodice has diagonal overlay of lace and diagonal pintucks. Gathered skirt attached. White cotton tie, (lace at ends) to tie at rear. Back opening. Tie at rear neckline, one covered button on bodice - 4 rows of tucks at hemline. Old Box 346.costume, children's, christening long gown

Cream coloured hand knitted woollen baby dress. Round neck with small shoulder openings each with a small plastic button. Bodice has three rows of pattern front and back. Short puffed sleeves with one row of pattern and gathered edge. Satin ribbon ties on lower edge of sleeves. Skirt has stocking stitch with three patterned rows around lower edge. Moss stitch pattern around lower edge. Cream satin ribbon tie around waist. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby dress

Fine white cotton, round neck with three embroidered cotton panels inserted in bodice. Gown front is one piece of fabric from shoulder to hem, with a panel sewn across the front (12cm X 3 cm) giving the appearance of a bodice and skirt. This panel extends into long ties which tie at the back. Long sleeves are edged with lace and braid. This braid also edges the bodice panels, and fine lace edges the neckline. Narrow pleats between the lace bodice panels, give fullness to the bodice.Written in ink on inside of bodice panel - A. Geuer. (Merle's Grandmother)costume, children's, baby's white cotton nightgown

Fine white cotton round neckline edged with lace. Three lace panels on centre bodice. Long ties are stitched down at the centre of the gown, with an embroidered cotton lace overlay, defining the bodice and skirt. Narrow pleats between the three lace panels, give fullness to the front bodice. Long sleeves are edged with narrow lace, and slight gathering gives the impression of a cuff. A six cm band of cotton lace edges the hemline. Six cm wide band of lace at hemline.costume, children's, night gown

Fine cream silk. Round neckline, centre front opening (no fasteners ).All edges are featuring a cut out profile, almost giving a scalloped edge.These are outlined with shaped running - stitch embroidery, forming peaked shapes. Eyelet embroidery around the neckline, suggest there was once a ribbon tie around the neckline. Two interlocking squares on either side fronts are outlined with silk embroidery - one square floral, one square eyelets. Extended sleeves.costume, children's, jacket or bodice

Made by MRS Harris for her daughter Norma (donor) in 1920Baby's Cream silk dress with round neck sleeves, opening down back of bodice with three press studs to waist. Waist band has 18 button holes for ribbon to be threaded through. Herringbone stitch insert 2/3 down skirt. Embroidered flowers on skirt and bodice. All edges finished with crochet edging. All embroidery and crochet in cream silk thread.costume, children's

Frock was worn by donor's daughter Susan during time the family lived in England1964 white terylene dress, puff sleeves gathered at bodice and trimmed with nylon lace from neck edge to skirt. Five pearl buttons from neckline to skirt. Dress is lined from the bodice to the hem which is trimmed with nylon lace. Neck rear has two button opening. See also NA3591.1.2 Booties, NA3586 Bonnet, NA3592.1.2 BootiesSally Pigtail Regd - Terylenecostume, children's

Cream viyella baby gown, smocked at front and at waist. Edged with cream cotton lace at neck and wrists. Decorative feather stitch on bodice, handmade button holes pearl buttons, 'jap' silk bodice lining, french seams throughoutcostume, infants'

Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants'

Laundered 30/10/1999Long white Christening robe with Ayrshire embroidery on a vee shaped bodice front coming to a point at the waist with a small opening under the point. If the baby was a boy the point was left showing an if a girl it was tucked into the opening. Tucking across the front panel. Drawstring at neck.lace and pin tucking down front. Drawstring neckcostume, infants'

Given to donor's daughter by her cousinPlastic baby doll dressed in pink hand knitted dress and pants. Doll is bald but has eye lashes and open and shut eyes. The pants are knitted in stocking stitch with elastic threaded through at the waist. The dress is sleeveless with a pink button on each shoulder. The skirt is knitted in a lace pattern with a crochet tie threaded through the waist. The bodice is knitted in stocking stitch.toys, dolls, doll's clothes

White cotton baby nightdress with two ties. Lace frill at neck and sleeve edge. Gathered at front of bodice. tape ties at neck.'NS' embroidered on hemcostume, female nightwear

In 'Underwear: Fashion in Detail' (Lynn, Eleri, V&A Publishing, 2014) the chapter on 'Decoration' includes a contemporary quote by the fashion writer Mrs Eric Pritchard, who stated that even the virtuous woman should now wear pretty underwear, and in fact was morally bound to do so to remain attractive to her husband and save him from the sin of adultery. This prettiness included 'underwear that became decorative and delicate, trimmed with the lace and baby-ribbon that complemented the Edwardian predilection for indulgent and seductive lingerie' (Lynn, Eleri, p.46). This bodice and Director Knickers formed part of the trousseau of Margaret Grace Burland, who married John Lawrence Henty Hindson at St George’s Church, Malvern in 1912. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Cotton lingerie including a camisole and drawers owned by Grace Burland, and forming part of her trousseau. Fine lawn, lace, blue silk ribbon threaded through at neck and waist, embroidered, concealed buttons at front (some missing) and rear buttoned flap. Distinguishing feature is the extensive use of lace which was an innovation in taste during the Edwardian period.Nilunderwear, henty collection, grace burland, bodices, drawers, knickers

Modern porcelain or ceramic doll, belonging to 6th generation of Henry and Martha Sebire. Emma & Karlee Jennings.Porcelain or ceramic doll with blue eyes and red lips. Wearing a long sleeved white lace and embroidered christening style dress with a matching bonnet, a ribbon bow is on the bodice of the dress, and two white buttons on the back of the dress. Towelling type cotton body with panties.dolls, baby dolls, toys, leisure objects