This home was completed in 1938. It was the gift of Mr and Mrs Barker. One of the first objectives of the Association was "to provide the shelter of a hose for those Pioneers of the Goldfields whom the reverses of fortune have deprived of the means of procuring the comforts of life in their declining years." The first home at Charles Anderson Grove was built in 1925. Before that time the Association provided relief for needy pioneers. relief included monthly monetary payments, loads of firewood, medical assistance and distribution of Christmas bosed of groceries to deserving pensioners, and in some cases payment of burial costs. ::a) The dominant purpose of the Association is to give public benevolent relief as a charity, but providing independent living accommodation in our Retirement Village for person in need who are over 65. ::b) To raise funds by membership subscription, commercial and residential rents, donations, gifts and voluntary work, for the purpose of providing direct relief of poverty, distress, misfortune or helplessness. ::c) To maintain the important heritage and ongoing viability of the Old Colonists' Association. (Revised Rules of the Old Colonists' Association of Ballarat Inc., 2016) Colour photograph of Barker Cottage at The Old Colonists' Assiation of Ballarat Inc retirement village at Charles Anderson Grove, Ballarat.old colonists' association, ballarat, ballarat old colonists' club, charles anderson grove, barker, barker cottage, j. barker

This home was completed in 1938. It was the gift of Mr and Mrs Barker. One of the first objectives of the Association was "to provide the shelter of a hose for those Pioneers of the Goldfields whom the reverses of fortune have deprived of the means of procuring the comforts of life in their declining years." The first home at Charles Anderson Grove was built in 1925. Before that time the Association provided relief for needy pioneers. relief included monthly monetary payments, loads of firewood, medical assistance and distribution of Christmas bosed of groceries to deserving pensioners, and in some cases payment of burial costs. ::a) The dominant purpose of the Association is to give public benevolent relief as a charity, but providing independent living accommodation in our Retirement Village for person in need who are over 65. ::b) To raise funds by membership subscription, commercial and residential rents, donations, gifts and voluntary work, for the purpose of providing direct relief of poverty, distress, misfortune or helplessness. ::c) To maintain the important heritage and ongoing viability of the Old Colonists' Association. (Revised Rules of the Old Colonists' Association of Ballarat Inc., 2016) Colour photograph of Barker Cottage at The Old Colonists' Assiation of Ballarat Inc retirement village at Charles Anderson Grove, Ballarat.old colonists' association, ballarat, ballarat old colonists' club, charles anderson grove, barker, barker cottage, j. barker

Vol. 1, No. 1 November 1996 CONTENTS REFORMIST?: Barbara Kruger comes to the Museum of Modern Art at Heide 3 FESTIVALS Nillumbik festival celebrates our lifestyle in food, wine, music and art 5 WRITERS WEEK Barry Dickens and Judy Jacques on Ruckers Hill present the "word" in all its possibilities 8 EMERGING ARTISTS Nillumbik presents a new wave of visual artists 11 SHORT STORY Extract from a novel in progress by Jon Weaving 12 POETRY Tribute to Myra Skipper 16 HERITAGE TRAIL Youth of Eltham research local history 1 8 SCULPTURE Akira Takizawa's search for harmony 22 WRITER'S JOURNEY A writer overcomes a nightmare 24 SCIENCE AND ART Pamela Conder analyses nature 26 ARTS BALL Jazz greats come to town 27 HISTORY IN PRINTS Australia's forgotten war artist 28 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market.

Peter has a wealth of knowledge about present day and historical aspects of local art and artists."
 - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1996, adam simmons, akira takizawa, alison cassidy, alistair knox park, allwood house, alvaro castagnet, angels of soul, anita hustas, anna kelly, anne curry, arts ball, avenue of honour, barbara kruger, barry dickens, batacuda, belli, belly dance and drumming group, betty rowland, bike paths, bits & pieces, blair fraser, blue tongue, bridge street, bulleen art & garden centre, bulleen nursery, bux, caffe poco, cal martin, carla cordeiro, cate bailey, charles morris, charlie dowley, chris hooke, chris kandis, chute street, circus in a suitcase, crucial kick, deirdre o'reilly, diamond creek, diamond valley big band, edna kenny, ellis cottage, eltham arts council, eltham cemetery, eltham courthouse, eltham festival, eltham high school stage and jazz band, eltham high school, eltham library, eltham people's choir, eltham symphonica band, eltham war memorial building, eltham wiregrass gallery, eucalypso, fay alexander jenkins, fiona furphy, firefly, food for all seasons, friends of the earth forest action fund, gavan gray, gene strode, geoff braithwaite, geoff kluke, george kirov, gil askey, golden cascades, graeme barker and the cats, greg o'leary, harry gilham, helen o'grady children's drama academy, heritage trail, hurstbridge goldworks gallery, italian women's choir, jackie gaudion, jackie stojznova, jacqueline gawler, janine james, jarrold cottage, jay atwill, jazz band ball, jerry hughes, jock ryan, john rasmussen, jon weaving, joseph zbukvic, joy ness, judy jacques, judy racz, jules burns, june cugola, kate jones, kavisha mazzella, kevin spearey, les gyori, lisa walker, lothlorian, louise jade, magwal, margie allan, margie lou dyer, margo barrett, mary burns, masquerade ball, melody james and friends, mermaid in the well, michael eames, michael murray, michele lonsdale, monique di mattina, montsalvat, myra skipper, nell frysteen, nerida kirov, nicole o'connor, nillumbik emerging artists exhibition, nillumbik festival, nola spence, ona henderson, opportunity shop, our lady of help christians church, pamela conder, parafinallen, patrick mccauley, peter burns, peter dougherty, pond, road, robbie greig, roger shuttleworth, ron hanson, rory cole, ross hannaford, ross needham, ruckers hill, sanctuary, scott griffiths, shep huntly, shillinglaw cottage, shire of nillumbik, shoestring, sigmund jorgensen, silvio apponyi, spindrift, st margarets anglican church, stebbing cottage, steve sedergreen, susan street, sweeney, syd tunn, tennis-courts, terry cole, the great gizmo, the picture, theo scharf, thermal skunkrust, untitled scraper board, victorian artists supplies, war artist, warrandyte, westgarth writers' week, wingrove cottage, wolfgangs palace theatre troupe, women's circus, yarra plenty rock gospel choir, you did alright kid, art streams

Documents. Connelly, Tatchell & Dunlop. 1 - 1896 - Letter from Bear Louis, Canary Island. 2 - 1896 - Note regarding Stevenson deceased mentions Muir Mr. 3 - 1896 - Letter from Hoyland Chas H, Barrister & Solicitor, Godfrey Street, Boort regarding Proctor & Braybrook. Also contains a letter card from M Lethlean, Lockwood regarding making of husband's will. 4 - 1896 - Letter from Beebee E M re Barker. E M Beebee is written on outside of letter. Letter appears to be signed Meake? E M?cottage, miners, connelly, tatchell & dunlop, bear l, stevenson, muir mr, hoyland c h, proctor, braybrook. lethlean m, beebee e m, meake? e m?

Yields information about the people around the photograph of the Horse Tram at the depot with the Duncan and Fraser name board in front and has a strong association with the people named in the document.Piece of torn paper headed "Horse Tram No. 1 Photo" listing details of the men around the photograph of Horse Tram No. 1 at the depot with the Duncan and Fraser name board in the front. Handwritten by Dave Macartney c1985 as advised by Norman Fraser (a relation to Farser of the Duncan and Fraser family) See Reg Item 765. "Man in doorway with arms folded is George Fraser Snr, father of Norman Fraser. The manager Peter Hodgetts, seated on top of tram, lived at 1163 Gregory St. Company had 13 cottages for employees building along south side of Gregory St. The Frasers lived next door to the sheds. Norman Fraser remembers a horse named Nobby which could not be shod unless its legs were tied. Big George Barnett did the job. He is pictured standing in from of Mr Fraser Senior along with blacksmiths Moyce and Lang. The drivers were Nicholls, Gaston, Buckley, big George Armstrong (lying on the ground) and John Cameron. Si Barker and W. Skewes were the carpenters." trams, tramways, horse trams, duncan fraser, depot

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria)This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). Plan No. 1572 represents the built environment bordered by Barkers Road, Wrixon Street, Edgevale Road and Fitzwilliam Street. Other streets identified on the plan include Stansell Street. Plan 1572 shows that by 1903-05, there was only patchy development in this area of Kew, mainly on Edgevale Road and Fitzwilliam Street. Only two named houses are identified: the quaintly named ‘Tweed Cottage’, and ‘Mendip’. The earliest reference to Treed Cottage in Australian newspapers is to the death of Walter Thompson, aged 74 who was a resident there in 1885. His youngest daughter was to die there in 1908. Mendip to the north of Tweed Cottage was owned by Henry Thompson; he was to die in 1901; his wife in 1932. At this period of time, Malin Street and Clivedon Court did not extend to Barkers Road.melbourne and metropolitan board of works, detail plans, mmbw 1572, cartography

Cheltenham is a suburb in the City of Kingston that was originally established as a rural market gardening community. The area is bordered by Highett, Mentone and Heatherton. The market gardens, farms and paddocks have gradually been sub-divided into housing and industrial estates. The Southland shopping centre is a major feature of the area.Cheltenham was established as a rural market gardening community. The Le Page family lived in Cheltenham since 1854 when Nicholas Le Page, a tailor from the Channel Island of Guernsey, bought two acres of land on Chesterville Road near Bernard Street to establish a market garden. Over the years the Le Pages purchased more land in the area. In 1875-76 Nicholas' son Frank and his wife Mary built 'Daphne Cottage' near the corner of Bernard and Wilson Streets. n the 1940s Frank's son, Everest Le Page, bought five more lots of land in Chesterville Road from the Tuck family. The Le Pages grazed horses, ponies and cows on this land, and grew pumpkins, carrots, parsnips, onions, potatoes and cabbages. Many buildings and locations within in Cheltenham commemorate the Le Page family's contribution to the Cheltenham community.Aerial photograph taken in 1945 of the Cheltenham district within the City of Kingston. The image includes Chesterville Road, the future site of Turner Road pool (now Waves) and Highett Reserve, (top left), Jellicoe Street, Argus Street, Bernard Street, Wilson Street, the Methodist Children Homes (now Southland), McIvor Street, Goulburn Street, Nepean Highway, Jamieson Street and Barker Street (bottom left), market gardens and paddocks. In the top centre of the image, "Daphne Cottage", the home of Frank T. Le Page is visible on the corner of Bernard and Wilson Streets. Much of the land depicted in this image was owned by the Le Page family. This image is possibly from the collection of aerial photographs commissioned by the Department of Crown Lands and Survey and taken by Adastra Airways.Black and white ink: 57250 White print: VIC-170 57250 20.12.45 Run 6 PROJ. No. 5 MELB. METROP AREA Black type 10200 FTS 30' LENS 20.12.45cheltenham, market gardens, industry, le page family

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.