An Australian Government sponsored detailed description of the Battle of Fire Bases Coral/Balmoral - an important Australian battle in the Vietnam War.A detailed but easy to read recount of a major Australian battle in the Vietnam War. Thin book, very dark in color for front and back covers; front cover shows soldier on watch, back cover shows (in negative) two soldiers jumping into shallow dugout.Vietnam 1968/The Battle of Fire Support Bases Coral/Balmoral.vietnam, vietnam war, battle, coral/balmoral, diamond valley vietnam veterans, fire support base

Dark blue cover with black and white photograph of Australian soldier atop a dug out at FSB Coral. Describes the battle illustrated with coloured and black and white Photograph.Australian Government Department of Veterans Affairscoral, balmoral

Ammo was low no grenades the VC were all around us out of the 7 men around the M60, I had lost one dean and one wounded there was nothing I could do. 1961-1975 - participation, vietnam war, 1961-1975 - campaigns, fire support base - coral

Shirtless in the tropical heat, an Australian sits holding his weapon atop a deep dugout at Fire Support Base (FSB) Coralbattle of coral balmoral, fire support base

An accurate, absorbing account of the biggest unit level battle involving Australian forces in Vietnam. This saga in the histor of the modern da ANZACs exemplifies their spirit and indomitable corage, which has made the Australian "Digger" famous the world over.australia. army. australian task force (vietnam), 1st, vietnam war, 1961-1975 - participation, australian, battle of coral-balmoral

An accurate, absorbing account of the biggest unit level battle involving Australian forces in Vietnam. This saga in the histor of the modern da ANZACs exemplifies their spirit and indomitable corage, which has made the Australian "Digger" famous the world over.australia. army. australian task force (vietnam), 1st, vietnam war, 1961-1975 - participation, australian, battle of coral-balmoral, fire support base, anzac

Fire Support Bases Vietnam is a meticulous documentation of the construction, location and role of fire supprt bases during the Vietnam War.viietnam war, 1961 - 1975 - arttillery operations, military bases - vietnam - history - 20th century, 1961-1975 - participation, australian, fire su, fire support base, australian fire support base, phuoc tuy province, 1 rar, bien hoa, nui dat, battle of long tan, battle of suoi chau pha, the battle of coral and balmoral, battle of xa binh ba, battle of long binh

Ammo was low no grenades the VC were all around us out of the 7 men around the M60, I had lost one dean and one wounded there was nothing I could do. 1961-1975 - participation, australian, 1961-1975 - campaigns, fire support base - coral, battle of coral-balmoral

award received by the battalion in 2021Wooden plaque with medal tab on the plaque5/6 rvr, 5/6 rvr bhq, plaque, legacy

Ill, p.25?.non-fictionDescription of the battle of Coral / Balmoralvietnam conflict - 1961-1975 - pictorial works, vietnam conflict - australian involvement

Black and White photograph (montage) of nine type of trolley poles spring bases used by the MMTB, c1970. Provides photos of US6, US13, US15, English Electric, Ohio Brass, US 15 Converted, MV, MMTB and PCC types. Titled "Trolley Pole Bases" 2nd copy added from donation of Geoff Warburton 7/10/17. 3rd copy added 11/6/2022 from unknown source2nd copy in pencil on top edge "Trolley pole bases MMTB"trams, tramways, mmtb, trolley poles, trolley pole bases

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Pair of hand moulded abstract ceramic wall sculptures with holes and marks of the original wires on the reverse. The front and back are glazed while the interior has been left unglazed. The free-form shapes resemble waves which were initially covered with a white glaze which was then overgrazed in a semi-transparent turquoise glaze. Both pieces are signed by the artist on the reverse.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling, ceramic sculptures

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel-thrown, globular earthenware vase with a fluted neck, The vase has three glazes, its exterior glaze is a mottled greenish black which has dripped onto the foot rim. Internally it is glazed in cream, while the four petalled flowers encased in buds that form the exterior decoration are highlighted in pink, as is the interior of the rim. The base is signed with the artist's signature.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown bulbous vase with a narrow neck. Subsequent to potting, the vase has been scraped from head to foot. An overall pink glaze, fading as it has dripped down the exterior has been highlighted with a second irregularly applied green glaze within the ridged surface. The artist has signed the base. Signature to bases: "V. Ayling" ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Freeform, heavily-potted earthenware vase, initially covered with a semi-transparent maroon glaze with a secondary green glaze applied over the top and allowed to drip over parts of the ground colour. The interior and foot of the vase are glazed in cream. The artist has signed her name to the base.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie ayling, viola annie mcvicars

Skittles or Nine Pins has been played since the 4th century. It is an old European lawn game. In general, players take turns to throw wooden balls down a lane at the end of which are several wooden skittles in an attempt to knock them all over. It evolved into ten pin bowling, one of the most popular pastimes around the world. This is an indoor children's toy probably played on a carpeted passage inside. Skittles was an indoor game which could be played by the whole family.This item reflects a time when simple games were enjoyed as a family. In rural areas where there was limited access to commercial recreation skittles would have been a popular pastime.Four wooden skittles. They are tapered with a knob at the top. All are painted black with two red bands towards the base. Two are smaller and have rounder bases. Under the bases are T-shaped ridges.recreation skittles indoor-games

Phials (2), glass with cork stoppers, Cylindrical bodies and flat bases.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Probably original to Mt Buffalo Chalet. Listed in the Draft Inventory of Significant Collection items. Appendix A.3, Snow sports equipment and other recreational items. (Pg 166 Historica). "Smoker's were well-catered for at the Chalet, and Smoking Rooms in similar resort establishments were considered to be a necessary facility. A guest house in the Blue Mountains in 1905 offered the' full comforts of a refined home' with views, spacious verandahs, tennis court and smoking room. James Boyce commented on expectorating smokers in the the Chalet's public rooms and recommended the provision of spittoons." (Pg 101. Historica) PROV . Undated photo of bedroom sitting room with same chrome ashtray, there are 3 in the MBC Collection. (Fif 52. Pg 63 Historica) Similar ashtray sighted on Ebay listed as Victorian Railways Spitoon, February 2012.3 x Brass and chrome standing spittoons with bulbous bases and bowl on a stem.

Framed map of 1 ATF operating area, operating bases and operational zones and firebases are detailed.map, 1 atf, firebases

Items bought for the Museum 1950s table DisplayTwo green plastic shakers on black bases. Shape round diminishing towards top in steps.Nallydomestic items, table setting

Laminated map of Phuoc Tuy Province - Vung Tau special zone. Oulne of hamlets and military bases.AFV/F7-12/1188map, vung tau, 1 atf, 1 alsg

Primus stove, made in Sweden. Was used by theTranport Corps supplying the Bases in Central Australia, private issue.equipment, ww2, army

Black and White photograph (montage) of nine type of trolley poles spring bases used by the MMTB, c1970. Provides photos of US6, US13, US15, English Electric, Ohio Brass, US 15 Converted, MV, MMTB and PCC types. Titled "Trolley Pole Bases"trams, tramways, mmtb, trolley poles, trolley pole bases