4 page paper booklet with small print. Pages 3-6. Page 1-2 appear to be missingnon-fictionSubmission for the Bass Valley, Powlett River and San Remo Railway line to be included in the Railways Actrailways, san remo, public transport, bass valley, powlett river

Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young child in lace dress.On back: " Anne McHaffie Phillip Island"mchaffie family, phillip island, bass valley historical society, anne mchaffie

Donated by Bass Valley Historical SocietyBlack & White Photograph of Quinton McHaffie as a young boy with long hair, leaning against the back of a chair in the garden.On back: "Quinton McHaffie"mchaffie family, quinton mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young child leaning on the arm of a chair - dressed in a dress and boots.On back: "David McHaffie"mchaffie family, david mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White Portrait of Georgie McHaffie as a small child standing on chair with hand on bowl.On back: "Georgie McHaffie"georgie mchaffie, georgianna mchaffie, mchaffie family, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White Portrait of Anne McHaffie as a young woman in high necked dress wearing 2 strands of pearls.On back: "Anne McHaffie now Mrs Hardy"mchaffie family, anne mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young 14 yr old boy. Stainding with hat in his left hand and right hand on railing.On back: "David I. McHaffie - 1878 - aged 14 years.mchaffie family, david mchaffie, phillip island, bass valley historical society

Donated by Bass Valley Historical SocietyBlack & White Portrait of Mrs John McHaffie sitting. Wearing 18th century style black dress with puffed sleeves.On back: "Mrs John McHaffie - Phillip Island"mchaffie family, mrs john mchaffie, phillip island, bass valley historical society

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Phillip Island Football Captain Bob Watson taking a mark during a football match in 1955. Uncle to Essendon Star Tim Watson.local history, photographs, bob watson playing football, black & white photograph, bob watson, bass valley wonthaggi district football league, phillip island football club captain bob watson, john jenner, bryant west

Previously in the Bena Presbyterian Church, Bass Valley Road, Bena, 3946, now displayed on the west wall in the church at Coal Creek Community Park and Museum, 12 Silkstone Road, Korumburra, 3950.One of the few remaining Bena town historic records.Honour roll of a white with grey marble shield on grey slate back plate. Title and names in black, inscribed into the marble shield with the Australian Commonwealth Military Forces insignia carved under the title. For God, King and Country, In Memory of the following men who were killed in action in France. Pte. Clarence Bell 11.6.18; Cpt. Wm. Irvine Glasgow, 1.9.18; Sgt. Allan C. Robertson, 14.4.18; Pte. Roy M. Robertson, M.M. (Military Medal), 3.4.18; bena, honour roll, church, wwi

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society was recorded at Greensborough Uniting Church in 1977; conducted by V. Lennie.1 audio cassette in clear plastic caseHandwritten on side 2: "Elijah. DVC Society Cond. V. Lennie. 1977"diamond valley choral society, elijah (oratorio), greensborough uniting church, val lennie

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society was recorded at Greensborough Uniting Church in 1977; conducted by V. Lennie.1 audio cassette in clear plastic caseHandwritten on side 1: "Elijah. DVCS. G'bro Uniting Church"diamond valley choral society, elijah (oratorio), greensborough uniting church, val lennie

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society was recorded at Greensborough Uniting Church in 1977; conducted by V. Lennie.1 audio cassette in clear plastic caseHandwritten on side 2: "Elijah. DV Choral Society. Cond. Valda Lennie 1977"diamond valley choral society, elijah (oratorio), greensborough uniting church, val lennie

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society was recorded at Ormond Uniting Church in 1982.2 audio cassettes in clear plastic casesHandwritten on cassette 1: "Elijah. Ormond. Tape 1"; on cassette 2: "Elijah, Ormond Uniting Church. 31-10-82"diamond valley choral society, elijah (oratorio), ormond uniting church

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue.2 audio cassettes in clear plastic casesHandwritten on cassette 1: Side A: "Elijah. Part 1; Side B: "Elijah. Part 2" ;on cassette 2: "Elijah, Part 3"diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue.2 audio cassettes in clear plastic casesHandwritten on cassette 1: Side A: "Elijah"; on cassette 2: "Elijah"diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue recorded.1 audio cassette in clear plastic caseHandwritten on side A: "Elijah. 1 + 2"diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society has no date or venue recorded.1 audio cassette in clear plastic caseHandwritten on cassette: "Elijah."diamond valley choral society, elijah (oratorio)

A recording of 'Elijah', an oratorio by Felix Mendelssohn, first performed in 1846, depicting events in the life of the Prophet Elijah as told in the Old Testament book of Kings. The work is scored for eight vocal soloists (two each of bass, tenor, alto and soprano). This performance by the Diamond Valley Choral Society and combined choirs was recorded at St John's Church of England, Heidelberg 25/07/1982 to support renovations at St John's. Conductor: Val Lennie.2 audio cassettes in clear plastic case and 35copies of a printed programHandwritten on case: "DVCS. St Johns. Elijah (3) 25.7.82"diamond valley choral society, st john's church of england heidelberg, elijah (oratorio)

Silver lighter with inscription below and Snoopy cartoon, "Fuck you Red Baron". Vietnam 70-71.Front has a Snoopy cartoon image and text "Fuck you Red Baron" Vietnam 70-71. on back inscription "Yea though I walk through the Valley of the Shadow of Death, I will fear no evil for I am the evilest son of a bitch in the valley"cigarette lighter, 1970-1971 vietnam