South beach swings and bathing boxesplus photographic copy of a black and white photograph of South Beach with swings and bathing boxesThe Bathing Beach Port Fairysouth beach, swings, bathing boxes, ocean, sea

South Beach - bathing boxes and play equipmentBlack and white Photograph of South Beach - bathing boxes and play equipmentWalker & Palmer Series M.4261 The Bathing Beach Port Fairybeach, swings, playground, south beach, pea soup, bathing boxes

Photograph of v shaped stone reef with bathing boxes perched on topBathing Beach Port Fairybathing box, south beach, ocean, sea, rock, reef

Black and white Photograph of the South beach, showing the bathing boxes in the right middleground on the reef of rock with two people on the left 10/04/1929Bathing Beach Port Fairybathing beach, south, beach, sea, pea soup, ocean, rock, reef

Black and white photograph of the South beach with the Bathing boxes and swings in the centre middle ground and six people walking across the the sand in the foreground taken for use as a postcardBathing boxes and Beach Port Fairybeach, bathing boxes, south beach, pea soup, boarding school bay, swings, ocean, sea

PhotographPlayground and Bathing at South Beach Port Fairy Published by Walker and Palmer 6361south beach, playground, bathing

South Beach bathing boxesColoured post card of South Beach taken from the West and depicts the bathing boxes in the backgroundSouth Beach Port Fairybeach, sea, seascape

Pavilion at South Beach showing horses & buggiesBlack and white photograph of the Pavilion at South Beach showing horses & buggies in the middle ground with a group of people in the kiosk and in the background the bathing boxes and swings taken for use as a postcardThe Rose Series P.1143. Copyright- The Pavillion at the Bathing Beach Port Fairy Vic. beach, pavilion, south beach, bathing boxes, kiosk, horses, buggies, people, family

Illustrates conditions at South Beach post WW1Black & white photographBathing Beach Port Fairybeach, sea, seascape

The South Beach at the pavilion with cars Black and white Photograph of the South beach car park near the pavilion on the right had side with 5 motor cars and a large group of people in the middle ground maybe taken for use as a postcardBathing Beach Port Fairybeach, pavilion, cars, south beach, pea soup

Photograph of 10 beach bathing boxes. The photograph is in black and white except for the doors on the boxes which are coloured. There is a bin on a wooden post in the foreground.Bottom right: J.WILKINSphotography, beach scene, bathing boxes

This photograph shows a horse bathing or exercising in shallow water.Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1

Female nude torso reclining in bath water with various bottles, orange wash cloth, chequered floor and chair legs. Signed (L.r) 'Clifton '84'clifton pugh, painting, adriane, venice, bathing, dunmoochin

Black and white photograph of the bathing boxes on the left had side and the sea to the rightBathing boxes south beachbathing boxes, south beach, sea, sand, ocean

Published: 26 Dec 1933 The Age p9 Published title: "ON CHRISTMAS MORNING--BATHING AT ST. KILDA." Published caption: "Yesterday morning everyone who was near the bay seized the opportunity for a cooling dip. St. Kilda foreshore was particularly well patronised, as this picture shows." Trove article identifier: http://nla.gov.au/nla.news-article203364944 Description: Large group of swimmers at St Kilda Beach on Christmas morning. Research by project volunteer, Louise McKenzie: Approximately 150 men, women and children grouped in front of the photographer in the shallows of St Kilda Beach on Christmas morning 1933. All are wearing one piece bathing suits, some have bathing caps, some hold beach balls, and one boy has a model boat. They are happy and exuberant. Their swimming attire is traditional and conservative for the time. However at this time the bathing attire was undergoing a substantial change, as Wikipedia’s History of Swimwear attests. The English practice of men swimming in the nude was banned in the United Kingdom in 1860. In the first half of the 19th century the top became knee-length while an ankle-length drawer was added as a bottom. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the West, in the 19th century women wore a bathing gown in the water. These were loose ankle-length full-sleeve chemise-type gown made of wool or flannel, so that modesty or decency was not threatened. They were long dresses of fabrics that would not become transparent when wet, with weights sewn into the hems so that they would not rise up in the water. The men's swim suit, a rather form-fitting wool garment with long sleeves and legs similar to long underwear, was developed and would change little for a century. By the second half of the 19th century, in France, the sleeves started to vanish, the bottom became shorter to reach only the knees and the top became hip-length and both became more form fitting. In the 1900s women wore wool dresses on the beach that were In the Victorian era, Western cultures deplored nudity of any degree, and people took great pains to cover themselves, even bare chested male swimmers at ocean beaches. In the 1910s despite opposition from some groups, the form-fitting style proved popular. It was not long before swimwear started to shrink further. At first arms were exposed and then legs up to mid-thigh. Necklines receded from around the neck down to around the top of the bosom. The development of new fabrics allowed for new varieties of more comfortable and practical swimwear. The name "swim suit" was coined in 1915 by Jantzen Knitting Mills, a sweater manufacturer who launched a swimwear brand named the "Red Diving Girl”. During the 1920s and 1930s, people began to shift from "taking in the water" to "taking in the sun", at bathhouses and spas, and swimsuit designs shifted from functional considerations to incorporate more decorative features. By the 1930s men began to go without shirts for swimming and barechestedness in male swimwear became the norm by the end of the 1940s, including in competitive swimming events. Following a fire in 1925, the nearby St Kilda Baths were reopened in 1931 – with separate “enclosures” for men and women. But here in the Bay just a few years later, everyone is happily enjoying the refreshing seaside event. References: History of Swimwear, Wikipedia, https://en.wikipedia.org/wiki/History_of_swimwear Jantzen Red Diving Girl, Oregon History Project, https://www.oregonhistoryproject.org/articles/historical-records/jantzen-red-diving-girl/ European History 1900-1950, St Kilda Historical Society, https://stkildahistory.org.au/about/timeline-1900-1950Photographer notations on slide: "Christmas morning St Kilda Age B9".

Black and white photograph of Winnie Harbeck, Beryl Almond, Eva Harbeck, Nell Bliss in bathing costumes at Ocean Beach, Lakes Entrance VictoriaBathing Beauties 1913fashion, genealogy

Early souvenir from TorquayRound china plate with illustration of Torquay beach with bathing boxes and with narrow black edging on rim. Mounted in a white wooden frame."The bathing beach, Torquay" under the illustrationsouvenirs

Boarding school bay with bathing boxesboarding school bay ladies bathing boxes in foregroundboarding school bay, bathing boxes, ocean, sea

South beach bathing boxes Black and white photograph of bathing boxes with seagulls in foregroundbathing boxes, south beach, seagulls

Ladies bathing boxesPhotograph Ladies bathing boxes on stone reef with two women and a man standing in frontbathing boxes, ladies, beach, south, ocean, sea

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

Authors Bob Leek and Peter Taylor. Reprint of the 2006 original. 152 pages, b/w illustrations, 7 colour photos.non-fictionAn untold part of Melbourne's and Victorias shipping history has never been covered as thoroughly as this volume. Untold stories of lighters, floating docks, lightships, bathing ships, bethel ships.williamstown, bathing ships, floating docks, bethel ships, lightships, bob leek, peter taylor, floating churches, point gellibrand

black and white photograph copy mounted