Inspired by a well-loved poem of Gerard Manley Hopkins, the abstract sculpture is reflective of the elements of Bayside's coastal environment: wind, water and waves.welded steel Public Art Commission located on Sandringham Foreshore Reserve, Beach Rd, near Sandringham Life Saving Club, Sandringham, Victoria.sculpture, windhover, clouds, wind, waves, lenton parr, public art, sandringham, foreshore, bayside art coastal trail, beach road

Site specific outdoor installation on permanent display near the Sandown Street Dog Beach, BrightonAnne Ross, Summertime 2017, patinated bronze, 220 x 220 x 150 cm. Bayside City Council Art and Heritage Collection. Commissioned 2017.A free standing, three dimensional sculpture, cast in bronze, patinated and painted. A larger than life dog wearing sunglasses with ears blowing in the wind is sitting under a singular tall tree facing the beach. Both the dog and tree sit on a large rectangular base.sculpture, public art, dog, brighton, beach, tree, anne ross, coastal art trail, foreshore

Jeffery Wilkinson, The swimmer c.1950s, cast 1999, bronze, 162 x 250 x 46 cm. Bayside City Council Art and Heritage Collection. Commissioned 1999.bronze Public Art Commission located on Beach Rd, north of Hampton Life Saving Club, Hampton, Victoria.swimmer, female, sculpture, public art, bronze, hampton, beach road, jeffery wilkinson, coastal art trail

Public art commission located at Progress Park on the Black Rock Foreshore.Inscribed with text that is an extract from a verse sung by Lithuanian displaced persons sailing to Australia having fled their homeland after Russian occupation following World War II. The text is in an ancient Runic typeface, translated in English, reads: "Faustas Sadauskas created Beacon two thousand [and] four years / Let the Blowing Wind Who Taketh the Ship Away Take Me Away".beacon, sculpture, faustas sadauskas, bayside coastal trail, marble, public art, black rock, foreshore, beach road, progress park, ship, rudder

As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Arweet sit down 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, arweet, vicki couzens, carolyn briggs, bayside indigenous coastal trail

As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Paint the Country 2010, etching, 19.5 x 28 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, vicki couzens, country, indigenous coastal trail, bayside, carolyn briggs

As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Yams and eels 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010. etchingetching, yams, eels, vicki couzens, bayside indigenous coastal trail, carolyn briggs, bayside

As part of the redevelopment of the Indigenous Coastal Trails, this work was commissioned by Bayside City Council as one of four prints produced in a limited edition of ten. This etching was produced in response to stories of the Boon wurrung people as written by Carolyn Briggs, Boon wurrung elder.Vicki Couzens, Women's journey 2010, etching, 28 x 19.5 cm. Bayside City Council Art and Heritage Collection. Commissioned 2010.etchingetching, journey, vicki couzens, yam, eel, bayside indigenous coastal trail, carolyn briggs

The bluestone is laid on crushed yellow ochre sandstone, with the base encircled by indigenous flowering plants. Each rock represents one of the six clans that made up the Boon wurrung. For thousands of years, Boon wurrung women and children congregated in this area during special periods in spring and summer. The area was rich in seafood and had fresh water wells dotted around it. Among the Banksia trees that provided shelter, grew indigenous plants and flowers through which the women made garlands to wear in their hair.boon wurrung, blossom, sculpture, public art, indigenous, bayside indigenous coastal trail, ellen josé, ellen jose, bluestone, sandstone