Belinda JANETZKI Belinda Janetzki undertook a Bachelor of Visual Arts Graphic Design (Multi Media) at the University of Ballarat (now Federation University) from 1998-2000. This work was acquired from the 2000 End of Year Student Exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed original graphics poster.art, artwork, belinda janetzki, poster, graphics, cleaning, available

"The idea behind this artwork installation ‘Spirit of the Ballarat Winter Festival’ was to incorporate arts and cultural symbology as if it were painted like a brush stroke upon the footpath yet embedded like a time stamp within the urban streetscape. ‘Spirit of the Ballarat Winter Festival’ offers an unexpected burst of colour and vibrancy within the Ballarat CBD." This artwork was created as pert of the Ballarat Winter Festival in 1998. The Spirit of the Ballarat Winter Festival mosaic is an interpretation of the Ballarat Winter Festival logo image designed by Paul McKenna. Principal Artist Belinda (Bel) Woodruff then trading as Deevine Mosaics received Project Support from Anne Bonighton and City of Ballarat Community Arts Department staff. Vitrified glass tiles adhered to a pre-cast concrete form - installed into the footpath.SPIRIT OF THE / BALLARAT WINTER FESTIVAL / MOSAIC BY/ DEVINE ORIGINALS / SUPPORTED BY / COMMUNITY ARTS - 1998

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Paper porcelain with slips and takeshi glaze."BM' on baseart, artwork, ceramics

Belinda Ramson first learned cloth weaving in 1965-66 in Canberra, Australia, studying with Solvig Baas Becking. In 1967 Ramson studied as a special student for a year in the Tapestry Department, Edinburgh College of Art, and returned to Edinburgh in 1973 to work as a weaver at the Dovecot Tapestry Studio. Established in 1912, Dovecot is a world-renowned tapestry studio and a landmark centre for contemporary art, craft and design. Ramson went on to be a key figure in the development of tapestry in Australia, teaching trainee weavers at the newly established Victorian Tapestry Workshop (now Australian Tapestry Workshop, or ATW) In her obituary for the ATW newsletter, Kay Lawrence wrote: “Through her work as artist, teacher and consultant to the ATW, Belinda Ramson played a crucial role in shaping the vibrant and distinctive woven tapestry movement that emerged so surprisingly and with such authority in Australia in the 1970s. Her influence is threaded through the development of contemporary tapestry in Australia: an art form now renowned internationally for its transformative and expressive use of an ancient medium. Belinda Ramson’s legacy is the vibrant and creative tapestry field in Australia, with its attention to technical excellence, relationship with contemporary art and strength of visual qualities.”

Belinda Ramson first learned cloth weaving in 1965-66 in Canberra, Australia, studying with Solvig Baas Becking. In 1967 Ramson studied as a special student for a year in the Tapestry Department, Edinburgh College of Art, and returned to Edinburgh in 1973 to work as a weaver at the Dovecot Tapestry Studio. Established in 1912, Dovecot is a world-renowned tapestry studio and a landmark centre for contemporary art, craft and design. Ramson went on to be a key figure in the development of tapestry in Australia, teaching trainee weavers at the newly established Victorian Tapestry Workshop (now Australian Tapestry Workshop, or ATW) In her obituary for the ATW newsletter, Kay Lawrence wrote: “Through her work as artist, teacher and consultant to the ATW, Belinda Ramson played a crucial role in shaping the vibrant and distinctive woven tapestry movement that emerged so surprisingly and with such authority in Australia in the 1970s. Her influence is threaded through the development of contemporary tapestry in Australia: an art form now renowned internationally for its transformative and expressive use of an ancient medium. Belinda Ramson’s legacy is the vibrant and creative tapestry field in Australia, with its attention to technical excellence, relationship with contemporary art and strength of visual qualities.”

Burrundy (Dark) Sky Part 2 (Mali Marrng/Mallee Sky series) 2022 by Gail Harradine and collaborator Belinda Eckermann explores First Nations Peoples kinship to the land, waterways and sky. This work is part of a significant series that gives form to the invisible and unseen personal, familial and community narrative of connection to landscape. Gail Harradine and Belinda Eckermann’s first-time collaboration merges digital photography, entomological research, electron microscopic imaging and First Nations cultural practices, to explore a shared knowledge and connection to the landscape around Lake Albacutya –Ngalukgutya in Victoria Mallee region. The work fits into the Wyndham Art Gallery curatorial collection theme of First Nations Foregrounding and Futurism: Foregrounding Frist Nations knowing and being as a way to work with place, story and connection; and works to engage with new mediums and forms of artmaking engaging with new technologies and innovation in creative making. Gail Harradine Gail Harradine is a Wotjobaluk, Jadawadjali, Djubagalk artist, curator, and educator. Growing up in Dimboola, Victoria, Gail was nurtured by a staunch family in the heart of Wotjobaluk Country. She has completed eight years of study, including a Postgraduate in Art Curatorial Studies (with Thesis) at Melbourne University and a Master of Arts (Arts Management) with Distinction in 2022 at RMIT. Gail's longstanding arts practice is deeply influenced by family history, identity, kinship, and connection. She is passionate about expanding and reflecting on the concepts of truth and integrity in valuing cultural knowledge. In her work, meaning and memory converge through photography, prints, and painting, using symbolic layers intertwined with dynamic figures and ceremonial landscapes. This creates a world that merges Creation Stories with personal tragedy and triumph. Belinda Eckermann Belinda Eckermann lives and works in Victoria’s Wimmera/Mallee Region. Her current practice is intrinsically tied to her local environment. In 2013, she undertook her Masters in Visual Arts. She currently investigating the native Bardi Grub and Rain Moth and modes of incorporating their natural interventions with their environment into her creative practice. Eckermann has exhibited regularly throughout regional Victoria since 2009 and recently won Best Emerging Artist at the Knox Immerse Festival. She is also the Founder and Director of Turbo Gallery, Rainbow, Victoria. australian first nations art, first nations photography, cultural story, identity, australian photography, first nations

Newspaper Cutting from Ringwood Post 17-8-1994. "Just clowning around". Carnival time at Heatmont East Primary Schol - Children's Book Week August 22.

photocopy

Newspaper article (Aussie Post, February 21, 1998) about Neil Maxwell and his involvement with Malvern's Disability Access and Information Services (DIAS), including issues with overhanging hedges. Article also includes quotes from Murray Mountain, as a consultant with Access Australia.1 newspaper article cut from a magazinenon-fictionelizabeth maxwell, neil maxwell, stonnington council, murray mountain, advocacy

Newspaper extract

Black and white newspaper extract with handwritten inscriptionHandwritten inscription in blue ink on top right hand side of article: Leader 16/7/02

Black and white newspaper extract

tennis player Belinda North in action Lakes Entrance VictoriaBlack and white photograph of tennis player Belinda North in action Lakes Entrance Victoria sports, tennis, clubs, recreation

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Donated through the Australian Government's Cultural Gifts Program by Greg Mallyon, 2024

Donated through the Australian Government's Cultural Gifts Program by Greg Mallyon, 2024

50th Anniversary Commerative Edition World War 2. 400 black and white printed pages containing photographs and maps. Author Ivor Matanley.From Belinda, Adam and Kate 2/ 9 / 1990

Colour photograph with names Naomi Robinson, Melanie Beith, Belinda Horew, Susie McCrimmon, Nicole Wendt, Mr. K. Walsh.

Black and white photograph of students in media class, mounted on board. Accompanied by a caption.Media in room A1 August 1995. Photo taken by Belinda White.williamstown high school, 1995, media, classes in action

Other number 03678.2Colour photograph of racquetball team Jelly Beans Belinda Hession, Hannah Furmeister and Sean Elson Thursday night winners Lakes Entrance Victoriasports, racquetball

Coloured photograph of Belinda Driscoll. 3rd placing in the Triple Jump, State Championships. She is wearing blue shorts and a dark blue monogrammed t shirt.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - belinda driscoll