Showing 17 items matching belot
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Bendigo Military Museum
Painting - ANZAC 100 YEARS, Bret Belot, 2014/2015
This oil painting by Bret Belot was an initiative of his to put something on canvas to celebrate the centenary of ANZAC in 2015. The images depicted on the painting are mostly from the collection of the Bendigo Military Museum in the Soldiers Memorial Institute Pall Mall Bendigo. Some of the figures are Brothers Jack Grinton & Bert Grinton DCM, Bill Durward 38th Bn, the Wright Brothers, Albert Jacka VC, MC and Howard, Poliness & DeAraugo who volunteered to go with Jacka when he won the VC, 38th BN men in Dog Trench, graves of 38th Bn soldiers, a letter written home about the Armentieres raid in 1917 by Robert Suggett 38th Bn. The painting was first unveiled at the Bendigo District RSL Sub Branch Inc pre ANZAC Day 2015. It is now on display in the Foyer of the Bendigo Military Museum.Painting oil on canvas, with numerous images from WW1 covering various aspects of the Great War.“Bret Belot”brsl, smirsl, painting, 2015 -
Eltham District Historical Society Inc
Folder, Walter Belot
Folder of information on Walter Belot, Cottles Bridgewalter belot, cottles bridge, belot family -
Eltham District Historical Society Inc
Photograph, Mr Belot smokes his pipe whilst resting at Cottle's Bridge, c.1890
The area, previously known as Back Creek, was named after Thomas Cottle, who settled in the district in the 1870s, and the original bridge over the Diamond Creek on the road to Strathewen. The original bridge (seen in the photo) was replaced with a new timber bridge at a cost of £1,500, the tender being awarded to a contractor named Birch who commenced work in June 1927. The gentleman in the photo who is resting whilst having a smoke of his pipe is a member of the Belot family.Original sepia photograph mounted on card broken lower left corner and cracked upper rightbelot, bridge, cottles bridge, cottles bridge-strathewan road, diamond creek (creek), heidelberg-kinglake road -
Eltham District Historical Society Inc
Negative - Photograph, Mr Belot smokes his pipe whilst resting at Cottle's Bridge, c.1990 (c.1890)
Copy of original photograph. The area, previously known as Back Creek, was named after Thomas Cottle, who settled in the district in the 1870s, and the original bridge over the Diamond Creek on the road to Strathewen. The original bridge (seen in the photo) was replaced with a new timber bridge at a cost of £1,500, the tender being awarded to a contractor named Birch who commenced work in June 1927. The gentleman in the photo who is resting whilst having a smoke of his pipe is a member of the Belot family.Roll of 35mm Black and White negative film, 3 strips, (1 of 14 frames)Film - Agfa Ortho 25belot, bridge, cottles bridge, cottles bridge-strathewan road, diamond creek (creek), heidelberg-kinglake road -
Whitehorse Historical Society Inc.
Photograph, 3 Generations, 2/02/1992 12:00:00 AM
2 Coloured photos of 3 Generations - Jean Pavey, her daughter Beverley Belot and grandson, Michael.pavey, jean, belot, bev, michael -
Melbourne Tram Museum
Letter, Ken Craven, Stamps - "Australia's Historic Tramways, 1989
Set of three items associated with a letter from Ken Craven, Secretary of the AETA to John Belot. .1 - White DL size envelope with the five of the Oct 1989 Historic Tramway Stamps with the tram cancellation stamp dated 11 October 1989. Has the "Australia's Historic Tramways" logo in the lower left hand corner, hand addressed to John Belot and the stamp for the stamp show Melbourne 18-22 October 1989 in the bottom right hand corner. On the rear has details of the stamp issue, W.K. Craven's address stamp, and two cancellation stamps - Blackburn 11 Oct. 1989 and Caulfield Post Office stamp. .2 - Handwritten letter from Ken Craven, Secretary of the AETA to John Belot, noting the exhibition at Box Hill and his forthcoming trip to NZ and the Transport Art ticket enclosed. .3 - Transporting Art tram No. 13 ticket No. 0085, dated 17th July 1989, Jenyns tram (Lorraine and Bob). See also Reg Items 470 to 474 for other examples and associated materials and 510 for a Poster. On the rear are detail of the stamp issue, the designers and cover design.trams, tramways, stamps, australia post, aeta, letters, transporting art -
Ringwood and District Historical Society
Receipts, Various Receipts - Victorian Dairies, N.H. Sinclairs, Jersey Glen Dairy etc. 1951-1970, 1951-1970
Receipts for mild and groceries from local businesses e.g. Victorian Dairies Ltd, Jersey Glen Dairy and N.H. Sinclairs grocer and general merchant store. All made out to Mr McCall9 receipts for Victorian Dairies Ltd to C.H. McCall; 6 receipts for N.H. Sinclairs to Mr McCall; Account to H. Belot - Jersey Glen Dairy to Mr McCall +Additional Keywords: McCall -
Stawell Historical Society Inc
Photograph, Stawell Primary School Numbered 502 -- Grade 4A Class Photo 1942
502 Grade IV a 1942 Class Photo (1942). The photograph taken in 1942 shows 4 rows of school students in grade 4a (IV a) The lower row is of seated boys and Graeme Bennett is third from the left. Back row boys standing. 1.? 2. Wally Byron, 3. Ron Honeyman, 4. Robert Evans, 5. Noel Dart, 6. Don Boisen, 7. Robert Grant, 8. Brian Hughes, 9. Roy Belot, 10.? 11. Jackie Lee, 12.? 2nd Back row Girls. 1. Joyce Moller, 2.?, 3. Dorothy Skurrie, 4. Betty Oster, 5. Norma Lee, 6, Rosemary Walls, 7. Laurene Cornish, Girls seated. 1. Helen Floyd, 2. Margaret Treadren, 3. Pat Hunt, 4. Janet Mitchell, 5. Glenda Giles, 6. Nance West, 7. Vonda Lever, 8.?. Boys seated legs crossed. 1. Max Walker, 2. Ron Cashin, 3. Graeme Bennett, 4. Bruce Shipp, 5.?, 6. Noel Powell, 7 Stan Fry, 8.?.Stawell State Primary School 502 Grade 1Va 1942. Two black & white photographs of Stawell students. One is an enlargement of the original photo. The original photo is a post card "Graeme 3rd from left front row". Handwritten on the back of the post card.stawell education students -
Whitehorse Historical Society Inc.
Article, The Heart of Vermont, 27/11/1991 12:00:00 AM
Fire engulfs the 120 year old Vermont Primary SchoolFire engulfs the 120 year old Vermont Primary School. Brief history. With photo.Fire engulfs the 120 year old Vermont Primary Schoolprimary schools, vermont primary school no. 1022, waverley christian school, pavey, jean, mcclare, jean, greenway, ena, boyle, ena, hillier, andrew, bates, harold, belot, bev -
Whitehorse Historical Society Inc.
Newspaper, Bid To Beat The Dozer, 30/08/1989 12:00:00 AM
Residents and Members of Nunawading Historical Society join togetherResidents and Members of Nunawading Historical Society join together to stop demolition of Vermont State School, 1022. Photos.Residents and Members of Nunawading Historical Society join together vermont state school, no. 1022, canterbury road, vermont, mitcham road, vermont, nunawading and district historical society, pavey, jean, belot, bev, greenway, ena, boyle, david, schwerkolt, johann august, rogalski, barbara, hillier, andrew, bates, harold -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 14 May 2016
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 2016-05-14, art gallery, barreenong road, clifton pugh, cottles bridge, dunmoochin, maurice hurry -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society Inc
Photograph, Fay Bridge, Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, c.1995
Visit to Dunmoochin prior to Clifton Pugh's home being destroyed by fire in 2002. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire.fay bridge collection, 1995, barreenong road, cottles bridge, dunmoochin -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Ballarat Tramway Museum
Album - Photo Album, Ron Scholten, Yapper Tours, c1990
Yields information about the use of a Museum tramcar for tours in Melbourne during 1989 and has a strong association with one of the people who arranged and drove the tours. Also has a strong association with the Transporting Art project in Melbourne.Photo Album - NCL - consisting of heavy card brown cover with gold blocking and the word "PHOTOS" in gold with 8 black card board leaves, each covered in a plastic sheet or transparent film that covers the photos and bound together with screws. Assembled by Ron Scholten and others for the record of the 1989 visit to Melbourne by BTM tramcar W3 661 arranged by Yapper Tours - Ron Scholten, Peter Bardho and Bob and Monica Campbell. Page 1 - Ron Scholten and Peter Bardho W3 661 - as No. 44 at the BTM depot Three photos at Camberwell Depot Page 2 6 views of 661 at Bundoora terminus and on the "hump" by Preston workshops. Transporting Art - tram launch tickets - trams 1 to 4 Page 3 6 views of 661 at Malvern Depot, and termini that Malvern depot services. MMTB and SEC 8c/10d ticket. (possibly a tour ticket - see Reg Item 8369) Page 4 6 views of 661 - Carnegie, St Kilda, Footscray Transporting Art - tram launch tickets - trams 5 to 7 Page 5 6 photos of 661 - Albert Park, Brunswick, Thornbury? with 676, 612. Transporting Art - tram launch tickets - tram 8 Page 5 6 photos of 661 - Domain Interchange, Essendon, South Melbourne depots and South Melbourne loop. Transporting Art - tram launch tickets - tram 9. Page 6 4 photos of 661 - Essendon, airport, Essendon depot. Transporting Art - tram launch tickets - trams 10,11, and 13. page 7 Yapper Tours - advertising the tours circular with photos by John Belot. Tickets - MMTB, SEC, reproductions of some tickets, 2 hour scratch ticket, zone 1 daily. Page 8 Night photo of B1 2001 and Souvenir Ticket for Melbourne St Kilda - light rail opening 20-21, November 1987. FOHTD collection Reg Item 560 has copies of tickets issued for trams 1 to 17.trams, tramways, yapper tours, melbourne, tickets, transporting art -
Whitehorse Historical Society Inc.
Book, Vermont Primary School, 1995
Reminiscences of Vermont Primary School No 1022 - years 1942 - 1947 by former pupils including photographs.Reminiscences of Vermont Primary School No 1022 - years 1942 - 1947 by former pupils including photographs. Includes brief history of the school and its links with the Mount Pleasant Methodist church. Part of a 'Back to Vermont' celebration.Reminiscences of Vermont Primary School No 1022 - years 1942 - 1947 by former pupils including photographs.vermont primary school, no. 1022, murphy, jan, boyle, jennings, sarah, pannam's store, connolly (mrs), scoble, wilma, findlay, wills, jack, belot's dairy, willis, jim, willis charles l, harrington's bakery, rooks, abraham, delaney's road common school, brown, jon, nurlendi road, vermont, closter, tuppy, arthur (miss), roberts, (mr), thompson, mavis, bassler, george, waugh, dorothy, tait, keith, clements, (miss), gorham, freddy, coleman, bernie, bean, joyce, rankin, brian, l.l. vale road, winter, john, mount pleasant methodist church -
Eltham District Historical Society Inc
Document - Folder, Neil, Don
Don Neil sold his shoe business to care for properties and be involved in local Eltham politics as a Councillor. Contents Newspaper article: "Farmer Don: success with social conscience", The Valley Voice, 2 May 1979. Background of Don Neil. Newspaper article: "And the building begins...", The Valley Voice, 2 May 1979. Alistair Knox outlines the establishment of Dunmoochin Artists'Society.Newspaper clippings, A4 photocopies, etcdon neil, to neil, eltham shire council, shoe manufacturing, green wedge, alistair knox, dunmoochin artists' society, cilfton pugh, myra skipper, joe hannan, cottrle's bridge, belot family