Bendigo Advertiser photograph, black & white photo, postcard size Circa 1950s No A1 The Chinese Dragon, Bendigo Easter FairBendigo Advertiserbendigo easter fair, chinese dragon

Photograph. Chinese dragon Loong. In 1970 the replacement Sun Loong makes the first appearance.bendigo, chinese, chinese dragon

Photograph. Carwardine collection, Bendigo Advertiser black and white photograph of Bendigo Easter parade, showing Chinese Dragon Loong circling Alexandra fountain. Written on back 17.7.1947 The Chinese Dragon Bendigo Easter Fair procession held on Easter Monday 1946.Bendigo Advertiserphotograph, streetscape, easter fair, bendigo-history-chinese-easter fair

Slide. Bendigo Easter Fair. The Bendigo Chinese Dragon.slide, bendigo, bendigo easter fair., bendigo easter fair.

Postcard, color. Image shows head of Chinese Dragon, surrounded by Chinese handlers. Taken during Easter Procession in Bendigo.Rose Series No. 886. Copyrightbendigo, chinese, chinese dragon, bendigo, chinese, dragon, easter procession

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

Brochure with description of arrival in Bendigo ''Dai Gum San'', the goldfields of Bendigo, Settling in -Creating a Presence, Origins, the birth of a dragon, A little of dragons, The Chinese and Bendigo Easter Fair.bendigo, chinese, dragon museum

Brochure: Dai Gum San Wax Museum. Temporary premises: Temperance Hall View Street, Bendigo. Admission: 60cents, children 20 cents. Open daily 10am 4pm or by special arrangement: phone 438117. on the inside a description of the collection.bendigo, chinese, dragon museum

Four pages brochure Dai Gum San wax Museum. Temporary premises Temperance Hall, View Street Bendigo. On the two inside pages a description of the collection. On the back two photos of the Central Deborah gold mine and one of the tramways museum.bendigo, chinese, dragon museum

Brochure with cover in red and yellow depicting a Chinese village and some Chinese characters and in English project Dai Gum San Village. Inside details of the project and how to invest in it. On the back the words: you will be proud to be among those making this project a reality and you will profit from it. A positive reason for positive action.bendigo, chinese, dragon museum

Two small brochures for the Golden Fragon Museum, Bendigo, classical Chinese gardens and Kuan Yin Temple.bendigo, chinese, dragon museum

Two articles by David G. Horsfall one from Monday, February 27, 1989 titled: Poh Poh makes some special magic for Chinese Museum and the other undated titled: Museum: now it's up to you.bendigo, chinese, dragon museum

Golden Dragon Museum - Bendigo, classical Chinese gardens. Document describing the building of the chinese gardens, also explain Kuan Yin (Goddess of Mercy). Three philosophers: Laoism, Confucius, Buddha and the eight immortals.bendigo, chinese, dragon museum

Chinese dragonslide, bendigo, chinese dragon, chinese dragon

Chinese dragonslide, bendigo, chinese dragon, chinese dragon

The Bendigo Easter Fair was established in 1871 to fundraise for the Bendigo Hospital and the Bendigo Benevolent Asylum. Donated by the Sadner family who were associated with the Bendigo Hospital, these family snap shots capture the regalia and atmosphere that the Chinese community bring to this community event. Set of three black and white photographs. All photograph are taken on the streets of Bendigo during the 1938 Easter fair and parade. 0322.1; Exterior; Three people on horses in traditional chinese costume. Person in the foreground is holding the reins of one of the horses. 0322.2; Exterior; street view with children in foreground and a line of people in costume holding chinese banners. 0322.3 Exterior, street view from balcony of the two cars with people lined up on either side.Verso; 0322.1, 0322.2 27 April, 1938. 0322.3 Handwritten; Late 1930's C/r Mitchell, Garsed Streets from Terminus Hotel Balcony.eugene and mollie sandner collection, bendigo hospital, eugene sandner, mollie sandner, mollie sibson, bendigo easter fair, mayor sandner, mayoress sandner, bendigo chinese dragon

The Bendigo Easter Fair was established in 1871 to fundraise for the hospital and the Bendigo Benevolent Asylum. These family snap shots were donated by the Sandner family who were long associated with the Bendigo Hospital. Photograph 0319.3 features the Chinese Dragon.Set of three black and white photographs. All photographs are taken on the streets of Bendigo during the Easter fair and parade, year unknown. 0319.1; Marching Brass band on street with crowds on both sides. 0319.2; Street view of parade float. 0319.3 Chinese dragon on street with crowds on both sides. Verso; 0319.1, 0319.2, 0319.3 Handwritten; B 622eugene and mollie sandner collection, bendigo hospital, eugene sandner, mollie sandner, mollie sibson, bendigo easter fair, mayor sandner, mayoress sandner, bendigo chinese dragon

The chinese called the rich goldfields in the heart of Victoria Dai Gum San, Big Gold Mountain. A place of untold wealth and promise. Today Dai Gum San is a rich Chinese Cultural Centre and Chinese precinct in the centre of Bendigo which links the Golden Dragon Museum with the Yi Yuan Gardens and Kuan Yin Temple. The gardens are a place of peace and beauty and the Kuan Yin Temple is a stunning home for the goddess of compassion.Squarish piece of quartz with printed plaque attached to front face. Dai gum san / In appreciation of your contribution / to the development of the / Bendigo Chinese Precinct / August 2010dai gum san, bendigo chinese dragon, golden dragon museum, city of greater bendigo heritage attractions

The first Bendigo Easter Fair was held on 10th and 11th April, 1871 and remains one of Australia’s longest running annual community events taking place over the Easter long weekend. Its purpose was to raise funds in aid of two local charities; The Bendigo Hospital, and The Bendigo Benevolent Asylum. The fair features events throughout the City with celebrations culminating in a parade on Easter Sunday. The parade features a variety of commercial and community groups including a large processional dragon which has been an integral part of the annual parade since 1892. The three principal golden dragons featured over the past 130 years are Loong (1892–1970), Sun Loong (1970–2019) and Dai Gum Loong (2019–present) which are housed at the Golden Dragon Museum in Bendigo. The Bendigo Easter Fair Society is custodian of the Bendigo Easter Fair and continues to support the City of Greater Bendigo’s largest festival. Each year the City produces a poster to advertise the upcoming fair and this one from 1943 reflects the war time sentiment which existed by featuring service men and women as well as the Chinese dragon. Commercially printed colour poster advertising the Bendigo Easter Fair featuring a woman riding a chinese dragon on the left hand side of print with two smaller images, one of service man in uniform bottom left and woman factory worker top right. The title appears in red lettering at top with details of the events appearing in the centre and lower sections on the right.Bendigo Easter Fair / 1943 / Carries On / and again invites all to keep smiling in the Nation's testing time, as all unite to aid its Charities. / Easter Saturday / April 24th / Monster Spectacular Street Carnival / and Popular Girl Contest / Easter Sunday / April 25th / Attend the specially patriotic Band gathering / in the upper reserve / See the unique oriental awakening / of the dragon at the Chinese Quarters / Patriotism, Pageantry, Music, and / Special Features throughout the Fair city of greater bendigo easter fair, mayor michelsen, bendigo chinese dragon, city of greater bendigo tourism, making a nation exhibition, city of greater bendigo events

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.