BENDIGO CHURCH OF CHRIST - Centenary 1866 - 1966. 10 pages with photos.church, centenary, bendigo church of christ

The Bendigo Church of Christ held its services in the Temperance Hall, View Street, Bendigo for the first sixty years. The chapel in Short Street, Bendigo, pictured on the centenary booklet cover, was officially opened in 1926. It was constructed by Mr. David Streader. A School Hall was added and opened by Cr. G. Bennetts, on Saturday 14th April, 1934. Bendigo Church of Christ Centenary 1866 - 1966 booklet. On front cover, black and white image of brick church, with 'Church of Christ' sign on side of building. Wrought iron entry gates to church property. Contains: photos of and history of the Church of Christ in Bendigo. Newspaper article on the extensions of the church for the centenary.bendigo, bendigo churches, church of christ, temperance hall, centenary 1866-1966

Bendigo Church of Christ - Centenary 1866 - 1966. History of church. Centenary of church celebrations. Photos. 24 pages.church, church of christ, centenary, church of christ, centenary, bendigo.

Christ Church, East Bendigo was established in 1902.A History of Christ Church East Bendigo. A Self Reliant Congrgation. 40 pages, with photographs, illustrations. Dark red cover. cover. With IndexDr. Keith Colebendigo, church, christ church, religion, dr. keith cole, christ church

St. Andrew's Presbyterian Church Bendigo. History of Stained Glass Windows. Foreword by J. Stuart Murray, Minister of St. Andrew's 1974. 24 pages, with photographs. Blue cover With Indexbendigo, churches, st. andrew's presbyterian church, bendigo, church, religion, presbyterian, stained glass.

First Lutheran service was held 31/12/1855.The Lutheran Church in Bendigo 1856 - 1986. 55 pages with photos, illustrations and maps.Pastor C.G. Schmidtbendigo, church, lutheran, bendigo, lutheran church, church

The Lutheran Church in Bendigo 1856 - 1986. 42 pages with photos, illustrations and maps.Pastor C.G. Schmidtbendigo, church, lutheran, bendigo, lutheran church, church

Photograph - black and white. Methodist Church, Bendigo. Written on left hand corner. No.21. Tiered stone fence with opening on footpath lineage. Front of church has a spires on each front corner with small cross at the top. Large shrubbery to the left of the church.buildings, church, methodist church, methodist church, bendigo.

BHS CollectionSt Andrew's Church Bendigo Baptismal & Marriage Index of all available records up to 1925 published by Bendigo Area, Australian Institute of Genealogical Studies, 90 pages in a green soft cover.church, history, st andrews, bendigo-history-church-st andrews-baptismn-marriage

black and white photo: St. Andrew's Presbyterian Church, Bendigo, In centre of photo, St. Andrew's Church, conceted forecourt, in centre of photo, wooden slat fence with top rail. On bottom of photo: 'St. Andrew's Presbyterian Church, Bendigo, Vic. The Rose Series P 3199.' On back of photo: 'Post Card, The Rose Series Deluxe. A real photograph, produced in Australia'Rose Seriesbuildings, church, st. andrew's presbyterian church, st. andrew's presbyterian church, bendigo, religion

Social history of the Presbyterian Church in Bendigo; range of church activities Skidmore Collection: Three newsletters, St. Andrews Church Chronicle, from St. Andrew's Church, Bendigo. Dated: 2 May 1954 & 8 April 1954 & 8 April 1962. The newsletters cover the full range of church activities impacting the congregation including baptisms, church services, ill and hospital visits to poorly church members.church activities

24-page soft cover booklet 'St Andrew's Presbyterian Church Bendigo, Centenary Brochure 1854 - 1954' History of the Church with office bearers. Illustrated with B&W photos Printed by CW Seymour, Bendigost. andrew's presbyterian church, bendigo, churches

Photograph - black and white. Photo of St.Andrews Presbyterian Church, Bendigo. Written on left hand corner of photo No.17. large tree on left edge. Two well pruned treeson footpath. Two storey mansion to the right of the church.buildings, church, st.andrews presbyterian., st. andrews presbyterian church, bendigo.

A black and white soft covered booklet titled, 'St. John's Presbyterian Church Bendigo. Positive Stewardship 1957.' It contains a short history of St. John's and an outline of what the needs of the Church are and what the future plans are. Through ''Positive Stewardship 1957'' the aim of the book is to encourage members to commit pledges in order for the church to achieve its aims. Cambridge Press, Bendigo, 1957. photos. Item part of Mr. Ken Hesse Collection donated by Mr. James Lerk.church, history, presbyterian church forest st bendigo, ken hesse collection, collection, bendigo, history, christianity, organisation, religions, report, st. john's bendigo, presbyterian church

black and white photo: St. Andrew's Presbyterian Church, Myer Street, Bendigo. On RH side of photo, two storey brick building, verandah with cross lattice work. See photo 1637 for earlier view of same buildings. On back of photo ' Valentine's Post Card, a genuine photograph.Valentine's Post Cardbuildings, church, st. andrew's presbyterian church, st. andrew's presbyterian church, bendigo, church

8 page booklet 'Christ Church East Bendigo - Celebrating 100 years on Sunday 3rd June 2001.' 5 prayers plus a brief historyeast bendigo, christ church

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.