Bendigo creek. Deep excavation at both sides of water channel.Kodakbendigo, waterworks, bendigo creek

Bendigo creek, excavator doing some digging in water channelKodakbendigo, waterworks, bendigo creek

Newspaper article, Bendigo Weekly. Discusses Bendigo Creek and Rosalind Park.person, individual, jack perry, bendigo creek, rosalind park

Map: Hand drafted plan of the Bendigo Creek, covering from Scott St. White Hills to Alder St. Kangaroo Flat. Scale 2 chains to 1 inchGeorge R------- ? City Surveyormap, bendigo, bendigo creek

Coloured brochure, written on front : 'Pathway to history, Bendigo creek linear park'. Drawing of a man and child standing on a bridge over a creek, surrounded by bush and several native animals and birds. bendigo, parks and gardens, bendigo creek linear park

Sepia image mounted on board: image shows Bendigo Creek, sandstone walls on creek. Creek is not yet paved with bluestone pitchers. On RH side Hustlers Royal Reserve Mine, chimney and poppet head visible. Poppet head has lattice girder legs. Post Office clock behind showing 25 to 4. Image is pre-1910, when mine structure was removed.bendigo, mining, hustlers royal reserve/bendigo creek, bendigo, sandhurst, bendigo creek, mining, huslters royal reserve, post office, poppet head, chimney

Postcard: anticline on Bendigo Creek. Sepia print on postcard. Anticline in centre of photo. Paling fence extends along entire back of photo. Behind fence small weatherboard building (outhouse?) Written on back in pencil ' anticline in creek at Golden Square, area of old bridge over Bgo creek' Stamped in blue ' Bendigo Institute of Technology, Geology Dept. 'place, gold, bendigo, anticline, bendigo creek

Four letters dated between October 3rd 1962 and 8th March 1968 between Harold Curnow and the Post Master generals Department concerning the early postal history of Bendigo. Harold Curnow initially posed the question: for how long was the first Post Office at Bendigo known as the Bendigo Creek Post Office? In a later letter he also inquires about the name 'Castleton'Harold Curnowplace, bendigo, post office, bendigo creek post office, sandhurst, castleton

Image shows view of Post Office, looking from Rosalind Park, over bridge over Bendigo Creek.government, federal, post office, bendigo post office

Sketch map of Bendigo creek, Chinese camp and White Hills cemetery.map, bendigo, white hills

James Mouat (born Glasgow April 23rd. 1823, died 12th June, 1893) came to Melbourne (then called Beargrass) in 1836. He firstly worked with Charles Hutton, who overlanded with sheep from Sydney to the now Heathcote region, then worked with his father at Yarraberb, where he had taken up a run. One page typed document on lined ledger paper, with page number 239 on top left hand corner. Title: 'Bendigo Goldfields' a typed copy of a statement by James Mouat regarding the naming of Bendigo Creek and Bendigo. No date on document. Mouat claims that Bendigo Creek, Bendigo Flat and Bendigo Hut were named after a Mr. Langdon (Jack) , not Thompson. mouat, origin of bendigo name, charles hutton, yarraberb,

John Murphy died near Bridge Street in 1871, the second death that year. A coronial inquest determined that Murphy would have lived if the council had fenced off the creek. Bendigo Advertiser full page article entitled 'Creek kills drunk man'. Half page photo of the creek going through Rosalind Park. Smaller photo of the town plan and the course of the creek in the 1800s.bendigo creek, rosalind park

3 workers standing on wall of channel looking at the trench being dug and the pipe ready to be connectedKodakbendigo, waterworks, bendigo creek

Excavator digging from retaining wall to water channelKodakbendigo, waterworks, bendigo creek

Design for Coliban Water proposed new sewer. Bendigo creek sewer augmentation functional design dated 29/08/2003. Also eight aerial photos of the area.bendigo, business, coliban water

Colour photograph of an anticline fold rock formation - Bendigo Creek possibly in Golden Square. An anticline is a structural trap formed by the folding of rock strata into an arch-like shape. The rock layers in an anticlinal trap were originally laid down horizontally and then earth movement caused it to fold into an arch-like shape called an anticline.photograph, landscape, anticline folds

Bendigo Stake holder Consultation - Bendigo Creek Sewer. February 4, 2005. City of Greater Bendigo. Includes photographs of intended pathway through the Bendigo Creek.city of greater bendigo, bendigo creek sewer

Document.Notes mention the straightening of the two arms of the creek and building up Charing Cross over it. Also mentions its source, the gullies and areas it drains and the creeks that flow into it. It also mentions the Piccaninny Creek its new name and where it flows after it leaves Bendigo. Two Copiesdocument, lucy hill collection - bendigo on the creek, bendigo creek drainage, bendigo advertiser

Newspaper clipping, date unknown, with photograph taken in the 1860's. Shows old bridge over creek linking High Street and Pall Mall. Indicates location of Forest Street, and shows Wesley Church to the in centre left background.person, individual, basil miller

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.