POST OFFICE BUILDING, PALL MALL, BENDIGO-black and white image, Post Office Building, taken looking northward along Pall Mall, statue of soldier in foreground.buildings, post office, post office bendigo, post office, pall mall, bendigo

A black and white image of a the Bendigo Post Office tower and statues in Pall Mall.bendigo, bendigo post office, pall mall

Two colour photographs of the exterior of the Bendigo Post Office Building, corner of Pall Mall and Sydney Myer Place, Bendigo Photos dated September 1990. 26A Exterior view of former Bendigo Post Office looking toward southerly aspect of building. 26B Exterior view of former Bendigo Post Office from corner of Williamson Street and Pall Mall. Note clock tower on corner of building.Estelle Hewstonpost office, bendigo, pall mall

Negative print. Old Post Office, Pall Mall, Bendigo. Looking along Pall Mall.cottage, miners, old post office, bendigo, old post office

black and white image: image of Post Office building, taken at night. Building is illuminated. Clock on tower shows 8.05. Group of people looking at building ( bottom LH side of image ) Cars parked along street, verandah of Shamrock Hotel in foreground. C 1970's ?bendigo, buildings, post office, bendigo, post office, pall mall, shamrock hotel

Social history, Historic buildings National Trust Collection: Post Office, Pall Mall, Bendigo Eight B&W photographs and three postcards, and reports regarding the external façade of the Post Office, cnr of Pall Mall and Williamson Street, Bendigo 3232 A large print Pall Mall façade from the Shamrock Hotel Balcony 3232 B Williamson Street façade including clock tower 3232 C corner facades of the Post Office to major streets including the clock tower 3232 D Entry steps off Pall Mall into the Post Office 3232 E Pall Mall façade including clock tower and side of the Post Office 3232 F three bay pedestrian entry to the Post Office from Pall Mall 3232 G 51-67 street numbers of Pall Mall 3232 H postcard (1) of Post Office and Law courts, full frontage to Pall Mall 3232 I coloured postcard (2) of Post Office and Law courts, full frontage to Pall Mall 3232 J postcard (3) of Post Office looking towards the Shamrock Hotel 3232 K small photograph showing the Post Office and Law Courts facades to Pall Mall Correspondence: 3232 L Three letter exchange between National Trust and Mrs. Mullins, dated 28 Aug/ 27 Sept/ 2 Oct 1972; referencing Mrs Mullins letter of 19 Aug concerns demolishing the Shepparton and review of the Bendigo Post Office 3232 M draft letter, exchange dated 10 March 1973, between Bendigo and South Yarra National Trust; referencing review of the Bendigo Post Office and noting: * aluminium telephone boxes * unnecessary street number tacked at an angle on one of the granite pillars, ugly handrail * recent toilet block in modern idiom under the shade of the clock tower under the shadow of the clock tower 3232 N three typed documents regarding the history of the Bendigo Post Office: * Building Citation * Post office architect G. W. Watson & Builder J. Pigdon * details of the materials used in the structure (ego Bells J.W. Horwood, Castlemaine £549.00.00 3232 O an open typed invitation to a Public Meeting to be held on 7:30 PM Thursday, 23 February 1995; and three sheets of attendee's names and addresses of the 68 residents who attended the meeting (handwritten). 3232 P minutes (4 pages) of the Public Meeting concerning the Bendigo Post Office, held on 23 February 1995 at the National Trust Chambers, 45 View Street, Bendigo 3232 Q two-page history of establishment of the Bendigo Post Office from 1/07/1852 to 30/09/1887 3232 R four typed /stapled pages on the history of the Bendigo Post Office (construction 1884-87, foundation stone 1884, official opening 1887, dimensions, cost £50,000, description, the Post Office Clock and Dame Nellie Melba, major repairs in 1977 and maintenance). 3232 S chronological list of Development (of the Post Office) at Bendigo 1836 - 1979, over two typed pagesbendigo post office

Photograph: hand-tinted image shows Pall Mall, Bendigo. Statue on RH side of image, bus in centre, trees along Pall Mall. Law Courts and Post Office buildings in background. Bus on roadway. ? 1940'scottage, miners, bendigo, pall mall, law courts, post office, bus

Black and white photograph of Pall Mall with the old Post Office and Law courts buildings. At the bottom in blue pen: Bendigo 1959.bendigo, streetscape, post office

Postcard, sepia image of Pall Mall Bendigo, looking south. Post Office and Law Courts on RH side, poppet head behind, trees on side of road, shopfronts on LH side. Shamrock Hotel on corner of Williamson St. and Pall Mall. Building on opposite corner has ornate lacework on verandah facing Pall Mall. 3000,340 JV in small print on Rh side. On bottom of card: 'Pall Mall, Bendigo' On rear: The Valentine & Sons, Publishing Co., Ltd., Melbourne.bendigo, pall mall, post office

Colour print of Bendigo SECV Bendigo tram 23 outside the Bendigo Post Office in Pall Mall. On Kodacolor paper with a Kodak red ink stamp on rear. Tram has dash canopy lights, but no large white strip under the drivers windows. Photo dated 23.11.62. Tram showing destination of "Depot". Tram has "Hutton's" ham or bacon ad on front dash panel, with to SEC roof ads "Electric Cooking" and "Switch to Electric Cooking".On rear top left hand corner "17 / 22.11.62" in very wavy handwriting, typical of an aged person.bendigo post office, bendigo, pall mall., tram 26

Invitation to the Anzac exhibition held at Post Office Gallery 11 December 2014 - 21 June 2015, 'Bendigo Enlists' the First World War 1914 - 18. Large Rising Sun badge depicted on front. Sponsors' logos on back ' City of Greater Bendigo' , ' Arts Victoria', ' Bendigo Art Gallery'.bendigo, history, world war 1, bendigo, anzac, first world war, invitation

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.