Black chocolate box. White lines appear across the box in a simple style. The words 'Black Magic' in white font with 1/2 lb Nett under.Black Magic - top Black Magic / Rowntree & Co. (Aust.) Pty. Ltd., Melbournechocolate, confectionary, leisure, black magic, rowntree

The label on the tape reel says '1958 ABC Anzac OBS' in pencil. It is likely that it is one of the annual "Anzac Commemoration Ceremony for Students" events, usually held just prior to Anzac Day. The ceremony provides a valuable opportunity for students to gain an appreciation of the Anzac spirit, the significance of the Shrine and the meaning of Anzac Day. The ceremony was usually broadcast on the ABC for students that could not attend. The inscription 'The story of the Yarra' is to be confirmed when tape found again as it doesn't appear on the Media image. TBC.A record of a ceremony at the Shrine run by Legacy for students.Square cardboard box, front with black with red and white print. Rear, white background with black print. Clear plastic spool with magnetic tape.Box, Pyrox in red print. Special sound recording tape for highest frequency response. Black Magic Tape. The latest and best Recording Tape, in white print. Rear of Box, Pyrox, Black- Magic-Tape, the ultra in sound recording tape, suitable for all tape recorders, this reel contains:- Supplies available from Pyrox Ltd., 14-36 Queensberry St., Melbourne and at Sydney, in black print. Spool, clear plastic, VP785 in white ink. '1958 ABC Anzac OBS' hand written in pencil on white sticker.anzac commemoration for students, wreath laying ceremony

Vinyl phonograph record with black "Columbia, Magic Notes" label. "Die Fledermaus Selections" (Strauss). Performed by Mark Weber and his Orchestra.Reference No DO- 3037

Phonograph record, black shellac, with black Columbia "Magic Notes" label. A&B sides: Viennese Nights - Waltzes Selection parts 1&2. Artist: Regal Cinema Orchestra.Reference Number DOX - 167. Has a white and blue semi circular label attached to the record label. G.J. Grice Ltd House of Music Supplies.

This image shows a pathway in the gardens adjacent to Beechworth's Town Hall at the beginning of the Twentieth Century, around the time of Australia's Federation. The pathway leading to a circular rotunda or covered seating area with a steep conical roof is lined with shrubs set in grass verges that appear to be covered with snow. It is unknown whether the snowfall or a factor to do with the gardens occasioned the taking of the image, which at the time may have been an exotic practice. Climate records going back to 1908 indicate that snow in winter is not unusual due to Beechworth's elevation and orientation, and the Town Hall itself was built in 1859. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques. This glass slide is significant because it provides insight into Beechworth's social amenities and climate in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, town hall, town hall gardens, snow, rotunda, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides

Beechworth's Anglican Church, Christ Church St Peter and St Paul, has served the Beechworth community since 1858 in its present form, following its beginnings in a tent in 1855. The Victorian branch of the National Trust classified the building as regionally significant in 1959 and the organ as of significance to the nation in 1992. Building a place for Anglican worship was a priority in the early days of Beechworth's settlement as the town was a site of regional administration due to its association with the economic and social expansion of Victoria during the Gold Rush period. The Church garden features several significant trees monitored by the Beechworth Treescape Group, including a cork oak growing near the Ford Street entrance, an Atlantic cedar, a bunya or bunya-bunya pine and two kurrajongs. Some of these long-established trees may be visible in this lantern-slide image. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social amenities and religious infrastructure in the late Nineteenth Century. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: 1 /beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, christ church, indigo shire, north-east victoria, churches, architecture, anglican, religion, atlantic cedar, organ, magic lantern, christ church st peter and st paul, beechworth treescape group, cork oak, bunya pine, bunya bunya, kurrajong, quercus suber, cedrus atlantica f. glauca, araucaria bidwillii, brachychiton populneus

This image appears to show nurses at what is now the Mayday Hills Mental Asylum arriving for work in approximately 1900. These individuals are part of a long history of nursing in Beechworth. Three medical or social welfare facilities opened in the mid-1800s as part of a push by the township to become a regional centre for Government services. These were the Ovens District Hospital (opened in 1857), the Ovens Benevolent Asylum (opened in 1863), and the Beechworth Mental Hospital (opened in 1867 and renamed Mayday Hills Hospital at Centenary celebrations in 1967). It was recognised that the unsettled living conditions, poverty and relative isolation of the Goldfields environment could produce 'mental disturbances' which required local treatment facilities as services in Melbourne were too far away. Carole Woods' publication 'A Titan's Field' describes activities undertaken by patients at Beechworth Mental Hospital as including monthly balls and occasional concerts as well as work to make the facility self-supporting such as farm work and making clothes. She mentions a report in 1870 that the approximately 300 patients were clean and neat with 'no-one in restraint or seclusion' but that by 1905 the organisation had 623 patients which placed strain on building infrastructure such as heating and water supplies, leading to high turnover of nurses and other issues. A program of building works to extend and improve facilities followed over subsequent decades. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques This glass slide is significant because it provides insight into Beechworth's social and medical amenities in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a rectangular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: i /burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, nursing, nurses, mental hospitals, lunatic asylums, asylums, social services, social welfare, insane asylums, mental health, infrastructure

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

This image of a man on horseback is thought to have been taken in Beechworth in approximately 1900. The man pictured may be Chinese. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details a rapid increase in the Chinese population beginning in 1856 that led to Government discrimination and hostility from other miners. Many Chinese people who came to the Victorian goldfields had formerly worked as merchants, mechanics, farmers and shop-keepers. The pictured individual is wearing Western-style clothes indicating prosperity, such as a top hat, so may have held an official position or provided services to the community rather than working as a miner. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese people. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, immigration, racism, classism, social groups, cultural groups, horse riding, horses, equestrian, horseback

This image appears to show nurses at what is now the Mayday Hills Mental Asylum in approximately 1900. These individuals are part of a long history of nursing in Beechworth. Three medical or social welfare facilities opened in the mid-1800s as part of a push by the township to become a regional centre for Government services. These were the Ovens District Hospital (opened in 1857), the Ovens Benevolent Asylum (opened in 1863), and the Beechworth Mental Hospital (opened in 1867 and renamed Mayday Hills Hospital at Centenary celebrations in 1967). It was recognised that the unsettled living conditions, poverty and relative isolation of the Goldfields environment could produce 'mental disturbances' which required local treatment facilities as services in Melbourne were too far away. Carole Woods' publication 'A Titan's Field' describes activities undertaken by patients at Beechworth Mental Hospital as including monthly balls and occasional concerts as well as work to make the facility self-supporting such as farm work and making clothes. She mentions a report in 1870 that the approximately 300 patients were clean and neat with 'no-one in restraint or seclusion' but that by 1905 the organisation had 623 patients which placed strain on building infrastructure such as heating and water supplies, leading to high turnover of nurses and other issues. A program of building works to extend and improve facilities followed over subsequent decades. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's social and medical amenities in the early Twentieth Century, around the time of Australia's Federation into one nation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, nursing, nurses, mental hospitals, lunatic asylums, asylums, social services, social welfare, insane asylums, mental health, infrastructure

Gramophone cylinders, black, 6 grooves on interior stored in cardboard round container with detachable lid. Edison Record, made and sold by National Phonograph Co. at Orange N.J. U.S.A. Song: 9324 Bells. Bell Solo from The Magic Flute. Form No. 1200 Dec 1907flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, gramophone cylinders, edison record, national phonograph co, bells, bell solo from the magic flute

Primary Schools often use a theme of interest with curriculum based activities.Mt Beauty Primary SchoolANZAC - Sepia pictures, black print. Reverse is colored with book advertisements. 1987 Eleven colored zoo animal pictures Primary Education Topics Booklets - Magic & Funfairs. Magic (1) 1978 - has 8 b & w pages with illustrations Magic (2) Folds out to 4 activity sheets on 1 side & colored picture on reverse Fanfairs Booklet: Colored poster and activity b & w sheets enclosed and held by staples.Zoo poster: 'Vertical File'stamped on and 'Zoos' handwrittenmt beauty primary school aids, education, themes / topics

This file contains five items. Black and white photograph of the Magic Circle dinner in 1945, location unknown, taken by Morton Photography. Black and white photograph of attendees at the Magic Circle’s welcome dinner for New Zealand magician Ces Morris in 1946, location and photographer unknown. Two copies of a black and white photograph of the Magic Circle dinner of either 1947 or 1949, location unknown, taken by Morton Photography. Black and White photograph of magician THE AMAZING W. BROOKLYN at the Melbourne Tivoli Theatre in 1945, photographer unknown, autographed to Dick Ballantine. Five black and white photographs of Will Alma, photographer unknown, copies from the ALMA CONJURING COLLECTION in the State Library of Victoria, three dated 1961, and two dated 1943. Two photocopies in black and white of photographs of an elderly man. One is labelled 'Will Alma Conjuring Memorabilia Collection Melbourne Australia'. The other is not labelled but appears to be same man. Date taken and photographer unknown.alma will, magic circle, alma conjuring collection

Greensborough magician Zeke Butterworth has sprinkled his magic to win the Australian Junior Championship of close up magic.News article 1 page, black text and colour image .zeke butterworth, australian junior championship of close up magic, magicians, greenhills primary school

Inside are two light sources, which illuminate the object to be projected. Usually this object would be a postcard, photo, or other printed matter, but objects such as coins or leaves could also be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. The light sources are burners. (http://museumvictoria.com.au/collections/items/721025/mirroscope-magic-lantern-projector-buckeye-stereopticon-co-1910) A lens sits at the front of a black metal box, with electricity lead. Inside two electric light bulbs illuminate the object to be projected (usually an image or printed matter), but objects such as coins or leaves could be projected. The light is reflected through the lens, and the image is projected onto a wall or screen. Focus is achieved by moving the telescoping lens tube in or out. The mirroscope includes an early electricity socket.projector, magic lantern, episcope, mirroscope, film, theatre, entertainment, movie

MAGIC LANTERN COLLECTION- MAGIC LANTERN SLIDE/ black and white group photo slide of adults and children.photography, projectors-still

MAGIC LANTERN COLLECTION- MAGIC LANTERN SLIDE-RHEIMS CATHEDRAL - 8 x 8 cm black framed glass photo slide showing the Cathedral in black and white. Glass broken in bottom left hand corner / paper label on top of slide showing 'Rheims Cath 1.photography, projectors-still

Phonograph record, black shellac with a grey Columbia "Magic Notes" label. A side: Part 3, Gaîté Parisienne - Ballet Music. B side: Part 4, Gaîté Parisienne - Ballet Music. Artist: The London Philharmonic Orchestra.Reference number DOX - 590

Black vinyl phonograph record with a grey Columbia "Magic Notes" label. A side: The Denman Quadrilles No 3, B side: Destiny Waltz. Artist Harry Davidson and his Orchestra.Reference number DOX - 918

Black and white photo, mounted on grey board. Image shows soap displayed on a series of shelves and boxes. In centre of display a large poster ' The best soap is the cheapest. Manufactured by Walter H. Carwardine at the Bendigo Soap works, Charleston Road' (repeated twice on poster) Carwardine trade mark 'C' enclosed in a diamond shape also displayed alongside poster. Some display items are 'Borax Soap', 'Austral Magic Soap and 'Soft Soap' Written on back of photo ' Grandpa's products' Receipt number 355/16bendigo, business, carwardine soap and candle

Bob Conroy died on Tuesday, December 12, 2017 at age 88. The Daylesford trainer and brilliant horseman enjoyed a life dedicated to harness racing, which he shared with his wife Pat and their five children, including Glenn, Anne-Maree and Peter, who themselves have combined to drive more than 800 winners. Renowned as an outstanding trainer of trotters, Conroy spent a life training from Daylesford, having been raised in nearby Korweinguboora before occupying the former Daylesford Trotting Club track, from where he would often venture into neighbouring Hepburn Regional Park to educate his horses. A trots trainer, driver and breeder, Mr Conroy’s training successes include Mary Beverley’s win in the 1973 V. L. Dullard Cup, Lincoln Star's win in the 1978 Bendigo Pacing Cup and 1978 Italian Cup, and the Lightfoot Laurels on four occasions (Lucy Lastic 1997, Miss Universe 1999 and 2001 and False Gem on 2008). His greatest stakes win came when Amazon captured the $30,000 Australasian Trotters Championship final in 1984 and then the same year the E B Cochran Memorial Trotters Cup, while notable triumphs also include Mister Everest in the 1990 Chris E Howe Trotters Cup, two Central Victorian Trotting Championships in 1991 (Omaorio) and 2005 (Sutters Glory), the 1996 Coulter Crown with Lucy Lastic, First Signal's win in the 1999 Cranbourne Trotters Cup and then the R C Freestone Trotters Cup with Miss Universe. Other notable performers he trained throughout his distinguished career included multiple metropolitan winners King’s Pride, Eden’s Return, Magic Madge, Minnesota Fats, Hot And Dry, Kyvalley Duke, Speeding Fine, Baltic Prince and Looks Like Me. Bob Conroy’s trotters Bootleg Bert and Margaret Ruth delivered his last trotting wins. Yellow with black Vrb conroy, lincoln star, amazon, bendigo harness racing club, bhrc, bendigo, horses, racing colours, trotting, pacing, harness racing, bob conroy, r conroy

The Unicorn won the Bendigo Pacing Cup on the 29 January 1993, followed by Bowral Boy and Guitar Magic. The Unicorn owned by PW Anderson, R Broomhall, KR Loughnan, P Pike, SL Dove & CF O'Dwyer, was trained and driven by Stephen Dove. The Unicorn raced from 1989 (2yo) through to 1995 (8yo). Career: 29 wins 18 seconds 14 thirds 94 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 29-1-93/ 1993 Southern Cross Bendigo Pacing Cup / C9 or Better At the bottom: Left corner: Distance 2700 metres/ Mile rate 2.03.6/ Last Half 57.5 / Greg Matthews Photos - Stawell Centre: The Unicorn (Vance Hanover - Significant) / Bowral Boy 2nd / Guitar Magic 3rd Right corner: Owned by- PW Anderson, R Broomhall, KR Loughnan, P Pike, SL Dove & CF O'Dwyer/ Trained and driven by Stephen Dovebendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1993, the unicorn, stephen dove, pw anderson, r broomhall, kr loughnan, p pike, sl dove, cf o'dwyer, bowral boy, guitar magic, s dove, carl o'dwyer

Knight Rainbow won the Bendigo Pacing Cup on the 20 January 1995, followed by Magic Fella and Its Nero's Fiddle. Knight Rainbow owned by Mr C Price, was trained by NR Alexander and driven by Chris Alford. Knight Rainbow raced from 1992 (2yo) through to 1997 (7yo). Career: 22 wins 8 seconds 8 thirds 85 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 20-1-95/ Jetport Security Parking Ten Victoria Bendigo Pacing Cup / C9 or Better At the bottom: Left corner: Distance 2700 metres/ Mile rate 2.01.2 / Greg Matthews Photos - Stawell Centre: Knight Rainbow (Tuapeka Knight - Tina Scott) / Magic Fella 2nd / Its Nero's Fiddle 3rd Right corner: Owned by- Mr C Price/ Trained by NR Alexander / Driven by Chris Alfordbendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1995, knight rainbow, nr alexander, chris alford, mr c price, magic fella, its nero's fiddle, ca alford

Sixteen page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a knitted jumper.front: [printed] Patons / The Magic of / Charm / 12ply / 684 / PRICE / CODE / F / 1 / EASY / TO FOLLOW / PATTERNSfashion, design, knitwear, home made, wool, pattern book, patons

Framed original concept cartoon of Stewart Merritt for the Transporting Art Project - light aluminium brass colour frame, by Magic Picture Framing of Prahran. The tram has been cut out with the windows removed and placed on manila coloured card with the drawings done in ink, the stars cut out of silver paper and adhered to the surface. The tram has blue/black background. Frame with a glazedtrams, tramways, transporting art, ministry for arts, w2 class, tram 439

BHS CollectionA Collection of Street Parade Photographs: Three photos all black and white. The first is of the S.E.C. float with *The Magic Servant* being pulled by a tractor with two men aboard. The float is of grass and flowers. Three children are on the float holding signs of Heat, Power, ?. A girl stands in a decorative shell. The street scene is lined with many people and cars of the day are parked at the road edge. The second is of the White Christmas Golden Square Mothers Club. A truck is decorated with a large Christmas tree with children dressed for winter. At the right is a sign*Bendigo Olympic Pool Fun is now open* on the balcony with a crowd of people. The streets are lined with spectators with flags flying above the parade. The Third is a float carrying a train with VR in flowers on the side and a floral display on the float. A crown of flowers at the front and the train on rails is featured. The train is No: B60 and is named the *Harold W. Clapp* All photos are of Bendigo's streetscape. All three photo's have two holes 7.4cm apart for housing in a folder. Box 116Aphotograph, streetscape, bendigo, bendigo. parade. golden square mothers club.