Born: Fitzroy, Victoria, Australia 1865; Lived and worked: France and England 1887-1892, France 1901-1913; Died: Melbourne, Victoria, Australia 1915ImpressionismMajor Basil MacNay Bequest, Gift of Arts Victoria, 1998Oil on wood panel depicting pink spring blossoms in a field. Carved gold brushed timber frameRecto: Signed "E. Phillips Fox" in purple oil in l.l.c of composition; Not dated; Not titledpaiting, landscape, garden, trees, cherry blossom, fence, impressionist

The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora

Prunus blossoms on Mountainview Road Briar Hill.Digital copy of colour photographmountainview road briar hill

Prunus blossoms on Mountainview Road Briar Hill.Digital copy of colour photographmountainview road briar hill

Graham Osborne, ticket officer at Greensborough Station has planted a garden between the track and Poulter Avenue.News clipping, black text, colour image.greensborough station, graham osborne

Part of the Bennetts collection. See Catalogue No. 9726P for details of "Alva Marie Bennetts" service.Black Buckram covered hard cover book. Title in gold lettering on spine. 204 pages with cut edges, text in black type. Six pages with black and white photographs.alva bennetts, japan, book, allan s clifton, bcof

The outer envelope is addressed Mr E. Fielding which is believed to be Richard Edward (Eddie) Fielding. It is understood from Tom Fielding, that this item was collected by his Uncle Bill Teagle when visiting Japan in the 1920s whilst serving in the Navy. It is further understood that Bill always made efforts to collect souvenirs from his travels to give to family members. William George Teagle, more commonly known as Bill, was born 2 August 1899 at Sandringham, Victoria. Bill, a milk carter first attempted to enslist in the AIF in October 1917 but was rejected on the grounds of being too small. On a second attempt he was successful and his application was accepted 1 June 1918. He embarked in November 1918 for overseas with the 17th Reinforcements. He was discharged a year later in December 1918. On 6 May 1919 he enlisted in the Royal Australian Navy for a period of 7 years service with the rank of Stoker however he remained with the navy throughout till the end of the Second World War, and was finally discharged 14 November 1945 with the rank of Petty Officer. This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection

Purchased through the Horsham Art Gallery Trust Fund with the assistance of the Caltex-Victorian Government Art Fund, 1979

Cutting of an article by Alan Tate, from The Herald, January 27, 1981. It was mooted that the Olympic Village for the 1988 Olympic Games (which may have been held in Melbourne) was proposed for the grounds around VCAH Burnley. The principal, Mr Davis, is stated to have been keen about the prospect because of the huge influx of money there would have been for the college. There are 2 photos, one of the main college building with the caption: "Burnley Horticultural College... at the centre of an Olympic Games village plan" and the second with the caption: "Burnley Horticultural College principal Mr Jim Davis shows where the Games village could be built." alan tate, the herald sun, olympic games, 1988, vcah, burnley gardens, olympic village, jim davis, principal

Frank and Esma Barr had an orchard on the south (uphill) side of Gatters Road and the Colellas had an orchard on the other side of Gatters Road

For the wedding of Dorothy Williams in 1958'Schiaparelli' stockings in red box with pink tissue paper around inside the box. Style 'Magnifique', Colour 'Blossom'. Size 10 1/2Schiaparelli 'Magnifique', 'Blossom'. 10 1/2costume accessories, footwear accessories

A copy of a black and white photograph of a group of couples all on a visit to Marysville for their honeymoons. The original photograph was taken in April 1938 and was the chance first meeting of the honeymooners which blossomed into life-long friendships amongst the couples.A copy of a black and white photograph of a group of couples all on a visit to Marysville for their honeymoons.MARYSVILLE - APRIL 1938 LEFT TO RIGHT: HONEYMOONERS: FREDA AND ALAN HANCOCK (MY PARENTS)/ BERT AND WINIFRED (WINNIE) MILLER/ MARION AND CHARLEY KING ?/ ? THE BUS DRIVER THE CHANCE FIRST MEETING OF THE ABOVE HONEYMOONERS/ BLOSSOMED INTO LIFE-LONG FRIENDSHIPS NORMAN HANCOCK 2009marysville, victoria, australia, honeymoon, photograph

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall

Japanese Shi-gunto Army Officers sword and scabbard. The guard is rectangular in shape with cherry blossom motifs. The hilt is encased in Shark skin (?) Scabbard is made of painted steel. Brass fittings on the wooden scabbard encased in an enamel painted metal sheathWorld War Two Japanese NCO/Officer sword and scabbardCherry Blossom inscription on guardjapanese sword officer scabbard shi-gunto samuri cherry blossom

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Black and white photograph. A bee on apple/pear blossom. On reverse, "Return to Mr Landridge Bee article."bees, apple tree, blossoms, pear, apiculture

John Black is dressed to attend a wedding, judging by the orange blossom button that he is wearing. The photograph was taken in 1957. A scanned non-digital portrait photograph of a man dressed in a suit and tie and wearing a small orange blossom buttonhole.john black, weddings

Japanese gunto steel sword and scabbard possibly worn by a NCOJapaneseSword and Scabbard - 1944Cherry Blossomjapanese sword scabbard shi-gunto samuri cherry blossom

These photographs, taken by The Advocate in 1991, were published as part of the newspaper’s ongoing column profiling local traders across the district. These photographs feature the owner Leanne Kalwig and staff of Bud and Blossoms Flower Shop 9 Alfrieda Street St. Albans. The shop has been operating at this site for three years and on this occasion, it was celebrating being selected as the trader of the week.The Sunshine Advocate’s feature on local traders was a modest yet well‑liked column that played a meaningful role in strengthening community identity. Through these regular profiles, the newspaper promoted local businesses and helped shape Sunshine’s understanding of its developing commercial district.7474.01 - Bud And Blossoms Flower Shop 9 Alfrieda Street St. Albans 1991 Photographs (Advocate 598.1).JPG (L-R) Leanne Kalwig, ?, ? 7474.02 - Bud And Blossoms Flower Shop 9 Alfrieda Street St. Albans 1991 Photographs (Advocate 598.1).JPG (L-R) Leanne Kalwig, ?, ?alfrieda street, st. albans, bud and blossoms flower shop

2 copies black and white photograph, one an enlargement. 2 men holding day old chicks surrounded by fruit, vegetables and blossom.On reverse of enlarged copy, "John Sparkes and Bill Nicholls (Field Superintendent)," and, "Please Quote No. ABC 2166 when ordering. Laurie Richards JW 1528."fruits, vegetables, blossoms, john sparkes, w.j. nicholls, bill nicholls, field superintendent, publicity, show display

Prunus blossom. September 1942. 2/23prunus blossom, e. m. gibson collection, trees