Gladys REYNELL (04/091881 - 16/11/1956) Born Glenelg, South Australia Gladys Reynell was South Australia's first studio potter and the first Australian artist to apply modernist principles to the crafts. For four years she worked from Ballarat. Osrey Pottery Ballarat operated between 1922 and 1926 by Gladys Reynell and George Osborne. The name of the pottery was an acronym formed from their surnames. Gladys Reynell, her sister Emily and brothers Rupert and Carew supported the war effort during World War One. Rupert Reynell was a neurologist who valued handicrafts in the rehabilitation of shell-shocked soldiers. He influenced Gladys and Margaret Rose (Rose) McPherson (later known as Margaret Preston) to learn pottery at the Camberwell School of Arts and Crafts, London, in 1916. Next year a friend sent Gladys some Kangaroo Island clay which excited her: 'I thought then that it could be the most delightful thing on earth to make pots in Australia from virgin clay'. In 1918 Gladys and Rose began teaching pottery to soldiers at Seale Hayne Neurological Hospital, Devon. In September 1919 Gladys Reynell came home in September due to her father's illness. She established the Reynella Pottery and became responsible for all stages of pottery production. Using a seasoned dump of buff-coloured clay from a well at nearby McLaren Vale Gladys Reynell built and fired her own kiln; threw simple, robust forms based on early European folk pottery; and decorated them with designs inspired by both Aboriginal art—one of the earliest to use this as a source. Gladys Reynell decorated her earthenware pottery with the characteristic rich 'Reynella blue' slip. On 14 August 1922 at St Mary's Church, Edwardstown, Gladys married George Samuel Osborne, an ex-serviceman and gardener at Reynella; they had no children. Between 1922 and 1926 they set up Osrey Pottery In Ballarat. Gladys produced pottery for sale at fairs with George as her assistant. She would throw her pots in the street, causing a sensation. In 1926 George contracted lead poisoning from lead in the glazes. They moved to rural Curdievale where Gladys resumed painting and making woodcuts. From 1939 Gladys and George lived in Melbourne. In World War II she worked in the army pay corps, in the Taxation Office, and as a translator of French. Gladys died of cancer on 16 November 1956; her husband scattered her ashes at Reynella. Her ceramics, the work of one of Australia's earliest studio potters, have been avidly collected since the late 1960s and are in most major art galleries. Small blue glazed ceramic bowl incised around the top with a decorative frieze. Incised on the base "(Dam Clay) Ballarat 1923, Osrey"gladys reynell, osrey pottery, blue bowl, incised bowl, australian studio pottery, ceramics, native clay

Marion POPPLEWELL (1912-1998) Born Yorkshire Marion Popplewell visited relatives in Ballarat in the early 1940s. She loved Ballarat so much she decided to stay. She worked at a bank in Lydiard Street, opposite the Art Gallery of Ballarat, and lived in rooms above the Lydiard Street Shops. Marion enrolled in some evening classes at the Ballarat Technical Art School (a predecessor institution of Federation University Australia) conducted by Neville Bunning. He was nor overly happy with her small colourful jugs and vases, wanting her to handbuild pots, rather than wheel throw them. Marion Popplewell continued making her small wheel thrown pots with fine handles, and made glazes herself from materials imported from England. Attending classes in Ceramics up until the mid 1970s, she also took some classes in Woodwork and Needlework. Her 'Pink Glazed Jug' 1945 won a prize at the Royal Melbourne Show in the late 1940s. She died in Melbourne on 26 September 1998. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown vessel with three slight bulges and turned foot. Deep blue glaze with rim banded in a second glaze, causing a eutectic reaction, causing the spontaneous syrupy runs down the outside of the vessel. Vessel has many small divots, suggesting the clay may have been reclaimed, or collected from nature, and not thoroughly prepared before throwing. Vessel has one small chip (13mm x 5mm) on inside of rim, but is not a threat to its overall integrity. Inscription on base: "MP 59" Sticker: "85"art, artwork, marion popplewell, ceramics, ceramics available, alumni

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Kurt WEBB United States of America Acclaimed ceramacist and ceramics instructor Kurt Webb attended Illinois State University. He teaches classes with young adults and high school students.Stoneware ceramic piece most probably made at Churchill Campus in 1988 while Kurt Webb was a visiting artist. The exterior features blue and green shaps on tan, with the interior a mid-blue colour with impressed shapes and swirls. kurt webb, ceramics, gippsland campus, jan feder memorial ceramics collection

The bowl is decorated with a blue transfer print of a bird in reeds. The lid is decorated with the image of two birds sitting on a fence. On the underside of the bowl is the hallmark for Brown Westhead and Moore (BWM & Co) in Staffordshire, England about 1870. The pattern name is Canova. The object is reported to have been used at Greystanes House in Bendigo. The bowl is damaged. See condition report.tui mitchell collection, williams family, greystanes

Victorian table lamp with decorated gold coloured metal base and blue bowl with clear glass flue.table lamps

Enamel cookware became very popular because people wanted a way of coating iron to stop metallic tastes or rust getting into food: something acid-resistant and easy to clean without laborious scouring, something more durable than the tin linings used inside copper. Enamelware dates back to 1760 in GermanyThis object is significant as an example of an item in common use in the 19th and early 20th centuries.Large light blue enamel bowl.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, enamel, kitchenware, washing

Blue glass bowl on stand in graduations of blue cut glass. Has been damaged see condition report.glass technology, glassware

Blue China sugar bowl with white raised figures and matching lid.

Document. Greeting Cards. Single card with a blue bowl of red, pink & yellow roses on a table. In the background is a house & shrub which can be seen through an open window. Underneath is: 'In quietness and in confidence shall be your strength' Isa. 30.15. Printed in blue, brown & red. Two holes at the top with a pink piece of cord to hang the card.G.0357 Printed in Englandperson, greeting cards, malone collection, malone collection, greeting cards

Decorated blue glass bowl on a clear glass foot. Milk glass fringe around the top of the bowl. The bowl has been repaired with four staples.RD06035glass technology, glassware

A mass-produced domestic item. The design was popular in the early to mid-20th century.The basin is an example of early to mid-20th-century kitchenware.Wash basin: white enamel bowl with blue rim. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, enamel bowl, enamel dish, white enamel, white with blue rim, kitchenware, household object, 19th century, 20th century, cooking, cleaning, personal care, basin, enamel basin, wash basin, metal craft, tinware

Frau C Rippert was a Lutheran Missionary worker in Cairo, Egypt when the British Army was in north Africa and she was arrested and transferred to Palestine and later sent on the Queen Elizabeth to Australia where she was internedOil painting of poppies in a brown vase beside a blue cylindrical bowl with lid. On a green cloth which is draped over a fawn coloured table. Brown frame with pale strip.painting - oil, rippert fc, vollmer h, poppies, camp 3, tatura, ww2 camps, illustrations, oil

Dr. S.A. Mellick was a long standing member of the Faculty of Anaesthetists, Royal Australasian College of Surgeons (FARACS) and gifted this object to the Faculty at the end of his term in 1989. Dr. Mellick was the first Australian to have become President of the International Society for Cardiovascular Surgery. The provenance and date of the salt cellar is verified by the hallmarks at the base of the dish made in 1804 during the reign of Britain's King George III.Sterling silver open cut salt cellar with blue glass bowl insert, boat shaped, featuring four ball feet, beaded borders with pierced and engraved detailing to the sides.[stand] PRESENTED BY S.A. MELLICK / FARACS / JUNE 1989 [hallmark] S E D (indicates maker as S & E Davenport), Image of Lion (indicates sterling silver), I (Indicates made in 1804) Image of kings head (indicates made in London), image of Sovereign's Head (indicates duty mark) Three cursive initials on side of dish are difficult to recognize however may possibly be identified as J E Wopen cut work, salt cellar, sterling silver, s & e davenport, dr sam mellick, faracs, salt cellar

This vintage large bowl was probably used for washing dishes or small items of clothing. From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily.A badly damaged vintage large pale blue round enamel bowl, possibly used for washing dishes.enamel, domestic equipment, washing dishes, bowls

These two bowls were from the Donor's father who was in the Royal Australian Air Force.Two medium sized bowls with blue stripe edged with gold around the rim of the bowl. Blue stamped insignia on edge.Royal Australian Air force insignia. MELBAR Made in England printed on base in blue.air force, local

Small ceramic blue and white sugar bowl. Decorated with blue flowers and green leaves.sugar-bowl ceramic domestic-items container

Pen-wipers or pen-cleaners were invented to prolong the usefulness of their pens by keeping them clean and dry between uses. This helped to prevent rusting of the nib from water-based inks. In the 1890s and 1900s, with the rise of the fountain pen, pen-cleaners remained a popular desktop accessory, since they could still be used to wipe away the excess ink from the nib and feed of a pen, once it had been refilled in an inkwell. Pen-cleaners died out in the second half of the 1900s when people started using ballpoint pens.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A blue/mauve glass bowl on 6 petal shaped metal feet. It contains a central black brush which was used to clean the ink from metal pen nibs.domestic items, writing implements, pen and ink

Bone coloured round bowl with blue striped rim featuring black & white image of Ringwood Memorial Clock Tower in the centre. Base is marked with a crown and letters RKG - Made in Czechoslovakia.

Josiah Spode I (1733-1797) founded the Stoke-on-Trent based pottery company, Spode, in 1770.Three small coffee cups in white china patterned with blue flowers. One small white china bowl with blue stencil pattern.Back of bowl - S.H. Back of one cup - Spode crockery domestic-items-spode bowl cups-coffee china

USED IN FORMER CLUNES HOSPITAL, VICTORIA, AUSTRALIA.1 WHITE ENAMEL KIDNEY BOWL, DARK BLUE ON OUTER EDGE. .2 WHITE ENAMEL KIDNEY BOWL, BLACK ON OUTER EDGE.1 KOCKOMS SWEDEN 25CMmedical, hospital equipment, clunes hospital

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, Ovate in shape. White fabric embroidered with a brown bowl with blue and pink flowers and trimmed with crocheted edge. Part of the 'Chamberlain Dale Lees Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, embroidery, needlework, crochet, handmade, craft, manchester, linen

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food bowl, glazed. Chinese design on outer surface in blue colour. Two blue lines circling inside of bowl. One blue line circling top of rim.chinese, bowl, goldfields, gios, tableware, glaze, porcelain, buckland, handpainted

Found in the above ground rubbish pile at Days Mill and Farm. Probably used on site.Two enamel bowls with marbleized patterning on the outside. The larger wider bowl is blue and white the smaller but taller bowl is pinky/beige and white. Both have white interiors. Both are rustedwilliam day, ann day, joseph day, robert day