Boomerangs of this sort were used for up close hunting with short throws and clubbing. This contemporary piece illustrates some fine art work. This piece was commissioned by Uncle Brien Nelson, Jaara Elder to preserve and pass on Jaara culture.This boomerang is in the form usually used for clubbing prey up close rather than long flight or returning. It has a gentle arc about 3 cm deep over its 49 cm length.This piece is beautifully decorated with a traditional Jaara design incorporating a blue tongue lizard motive.boomerang, decorated, jaara, close up hunting, blue tongue lizard

Vol. 1, No. 1 November 1996 CONTENTS REFORMIST?: Barbara Kruger comes to the Museum of Modern Art at Heide 3 FESTIVALS Nillumbik festival celebrates our lifestyle in food, wine, music and art 5 WRITERS WEEK Barry Dickens and Judy Jacques on Ruckers Hill present the "word" in all its possibilities 8 EMERGING ARTISTS Nillumbik presents a new wave of visual artists 11 SHORT STORY Extract from a novel in progress by Jon Weaving 12 POETRY Tribute to Myra Skipper 16 HERITAGE TRAIL Youth of Eltham research local history 1 8 SCULPTURE Akira Takizawa's search for harmony 22 WRITER'S JOURNEY A writer overcomes a nightmare 24 SCIENCE AND ART Pamela Conder analyses nature 26 ARTS BALL Jazz greats come to town 27 HISTORY IN PRINTS Australia's forgotten war artist 28 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market.

Peter has a wealth of knowledge about present day and historical aspects of local art and artists."
 - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1996, adam simmons, akira takizawa, alison cassidy, alistair knox park, allwood house, alvaro castagnet, angels of soul, anita hustas, anna kelly, anne curry, arts ball, avenue of honour, barbara kruger, barry dickens, batacuda, belli, belly dance and drumming group, betty rowland, bike paths, bits & pieces, blair fraser, blue tongue, bridge street, bulleen art & garden centre, bulleen nursery, bux, caffe poco, cal martin, carla cordeiro, cate bailey, charles morris, charlie dowley, chris hooke, chris kandis, chute street, circus in a suitcase, crucial kick, deirdre o'reilly, diamond creek, diamond valley big band, edna kenny, ellis cottage, eltham arts council, eltham cemetery, eltham courthouse, eltham festival, eltham high school stage and jazz band, eltham high school, eltham library, eltham people's choir, eltham symphonica band, eltham war memorial building, eltham wiregrass gallery, eucalypso, fay alexander jenkins, fiona furphy, firefly, food for all seasons, friends of the earth forest action fund, gavan gray, gene strode, geoff braithwaite, geoff kluke, george kirov, gil askey, golden cascades, graeme barker and the cats, greg o'leary, harry gilham, helen o'grady children's drama academy, heritage trail, hurstbridge goldworks gallery, italian women's choir, jackie gaudion, jackie stojznova, jacqueline gawler, janine james, jarrold cottage, jay atwill, jazz band ball, jerry hughes, jock ryan, john rasmussen, jon weaving, joseph zbukvic, joy ness, judy jacques, judy racz, jules burns, june cugola, kate jones, kavisha mazzella, kevin spearey, les gyori, lisa walker, lothlorian, louise jade, magwal, margie allan, margie lou dyer, margo barrett, mary burns, masquerade ball, melody james and friends, mermaid in the well, michael eames, michael murray, michele lonsdale, monique di mattina, montsalvat, myra skipper, nell frysteen, nerida kirov, nicole o'connor, nillumbik emerging artists exhibition, nillumbik festival, nola spence, ona henderson, opportunity shop, our lady of help christians church, pamela conder, parafinallen, patrick mccauley, peter burns, peter dougherty, pond, road, robbie greig, roger shuttleworth, ron hanson, rory cole, ross hannaford, ross needham, ruckers hill, sanctuary, scott griffiths, shep huntly, shillinglaw cottage, shire of nillumbik, shoestring, sigmund jorgensen, silvio apponyi, spindrift, st margarets anglican church, stebbing cottage, steve sedergreen, susan street, sweeney, syd tunn, tennis-courts, terry cole, the great gizmo, the picture, theo scharf, thermal skunkrust, untitled scraper board, victorian artists supplies, war artist, warrandyte, westgarth writers' week, wingrove cottage, wolfgangs palace theatre troupe, women's circus, yarra plenty rock gospel choir, you did alright kid, art streams

The construction of these boots suggests that it was not purchased locally or from any large town. It may have been introduced by a wandering caravan trader in clothes and shoes. In this era of rural development shoes, especially children footwear, were regarded as a longer term requirement that only required the soles and heels to be replaced. Multiple shoe types were not common only basics that could be handed down. The policy of one main work/play shoe and one church shoe (special occasion) was the norm at this point in history.Worn by Everil Fisher (girl) at Dederang in 1880. They have 'copper toes' and are 'Hob Nail' These items although very basic were what the region required and was applicable to all levels of society at this time. Durability and no fashion infiltration from larger cities resulted in a spartan attitude to basic living requirements. The rural regions of this area were more in focus to the character of the person rather than what was worn. The personal interactions of everyone in the region were more "true blue" than that of the cities. The concept of "mate-ship' far outweighed the type of fashion being wornBrown/Black ankle high boot for child age 4 (approx). Tongue and six eyelets with broken leather laces. Hob Nail visible on soles and heel. Copper Toes. costume, children's footwear, boots, anklets

Blue cardboard box with white flowery decoration at the edges, Ingram's Perfex enema, English manufacture guaranteed. Inside the box a cake decoration set with a bag and eight nozzles, a metal circle and small tongues, A one page of instructions on how to decorate a cake is included. Aileen and John Ellison Collection. domestic, cake decoration

Photocopy of a printed 'The Mining Record' Jan., 1862 Pages 5 to 11. There is information on the Paddy's Gully Reef and the Sheep's Head Reef. The owners, area and title, workings, reef and yield, cost of working, drainage, machinery and remarks of the The Comet Company (formerly Cooper's Little Redan), Hogg, Tipper, & Milroy's Claim, Alliance Company, Watson & Wade's Claim, Barker & Co's Claim, Union Company's Claim, Paddy's Gully Reef Quartz Mining and Drainage Company's Claim, Picken and Co's Claim, Holmes and Co's Claim, Keith and Co's Claim, Stevens, Hasker & Co's Claim, Blewitt & Co's Claim, Thomson & Co's Claim, Hooper, Wills and Co's Claim, Union Company's North, or Lower, Claim, Sinclair and Co's Claim, Fogarty and Williams' Claim, Red, White and Blue Company's Claim, Union Company's Lower Whim Claim, Thompson's Claim, Union Company's Little Engine Claim, Will's Claim and the Union Company's South Claim. Albert Richardson Collectiondocument, gold, mining reports, mining reports, the mining record jan., 1862, the comet company (formerly cooper's little redan), hogg, tipper, & milroy's claim, alliance company, watson & wade's claim, barker & co's claim, union company's claim, paddy's gully reef quartz mining and drainage company's claim, picken and co's claim, holmes and co's claim, keith and co's claim, stevens, hasker & co's claim, blewitt & co's claim, thomson & co's claim, hooper, wills and co's claim, union company's north, or lower, claim, sinclair and co's claim, fogarty and williams' claim, red, white and blue company's claim, union company's lower whim claim, thompson's claim, union company's little engine claim, will's claim, union company's south claim, john s mcnair, john mathieson, mr lomasney, mr kelly, mr clisshold, j b watson & co, milroy & price, hogg, tiper, millroy, mr ebden, mrssrs watson and wade, r o smith, edward hunt, h murdoch, samuel priestly, william goldsmith, david buchanan, robert anderson, bagshot company, barker, ladams, m'vey, claughton, gutteridge, good, cornell, simeon, rutherford, h jackson, murgatroyd, wormold, bashford, red white & blue claim, steven's and hasker's, blewitt and co, john blewitt, richard allingham, edward wills, john williams, richard williams, henry williams, joseph east, john thomson, thomas trownson, henry hooper, edward wills, thomas castelow, joseph castlow, william tongue, george nevinson, james griston, thomas porter, william a kenny, robert lisle, john sinclair, robert pritchard, william pritchard, thomas woods, james fogarty, daniel moon, william lindrea, john adams, brown, robert lisle, owen thompson, nicholson reef company, edward wills, p n russell & co, bendigo valley steam puddling company, metropolitan mills, bruce's, thos. woods

The inclusion of 2 Turkish buttons and the possibility of the belt itself being Turkish seems to indicate that the belt was obtained at Gallipoli. As some of the other badges and buttons are not of Australian origin, the indication is that they were traded during the owner's service.This item is significant in that it has original badges and buttons from uniforms of WWI. The person to whom this belt belonged obviously served at Gallipoli and returned from active service. brass button bearing the insignia of artillery, 2 brass buttons bearing a crescent and star, 1 bearing the outline of Australia with a crown above, 1 plain copper button and 1 brass button bearing the picture of a hand grenade.Belt: Webbing, 2 metal buckles with 2 leather ends and tongues and a leather pocket stitched 7.5 cm from the tongue end. 29 cm from the buckle end there is what is possibly a leather canteen hook, 2 cm wide, 17 cm long, with a copper escutcheon which hooks over a brass knob . Three stripes, top and bottom stripes blue, middle stripe khaki. Pinned to the buckle end of the belt are 5 copper badges: INF / RGA / / 4 / LH and a small crown and 3 brass badges TYNESIDE / 4 / SCOTTISH. On the tongue end are 2 brass buttons embossed with crowns, 1 world war one, anzac, ww1, gallipoli, badges, buttons, uniform belt, turkish uniform, turkish, british badges, tyneside scottish

The poodle was purchased at the PX store in Vietnam by a soldier returning home as a present for his girlfriend (later to become his wife). Andrew Clyne, Service no: 3799091, served in 110 Signal Squadron, Vietnam, in 1971.Two-toned blue synthetic toy poodle with a gold collar and chain around its neck. It has two brown glass eyes, a black plastic nose and red felt tongue. A metal zipper under belly conceals the mechanism of a transistor radio.Transister Japan/ Novelty/ Vol/ Tuner/ Made in Japan on tag attached to hind leg. Red NOVELTY printed on control. toy poodle, japan, transistor radio, clyne, 110 signals, andrew clyne

Illustrated book with white binding, Title in black print on front cover and spine. Also on the front cover is a coloured photograph of a grey-haired woman (Norma Tongue) wearing a dark coloured dress and light coloured hat, holding a glass containing liquid in her left hand. On the back cover is another small coloured photograph of a dark-haired woman (Norma Tongue) wearing a blue and white top, a watch and a mug in front of her.An anthology of work by Norma Joan Tongue between1981 and 2002.poetry, norma tomgue

Circular Bear Tape tin which would have held six rolls 1/2 x 2592 inches of transparent tape. tin has a picture of a blue and white bear head with red tongue being the Bear Brand. tin is blue, yellow adn white stripes.Bear Brand Tape. Sticks tight at a touch - transparent. Another Norton Producttin, bear tape