Child's handmade cape/bolero. Made for child c 1970's.Child's cream synthetic fur bolero with hood and lining.clothing, handmade, c1970, child

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Black lace and bead on tulle bolero. ca. 1900.women's clothing, boleros, lace, fashion design, fashion -- 1900s

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Brown cotton lace bolero.

Worn by Miss Muriel Jones, a sister - in - law to Mrs. Bette Jones in Tunstall (Nunawading) during 1930s. Miss Jones lived at 'Rosemount' Mt Pleasant Rd where Nunawading South State School is now. She was a Home Economics teacher at Swinburne Secondary School. The house was moved to Lorikeet Street Bairnsdale where she lived.Short sleeved white lace bolero.costume, female

Example of 1960's couture fashion at height of Australian industry.1966 lemon cotton dress & bolero labeled Ricki Reed (melb)Ricki Reed -All cotton-14worn by estelle bannister to family wedding january 1966.

This bolero is part of a Greek national costume from the Peloponnese. Long-time Brighton resident Olga Black wore it to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands at the MCG being full of migrants wearing their traditional national costumes. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes. bolero, jacket, greece, ithaca, migration, olympic games, 1956 olympic games, olga black

This article was handmade by Amelia Frances Selwyn probably in England after she married Lance Mallett in London. Amelia was the mother of Brenda Murray, dedicated community worker and local government councillor. Brenda was awarded the Order of Australia Medal (OAM) for services to the community. Amelia Mallett was an early Croajingalong resident and she and Lance are buried in the Orbost Cemetery.This item is an example of a handcrafted item and reflects the needlework skills of women in thefirst half of the 20th century.A handmade black lacy bolero. It has beadwork along the edges and fastens with an ornate black clasp.bolero costume-women handcraft clothing

Handmade by Estelle Bannister for her daughter Giselda.Fine example of domestic dressmakingChild's handmade apricot wool dress and bolero jacket for age approx. 3-4 years.Nilchild's dress & bolero jacket

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing

The Boyds purchased their record player and sound system from Thomas’s in Melbourne. Patricia Boyd (later Davies) was very interested in opera and was later appointed to the Board of the Australian Opera.Bolero - 79 rhapsodic light-classical favourites. LP 33RPM vinyl - Box set, 1 large cardboard box - package still intact, unopened.lp, sound recording

Front and back covers of "Pauline paper patterns number 5116". This pattern is for a ladies' dress and 'bolero' jacket, drawing on front and instructions on back cover.An example of early 20th century clothing and sewing patternsDigital copy of front and back covers of dressmaking pattern.dressmaking patterns, patterns, dresses, clothing

Clothing. Guipure lace and spotted tulle bolero with sleeves. The 8cm cuffs of the sleeves are also guipure lace. The lace is of a floral design with tiny looped picots separating the floral motifs. Sleeves are of spotted tulle (.7 cm spots). The back of the bolero is shallow - just 26 cm deep, while the front dips to two peaks in the centre front.From shoulder to lower edge is 44 cms. No fasteners are evident. Armhole seam is bound with tulle.costume, female, cream tucked net collar and jabot

Black & white portrait of a girl holding a Tamborine. She is wearing a white blouse with a dark skirt, stockings, shoes, fingerless gloves and bolero. She has long curly hair. Photo is mounted on dark grey cardboard.W. Vincent Kelly, Mitchell St., Bendigophotograph, portrait, female, foster & wilson collection, photograph

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Brown lace evening gown (possibly belonging to Miss Crosbie). Sleeveless, buttoned opening at back. Long skirt with numerous darts for fullness. Matching bolero jacket (3794.2) and likely to have been worn with brown satin heels (3800.1 and 3800.2).clothing, womens clothing, costume, evening wear, graham collection

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Three-piece outfit comprising: three quarter length one-piece black silk cocktail dress with an outer skirt of black tulle; black net bolero embroidered with pink sequins; and black silk circular cap embroidered with pink sequins women's clothing, evening dresses, australian fashion, evening ensembles

Judith Gorsuch's dress had a lace bodice and a tulle skirt. She wore lace mittens and a lace bolero. A small posy of flowers in her hair matched the hand-held posy. The dress was made by Judith's aunt, Sally Chalmers. Mayor, Jim Willis, presidedColoured photo of Judith Gorsuch from Mitcham (later Judith Fry) on her Debut at the Box Hill Town Hall in 1951gorsuch, judith, fry, debutantes

Hand sewn and machined by Elizabeth Webber nee Eddy1920s Black silk brocade gown lined with sateen trimmed with jet sequins and beads. It has a matching black silk brocade shirt front with high collar neck lined with cotton and false bolero lined with silk. Also matching is a black silk brocade vest.costume, female

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown featuring an elaborate hand-worked bodice. The bodice has diagonal bands of lace as well as sections of fabric that imitate the effect of a bolero. These, as well as the sleeves are also hand embroidered and bordered with tatted lace. The fabric is finely gathered below the waist. The lower part of the gown includes inserted bands of different kinds of lace. The longer sleeves might indicate that the gown was made for an older infant. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Photograph of a lady posing with her head on her hand leaning against a cloth covered table. She is wearing a full skirt with black squares all over it, with a shirt and a frilly bolero. On the reverse in biro is written: Mrs. Louisa De Ravin, Born 24th November 1839, Died 28th October 1904, copied from the original for her daughter -in-law, wife of her youngest son, the late Dr. Garret De Ravin.person, individual, portrait, mrs. louisa de ravin, dr. garret de ravin

Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants'

Bendigo Operatic Society ''The Gondoliers'' At the Capital Theatre, View Street Bendigo. For a Five Night Season Commencing June 19th, 1970. Producer: Len Hall - Assistant producer, Ballet and Wardrobe Mistress: Madge Welch - Society pianist: Ruth Gorman - Musical Director: Gwen Grose. Cast in Order of Appearance: Fred Trewarne as the duke Of Plaza-Toro (A Grandee of Spain) - Neil Roxburgh as Luiz (His Attendant) - Ray Edebone as Don Alhambra Del Bolero (The Grand Inquisitor) - John Boquest as Marco Palmieri - Brian Thomas as Guiseppi Palmieri - Douglas Sayle as Antonio (A Gondolier) - Fred Veitch as Francesco (A Gondolier) - Henry Johnson as Giorgio (A Gondolier) - Michael Filippini as Annabale. ale (A Gondolier) - Patricia Lyon as Duchess of Plaza-Toro - Kathie Veitch as Casilda (Her Daughter) - Patricia McCracken as Gianetta (Contadine) - Ruth Iredale as Tessa (Contadine) - Aileen Ewart as Fiametta (Contadine) - Willi Carney as Vittoria (Contadine) - Bartina Daws as Guila (Contadine) - Ann Ball as Inez (Nurse). There are two copies.program, theatre, bendigo operatic society

Clothing. The lower section of this garment has been removed, making an accurate assessment impossible. A beautiful panel of lace from the neckline, dipping to a Vshape at the centre back, has a swirled and leaf design. This design extends over the shoulders and bustline, with a peaked finish below the bust. Bows and spots decorate the below elbow sleeves, and are finished at the lower edge with a panel of lace 8 cm deep at the seam, extending to 15 cms deep at the outer side. Brussells lace is a bobbin lace added to the background fabric. forming the design.costume, female, cream tulle and brussells lace bolero

Jacket made by donor as part of ensamble.- Cream fake fur with collar with a press stud fastening hidden by a large, covered button. Jacket is satin lined throughout. See also NA5487 Green knitted dress and NA5485 Green knitted bag.Nilclothing, jacket