This exhibition featured 17 paintings by Arthur Boyd, all in the bride series. Robin and Patricia Boyd were in London at the time of the opening, as indicated by the inscription and Clippings. Boyd also indicates the nine paintings which were sold and the two under offer.Exhibition catalogue for Zwemmer Gallery, London 19 July-20 August 1960. 63 works by Arthur Boyd.Pencil writing of Robin Boyd, and inclusion of five London newspaper Clippings with reviews in July 1960. Robin Boyd writes on list of paintings" We saw this only 4 days after the opening'. arthur boyd, australian painting, walsh st library

Condolence note from Penleigh Boyd to Patricia Boyd on the death of her mother, Letitia Anna Bloomfield Madder (born Gough). She died in 1973, at age 86.Handwritten on note paper

A short portrait, including family tree, of the Boyd family, starting with Captain John Boyd (A.D.C), Robin Boyd's grandfather.Double page spread on pp 14-15, with family tree and photographs of David and Hernia Boyd and their children.walsh st library

From Yvonne Boyd (wife of Robin Boyd's first cousin, painter Arthur Boyd ) in London, to Patricia Boyd regarding their upcoming visit to London.ohm2022, ohm2022_41

This is a postcard from Patricia Boyd, Robin Boyd's wife, from London to her parents 'Gram and Poppa'. It details a family trip with children Suzy and Penleigh in Paris, Athens, Rome (with a visit to Martin Boyd) and now in London (to see Arthur and Yvonne Boyd). It tells of running into Hatton Beck (Lucy Boyd's husband) at the National Gallery. The postcard, written in Cadogan Hotel, is from the National Gallery depicting Jan van Eyck's 'The Marriage of Giovanni Arnolfini and Giovanna Cenami'.martin boyd, arthur boyd, hatton beck, van eyck

Project: Timber Frame Studio for Mr Arthur Boyd: Murrumbeena, two drawings, plan and section. drawn by Robin Boyd.Working Drawing, Blueprint

This note card and note to Patricia Boyd's parents was written from Melbourne on Boyd stationary, anticipating the family overseas trip to Europe and Montreal (pre-Expo '67). Mandie Boyd and her husband were visiting Melbourne from Sydney and added a note.

In this letter Brian thanks Robin Boyd for sending him material on The Flying Dogtor and expresses interest in it. He asks if the program is being shown interstate and whether it has been sold overseas. Indicates his commitment to keep Boyd's role in the series confidential.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964.Typewritten

This letter to Robin Boyd from Eliot Noyes, an American architect and industrial designer, is the first of two held by The Robin Boyd Foundation (see also D419). It includes a copy of the preliminary statement for the International Design Conference in Aspen in 1964. The preliminary statement is two pages long, dated 16 December 1963. Robin Boyd has written many comments in pencil in the margins. The letter also thanks Boyd for his reprint from Architectural Review.Letter plus two page document for the International Design Conference. On letterhead Eliot Noyes & Architects, Architecture and Industrial design, 95 Main St, New Canaan, Connecticut.Robin Boyd has written many comments in pencil in the margins.international design conference, noyes

Mandie Boyd sends news of Christmas in Melbourne and news of moving to north Queensland.

This note is owned by the Murphy family and were provided to the Robin Boyd Foundation for digitisation.Note regarding a payment made.walsh st construction, john murphy

This Japanese journal features a photographic article on Boyd's Walsh Street home. It was written by a Japanese architecture student who visited Walsh Street with a group of 6 such students in 1961. A translation of the text follows. ________________________________________________________ "An Architect’s House in Melbourne, Australia Author: Tamon Okubo This house was built by architect Robin Boyd as an experimental work. Although in a residential area of Melbourne, the site is a 40 x 126 ft rectangle in a corner of a former park with high rise buildings on either side. Due to its location, the design focuses on protecting the privacy of the house from the outside and on the composition of the interior space, creating a somehow introverted plan. However, the interior is not completely closed from the outside; it is cleverly designed to provide both views of the rooves of nearby houses as well as the mountains in the distance. Firstly, the couple’s room and the children’s rooms are in separate buildings. These two independent structures are connected by a courtyard. The ceiling of the courtyard is partly open, so one can look out from the second-floor terrace of the couple’s room. The walls on both sides of the courtyard are of opaque glass to ensure privacy from outside. In both buildings brick walls with three-inch steel pipe inserted into the brick cavities form the structure and separate each room. The roof is connected to pairs of 3/4-inch thick cables, spaced four feet apart, attached to the brick walls of both buildings and supported by wooden posts that separate the glass panels in the rooms. The cables are not tightly strung together but are loosely suspended from the front structure, where the entrance is, to the rear one. The upper cable in the courtyard is covered with vine. The materials used are insulation board for the roof, raw timber for the structural materials, native jarrah for the timber sections of the interior walls and white eucalyptus for the joints. Robin Boyd – A Brief Personal History 1919 Born in Melbourne, Australia 1947 As an architect, was the first director of the Small Homes Service, a public housing research institute established to provide homes for needy Australians. 1960 Wins the American Institute Architects Prize (the Japanese architect, Kenzo Tange, was awarded the same prize in 1959). In the same year he was elected an honorary member of the Institute. Mr Robin Boyd is currently writing a book on the history of Australian architecture, The Walls Around Us, as well as a book on Kenzo Tange. He is a frequent visitor to Japan to exchange ideas with Japanese architects and is quite a Japanophile. " This is a photocopy of the article from Japan Interior Design No 17. Pages 4-5 are glued together, and pages 6-7 are glued together, p8 p9, p10 are separate. There is writing on it (not Robin Boyd's hand). Geoffrey Serle, Robin Boyd's biographer, may have given it to Patricia Boyd.walsh st library

This letter replies to Martin Elk's letter (item D316). Boyd argues that Fishbowl is an example of an "idea" building and is not a mixture of multiple architectural styles.Typewritten, photocopy, 1 pagefeaturism, fishbowl

This letter from the Managing Editor, Maxwell Newton, to Robin Boyd, encloses a cheque for the first six months of work, and looks forward to continuing next year.QuartoRobin Boyd has drafted a reply in pencil.

This letter is in response to Robin Boyd's announcement that he will resign from the Melbourne Beefsteak Club. A formal letter from Boyd is requested immediately, so another member can be elected. A copy of Victorian Children's Council Basic Book List and two leaflets were enclosed with this letter - not found in Boyd's papers.On the reverse side, Robin Boyd has drafted a reply to the sender (Frank) in pencil. This explains the reason for Boyd's resignation - competing work and family life pressure on friday evenings, making it impossible to attend monthly dinners consistently.

Aerogram from Montreal addressed to Patricia's parents in Melbourne, describing their stay in Montreal, the cold and snow, Robin's work on Expo '67, their visit to Arthur Boyd in London, and Penleigh's matriculation results.

MALCOLM BOYD Born Gippsland, Victoria In 1977 Malcolm Boyd graduated with a Diploma of Visual Arts from the Gippsland Institute of Advanced Education. It was at this time that he presented this work to the Jan Feder Memorial Ceramics Collection. Over thirty years later he still has a passion for ceramic history and design. Boyd operated the Black Cockatoo Pottery from around 1980-1995, starting in Essendon, then moving to Ascot Vale, Stratford, Bairnsdale and finally Fernbank in Gippsland. His handbuilt stoneware pots and clay sculptures are wood fired at his East Gippsland studio. He often uses ochre coloured dam banks on his property at Fernbank. The local clays are crushed, screened and blended with a white stoneware body to produce a number of shades and textures. All Malcolm Boyd's pot's are hand built using moulding, coiling, slabbing, and modelling techniques, and are high temperature fired (1300C) to allow some of the very ancient oriental glazes to mature. All works spend at least 20 hours in the wood fired kilns. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.malcolm boyd, ceramics, artist, artwork, jan feder memorial ceramics collection, gippsland campus, alumni

This letter accompanies a Crawford Productions publicity brochure and a set of scripts for The Flying Dogtor. A synopsis of the six adventures is included. The programs are each five minutes and will be aired starting March or April 1964. Boyd is suggesting that Penguin might be interested in publishing the scripts, accompanied by many illustrations.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964.2 pages: 1st page handwritten, 2nd page typewritten (duplication of letter)the flying dogtor, robin boyd, brian stonier, penguin books

Speech given by Dr Davis McCaughey at the launch of Geoffrey Serles's biography of Robin Boyd at Ormond Chapel on 21 November, 1995. Sent as a letter to Patricia.Four pages speech in envelope to Patricia Davies.Patricia Davies (formerly Boyd) has written on envelope the contents of this envelope.

This is the second edition of the book. Benjamin Boyd 1796 - 1851) was a Scottish-born Australian pioneer and entrepreneur, and briefly, a politician. He arrived in Hobson's Bay, Port Phillip District, on his schooner, the Wanderer, on 15 June 1842, and reached Port Jackson, Sydney, on 18 July 1842. He was a shipping magnate, merchant, banker, pastoralist and station owner, Member of the Legislative Council, town planner and a whaler Boyd became one of the largest landholders and graziers of the colony of New South Wales; before suffering financial difficulties and becoming bankrupt. Boyd briefly tried his luck on the Californian goldfields before being purportedly murdered on Guadalcanal in the Solomon Islands. Many of his business ventures involved blackbirding, the practice of coercing and kidnapping South Sea Islanders as slave labourers. This book is a useful reference tool.A small thin 48 pp paper covered book titled, "Benjamin Boyd in Australia". The cover is black and white. The price is noted at 1/6.on front cover - handwritten in green pen : "M.J. Gilbert"book-benjamin-boyd-in-australia boyd-benjamin boydtown

This letter to Robin Boyd is written by Proctor Mellquist, Editor of SUNSET Magazine. This letter invites Robin Boyd to be on the 1965 jury for an architectural award called Western Home Awards, jointly sponsored by American Institute of Architects and SUNSET magazine. This entails travelling to California in July 1965.On the reverse side of the letter, Robin Boyd has drafted in pencil a reply letter accepting the invitation.

This letter from the Assistant Editor, Evan Williams, confirms the arrangement that Robin Boyd will write a piece for The Sunday Australian every fortnight, starting with the first edition on 28 February, 1971. It also states that the book 'Experimental Architecture' (Peter Cook, 1970) is being sent to Boyd and they would be glad of his review. Boyd wrote about this book in the article 'Utopians versus the Squares' (See D055).Quarto, letter plus extra page.There is an extra page where Robin Boyd wrote down the address of Associate Editor and the dates and arrangements discussed in the letter.

This letter from A. Fabinyi thanks Robin Boyd for sending the "Design in Australia" scripts, and asks whether he wishes to illustrate and edit them with a view to possible publication.On the reverse some handwritten notes by Robin Boyd in pencil - names and associated tasks.