When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

Three page hand written list titled "M&MTB Rolling Stock Data - 1/10/38 with additions:- bringing data up to 27/4/1940" , listing each class, car numbers, number in service, type, seating capacity - seats, crush, truck, wheelbase, motors, Horsepower, Tare Tons, Controllers, Compressors and Length over bumpers. Author lined foolscap paper in landscape format, carbon copy Extends to SW5 889, includes cable trams. Author unknown, written in CapitalsIndividual captions for each photo.mmtb, tramcars, melbourne, lists

Photo of a worker bringing in a log on a dray with what appear to be narrow steel wheels. Dray is being pulled by eight or ten steers or small bullocks. Heavy bush and tall, straight timber on side of the road. Most likely Sherbrooke Forest. Road bends to left behind team then possibly to the right, going up a small rise. The man could be well-known bullocky Bill Martin. He is dressed in a wellworn hat, a pale shirt with sleeves rolled up, and darker pants, and is carrying a long, slender stick or possibly a whip in his right hand.

Report - consultation document titled - "Bringing history back to life - The Hawthorn Tram Depot", 7 A4 sheets, photocopied, outlining the joint Public Transport Corporation (PTC) and Urban Land Corporation (ULC) study into the future of the Hawthorn Tram Depot. Includes a site plan or location map, consultation proposals, news release from the Minister for Transport - Mr Robin Cooper - dated 12/8/1998 and background document providing details of some of the heritage trams - both the PTC and the TMSV. Two copies held - one stapled. Imaged as a pdf file.trams, tramways, hawthorn depot, heritage, minister for transport, tram depot

A short time later Elaine and Graeme Oliver, a young station owner, prepare to ride from Barmagula homestead down to the horse yards to assist in bringing in the "grasseaters". These are racehorses that have all been paddocked together for some weeks prior to the forthcoming Piney Creek Amateur Picnic Race Club's annual meeting. Paddocking ensures that every horse has the same training period before the private meeting at which members only may race or ride a horse, and attendance is by invitation. Tony Conway as Oliver.The album and images are significant because they document literature written by a prominent member of the Wodonga community. The presentation of this precis was supported by several significant district families and individuals.Ringer's River Album Coloured photo Plate 10des martin, many a mile, ringer's river, northeast victoria stories

Contents: I Starting from Zero 1.Miami Myaamiaataweenki Oowaaha: `Miami Spoken Here' /? Jarrid Baldwin 2.Wampanoag How Did This Happen to my Language? /? Jessie Little Doe Baird pt. II Learning from the Elders 3.Karuk Karuk Language and the Albers Basket /? Elaina (Supahan) Albers 4.Yuchi Family Language without a Language Family /? Renee T. Grounds pt. III Families and Communities Working Together 5.Mohawk Our Kanien'keha Language /? Theodore Peters 6.Maori My Language Story /? Hana O'Regan 7.Hawaiian E Paepae Hou 'Ia Ka Pohaku: Reset the Stones of the Hawaiian House Platform /? Kauanoe Kamana 8.Anishinaabemowin Language, Family, and Community /? Margaret Noori 9.Irish Belfast's Neo-Gaeltacht /? Aodan Mac Poilin pt. IV Variations on a Theme 10.Kypriaka Making Choices, Enriching Life /? Aliosha Bielenberg Pittaka 11.Warlpiri About Dad /? Ezra Hale Contents note continued: pt. V Family Language-Learning Programs 12.Kawaiisu The Kawaiisu Language at Home Program /? Julie Turner 13.Scottish Gaelic Taic/?CNSA and Scottish Gaelic /? Finlay M. Macleoid Conclusion 14.Bringing Your Language into Your Own Home /? Leanne Hinton.B&w illustrations, b&w photographs, word listswarlpiri, language revival, language maintenance, language education

Newspaper clipping from The Courier, ?/4/1973 of five members of the BTPS lifting a rail onto sleepers along the position of the access track. Features from Left (W. A. Doubleday, ? (behind a person), ?, L. Bounds and J. Bounds)date in pencil of "12?/4/73" in top right hand corner of cutting.trams, tramways, btps, track laying, museum establishment

A tribute to the strengths and struggles of many thousands of Aboriginal and Torres Strait Islander people affected by forcible removal. It acknowledges the hardship they endured and the sacrifices they made. Dedicated to those who found the strength to tell their stories to the Inquiry and to the generations of Aboriginal and Torres Strait Islander people separated from their families and communities. Includes stories and recommendations.colour photographs, colour illustrations, b&w photographs, graphschild protection, institutional care, child custody, australian aboriginal history, aboriginal children, social justice, public policy, government policy, link up

Newspaper cutting with a photo of 6 male students standing on a cart of oats being pulled by a draught horse. The caption below the photo reads: "This rustic scene was photographed yesterday within 3 miles of the GPO. It shows students of the Burnley Horticultural School harvesting oats for the school stock. All students graduated in 1944 except L. Woolcock, who graduated in 1945.Helen Dudley has written above the photo: 1944 R. Grant, N. Rooney, J. Flannery, R. Lay, L. Woolcock, B. Ebbs.leslie woolcock, helen dudley, r. grant, n. rooney, j. flannery, r. lay, b. ebbs, students working outside, horses, oats, draught horse

Newspaper photographs.(1) From B99.1077 series. "Hay forking by the weaker sex." (2) "The last of the harvesting." (3) "Haymaking is in full swing." (4) "Dwarfed by a 10 ft. crop, a girl student at Burnley Horticultural School had a tough task reaping these tall stalks of maize."students, female students, burnley horticultural college, students working outside, maize, hay making

A4 50 pp booklet, glossy paper, in colour, photographs and print. report of the National Inquiry into the Separation of Aboriginal and Torres Strait Islander Children from their Families non-fictionA guide to the findings and recommendations of the National Inquiry into the separation of Aboriginal and Torres Strait Islander children from their families.aborigines, children, administration law

A humorous poem written by Legatee Leigh Johns about Legatee Bruce Wilson (President of Melbourne Legacy in 1987). The poem was published in the Legacy Bulletin in 1987. It was collected to be a record of past presidents. There are several humorous poems in the album written by the same author often just initialled LFJ. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.A record of Legatee Bruce Wilson a past president of Legacy. The information was collected to record the lives of prominent legatees in a folder.Photocopied poem about Legatee Bruce Wilson - President 1987past presidents, lf johns, bruce wilson

A recording of songs Castle on a cloud, and Bring him home, performed by Diamond Valley Choral Society. These songs are from the musical Les Miserables, first performed in 1980 and based on the book by Victor Hugo. There is no information regarding date or venue1 audio cassette in clear plastic caseHandwritten on cassette: "Castle on a cloud, and Bring him home"diamond valley choral society, les miserables

The Pipe Bridge was constructed to bring fresh water from Fairfield to Kew. This bridge was destroyed in the 1934 Flood and later reconstructed.Early sepia real photo postcard of the first Pipe Bridge bringing water from the Yan Yean Reservoir to Kew. The site is upriver of the original Macauley's boathouse. Obverse: "River Yarra near Macauleys' Boat House Kew". Reverse: "(Pipe Water Line) / Kew to Fairfield above boat house / Pipe Bridge / Received from L. Bennett 1980".bridges - kew (vic.), bridges - yarra river -- kew (vic.), pipe bridge

47p;i lll. This paper brings together materials on community information needs and services in the City of Camberwell, and suggests a broad framework and strategy for the development of information services.47p;i lll. This paper brings together materials on community information needs and services in the City of Camberwell, and suggests a broad framework and strategy for the development of information services.information services, community groups, city of camberwell

Ill/Dead VC - Patient in a Bed The Viet Cong Will only bring you only illness and death. The choice is up to you. Decide immediately to avoid such illness and death. The National Government has doctors, hospitals, and medicines ready for you when you rally.Psychological Warfare to say that Viet Cong will only bring you illness and death and you will die. Picture of person standing with hands behind their head and also a patient in bed. Reverse - writing.pamphlet, psycological warfare, propaganda, nva/vc, viet cong, national government, terry michael collie, 7th battalion, 1st battalion, the royal australian regiment, 2790361

A history of the City of Whitehorse and its two former cities, City of Box Hill and City of Nunawading. The aim of the new history is not to replace separate histories of each city, previously published but to meld together the area's shared history and to bring the story up to the present.A history of the City of Whitehorse and its two former cities, City of Box Hill and City of Nunawading. city of nunawading, city of box hill, city of whitehorse

Slide. Bendigo Train in Town. Bringing the engine in.slide, bendigo, bendigo train in town., bendigo train in town.

Newspaper clipping from The Mail - 16th DEcember, 1987 by Ruth JonesTitle - Students bring a variety of hobbies to school

Black and white photograph of a small motor boat towing a fishing boat containing four men hauling a fishnet full of fish in the entrance channel, Lakes Entrance, Victoria.Bringing full fishnets into fishpens (on reverse of original)fishing industry, boats and boating, fish, waterways

Our Collection includes several photographs signed BONSEMA WODONGA or sometimes simply TBW. Thomas Peter John Bonsema was born in Wodonga in 1876 to Peter John Bonsema and Mary Ann nee Nash. His name first appears on the Electoral Roll for Wodonga in 1909 and on the Electoral Roll in 1912 he is listed as a photographer. His photographs capture many scenes and events around Wodonga and surrounding areas. Thomas Bonsema married Minna Louisa Jones in 1912. By 1914 he had moved to Chiltern, Victoria where he established Bonsema’s Photographic Studio. From this time onward many of his works bore the signature “BONSEMA CHILTERN”. As well as continuing to photograph landscapes and important buildings, Mr Bonsema was often the official photographer at school and community celebrations. He also sold many framed photographs and postcards from his premises at 68 -70 Conness Street, Chiltern. By 1943 Thomas John Bonsema had relocated to New South Wales and died in Beecroft, NSW on 14th July 1944. Some of his photographs are held in the Victorian State Library and Mitchell Library Sydney Collections.This image is significant because it is the work of a recognised photographer Thomas Bonsema who was born in Wodonga in 1876.A black and white image of three wagons heavily laden with bales of wool being pulled by teams of bullocks.At bottom of the image:- Bringing in the wool Bonsema Wodongabonsema photography, upper murray region, carting wool, thomas peter john bonsema

Photograph of wheels of the buggy that brought the McIlwraith family to Phillip IslandPhotograph of the wheels of buggy used to bring McIlwraith family to Phillip Island"James McIlwraith - wheel of buggy that brought the family to Phillip Island"james mcilwraith, phillip island, buggy wheels

Booklet reporting on a Regional Arts programme to bring about change through Storymaking and The Arts.b&w illustrationsperforming arts, theatre, storymaking, social capital, culture and identity, community engagement, reigniting community project, brotherhood of st laurence