A brown hard covered book with a white dust jacket featuring the Broadmeadows Hotel on the front and Pascoe Vale Road looking southeast from Hutchinson's flour mills on the back.non-fictionA history of Broadmeadows and surrounding suburbs from European settlement to 1982broadmeadows, history

West Melbourne : City of Broadmeadows in conjunction with Hargreen, 1982 xiv, 257 p. : ill., facsims., maps, ports. ; 25 cm. non-fictionbroadmeadows (vic.) -- history., broadmeadows (vic.). council

A brief history of the Broadmeadows district published by Broadmeadows Historical Society. Contains articles and photographs of early Broadmeadows.An example of publications by other Historical SocietiesCover copied on bright pink paper, 10 black and white pages. 2006 hadwritten on original and copied to subsequent issues.broadmeadows historical society, broadmeadows history, museums

This invitation reflects formal civic culture and municipal ceremonial practices in Broadmeadows during the early 1960s. It documents the tenure of Councillor R. W. Wallace as Mayor and highlights the use of Essendon Town Hall for regional civic events prior to Broadmeadows having its own large formal venues.The invitation is a representative example of mid 20th century municipal ceremonial practices in Broadmeadows, illustrating formal civic hospitality, design conventions, and local governance history.A cream coloured printed invitation card with rounded corners. Black printed script and serif text with City of Broadmeadows crest at top centre. Recto printed; verso blank except for adhered reference label.Recto, printed text: “CITY OF BROADMEADOWS”/“The Mayor and Mayoress of Broadmeadows/(Cr. and Mrs R. W. Wallace)/request the pleasure of the company of/……………/at a Mayoral Ball/in the Essendon Town Hall/on Tuesday 4th June, 1963 at 8.30 p.m./THE FAVOR OF A REPLY ADDRESSED TO THE TOWN CLERK, BROADMEADOWS, IS DESIRED/NOT LATER THAN FRIDAY, 27TH MAY, 1963/ON RECEIPT OF ACCEPTANCE ENTREE CARDS WILL BE FORWARDED.” Verso, adhered label: “WI 4343” local government, civic ceremonies, social events, broadmeadows history, mayoral office, 1960s australia, essendon town hall, city of broadmeadows

Printed annual report comprising paper text pages with colour printed paper cover. The front cover depicts a municipal street-sweeping vehicle and a municipal works employee standing with a long-handled broom. The title "CITY OF BROADMEADOWS" appears at the top of the cover, with the municipal logo and slogan "Building a better future". The publication bears evidence of former ownership by Moreland City Libraries, including labels and classification markings. Softcover publication; paper and paperboard construction.non-fictionOfficial annual report of the City of Broadmeadows for 1994. Includes reports on council operations, administration, finance, infrastructure, community services, planning activities and municipal achievements. The publication serves as a primary source documenting local government functions and community development within Broadmeadows during 1994.city of broadmeadows, local government, municipal administration, annual reports, community services, infrastructure, urban development, council governance, broadmeadows history, hume region.

This image from 1998 captures a moment in the social history of Broadmeadows, showcasing public housing in the area. It offers a glimpse into the living conditions and community environment of the time, reflecting the broader social and economic context that shaped the suburb during the late 1990s.This photograph of a woman at the front door of public housing in Broadmeadows, taken in 1998, holds significant historical value. It captures a moment in the social history of the area, illustrating the living conditions and community environment of the time. The image provides insight into the socio-economic context of the late 1990s, highlighting the importance of public housing in supporting residents and fostering a sense of belonging and stability within the neighbourhood.Black and white photograph on glossy photograph paper.Lady at Front Door Public Housing/Broadmeadows 1998broadmeadows, social housing, accessible, 1998, lady at front door public housing/broadmeadows 1998

28 pages including covers; colour printed publication with card cover and stapled binding. Front cover features the title City of Broadmeadows Annual Report 1993, municipal logo and slogan "Building a Better Future", and a series of colour photographs depicting community facilities, recreation spaces, commercial development and civic infrastructure.non-fictionThe annual report presents an overview of municipal operations and achievements for 1993. Content typically includes reports from the Mayor and Chief Executive Officer, financial statements, departmental reports, community services, engineering and works programs, planning activities, recreation services, economic development initiatives, staffing information and statistical data relating to municipal governance and service delivery.city of broadmeadows, local government, municipal administration, annual reports, civic governance, community services, urban development, municipal finance, recreation facilities, infrastructure, broadmeadows, hume region, victoria, local history, municipal reform.

71st Infantry Band based at the Broadmeadows Camp 1917. Percy Code write a piece of music called the 71st Infantry Quick March. (http://trove.nla.gov.au/work/31795246?selectedversion=NBD11485892) The Ballarat phase of the battalion's history was formed as the Ballarat Volunteer Rifle Regiment on 9 August 1858 as a result of the Crimean War, coupled with the withdrawal of the British Army in 1857. In the years between its formation and the outbreak of War in 1914, the battalion went through a series of name changes as follows: Victorian Colonial Defence Force: 1858 – Ballarat Volunteer Rifle Regiment 1860 – Ballarat Volunteer Rifle Rangers 1863 – Ballarat Volunteer Rangers 1884 – 3rd Battalion, Victorian Rifles 1892 – 1st Battalion, 3rd Victorian Regiment 1898 – 3rd Battalion, Victorian Infantry Brigade Under the new Federal Government: 1901 – 3rd Battalion, Infantry Brigade Australian Army: 1903 – 7th Australian Infantry Regiment 1908 – 1st Battalion, 7th Australian Infantry Regiment 1912 – 70th Infantry (Ballarat East, Geelong and Queenscliff) 1912 – 71st Infantry (Ballarat West, Warrnambool) 1914 – 70th Infantry (Ballarat Regiment) - in Ballarat East 1914 – 71st (City of Ballarat) Infantry – in Ballarat West.1 Large group photo of members of the band .2 Photograph of part of the band The soldier in the front holding the conductor's batton is Percy Code. The trombone player next to Percy Code is Jack Shackles. 71st Infantry Band (Percy Code Bandmaster) Broadmeadows Camp 191771st infantry band, broadmeadows camp, percy code, code, frank wright, brass band, percy shackles, shackles

Navy blue cloth cover with embossed golden lettering on the spine, and mustard dust jacket illustrated by original painting by Commander DGM Gardner. xvi, 176 p. : 16 plates, illus., maps, ports. ; 22 cm. Includes index.non-fictionFrom dust jacket: This is the unique story of the sailing ships owned by Sir William Garthwaite between 1915 and 1929, which formed in fact the last sailing merchant fleet to trade under the British flag. Captain A.G. Course, a Cape Horner himself, tells the story of this fleet whose vessels sailed so often past the awesome tip of South America, with a wealth of detail, happily marrying factual information and anecdote to produce a valuable historical record. Here are some of the last great characters of the age of sail, both men and ships, brought to life. The author's own close contact with the vessels and their crews allows him to capture the atmosphere most realistically. The Garthwaite ships, for all the effort put into their operation, were fighting a last-ditch stand against the inevitable supremacy of steam. It is with a certain nostalgia that the author records the passing of a fine fleet and documents an important chapter in maritime history. windjammers, captains, martin frampton, catherine aviss (nee frampton), herbert aviss, elisabeth frampton, inverneill, garthneil, wray castle, garthwray, alfred george course, invercauld, invermay, carnmoney, garthforce, garthsnaid, garthgarry, garthpool, juteopolis, captain roberts, crew, cape horn, cape leeuwin, captain thomas atkinson, spanish flu, wwi

This short history is in a display of photos and a copy of a letter written home by Sgt Carroll to his Aunt.A brief written life history from birth to death of William Carroll service Number 815. As written by a member of Red Cliffs R.S.L. in consultation with the family.Born in Wangaratta in 1891, was a drover and boundary rider in Queensland when enlisted.Sgt. Carroll was one of the original members of the 21st Battalion, 6th Brigade, 1st AIF, which was formed at Broadmeadows early 1915. The battalion embarked from Melbourne on the Uylsses on the 8th May 1915 enroute to the Middle East. Saw action Middle East> Gallipoli>Middle East to reform and reorganise > Western Front> Somme> Bullecourt> Ypres> Somme> Mont St. Quentin> Villiers Bretonneux> Hamel Mutiny./ Sgt. Carroll was twice wounded in action (at Fluers and Broondseinde)and was recommended for the Distinguished Conduct Medal, with a Sgt Cozens (No 825 also original member, on the 15th September 1916, for exceptional zeal in the performance of their duties and coolness in action, which had a great affect on the moral of their mem. He was discharged medically unfit with gun wounds to his left knee and back. Of the full Battalion strength of the original Officers and men, there were 16 Officers and 24 Or's left. 21st Battalion left buried on foreign soil 47 Officers and 827 Or's. It was the highest decorated Battalion of the 6th Brigade. Listed are some of the Battles and Misfortunes that Sgt. Carrol survived to return to Australia. Torpedoed on the troop ship Southland enroute to Gallipoli 1915;/ First Australian troops to Garrison Cairo; First Australian Infantry Unit into line in France; Last out of the line; Staging a successful mutiny; 21st Battalion was disbanded in 1918. Sgt. Carroll was given block 276 Red Cliffs, he sold his block in 1982. He was interested in Community affairs and was involved in ADFA, RSL, Mildura Club, and Mildura Show Society and was the third last Red Cliffs Soldier Settler to die. He was in his 100th year.medal, distinguished, battalion, aif, 21st, 6th, brigade, 1st, mutiny, gallipoli, wangaratta, 1891, boundary, rider, ulysses, middle, east, western, front, conduct

Samuel Lynn (1865-1949) was a farmer and grazier at Jarrahmond. He bred Clydesdales. The 13th Light Horse Regiment was formed at Broadmeadows in Victoria in March 1915; it was the third light horse regiment to have been raised in that state. Its regimental number quickly led to it becoming known as the "Devil's Own" regiment. It left Australia on 28 May and disembarked in Egypt on 29 June 1915. Horses have always been an important part of Orbost's history.A laminated set of photographs on cardboard. it is an arrangement of black / white photocopies posibly for a magazine or display. The photos are of local horses, local people and include Mr S. Lynn, A. Mosely and Orbost No 2 troop 13th Light Horse.photographs-horses lynn-samuel mosely 13th-light-horse

These signs were used on vehicles. Note that .2) has a key hole in it..1) Steel TAC sign: Side A - Blue, yellow & red bands. No. 10 painted overall. Side B - Drab olive colour, black No 10 painted overall. .2) Steel TAC sign: Side A - Plain blue, with No. 6 over 296 painted in white. Side B - No. 6 296 painted in white. .3) Steel TAC sign: Side A - Drab olive with No. 1 over MSU, painted in black. Side B - Not painted..1) On olive side: “H U Coy 1 Boe Test. ASM S/Sgt L R Magnussen” .2) Side A: “DSU Broadmeadows L/CP Nisbet”military history-army, vehicles

William HOLMES served 6 months in the Junior Cadets prior to WW1(National Archives records) As No 6826 he enlisted in the AIF in 20th reinforcements 22nd Batt on 28.7.1917 age 18 years 10 months. Embarked 21.11.1917 and arrived Suez 15.12.1917, embark for England 9.1.1918, allotted letter A on Regt No due to duplication (6826A), hospital 16.4.1918 (unclear), rejoin unit 25.4.1918, embark for France 29.4.1918, WIA 17.7.1918 Gassed, move to overseas Training Brigade 2.11.1918, embark for Australia 8.1.1919, discharged medically unfit 14.3.1919. He again enlisted in the Volunteer Defence Corp on 28.3.1942 as No V352711, promoted to Lieutenant 10.12.1942, discharged from the Corp on 31.10.1945. Items are part of a collection. .1) Small oval portrait in dark grey mount. .2) Group photo of WWI uniformed soldiers. WILLIAM HOLMES marked with blue ink above his head - middle row RHS..1) Handwritten: “W HOLMES, Dad when a boy” .2) Handwritten: “Dad when away” Stamped in blue ink: - Kitchener Studio Broadmeadows Camp - Ainar Studio Auburnphotography-photographs, military history - army

Situated in King Street, Eltham, Alistair Knox built his home and office in 1962-1963 with mud-bricks made from the local soil and recycled materials blending the house with bush around it. Knox popularised the Eltham earth building movement, begun by Montsalvat founder, Justus Jorgensen. Alistair Knox (1912-1986) was also an Eltham Shire Councillor 1971-1975 and Shire President in 1975. Knox established the inaugural Eltham Community Festival in 1975. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p145 Lack of money was a strong incentive for Alistair Knox to do what he did best when he built his house and office at King Street, Eltham in 1962-63. He used mud-bricks from local soil and recycled materials, characteristically blending the house with the bush around it. The result was a work of art. Knox popularised the Eltham earth building movement,1 begun by Montsalvat founder Justus Jörgensen. He was also an Eltham Shire Councillor from 1971 to 1975 and Shire President in 1975. For Knox mud-brick building was not just a building style, but a spiritual experience and a way of relating with nature. At 40 he rediscovered God and his building reflected his theological, political, philosophical and particularly environmental world view, which was far ahead of its time.2 He also contributed to building development in his use of concrete slab foundations when stumps and bearers were the norm. Knox was introduced to mud-brick construction in 1940 by Jörgensen, then shortly after, Knox joined the Navy. In 1946 Knox studied Building Practice and Theory at Melbourne Technical College (now RMIT University). There he befriended fellow student and artist Matcham Skipper who belonged to what was then called the Jörgensen Artists’ Colony. Knox decided to build an earth building in Eltham, partly because the post-war huge building demands resulted in expensive and scarce building materials. He asked artist Sonia Skipper for help who, with Matcham, had constructed mud-brick buildings at the Artists’ Colony. The simple rectangular low-lying house at King Street is framed by native plants and a 3.6 metres wide pergola surrounds the building. Wedded to the landscape, a door in every room at the perimeter, opens outside. The property also includes a forge, a small hut built by son Macgregor at 15, and a mud-brick tower for chickens. Building materials were foraged from a wide variety of sources. Some of the joinery material came from old whisky vats. When the Oregon of the highest quality ‘was put through the wood-working machines, it gave off a deep smell of whisky that made the whole atmosphere exotic and heady’.3 Amateur builders, including schoolboys from Knox’s Presbyterian Church, made some of the mud-bricks. But the building was finished with the professional help of Yorkshire builder, Eric Hirst. Inside, the light is subdued with the mud-brick, beamed timber ceilings and floors of slate, timber or orange-brown tiles. Skylights, with rich blue and red leadlighting, illuminate one entrance area and this feature is repeated as edging on the door. The centre of the house is like a covered courtyard, with rooms built around it. The central room, 11 metres x 7 metres, was built in the same proportions as Knox’s mud-bricks. Clerestory windows on four sides infuse the room with a soft light. A huge brick fireplace extends beyond one corner and opposite is a small one where timber can only be placed vertically. The slate for the floor was discarded from the Malthouse Brewery now used as a theatre in Southbank. In the middle is a large refectory table and benches that seat 18. Like much of the house, it is rugged, yet beautiful. Made of Western Australian Jarrah by Macgregor with a chain saw and an adze, it retains knot and nail holes. Each wall has an opening, 2.4 metres at the ends and 3.6 metres at the sides. Only one has doors and these concertina doors are made of the backs of old church pews. The main bedroom has an ensuite with a marble hand basin discarded from the Victorian Parliament building; and a dressing room, where two wardrobes of polished timber recovered from a tip are attached to the walls. Separate from the house is the strikingly original circular-shaped office made of bluestone sourced from the original Army campsite at Broadmeadows.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair and margot knox house, alistair knox design, mudbrick construction, eltham, king street

A tribute to Martin D Donoghue's Bravery Author Brenda Ryan Light brown colour soft cover . photo of " B" Squadron 8th LHR riding along Camp Road Broadmeadows for a parade through Melbourne 02 20.1.1915 Photo across both back and front coverFirst page signature of " Brian P O'Donoghue" written in inkbooks, military history

Roy Willan (born Mansfield, enlisted Broadmeadows) enlisted No 532 enlisted on 25.1.15 aged 24 years in A Sqd 8th L.H.Regt AIF. Embarked for Eygpt. Embarked for Gallipoli 16.5.15. Hospital 21.6.15 with Influenza followed by Diarrehoea. Returned to duty 8.7.15. WIA 9.8.15 GSW to the Abdomen. DOW's at sea on 12.8.15. Buried at sea same day between Mudros Island and Alexandria. Medal set, court mounted, set of (3) re R Willan. 1. 1914-15 Star, replica, not engraved, 2. War Medal 1914-18 3. Victory Medal 1914 - 19 replica, not engraved."Pte R. Willan 532 8 L.H.R AIF"medals, military, history

Charles Jury No 273, A Coy 29th Batt AIF. Refer Cat No 2082 medals for his service history. Photo, sepia tone, soldier in uniform, Charles Jury standing with British flag at rear. Set on brownish background with details re studio. Frame is dark brown wood. "The Kitchener Studios Broadmeadows"photographs, military, army ww1

Tpr Bartlett was the first casualty of the 4th Light Horse Regiment at Gallipoli. Tpr Bartlett enlisted on 18 August 1914 at Broadmeadows Vic and was posted to A Squadron 4th Australian Light Horse Regiment. He embarked for Egypt on HMAT Wiltshire on 19 Oct 1914 then going ashore on Gallipoli on 21 May 1915. At 8:00 pm Trooper Bartlett was struck in the stomach by either shrapnel or gunfire. His wounds were dressed and he was evacuated. He died of wounds and was buried at sea on 24 May 1915. The 4th Australian Light Horse Regiment is an ancestor unit of the modern day 4th/19th Prince of Wales's Light Horse Regiment. The Unit History Room is the custodian of its history. This memento of the first casualty of the 4th Light Horse Regiment at Gallipoli is both significant and poignantFramed portrait photo of No 72 Tpr Norman James Bartlett, 4th Australian Light Horse Regiment. In glass fronted wooden frame No 72 Trooper Norman James Bartlett, 4th Australian Light Horse Regiment Donated by Frankston RSL Sub-Branch 2016framed portrait photo of no 72 tpr norman james bartlett, 4th australian light horse regiment. in glass fronted wooden frame

Index, ill, p.491.non-fictionThis story weaves through the paddy fields and the suburbs, from Vung Tau and Long Tan, to Bankstown and Broadmeadows, and tells of the long hard road Australia took that us travel from innocence to bitterness, and from despair to redemption.vietnam - history 1945-1975, vietnam conflict - australian involvement

Typed Report Land on the western side of McIntyre Rd Allotments L and M Section 9|Typed Report Land on the western side of McIntyre Rd Allotments E Section 10|Photocopy of Certificate of Title David Newll of Cowper Street Footscray|Photocopy of Certificate of Title Patrick Joseph Prendergast of Bourke Street Melbourne|Photocopy of Certificate of Title Charles Brown Fisher of Maribyrnong|Photocopy of Certificate of Title The Maribyrnong Estate Company Limited|Photocopy of Certificate of Title The Maribyrnong Estate Company Limited|Photocopy of Certificate of Title Annie St Clair Jenkins of 24 Cole Street Elwood|Typed Report Sunshine North Allotment B Section 22 Parish of Cut Paw Paw|Map Allotments 1 2 and 3 of D Sections 9 and 10 Parish of Maribyrnong|Map Part of Parish of Maribyrnong Map 1957 including pre 1957 details Drawn and reprinted at the Department of Lands and Survey|Enlarged detail of map dated 1865 Section 22 Parish of Cut Paw Paw McIntyre Road and Ayton Street to Somers Street|Enlarged detail of Map photographed at the Department of Lands and Survey by WJ Butson Map 2 versions 1916 to 1952 including pre 1916 details|Original Crown Grant Closer Settlement Allotment to Colin Munro18 August 1924|Sunshine North aerial photograpth McIntyre Rd Sandford Ave Dunkeld Ave Clayton St Cranbourne Ave Barwon Ave Camperdown Ave Boisdale Ave Melton Ave Albion to Broadmeadows Railway Line Stony Creey|Flyer LUMA Community Update Newletter October 2023 Former MMBW Site St Albans Rd|Aerial photographs Part of North Sunshine February 1956sunshine north

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. The decoration on this garment was embroidered by hand by a skilled worker at the Kathryn Knitwear factory. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Wool has been renowned for its excellent properties for thousands of years, by people from all over the world. Not only good for thick winter woollens, it can help keep you cool in summer, as well as being durable and resistant to water, fire, ultraviolet light, stains and odour. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Red cardigan embroidered with decorative tuck stitches and floral motifs on front panel, crochet around collar in blue, white and green. Closes at centre front with 5 plastic buttons[Label at back neck with blue lettering woven into label] KATHRYN REGD ALL WOOL / 20 /CREATED BY ROBERT BLAKEchildren's knitwear, knitwear, children's clothing, clothing, cardigan, manufacturing, fashion textile production, machine knitting, embroidery, hand embroidery, floral embroidery, floral motif, tuck stitch