Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the bedroom of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This photo was later colourised for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson.advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the dining room of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This photo was later colourised for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson.advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the bedroom of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This image was a later colourised version for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson."Laminex Bird's Eye Maple used for laminating a bedroom suite"advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Hugh G Ferguson (1900–75) worked in Advertising as an account manager, and was campaign director for Arthur Rylah is Victorian politics. He organised the first major trade fairs at the Royal Exhibition Buildings after the Second World War, including a World Trade Fair. He built a home in Brougham Street and represented North Ward on Kew Council from 1952 to 1968. He was elected Mayor for the 1959-60 term.Advertising promotional photoshoot in the dining room of the so-called 'Laminex House', in Brougham Street, Kew. The room was fitted out with laminex furniture to promote the brand and its products. This image was a later colourised version for an advertising campaign. The room was in the home of Cr and Mrs Hugh G Ferguson.advertising -- laminex products, laminex, hugh g ferguson, houses -- brougham street (kew)

Colour photograph of Brougham Street factory areabrougham street, eltham, susan street

Negatives supplied by Marjorie North 1 July 1986 for Montmorency France albumRoll of 35mm colour negative film, 4 of 6 stripsKodak CP 100 5094brougham street, eltham, floods

Demolished post Feb 2014The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

The Margaret Ball (Pre 1960s Houses) Collection was a personal project initiated to mark the year 2000 and arose as a result of the disappearance of many pre-1960s parts of Eltham due to development. Approximately 200 pre-1960s style houses that were left in Eltham between Main Road and east to Bible Street, between Cecil Street to the north and south to Dalton Street were photographed in late 1999. Not all of the houses could be photographed; some because the garden or trees blocked the view of the house, others because of rubbish or cars were in the way, some because people were working on the house or in the gardens at the time.Roll of 35mm colour negative film, 6 stripsAgfa HDC 200 plus-2eltham, houses, streets, margaret ball (pre 1960s houses) collection, brougham street

Colour photograph of Brougham Street between Susan Street and Bolton Streetbrougham street, eltham

Colour photograph from 32 Brougham Street, prior to surfacing of the road in the early 1980seltham, brougham street

Lot 5 L.P. 9499 at eastern most end of Brougham Street Property has since been subdivided and this access end is now 146 Brougham Street Photo taken by Russell Yeoman, Planning Department, Shire of Eltham Polaroid photographPolaroid Manufacturer Code K603831 #6brougham steet, houses, rockcliffe street, eltham

Lot 5 L.P. 9499 at eastern most end of Brougham Street Property has since been subdivided and this access end is now 146 Brougham Street Photo taken by Russell Yeoman, Planning Department, Shire of Eltham 35mm colour positive transparency blue Agfacolour Service plastic mountSlide is marked 19 July 1967 but identical to Polaroid taken by Russell Yeoman at 3:30pm on 5 July 1967 Slide also inscribed E-B and Gp PSCbrougham steet, houses, rockcliffe street, eltham

Sepia photograph looking east along Brougham Street from near Bolton Street, Eltham.southern wood, brougham street, bolton street, eltham

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 60 Brougham Street, Kew by Margaret Picken.60 BROUGHAM ST., KEW / MARGARET PICKEN '93 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 60 brougham street -- kew (vic.)

Oil on canvas board. Landscape painting of Eltham with Brougham Street bridge in the foreground. People walking down the road and cars in the backgroundLower left, red paint 'HILARY JACKMAN 80'landscape, painting, eltham, bush, bridge, brougham street, jackman

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single-fronted weatherboard bungalow. The pen and ink drawing on drafting film of 95 Brougham Street was made by Margaret Picken in 1993.95 BROUGHAM ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 95 brougham street -- kew (vic.)

Colour photograph of a poor quality photograph (in album) of Brougham Street, Eltham looking east from near Susan Street, early 1900seltham, brougham street, wellington street, susan street

Lot 6 L.P. 9499 at eastern most end of Brougham Street Property has since been subdivided and this access end is now 146 Brougham Street Photo taken by Russell Yeoman, Planning Department, Shire of Eltham In the 1954 Electoral Roll Ella Dunkel was listed as living in Diamond Street, Home Duties. In the 1963/1967/1968/1972/1977 electoral rolls she was listed at 19 Rockcliffe Road, Home Duties. Probate was granted 18 July 1979 (Wills and Probate Records. VPRS 28 (Probates) and VPRS 7591 (Wills). Public Record Office Victoria, North Melbourne, Victoria.)Polaroid photographPolaroid Manufacturer Code K603831 #7brougham steet, houses, rockcliffe street, eltham, ella dunkel

Lot 6 L.P. 9499 at eastern most end of Brougham Street Property has since been subdivided and this access end is now 146 Brougham Street Photo taken by Russell Yeoman, Planning Department, Shire of Eltham In the 1954 Electoral Roll Ella Dunkel was listed as living in Diamond Street, Home Duties. In the 1963/1967/1968/1972/1977 electoral rolls she was listed at 19 Rockcliffe Road, Home Duties. Probate was granted 18 July 1979 (Wills and Probate Records. VPRS 28 (Probates) and VPRS 7591 (Wills). Public Record Office Victoria, North Melbourne, Victoria.) 35mm colour positive transparency blue Agfacolour Service plastic mountSlide is marked 19 July 1967 but identical to Polaroid taken by Russell Yeoman at 3:30pm on 5 July 1967 Slide also inscribed E-B and Gp PSCbrougham steet, houses, rockcliffe street, eltham, ella dunkel

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020A late Victorian block-fronted weatherboard house. The pen and ink architectural drawing on drafting film of 125 Brougham Street was made by Margaret Picken in 2001.125 BROUGHAM ST., KEW / MARGARET PICKEN (c) 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 125 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Modern (1960s?) block of units, named 'Panoramic View'. The pen and ink drawing on drafting film of 1/178 Brougham Street was made by Margaret Picken in 1993.1/178 BROUGHAM ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/178 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020A modern single-storey brick house, subsequently colour rendered. The pen and ink drawing on drafting film of 213 Brougham Street was made by Margaret Picken in 1995.213 BROUGHAM ST., KEW / MARGARET PICKEN '95/ WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 213 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Property illustration of a block-fronted Victorian villa. Extant building 08/2020. The pen and ink architectural drawing on drafting film of 71 Brougham Street was made by Margaret Picken in 1989.71 BROUGHAM ST., KEW / MARGARET PICKEN '89 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 71 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020A 1920s weatherboard bungalow, now featuring a subsequent second floor addition. The pen and ink drawing on drafting film of 191 Brougham Street was made by Margaret Picken in 1997, and predates this addition.191 BROUGHAM ST., KEW / MARGARET PICKEN '97 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 191 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single fronted Edwardian weatherboard house, with a later first floor extension. The pen and ink drawing on drafting film of 180 Brougham Street by Margaret Picken dates from 1990 and predates the extension.180 BROUGHAM ST., KEW / MARGARET PICKEN '90 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 180 brougham street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020An inter-War double-fronted brick villa, subsequently colour rendered circa 2000. The pen and ink architectural drawing on drafting film of 190 Brougham Street was made by Margaret Picken in 1992.190 BROUGHAM ST., KEW / MARGARET PICKEN '92 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 190 brougham street -- kew (vic.)