See NA359Glazed border tile - fawn background with pattern of orange, green, brown and blue.(on back) '9' '676' '36' (handwritten) 'Jang 71/Blue H825/Fawn M389/Green A627/Brown A430'ceramics, earthenware

The author of this book, and many other similar books, was Sir John F. W. Herschel (John Frederick William), 1792-1871. He was a famous mathematician, astronomer, chemist and botanist. In 1838 he was created a baronet, of Slough in the County of Buckingham. The results of his research and discoveries are in use today. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. Thomas Longman founded his publishing firm in 1724 in London by the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including Longman Brown Green Longman and Roberts, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is significant for its association with the author, Sir John F W Herschel, and his discoveries and inventions, some of which are still used today.. The book is important for its connection with the London publisher Longmans, Green, Brown, Longmans and Roberts. The firm has been established for over two centuries and is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Essays from the Edinburgh and Quarterly Reviews: with addresses and other pieces Author: Sir John F W Herschel Publisher: Longman, Brown, Green, Longmans and Roberts Date: 1857 Black cloth hardcover book with embossed gold text on the spine. Inscriptions are on labels, stickers, stamps and handwriting. The book is part of the Pattison Collections.The label on spine: "PAT 824 HER" Sticker on pastedown front endpaper: "Warrnambool Public Library" Sticker on front loose endpaper: "Corangamite Regional Library Service" Stamp on front loose endpaper: Corangamite Regional Library Service" Stamps, two, on fly: "Warrnambool Mechanics Institute" Handwriting on fly: "155 (crossed out)" "165" "P/W" 4608" "824" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, essays from the edinburgh and quarterly reviews, sir john f w herschel, longman brown green longmans and roberts, 1857, mid-19th century, mathematician, botanist, astronomer, chemist

Samuel Maunder (1785–1849) was an English writer and composer of many works. this new edition was printed after his death. The work consists of notices of the Lives of Eminent Persons of all ages and nations from the earliest period to the present times. The book is part of Flagstaff Hill's ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The publisher firm, Longmans, Green & Co, was originally founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.The Biographical Treasury: A Dictionary of Universal Biography Author: Samuel Maunder Publisher: Longman, Brown, Green & Longmans Date: 1851(a new edition) Blue fabric hardcover book with inscriptions on cover, stickers and a stamp.Painted on Spine "920 MAU" Pastedown front endpaper has sticker from Warrnambool Public Library Front loose endpaper has a sticker from Corangamite Regional Library Service Stamp: "WARRNAMBOOL MECHANICS' INSTITUTE"warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the biographical treasury, samuel maunder, longman brown green and longmans

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Premier Pottery in Preston was opened in 1929 by friends David Dee and Reg Hawkins. They who both had extensive experience in pottery before beginning their small business, set up at 52 Oakover Road in Preston. This location was ideal as a large clay pit was located virtually next to the pottery. Pottery produced at Premier Pottery Preston is better known as the Remued range. The main characteristic of these pieces are the drip glaze style. Before Premier Pottery produced the Remued range they branded their pieces as PPP or Pamela. The pottery remained operational throughout World War II as the government had contracted the business to produce acid stoneware jars and white army crockery. Making any decorative pieces was forbidden at the time. In 1946, Premier Pottery was back to the level of production it was at before the war, but strong competition arose from low-cost Japanese imported goods, hindering the success of the business. This trend continued, ultimately forcing the business to close its doors for good in 1956. Premier Pottery Preston is considered a high point in the history of Australian decorative pottery, and pieces are sought and displayed by leading museums such as the National Gallery of Victoria. There was an exhibition of this pottery held at Bundoora Homestead in 2005.

Dr. Gwen Wilson, Emeritus historian, gifted this book at ANZCA's first independent Annual Scientific Meeting held in Launceston in 1994. Dr Wilson presented this gift after her speech about the life of William Russ Pugh and his significant contribution to anaesthesia in Australia. It is unclear as to how the book came into Dr Wilson's possession. Published in London, 1845, for Longman, Brown, Green and Longmans, this book was formally owned by general practitioner Dr William Russ Pugh, being the first medical practitioner in Australia to administer ether anaesthetic on 7 June 1847, in Launceston. The author of the book, P E De Strzelecki acknowledges Pugh for his assistance during his stay in Launceston and for allowing him the use of his laboratory for the analysis of the soils and minerals that were subsequently reported in this book (Page 131). Tan coloured cloth book with an embossed circular motif on the centre of the front and back cover. The same embossed motif is repeated four times along the spine of the book. An embossed design of small, four petal flowers borders the edge of the front and back cover. The title of the book 'Strzelecki's New South Wales and Van Diemen's Land' is printed in gold on the spine. The cloth has come unstuck at various places around the spine and a small section is missing from the base of the spine. The cover is worn and has numerous dark stains possibly from mould. The book contains 19 engraved and lithographed plates. This includes a handcoloured octavo folding, geological map, bound as a frontispiece, depicting the NSW coast down to Gippsland and Tasmania, a fold out single colour geological cross section of the Newcastle Coal Basin, 14 plates illustrating shellfish and flora and three tinted lithographs. Single page maps at the back illustrate wind patterns around Australia. [front title page, two black ink stamps that have bled through to the next page] W R.PUGH [front title page, black ink, cursive writing] H Grant \ 5 May 1910 [front title page, pencil, cursive writing, written around Pugh's stamp] Purchased from \ (unrecognizable script) [front title page, previous owner's name was rubbed out and consequently tore the page making the entry unreadable] [Inner back cover, bottom LHS, blue stamp] BOUND BY \ WESTLEYS & \ CLARK \ LONDON [Inner front cover, bottom LHS, black and purple ink] P65 \ 76 \ 78 \ 98 \ 163 \ 164 \ 217strzelecki, van diemen's land, wilson, gwen, pugh, william, launceston, green and longmans

Charcoal green soft covered book of 64 pages. Contents include Ballarat, berry Consols, Canadian Lead, Castlemaine-Daylesford System, Chiltern, Duke of Cornwall Mine, Dyke's Freehold, Frenchman's Lead, Garibaldi Shaft, Glenfine, Guidlford, Hepburn Estate Co., Hepburn Home Paddock, Italian Gully, Henderson's Lead, Langi Logan, Leigh Consols, Sebastopol Plateau; Talbot, Woady Yalloak, A definition of a deep lead, formation of deep leads, water in deep leads, methods of deep lead mining (Tunnelling, Deep sinking, Chiltern method of working, Ballarat method of working), sampling washdirt and gravels, Balmoral, Mt William, Stawell, Moyston, Great Western, Ararat, Raglan, Wimmera Valley, Landsborough, Cardigan, Haddon, Beaufort, Waterloo, Avoca, Lamplough, Caralulup, Ballarat West, Ballarat, Smythesdale, Glenfine, Illabarook, Durham Lead, Morrison's Lead, Bullengarook, Berry-Moolort-Loddon System, Clunes, Creswick, Spring Hill, Bullarook, Castlemaine - Daylesford, Majorca, Carisbrook, Timor, Burnt Creek Tributary, Tarnagulla, Marong, Rheola, Inglewood, Huntly, Coliban, Campaspe, Goulburn Lead System, Ovens Valley System, Mitta Mitts, Kiewa Valley, Tarago, Tanjil, Moondarra, Bogong, Dargo High Plains, glossarymining, deep leads, mines department, squire, leigh consols, chiltern, duke of cornwall mine, dyke's freehold, frenchman's lead, garibaldi shaft, glenfine, guidlford, hepburn estate co., hepburn home paddock, italian gully, henderson's lead, langi logan, sebastopol plateau, talbot, woady yalloak, tunnelling, deep sinking, chiltern method of working, ballarat method of working, sampling washdirt. gravels, balmoral, mt william, stawell, moyston, great western, ararat, raglan, wimmera valley, landsborough, cardigan, haddon, beaufort, waterloo, avoca, lamplough, caralulup, ballarat west, ballarat, smythesdale, illabarook, durham lead, morrison's lead, bullengarook, berry-moolort-loddon system, clunes, creswick, spring hill, bullarook, castlemaine - daylesford, majorca, carisbrook, timor, burnt creek tributary, tarnagulla, marong, rheola, inglewood, huntly, coliban, campaspe, goulburn lead system, ovens valley system, mitta mitta, kiewa valley, tarago, tanjil, moondarra, bogong, dargo high plains

Soft brown covered book of 45 pages about East Gippsland mining and development. Includes map of Gippsland East, Lakes Entrance. Includes Lakes Entrance, Metung, Beng Worden, Bairnsdale, Longford, Torquay.gippsland east, gippsland, geology, mining, mines department, geo. brown, e.j. hogan

This is the 1854 fourth edition of a book on diseases of the eye by William MacKenzie (1791-1868) first published in 1830. William MacKenzie was surgeon oculist in Scotland to Her Majesty (Queen Victoria), lecturer in the University of Glasgow and a surgeon in the Glasgow Eye Infirmary. This fourth edition appeared just after Helmholtz's invention of the ophthalmoscope, but Mackenzie did not at this stage have much understanding of the internal diseases of the eye. Nor did he properly understand refractive errors which were soon to be elucidated by the work of Donders. MacKenzie did however recognise the hardness of the eye as being an essential sign of glaucoma.This book is significant historically as it shows contemporary understanding of eye disease in the early nineteenth century. It is not rare as copies still turn up at book markets and also are held in other Australian institutions.This book, bound in full calf leather (probably later 19th Century) with 1107 pages including an index and is followed by a publisher's catalogue. It is the 1854 fourth edition of William MacKenzie's 'A practical treatise on the diseases of the eye' first published in 1830. It has a long (32 pages) introductory section on the anatomy of the eye by Thomas Wharton Jones, FRS. There are 27 chapters on eye disease. Chapter 24 is on refractive errors and presbyopia.eye, ocular anatomy, ocular disease

Green background, title on front cover and spine. Coloured print of the Bendigo Gold District Hospital [ca 1880']. Dustjacket same format. Contains many black and white illustrations within.non-fictionA history of the Bendigo Hospital from its beginning in 1853, with the erection of a small slab and stone hospital to care for the diggers on the Bendigo goldfields, and its growth to a large regional medical institution.bendigo hospital, nursing, nurses, bendigo, hospitals-history, hospitals-victoria

Illustrated book. Multicolour front cover with title and authors name, as well as illustration (black and white photo) of a 'receiving" window, where fathers or other visitors could view a newborn. Nurse and man standing on one side and nurse holding a baby on the other. Title, authors name and publishers mark in white print on gold coloured spine. The back cover has a cream background with a summary of the book printed on it. There are also three photos of the hospitals three homes: St David's Church Hall, Mint Place and Lonsdale St.non-fictionA history of the Queen Victoria hospital. In 1896 eleven female doctors led by Constance Stone opened the Victoria hospital for women and children. After three different city locations, it ceased to exist as a separate entity in 1987, when amalgamation saw it form part of the Monash Medical Centre in Clayton.queen victoria hospital (melbourne), queen victoria memorial hospital (melbourne), queen victoria medical centre(melbourne), monash medical centre, hospitals-victoria -history

Mr Catterall, Joe & Mr L.J. Romey were partners in a cyaniding operation to obtain gold from the Southern Consuls Mine after second world war.Booklet printed on paper with a light green covergold mining, mining industry, miners rights, mining licences

32 page book on early colonial architecture in Australia, written by Morton Herman, as part of a series The Arts in Australia. Colour photograph on front cover.architecture, colonial australia

The 20th Light Horse (Victorian Mounted Rifles) was raised in 1920 as part of the 3rd Cavalry Brigade, 2nd Cavalry Division, Citizen Military Forces, with Headquarters at Seymour and depots along the Goulburn Valley from Mansfield to Tocumwal in southern NSW. In December 1941, 20th Light Horse (Victorian Mounted Rifles) converted from horse to mechanised, initially as 20th Motor Regiment. In 1943 the Regiment was deployed to Merauke, Dutch New Guinea. Upon its return in April 1945, the Regiment was redesignated 20th Pioneer Battalion. It was disbanded following the end of the war. 20th Light Horse was the only light horse regiment to serve overseas in WWII.This is one of a collection of photographs featuring a Light Horse regiment drawn from rural and regional Victoria in the period immediately prior to mobilisation for World War 2 (1939-1945).Black and white photograph of 5 soldiers of Numurkah Troop, 20th Light Horse Regiment, circa 1938 " Back L to R W. Green, J. Brown, F. Christie : Front L to R. J. Laidlaw, J. Morriss. "numurkah, 20th light horse, green, brown, christie, laidlaw, morriss

This brown painted metal case was used to carry and store a Braille Writer. It has metal caps on the corners and is lined with green felt. The handle on the front is leather. Two steel catches on the front hold it closed. Brown painted metal case with green felt lining and leather handle Marked on hinges 'U.K Patent No. 427897 and others'.braille equipment, assistive devices

This specimen was donated in 1868 by Alfred Selwyn. Olivine is typically found in basic and ultra-basic igneous rocks around the world, in a variety of colours including yellowish green, olive green, greenish black and reddish brown with a transparent to translucent diaphaneity. The luster of the specimen is vitreous, the luminescence non-fluorescent and when fractured the mineral is very brittle producing small, conchoidal fragments. Chromian diopside is normally found in small sizes as the larger the size of the mineral the darker the colour is, almost black rather than green. Chromium is the element that gives chromian diopside and emeralds their rich green colour. Diopside is found across the world in multiple colours however gem-quality chromian diopside is mined in Siberia, Russia and prominent within the jewellery industry as a more affordable substitute to emeralds. Chromium-bearing diopside has been located across Australia. Chromium-bearing Diopside is located across the world found in North America, parts of South America, and across Australia, Africa, Europe and Asia. Chromium-bearing Diopside is mined in Siberia, Russia and is sold as a commercial substitute for emeralds. The stone is often turned into jewellery. This item is one of many geological and mineral specimens that constitute a broader collection obtained from various regions across Australia (as well as some international locales) and generously contributed to the Burke Museum between 1868 and 1880. A significant portion of these specimens originated from Victoria and were acquired as a result of the Geological Survey of Victoria, initiated in 1852 during the Gold Rush era. The primary objective of this survey was to investigate and chart the geological characteristics of Victoria. The procurement of geological specimens played a vital role in advancing our comprehension of the Earth's scientific composition and was instrumental in supporting research and educational institutions throughout Australia, including the Burke Museum, in their efforts to foster further exploration and study. A solid mineral specimen in shades of green, grey and brownburke museum, beechworth, geological, geological specimen

The Mowat Sensor model MS 01, is a pale green, palm-sized, plastic battery-operated device with a darker green switch on top. It is partially open at one end with two grilles. A microphone plugs into the other end with a wrist strap. It came with a brown vinyl carry case and owner's manual, which are not included. This handheld device for the visually impaired uses high frequency sound to detect objects within a narrow beam. The sensor vibrates if an object is present, responds to closest object within the beam. The vibration rate increases as user approaches object. There are two range settings: short, responds to objects less than 1 meter away (indoor use) and long, responds to objects of sufficient size up to 4 meters. The sensor can be handheld or carried in pocket or purse. As a facility intended for partially sighted people, the compass also includes an in-built color indicator (visible through the semi-transparent enclosure), which indicates the direction using a combination of three colours. Weight: 185 grams. Comes with dark brown vinyl case.1 pale green coloured plastic rectangle sensor with a brown nylon, plaited wrist strap Model MS01assistive devices, orientation and mobility

Tourmaline is a group of minerals belonging to the complex borosilicate mineral class. These minerals are known for their striking and varied colours, making them prized gemstones. Tourmaline crystals can come in various shades, including pink, green, blue, brown, black, and colourless. They are often transparent or translucent. Tourmaline's chemical composition is complex, but it typically includes elements such as aluminium, iron, magnesium, sodium, lithium, and potassium. The specific arrangement of these elements in the crystal lattice gives rise to the different colours and properties of tourmaline specimens. Tourmaline specimens from Beechworth, Victoria, Australia, are a notable part of the region's mineral heritage. These tourmalines are of interest to mineral collectors and enthusiasts. While the tourmaline found in Beechworth is not as well-known as some other tourmaline varieties, it has unique characteristics and a historical context associated with the gold mining areas in Beechworth.The significance of tourmaline in Beechworth, Victoria, Australia, lies in its unique geological and historical context, contributing to both scientific and cultural aspects. The tourmaline mined in Beechworth is a rare and unique variety of tourmaline that is primarily found in the historic gold mining areas surrounding Beechworth. Its occurrence is closely linked to the geological processes that shaped the region during the Gold Rush era. The discovery of tourmaline in Beechworth adds to the rich mineral heritage of the area, which was historically known for gold mining. The specimens serve as a tangible connection to the region's mining history and contribute to preserving its geological legacy. The presence of tourmaline in Beechworth showcases the mineralogical diversity of the area. Tourmaline is known for its wide range of colours and unique properties, making it a valuable subject of study for mineralogists and geologists. Tourmaline specimens from Beechworth have educational significance, providing opportunities for research and study. They offer insights into the geological processes and mineral formation in the region, contributing to a better understanding of Earth's geological history.A hand-sized solid mineral specimen in shades of brown, green, light grey and dark greyTOURMALINE (schorl) / (Silicate of boron and aluminum) burke museum, beechworth, indigo shire, geological, geological specimen, mineralogy, tourmaline

Maple leaf shaped patchA Canadian themed coat of arms, of a (brown) moose on the left side of a heraldic shield; on the right, a (brown) stag; while on top of the shied is an indistinct brown animal, possibly a bear. The shield itself is notable for gold maple leaf emblem on a green background.

Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Price list booklet for Winter 1964. Booklet was housed inside yellow manila envelope printed in black and red ink with the Kathryn Logo and contact details. The booklet contains tables, printed in blue ink, that outline the price for each style and size available, as well as providing the available colours. Annotations are made in red pen ink. A sheet of yellow paper has been included in the front of the booklet that includes all the shades available in Orlon, Viyella and Wool.[internal] SHADES – WINTER 1964 [LEFT COLUMN] ORLON WHITE PINK LEMON BALE BLUE OATMEAL SULTRY GREEN NUTTY BROWN PINE GREEN REDCOAT BOTANY BLUE SKY BLUE VIYELLA WHITE PINK LEMON PALE BLUE [RIGHT COLUMN] WOOL. SKY BLUE PINK LEMON PALE BLUE WILD OAT SULTRY GREEN NUTTY BROWN NED KELLY GREEN REDCOAT BOTANY BLUE CHESTNUT PARCHMENT PIONEER GREEN MAZURKAH KATHRYN AND VIYELLA/KATHRYN SHOW CARDS AVAILABLE ON REQUEST.business, business history, manufacturing, knitting machine, fashion textile production, business archives, manufacturing documents