Commercial artist, Keith Edwin Rash (1910-1985), studied at the Ballarat Technical Art School between 1923 and 1929. These artefacts are from his professional practice. Sign writing and ticket-writing bridged art and trade, with hand lettering applied to long-term signage and short-term promotional materials. At the Ballarat Technical Art School, sign writing, ticket writing, and house decoration were overseen by Thomas Raisbeck (1884-1970) from 1915. Classes were then successively taught by former students William Kenneth (Ken) Moss (1889-1921) from 1920 until his untimely death, Albert E. Williams (1899-1986) until 1928, followed by experienced, practising sign writer, Charles Emrys (Angus) Henderson (1899-1976), who had trained under Raisbeck. A number of brushes and sponges used by Ballarat sign writer, Keith Rash, who studied sign writing at the Ballarat School of Mines. signwriting, keith rash, ballarat school of mines, brushes, ballarat technical art school, sign writing, ticket writing

Brushes and spreaders used for signwriting. Bristles probably horse hair.signwriting, brushes, spreaders, signwriting implements

Peter Ball collection, refer Cat No 4704..1) Clothes brush light brown varnished wood, rectangular shape, rounded ends, off white colour bristles & stamped on one side. .2) Hair brush, light brown wood varnished with slight raised top, metal base with white bristles inserted, stamped on one side..1) stamped on one side, “D (arrow up) D”, in black pen, “P Ball”. .2) stamped on one side, “D (arrow up) D SA brush Co 1952”, one one end in black pen, “P Ball”.brushes, clothes, hair, accessory

Used for dressing hair and for brushing small items off clothes. One brush could have been used for boot polishing.Six assorted clothes and hair brushes in different shapes. All appear to have animal hair bristles.brushes bristle-brush hair-brush clothes-brush

Sold at an auction of the artist's personal effects in April 2019.Wooden box containing artists watercolour paints and brushesLabel on inside top of box 'Winsor and Newton, London'.mirka mora, artists supplies

Sold at an auction of the artist's personal effects in April 2019.Wooden box containing artists watercolour paints and brushesmirka mora, artists supplies

Sold at an auction of the artist's personal effects in April 2019.Wooden box containing artists watercolour paints and brushesPaper label on inside of lid 'Talens Artists Materials'mirka mora, artists supplies

Sold at an auction of the artist's personal effects in April 2019.Cloth pouch containing paint brushes and other small itemsmirka mora, artists supplies

This item was owned by Arthur Lock who lived in the Wodonga district after World War 11. As well as being a Rat of Tobruk, Arthur made a significant contribution to the community and was awarded the British Empire Medal in 1972 for services to young people and the Wodonga community. He was involved in the scouting movement for over 50 years. Arthur was also an amateur radio operator with call number VK3AULThis item is part of a collection of items owned by Arthur Lock, a member of the 2/23rd Battalion, an all-volunteer Second Australian Imperial Force which served as part of the garrison during the Siege of Tobruk, then at El Alamein, New Guinea and Borneo. It has particular local significance as the battalion was know as "Albury's Own" because a large majority of the battalion's initial intake of volunteers came from the Albury–Wodonga region. A leather case with surrounding strap and metal buckle. The case contains 2 brushes.world war 11, rats of tobruk, tobruk, arthur lock

Book - 16 pages + grey covers, side stapled, issued by the Australian Commonwealth Engineering Standards Association, Tentative Australian Standard C.43-1927, "Parallel sided carbon brushes for DC Commutator Machines". Dated Dec. 1927. Provides an index and information about carbon brushes including drawings.On top right hand corner has stamp of the "The Electric Supply Co. of Victoria Ltd Ballarat" and date "19 May 1928".trams, tramways, tramways, electrical equipment, motors

Military issue as part of a soldiers kit and equipmentHair brush, wood, slightly curved top, brown colour, inset aluminium section into wood with off white bristles set in the aluminium, on top a label with instructions keeping "the brush in good order", on one side of the wood is details stamped in whitish colour.On side of brush, " D (arrow up) D SA Brush Co 1952"brushes, hair, accessory

This set is an example of personal grooming items commonly used in the first half of the 20th century.Two brushes. 1497.1 is an oval shaped hair brush with a gold coloured frame It has a wooden dark blue painted oval inset. The natural bristles are light coloured. 1497.2 is a matching clothes brush - rectangular shaped with a an inset of dark blue.personal-effects brushes

This item is from the pre-plastic days and would have contained a brush made from natural bristles.White enamelled metal cylindrical toilet brush holder. An upright projection has a hole for optional hanging of the object.CLOSET BORSTEL (Toilet Brush) in black paint.

Bristle brush for pullthrough d/0015eBristle brush

F2 - Coir matting loom is expertly handled by this blind operator. F5 - Machine cold binding of a millet broom. F7 - Final trimming of a special mat. F9 - Checking and packaging of brush ware is easy to this tradesman.4 B/W photographs of workers in the mat and brush shopsF2 - Mat Shop 1 1964 F5 - BFactory 3 F7 - Pic N123, 6846# F9 - Brush Factory 5 6846# 1964royal victorian institute for the blind, employment

Bristle shaving brush with red handle. Brush fits into a bakelite container with lid.CM A Y6 6o on container|Imperial on Brushpersonal effects-toilet requisites, shaving

Sample of Kathryn Knitwear Collection. This brush was included with a brushed wool leginette suit (NWM-08916), in order to maintain the fluffy finish of the garment after wear and washing. Kathryn Knitwear, founded by Robert Blake, manufactured high quality children’s knitwear in Melbourne from the 1940s – 1980s. Robert Blake began manufacturing children’s knitwear in his bedroom in Strathmore using a hand powered machine in the late 1940s. The operation moved to Ascot Vale and Essendon, before eventually establishing a factory in Moonee Ponds in the early 1950s. The business continued to expand, necessitating a move to a new factory in Broadmeadows. By 1962, the Broadmeadows factory was producing an average of 20,000 garments per month, which increased to 24,000 by 1964. Robert Blake’s Son, Brendan recalls that “The Kathryn brand was famous around Australia, anywhere children needed to keep warm and dress smartly. It also won a number of wool fashion awards”, including the 1969 Wool Awards, which was held by the Australian Wool Bureau and published in Women’s Weekly. The Kathryn range was designed for durability, comfort and care, without sacrificing style. They used patterning techniques that increase stretchiness, comfort and fit, as well as integrating decorative elements into the fabric to prevent them from being bulky, uncomfortable or tight. Making longevity of style a priority, Brendan Blake remembers that “there was one particular garment that was in the range for at least thirty years”. He also recalls “In the past, when women have found out that I was associated with Kathryn Knitwear, they would often relate to me the story of a garment they had purchased or received as a gift and, when their child had grown out of it, they would hand it on to another child. Several ladies have told me of purchasing garments for their daughters’ glory box, or saving a particular garment after their daughter had grown out of it. Brendan Blake: “At the peak of their operation they employed approximately two hundred people, mainly women and girls. A family would often seek to send their daughter to work in this company because they knew they would be looked after and safe. One lady wrote to me telling me that working at the Moonee Ponds Factory prior to getting married was the happiest time of her life.” In 1963, workers at the Kathryn factory earned £13 per week, which was 8 shillings and 8 pence higher than the minimum weekly wage for female workers in the textile manufacturing industry (£12 11s 4d). By 1970, the Kathryn Knitwear brand expanded from children’s knitwear into womenswear under the brand name ‘Lady Kathryn’, and for boys and men under ‘Robert Blake’. Continuing to diversify their distribution, they also began exporting ‘Kathryn’ garments to New Zealand, the Pacific Islands, and Japan. ‘Kathryn Knitwear’ was well-known for their early adoption of modern materials and techniques that had broad appeal to their customer base. This is shown in their early use of the acrylic fibre ‘Orlon’ in the 50s and 60s and ‘Superwash’ wool in the 1970s. Many of Kathryn Knitwear’s styles, particularly those that were long running staples of the brand, were available in both wool and Orlon to suit the consumer’s preference. Far from the humble origins of one man in his bedroom with a hand-cranked machine; at its closure in 1980, the Broadmeadows factory of ‘Kathryn’ housed more than 100 machines, including 53 sewing machines and 45 knitting machines. Robert Blake was “a passionate advocate for wool and Australian Made” throughout his whole life. A strong thread that ties through the lifespan of Robert Blake and Kathryn Knitwear is a balance between adopting new innovations without sacrificing the core values of durability, comfort, care and style that had made the brand so well known. Their legacy forms an integral part of both Australian social and manufacturing history.Transleucent nylon brush with rows of thin bristles mounted in an offset pattern[Printed on plastic packaging] CARE OF BRUSHED FABRICS To obtain original condition brush garment frequently between wearing and after washing. Follow laundering instructions on swing ticket.brush, garment brush, brushed wool, laundry, garment care, nylon brush, accessory

Used in "Annette' Hairdressing Salon, Main Street, Lilydale.Hairdresser's bristle neck brush with wooden handle.brushes, hairdressing equipment

192 - James Murphy at the RVIB Brush factory. 193 - unknown worker inspects the millet heads. 195 - unknown worker stacks the newly made brooms together for delivery. From the annotation on the back of 193, these images may have been taken for the 1964 annual report.3 B/W photographs of millet broom making192 - Brush Factory 1 193 - Brush Factory 2, AR 1964 195 - Brush Factory 4royal victorian institute for the blind, employment

These brushes were used to clean cannulae and forceps. Used by Dr Geoff Bishop.Two brushes used for cleaning medical equipment. First brush is made of a tightly braided length of wire, and has an eyelet at of end and 8cm of brush bristles at the other end. The second brush is made of a thin length of metal, the last five centimetres of which have been bent at a right angle to the body of the brush at one end. The opposite end of the second brush is bent at a slight angle and has 5cm of brush bristles attached.gynaecology, surgery

Brush used in the care of clothingImported and sold by Holden and FrostWooden back brush with bristlesbrush, clothing

Part of the "Kevin John Herdman", No 397661 collection. See cat No. 5942P for details of his service.Army issue clothes brush with light brown wooden handle and plastic bristles.Stamped on side of wooden handle "D ^ D, S.A. BRUSH CO, 1952." accessory, brush, kevin john herdman

This stove brush is shaped to fit into grooves and crevices on a cast iron stove range and fenders. A brush like this would be used in the 19th and early 290th centuries to apply a blackening agent to the metal to clean and preserve it would be polished to make it look more attractive.This object is significant as an example of an item in common use in the 19th and early 20th centuries.Stove brush, wooden with wooden raised handle and black bristles. The bristles at the ends of the brush are longer than in the centre, and flare outwards. The brush' is rounded at one end and pointed at the other.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, cast iron stove, oven range, stove brush, blackening brush, cooking, kitchen equipment, wood fired stove

Clothes brushes were a common household item, used particularly for removing lint and fluff woven fabrics. This clothes brush is an example of personal items used for grooming and care of clothes in the earlier part of the 20th century. Items of similar design are still used in modern times.Clothes brush, handle and back are one piece, made of dark brown-coloured ebony. the brush has with yellow bristles. Inscription on handle. Rounded tip of brush has indented white circles. Inscription on brush handle.Embossed "REAL EBONY"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, brush, clothes brush, grooming, personal item, ebony, real ebony

Stitched heavy leather case with two hair brushes (oval shaped). Case has leather strap and leather-covered metal buckle. Brushes are ebony wood with natural bristles (animal - pig??)personal effects, travel goods, brushes

Bristle and fibre clothes brush gold plated with Tortoise shell back.Bristle & Fibre Made in USApersonal effects, travel goods, brushes

This brush possibly belonged to grandfather of Henry James Powell.A wooden clothes brush with black bristles.D & D Powell E.R. VF509674 Swan Brandbrush personal-effects