Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.25 buttons on gold card on green card. Clothing buttons, or to be admired. Made by an individual named 'Heather' in Mt. Compass (South Australia), through 1996-1999.Original Catalogue Entry: "En route to Victor Harbour we passed through Naracoorte S.A. where a lady in the Op Shop was sporting a lovely hand painted brooch. I asked her where she got it. She said her daughter had made it for her. I asked for her daughter’s details only to discover she lived where we were heading. Having made contact and eventually providing Heather with the sets of Mother of pearl buttons, she sent me a set each year in turn, of the flower, bird and animal emblems of each Australian State and Territory."sally hearn, button collections

This is a circa late 1930s donation pin for the Australian Air League (AAL). The AAL was started in 1934 by war veteran George Robey when he discovered there was no Australian organization for youths interested in aviation. Part of the button collection of Frederick Hyams Round pin, navy blue background This is a circa late 1930s donation pin for the Australian Air League (AAL). The AAL was started in 1934 by war veteran George Robey when he discovered there was no Australian organization for youths interested in aviation.Australian Air League To Defend*To Develop 5c Sold by Gen. Secty. Only

Fundraising badge sold by the Commonwealth Button Fund to raise funds for the victims of the Armenian massacres in the Ottoman Empire during the war. The button was designed by Frances Woolcot, the Honourary Organiser of the Melbourne Branch of the Commonwealth Button Fund. The design was approved in November 1917 and the buttons were sold on 30 February 1918 - £7,300 was raised on the day. Part of the button collection of Frederick HyamsRound metal badge in orange, blue, black and white. Desert scene with city, three palm trees and camels with riders silhouetted. Words printed under scene. Pin at back fits into slotServia Syria Armenia

These badges reflect various aspects of life in Australia and the many allegiance which people have to organisations from the Country Womans Association, to football clubs, with groups such as the Industries Protection league and Temperance groups such as the Band of Hope Union espousing interests and ideas in the early to mid 20th centurySocial significance001048.1 CWA badge Round metal badge with dark green rim surrounding monogrammed shield and gum leaf on either side. Victoria in bronze at top of shield. Stokes **** Melb on rear. 001048.2 British Red Cross. Round tin badge with Union Jack flag and red cross on left with text in banners below flag. 001048.3 Victorian Badge of Hope Union. Small button badge with cream background, brown text around edge with image of mother and child in blue tones in the centre 001048.4 St Kilda Football badge. Round tin plastic coated. White background with image of saint emblem on front on background of club colours. 001048.5 Coles Badge. Large button badge with bright blue background with image of lady in black and white in the centre. Text in black. 001048.6 Industries Protection League. Small cream plastic badge with outline of Australia inside a star. Brown boomerangs top and bottom. 001048.7 Junior safety Council. Oval metal badge. Black with brass text and artwork. 001048.8 S.S. Persis. Three dimensional with ship’s wheel at back in white and Australia and British flags in foreground with S.S. Persic on banner below flags. warrnambool history, industries protection league badge, band of hope union badge, s s persic badge

The buttons relate to tailors in Warrnambool and District and some are stamped with relevant names. The collection provides a good sample of buttons and the types of materials and uses which were prevalent in the period. Rows of buttons in colours black, brown, fawn, silver, white, and Mother of Pearl. Mounted on cream card and framed with cream mount. Rows are labelled with small card inserts with names of local tailors and/or application and uses. Materials used are metal, bakelite, shell and fabric.The metal buttons have names of tailors stamped into them and bakelite buttons are either stamped or have raised lettering or symbols. Names on buttons as follows: Cramond & Dickson, Youngers, Warrnambool, W. J. Taggart, S Taggart, Fletcher Jones, W. A Burnett, W McDonald, Thompson Terang, R Carey, J Torrance Camperdown, F Williamson, Salvation Army. Types of buttons : Military, Navy, coat, vest, boot and shoe,shirt, trouser, coat, Pearl shell, linen, and fabric covered.warrnambool, buttons, cramond and dickson, youngers, w.j. taggart, burnett mcdonald thompson, terang williamson, j. torrance, fletcher jones, warrnambool military

This stamp was used for official correspondence, minutes etc by the Warrnambool 150th Anniversary Committee in 1997. The occasion was the 150th anniversary year of the establishment of Warrnambool in 1847. The President of the Committee was Frank Jacobs and the Secretary was Gordon Reid. The donor of the stamp was a member of the Co-ordinating Committee.This stamp is part of the collection of items from Warrnambool’s 150th celebrations in 1997. It has no intrinsic value but the stamp may be used for future historical exhibitions.This is a modern self-inking stamp which stamps out ‘Warrnambool 150th Anniversary Co-ordinating Committee’. It is made of black and grey plastic with a red button and blue and black printing. It is in a cardboard box which contains an explanatory brochure.Stamp – ‘Warrnambool 150th Anniversary Co-ordinating Committee’ Side – Trodat, Printy 4913 150th anniversary warrnambool, warrnambool

People collect items that help them remember a special time in their lives or some thing that appeals to them. Brownie cameras were used in the 1950s. Negatives and photos represent the life of the Matthews family.George and Laura Matthews lived at 12 Roper St. Mt Beauty from 1957 to the 1970s. The items in this collection belonged to them and represent part of their lives when living in the Kiewa Valley.1. Brownie camera - black vinyl. 2. Tin Box "Ted the Jester' biscuit tin. 3. Gold button & Queen Elizabeth badge 4. Silver plunger 5. Dunkling Jewellers Guarantee re ring 6. State Savings Bank Book 1957 - 1963 7. Laura M. Matthews Union Card 1963 8. LaTrobe Health Service Card. 9. Meat Ration Cards 1948 10. 18 Negatives of people/holidays in envelope 11. Photos1. Made in England by Kodak Ltd 2. Use by 1998 and 'Eileen' printed in texta on top george matthews, laura matthews, 12 roper st., mt beauty, brownie camera

The cabinet appears to be homemade and purposely built for the storage of a collection of vinyl records. The records are stored vertically in a 'holder' with a rectangular wooden base with soft covered wire strips well spaced and each extended to fit up to 50 records. See KVHS 18 . The stands then fit into the cabinet with the base of the holder resting on wooden ledges glued on each side allowing the records to fit in all directions. There are two levels - one on the bottom and one halfway up. Holding approximately 100 records altogether. The cabinet's door is opened with a silver push button latch. Many men made their own furniture as they had the equipment and experience to do so. During the 1950s vinyl records were played to entertain families and to educate children in the areas of music and dance. Mt Beauty didn't have TV until much later than the cities and furniture wasn't always available at the local shops.Wooden cabinet with 4 legs and a door with a silver push button latch. Inside are small ledges on each side at the bottom and halfway up.vinyl records, music, wooden cabinet

This hand-made doll's apron was created using machine and hand stitching, by Phoebe Lowell, a 10-year-old schoolgirl in 1913. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although this would not have been the case for this doll's apron.This doll's apron is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.Very small cream-colored doll's apron with waistband and buttonhole but no button. Pleat running along the width of the apron above the hemline. Decorative herringbone stitching.On small label accompanying piece, handwritten: 'Phoebe Lowell / Age 10 / Form II'female, lynne findlay collection, phoebe lowell, doll's apron, 1913

This baby bodice was created using machine and hand stitching, by Phoebe Lowell, a 13-year-old schoolgirl at St Michael's, St Kilda in 1916. It was purchased in the late 1990s by the donor who later moved to Emerald but, at the time, had a 2nd hand decoration shop in Camberwell when she purchased this as part of a group of garments which included bloomers, lace collars and cuffs, camisoles etc - all of which have been donated to the Museum. The donor was advised at the time of her purchase that the garments were over 100 years old although this baby bodice was made in the early 20th century.This doll's apron is a reminder of the tuition which schoolgirls routinely received in sewing and embroidery as these were considered essential skills for a future housewife.White sleeveless cotton bodice with a one-button opening at the neck. Neckline and front opening are finished with double rows of top stitching. Arm openings finished with single lines of top stitching.On small label accompanying piece, handwritten: 'Phoebe Lowell / Form IV A / Age 13 years'female, lynne findlay collection, phoebe lowell, baby bodice, 1916

Donated to Sir Reginald Ansett Transport Museum. Worn by former Ansett employee.Complements the collection of air flight crew attire.Navy blue cotton pull-on bucket hat with button in middle of crown. Hanging loop on brim. Navy blue cotton inside lining.No inscriptions. No markings.

Donated to Ansett Museum. Formerly worn by Ansett Airlines pilot.Complements the collection of air flight crew attire.Pilot's peaked cap. Brown cotton flat-topped crown. Brown cotton exterior band supported by rigid internal leather band. Interior lining of green acrylic fabric. Leather sweat band. Rigid leather visor covered by brown plastic on top and green plastic on bottom. Brown plastic strap above visor is secured by brown button on left side. Button missing from right side. Missing insignia.No label for manufacturer, designer, or supplier.

Donated to Sir Reginald Ansett Transport Museum. Worn by former Ansett employee.Complements the collection of air flight crew attire.Navy blue cotton pull-on bucket hat with button in middle of crown. Hanging loop on brim. Navy blue cotton inside lining.No inscriptions. No markings.

maryanne coutts, robert allan, graduation, academic regalia, phd, doctorate, loris button, university women

Small white covered book with a red apple on the front. A catalogue for a travelling exhibition which included the work of Margaret Olley, Greg Creek, Lsley Dumbrell, Sue Ford, Julia Ciccarone, Lewis Miller, Pat Brassington, Vera Moller, Guy Stuart, Mary Lou Pavlovic, John R. Neeson, Dav id Keeling, Juan Ford, Sadie Chandler, Lily HIbberd, Stephen Bush, Janenne Eaton, Euan Macleod, Jenny Watsin, Tim McMonagle, Stewart Macfarlane, Nat & Ali, Maryanne Coutts, Peter Burke, Janina Green, Elissa Sadgrove. John Kelly, Jon Campbell, Dale Hickey, Elizabeth Gower, Tom Alberts, Philip Hunter.margaret olley, greg creek, lsley dumbrell, sue ford, julia ciccarone, lewis miller, pat brassington, vera moller, guy stuart, mary lou pavlovic, john r. neeson, dav id keeling, juan ford, sadie chandler, lily hibberd, stephen bush, janenne eaton, euan macleod, jenny watsin, tim mcmonagle, stewart macfarlane, nat & ali, maryanne coutts, peter burke, janina green, elissa sadgrove. john kelly, jon campbell, dale hickey, elizabeth gower, tom alberts, philip hunter, loris button, rodney scherer, gael ramsay

This formal suit, comprising tails coat, trousers, waistcoat and shirt, is believed by Berry McDade (daughter of Dr Angus) to be the one donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist, according to the doner.. There is another name on some of the garments, possibly because the suit components were acquired second hand at the time when Dr Angus was in his early practice days. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s SS Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Formal suit, worn by Dr Angus, Coat (.1): black double-breasted with tails, black round flat, shank buttons, quilting inside (under armholes), label "BRAHAM & CO / 614 ALDERSGATE ST E.C / Mr G Hobson, 1925 Aug". Trousers (.2): black, button fly, black braid stripe, nametag "J.C. RENYARD" stamped number on front right pocket lining "163332-2-3398F" Waistcoat (.3): black, 4x 4-holed black buttons. Shirt (.4); white cotton, long sleeves, round neck, long tailed, bib front, 4x button holes each side, stamp around neck "4.AM:25", label "THE AINSLY SHIRT", name in pen "R115 RENYARD", remnants of red cotton stitching on neck (W.R. Angus Collection)Jacket has label label "BRAHAM & CO / 614 ALDERSGATE ST E.C / Mr G Hobson, 1925 Aug Trousers nametag "J.C. RENYARD" stamped number on front right pocket lining "163332-2-3398F" Shirt has stamp around neck label "THE AINSLY SHIRT", name in pen "R115 RENYARDflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, formal sout, tails suit, dr w r angus, the ailsley shirt, ophthalmology, formal clothing, mira hospital, nhill base hospital

Book of works from the University of Ballarat Graduate Research Programme [sic]. 70 pge book interspersed with similar amount of translucent half pages, double card blind embossed cover (white smooth card and black textured card), perfect/burst bound.non-fictionCatalogue features successful completions of Masters and Doctoral creative arts, Arts Academy Research Graduates 1999-2008.university of ballarat, federation university, ceramics, drawing, graphics, graphic design, printmaking, sculpture. higher degrees, masters, doctorate, hdr, arts academy, school of arts., julie bennett, terrie brooks, loris button, ursula calderone, julie collins, maryanne coutts, colin donald, georgina green, julie heron, judith hughes, diane jacono, anthony kazepis, paul lambeth, sandra laver, kelly mcniece, paul mears, emil milos, felicity morton, christopher nelson, john o'loughlin, melissa peacock, marie purtill, louse saxton, chain khiang whang, robert whitson, carole wilson, linda woodfield, jeff woodger, michelle zuccolo

Electronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom. Blue paper sleeve housed in yellow plastic case. CD printed black and blue.non-fictionElectronic, visual arts, research publication around "hearing loss and deafness", interactive CD Rom.university of ballarat, federation university, graphic design, drawing, research, hdr, mt helen, school of arts, hearing loss, deafness, loris button, ross morgan, amanda george

The Post Office Gallery is on the corner of Sturt Street and Lydiard Street, Ballarat and is part of the Federation University Arts Academy. Loris Button and Carole Wilson lecture in Visiual Arts. Three photographs of University of Ballarat Arts Academy students visiting the 'Ballarat and All That" at the Post Office Gallery. This exhibition highlighted important works from the University's Art Collection and was curated by Clare Gervasoni.post office gallery, carole wilson, loris button, clare gervasoni

Collection of approximately 11 receipts from various sources The Bendigo Choral Society, Lambeth Fuller Buckell & Jeffrey Stilwell's C. Button All issued to Miss (Merle) Bush.person, individual, bush collection - personal

Bendigo tramways uniform button. 'BT' embossed on front. Reverse: 'Stokes and Sons, Melbourne' stamped on the back.uniforms, basil miller

Photograph - Black and white. Portrait of a man, wearing a cravat and buttoned suit, and a unassuming moustache.Bartlett Bros. - Sandhurst.person, individual, portrait male, photograph. unknown family. portrait of a man.

Photograph - black and white. Portrait of a young man, dressed in a buttoned up suit and tie, and a unassuming moustache.Foster - Pall Mall. Sandhurst.person, individual, portrait male, photograph. unknown family. portrait of a male.

Photograph - black & white of 2 women. Older woman standing on right wearing button up cardigan, pleated skirt. Women on left wearing a skirt and cardigan suit. No hats. Similar to photo's 1332.11,12. Lydia or Agnes and mum?person, family, pethard family, photograph. pethard family. portrait 2 women.