Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.This item consists of 4 buttons and a satin bow on white card, with buttons depicting a shamrock with the date '1920' on a green background. The bow as well is green, with yellow accessories on the end of each strand. Official Catalogue Entry: "For many years I displayed these not knowing the significance of them and then one day an elderly lady in the audience said “I know! St Patrick’s Day 1920. Archbishop Mannix paraded through Melbourne. He was flanked by 14 V.C. heroes on grey chargers, they formed a guard of honour. I remember the procession took 1 hour and 40 minutes to pass us by and it was estimated 20,000 people took part"."sally hearn, button collections

Black dinner suit. Comprising tails coat, and white vest with three pearl buttons. Accompanied by bow tie. Size SM. Trousers missing. bow ties, wedding accessories, wedding clothing, waistcoats, clothing accessories

Box of assorted items, costume jewellery, buttons, belt buckle, hat ornaments. Box covered with pink floral fabric with padded lid and pink bow.costume accessories, jewellery, assorted

In 1973 when Brian Schultz was working as a dye chemist at Yarra Falls (a Textile Factory making fabrics for school uniforms, suits etc.) in Abbotsford, he was invited by his friend to be his best man. He chose the colour green, dyed the fabric himself, and took the fabric to a tailor in Smith Street, Collingwood to have the suits made up for the December wedding. The green shirt which Brian wore with the green suit at the wedding in 1973 came in handy when he wore it 37 years later at his son's 30th birthday Halloween dress up party, when he dressed up as The Hulk. He cut up the sleeves of the shirt and painted himself green. For the December wedding, the groom wore a white suit, lemon shirt and emerald green velvet bow tie.Green two piece suit with shirt and bow tie. 1. Single breasted jacket with two pearl buttons centre and smaller buttons on sleeves. White stitching around collar edge and down the front on pockets. 2. Trousers with wide belt carrier, zip fly, cuffs wide with 6cm turnback. 3. Shirt is a polyester fine knit, pale green with dark green buttons and collar stitched with dark green edge-stitching. 4. Dark green velvet and ready-tied bow tie..MENS SLACKS BY TRAVELLERS APPAREL - For the man who goes placescostume, male

Owned by Valda Arrowsmith1990 floral cotton blouse with 3/4 length sleeves and six blue buttons at front opening. Fabric has aqua, green, blue, yellow and pink flowers and leaves printed on it. There is a bow on the cuff of each sleeve.Fella Hamilton Made in Australiacostume, female

This dress belonged to Nola Jennings, a long-time Brighton resident. Nola purchased and wore this in the 1960s; she recalls that navy and fluorescent yellow were a popular colour combination at the time.Sleeveless navy blue crepe dress. Scoop neck and high waist. Bodice features three self-covered fluorescent yellow buttons and fluorescent yellow bow. Two fluoresecent yellow stripes around hem. Zip at back. Label, cream with green text: "STYLED BY / Zal Miller / OF MELBOURNE" Two smaller labels attached underneath: "crepe / Finesse / an Alcorso fabric / 100% TRIACETATE / washable" and "XSSW".nola jennings, zal miller, 1960s, melbourne designers, flinders lane

c 1880sA coat dress, cut on a Princess Line with twelve button holes down the front. Panelled each side of the buttons in heavy ribbon braid and lace overlay. Standup lace collar and|cuffs. Large bow at back.costume, female

The sport had its origins during the Depression of the 1930s when teams were formed to keep young women fit and healthy. The sport became more organised during the 1940s with a system of scoring developed to ensure teams could compete against one another. Points were deducted for lack of precisions, dressing, movement and length of pace. At its peak marching competitions drew large crowds of spectators. Teams marched not only in competitions but also frequently appeared in parades and social occasions. Jim Trewin trained Orbost's Marching Girls' team, the Waratahs, and served as vice president of the East Gippsland Marching Girls' zone. His wife, Doris, acted as chaperon Together with a trophy, a chaperone's blazer and photos this uniform forms part of the history of the Orbost Marching Girls group.An Orbost Marching Girls' uniform It has a white pleated skirt, a long-sleeved white blouse and a red velvet vest with 6 gold buttons. There is a badge on the left shoulder. A red ribbon is attached to the blouse as a bow tie. On the vest shoulders are white tabs with gold buttons. The skirt and blouse are made of cotton. A pair of short white gloves are included.On badge- Victorian Girls Marching Associationuniform marching-girls leisure clubs recreation

Probably made in the 1940s as the eyes are painted not made of glass as the earlier dolls made in the 1930s. Norah Wellings' company made dolls from1926-1959. Brown velvet Doll, known as a Sammy Minstrel number 126 doll, with flocked velvet covered moulded head and hands. The soft body is dressed in a black vest with four pearl buttons, bow tie, pants and hat is mustard yellow.toys, dolls

'Going Away' jacket and skirt worn by Catherine Grant - nee Marden after her wedding at Holy Trinity St Kilda on 22 June 1873. Catherine Jane Marden was born in Bacchus Marsh in May 1849 and died in June 1925. William Fraser Grant was born in Aberdeen on October 17, 1845 and died in April 1916. See Love letter ND3737 and Marriage Certificate ND16671873 Wedding Dress. Mauve-grey silk taffetta skirt and jacket. Jacket has cream lace trim with green ribbon on neckline. Cuffed jacket sleeves have 3 buttons. Jacket front opening has 13 covered material buttons with hook and eye fastenings. Jacket is trimmed with a bow on the waistline at the back and gathered bustle shaping. Skirt has a train.costume, female

This style of doll was called a Golliwog at the time, the 1960s, when it was made by donor for her daughter's school (Melbourne Ladies College) projectBlack felt doll with black velvet hair, white cut out felt for eyes, white felt hands and white feet with black soles, white felt waistcoat, pearl buttons, red and white spotted bow-tie, red felt jacket with two brass buttons, black and white striped trousers, yellow boater hat decorated with black and white bandtoys, soft toys

Coat was worn by the grandmother of the donorFull length fur coat in varying shades of brown. Origin of fur unknown. Coat is lined with a rayon damask and has a deal of detail i.e. pocket with self rouched trim and bows, the hem was self rouched trim, rosettes and bows. The coat has three self-covered fur buttons closing with elasticised loops. The collar is a stand-up shawl collar. The style is 1920s. One sleeve has a split at cuff.costume, female

Modern porcelain or ceramic doll, belonging to 6th generation of Henry and Martha Sebire. Emma & Karlee Jennings.Porcelain or ceramic doll with blue eyes and red lips. Wearing a long sleeved white lace and embroidered christening style dress with a matching bonnet, a ribbon bow is on the bodice of the dress, and two white buttons on the back of the dress. Towelling type cotton body with panties.dolls, baby dolls, toys, leisure objects

.1) A scarlet woollen jacket with blue collar. It has blue cuffs. On the collars are badges of the RAASC. On the epaulettes are a Captain's set of pips (3). .2) Vest. Blue woollen outer, polyester inner. Two small pockets on front with four small buttons. .3) Shirt, cream/white colour. 7 pearl buttons. It has lighter vertical stripes every 20mm. .4) Bow Tie - black,.1) Written in jacket is: “392063 Butterworth” .2) Written in the vest is: “392063 Butterworth” and .........”Jardine 11119”post ww2, officers mess dress, passchendaele barracks trust

This was the wedding dress worn by Mrs Jessie McKinnon (nee Campbell). It has been made for riding side-saddle. Only highly-skilled tailors could produce the complex skirt required for riding side-saddle. It had to curve neatly over the rider’s knees.This dress reflects the fashion of the early 20th century as well as the needlecraft skills of the women at that time.A hand-made, long-sleeved wedding dress of beige satin. It is tapered at the waist and covered buttons from the collar to the waist. There are bows on the wrist. There is fringing at the waist and it is ankle length. There is a huge pocket on the left hand side. There are box pleats at ankle length and a frill of chiffon at the bottom.costume-female handcrafts-dressmaking dress-wedding

One piece swimsuit with sweetheart neckline, small square bow under the bust and faux front pockets trimmed in white piping. Back is fully ruched with elasticated shirring. Wide straps secure and adjust at the top with buttons. No openings, step in - bust is lined in the same cotton and features boning.Labelled "Princess Togs" Medium All Cotton

1. Jacket - woollen, red, white collar, long sleeved with white cuffs. Two Rising Sun badges on collars = "AUSTRALIAN COMMONWEALTH MILITARY FORCES". It has epaulettes of same red wool, held with small brass buttons (Aust). It has the rank insignia of a LT.COLONEL. 2. Vest - red wool. Lined with a striped cotton lining. Four miniature brass buttons on lower front. 3. Shirt - cotton. Off white colour. 5 pearl coloured buttons on front, long sleeves. One pocket on breast. 4. Black bow tie with metal clips.post ww2, cmf, passchendaele barracks trust

The dress was made by Mrs Alloway of Coburg. The dress was made from two dresses which appeared in 'The Bride' magazine; the top from one photo and the skirt from another. Joan Lorraine McGahey wore this dress when she married Francis William Kerry on 28/03/1959.1959 Full length white lace and net over white taffeta slip. Long sleeves are lace to wrist and has light covered buttons. Front has square neckline with lace appliqued to bodice which falls to dropped waistline. Front panel is lace onto net flounce measuring 30 cm. Back has three net flounces falling from waist to form a train which is attached with lace bow. Back of neck has 8 buttons and loops.costume, female ceremonial

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat. No. 7926P for his service record.1. Jumper part of winter ceremonial uniform worn by Recruit to Leading Seaman ranks RAN. Also known as a "Barathea" or jumper. Black colour wool fabric with square collar, V shaped front openings, long sleeves with cuffs and two dark blue colour plastic buttons. One good conduct stripe on left sleeve. Rid ribbon on black fabric. White cotton fabric manufacturers label. 2. Bow attached at bottom of front V - navy blue cotton tape. known as a "bow". Manufacturers Information - black thread embroidery "ESQUIRE PTY LTD / 1940/ size" Owners stamp on underside of Collars - white ink stamp "W. A. Theodore"uniform, ran, ww2, william a theodore

Very formal fashion for men in the City of Moorabbin c 1960 was a tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve. Special occasions, events and ceremonies were when men wore this outfit. The full outfit comprised of a white dress shirt, white starched collar, white bow tie, white waistcoat, gold pocket watch, mother of pearl or white studs and cufflinks with black leather shoes. A white flower may have been worn of jacket.This formal 'white tie', dinner suit with tails, cut away jacket and pleated trousers was typical of that worn by men c 1960 in City of Moorabbin for very formal occasions.A tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve.professional tailor 4 buttons on sleevesclothing, formal wear, dress shirt, tails, dinner suit, tailors, bowtie white, bowtie black, tuxedo, waistcoat, cufflinks, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,

Small oval head and shoulder portrait of a lady wearing a dark dress with large buttons which cross over the front. It also has a lacy collar. A bow at the front has been coloured blue. Her hair is piled on top of her head with an ornamental comb in it. An ear ring has been painted in her left ear in gold.T. M. Cleaves, View Point, Eaglehawkphotograph, portrait, female, portrait of a lady, t m cleaves

Louisa Vine nee Weir with her brother Richard Vine who was killed in France 1918 WW1 seated in Studio portrait with fern fronds. Information in folder from Digger - Death index. Victoria 1921-1985 (page 1) 10 May 2013 Vine Mary Ellen Vine Richd Hy Louisa T Weir 1876 Stawell 70 1946 19413 D Warren Florence Maud Vine Richard H Thurga Weir 1874 Staw 83 1957 18511 D n. William Johnathan Warren b. 1864 d. 25.10.39 (75) Studio photograph of a woman and child. The woman is seated and the child standing on a platform. The woman has she arm around the child's waist. The child outfit has buttons down the front with a bow around his collar. The woman's dress is heavily frilled at the base with a lace collar. Fern frons and floral reefs decorate either side of the seated pair.E. Askew Southmolton Paradise on the back - Auntie = Louise Vine, V = Uncle Richard Vine Brother killed in France 1914 -1918 Lilar. Sister - died ?? date in the Family Bible. Brother & Sister of Florence Maud Warren (nee Vine) V = Mary Ellen Vinestawell portrait

Dress first worn at wedding of Miss Margery Rudd and then in 1973 for the wedding of Miss Sharlene Barry (now Draeger)1950's claret crushed velvet floor length dress with cream lace around the high square neckline and around cuffs on long sleeves. 25 velvet covered buttons down back. Waist comes to a point at back with inverted pleat falling from point at back waist line. Sash is separated with press stud fastening and a bow effect.costume, female ceremonial

Refers to the service of Lt.Col. "Roy Shadforth".1. Red waist jacket, white collars and white cuffs. 38 BN. R.V.R. Badge (Gold) on collars. Epaulettes show gold Lt.Col. badges and gold A.M.F. buttons. It has one interior pocket. 2. Red sleeveless vest. 4 brass (Gold) buttons, AMF motif, lined with a faint light cotton. 2 exterior pockets. 3. Shirt, short sleeved - off white. polyester cotton, 6 clear buttons, one breast pocket. 4. Black bow tie with plastic mount. 5. Trousers, woollen, black. Red pin stripe on outside legs. Lined with same cotton as vest. Straps at bottom of legs to hook up under feet.1. Written inside one arm pit is “Shadforth” 2. Written inside vest is “Shadforth” 5. Written on trouser pocket is “Shadforth”post ww2, cmf, uniform, roy shadforth, passchendaele barracks trust

Items issued to Bertram Charles Addington. Refer to Cat No 6853.3 for B.C Addingtons service details.1) Vest, white long sleeves, WO1 metal badges of rank on arms. On collars are metal badges - Oak wreath laurels, Crown on top, crossed swords in centre. Letter “R” on epaulettes. .2) Shirt, cream/white. Long sleeved, 6 buttons on front. .3) Black bow tie, with a neck band attached. .4) Cummerbund, red silk.Written on cummerbund is = “24/01 Addington B. 1/9/72”army, formal uniform, passchendaele barracks trust

This photograph is a visual record of Mrs Tatham who was President of the Melbourne District Nursing Society (MDNS) from 1915 until 1923. Mrs. Tatham, with her happy disposition, tact and organizational skills, served the Melbourne District Nursing Society (MDNS) as a very active member for 25 years. At 38 years of age she was elected to the Committee of the MDNS in 1909, and in 1912 was elected as Honorary Secretary until being elected as President in 1915; a role she held until 1923. During this time she undertook roles on fund raising committees, as well as, in 1919, leading the committee in appealing to the public for funds to purchase motor cars for the use of the Society's Nurses so more cases could be visited during the Influenza Epidemic. In 1923 she resigned as President but agreed to take up the role as Vice-president and was the 'Head Almoner' in the Society's newly formed 'Committee of Almoners' who assisted discharged clients from the After-Care to receive assistance from other organizations if required; the name changed to 'Ward Visitors' when the newly formed 'Institute of Almoners' was formed with now trained Almoners. She remained as Vice-President until 1926 when she was appointed as Secretary of the Society and After-Care Home. She remained in this role until her death, aged 63 years, following a tragic car accident in October 1934. Mrs. Tatham was known as "a gentlewoman in the truest sense" and was held in high esteem by her friends and colleagues. Following her death a Ward in the After-Care Hospital was named the 'Constance Maud Tatham' Ward in her memory.Black and white head and shoulder photograph of Mrs. F. (Constance Maud) Tatham. She has a round visage and a small amount of dark curled hair is seen under a dark turned-up brimmed hat with large tails of a flat bow. She is wearing floral frock with buttons down the front; a dark and light coloured scarf is around her neck. melbourne district nursing society, after- care hospital, mdns president, rdns, royal district nursing service, mrs f. (constance maud) tatham

Purchased from Baptist Community Care Shop in Station Street , Mitcham1980s Wedding dress with vee neckline, bodice coming to a point over waistline. Satin bodice with lace motives re-embroidered with pearl and sequins. Tulle yoke and sleeves with embroidered pattern lace motives and sleeve edge also re-embroidered. Satin bow on shoulders with pearl and sequins embroidering. Back of bodice to point over waistline, buttons down back - eleven self covered buttons over zip fasteners. Back waist finished with large bow at waist. Circular skirt gathered at bodice. Three panels inserted in centre front to 67cm high and 60cm wide. Attached underskirt. Train gathered to back waistline, two widths of material with embroidered lace inserts around hemline. Nine arrangements of embroidered lace flowers inserts over the train coming out of satin petal shaped pouches gathered at top to give an impression of a vase.costume, female ceremonial

Long raglan sleeves, round neck with a scalloped edge at the neckline and cuffs. A 1 cm wide nylon ribbon passes through eyelets at the underarm, and ties with a bow at the front opening. Above this, the yoke has three plastic pearl buttons to fasten. The treble pattern of the crochet gives a shell-like effect, to the sleeves, and lower section of the garment, while the yoke, and cuffs have a treble filet pattern.costume, children's, white crochet baby's jacket

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing