One of a series of sketches commissioned by Neville Emerson of Neville Emerson Real Estate, originally for use as christmas cards. EDHS does not hold a Christmas card of this image which was also used on the Wiregrass Gallery calendar for 1982. Whilst titled Main Road, Eltham, the house featured is that of Matcham Skipper which is raised on stilits due to the propensity of the Diamond Creek to flood. The actual address for the house is Dalton Street.Illustration from 1982 calendarart, artist, bill caldwell, fay bridge collection, neville emerson real estate, sketches, wiregrass gallery calendar, matcham skipper, dalton street

Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real EstateChristmas cardart, bill caldwell, emerson real estate, hurstbridge, shops, bassett-smith collection

Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real Estate. The image was also used on the Wiregrass Gallery calendar for 1982 or 1983 Jarrold Cottage Set only metres from Eltham's busy Main Road is this striking reminder of a bygone era. Built in the 1850s, this small cottage, also known as White Cloud or Skippers Cottage, is one of the oildest buildings in Eltham. In the tiny shop at the side of the cottage locals could have their boots soled by Mr. John Henry Clark, the boot and harness maker (and former photographer of note) who boarded with the Jarrolds. "he did a first rate job!" recalls one enthusiastic local. Aside from its early temporary use as Eltham's first Police Station, Jarrold Cottage also attracted attention from one writer in 1902 because of its "Surrey or Sussex village" qualities and its " essentially English" village pond. Remnants of the original pond are still visible amongst the willows.Christmas card 9.5 x 19.5 cmart, bill caldwell, main road, white cloud cottage, artist, fay bridge collection, neville emerson real estate, sketches, wiregrass gallery calendar

Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real Estate. The image was also used on the Wiregrass Gallery calendar for 1983Christmas card 10.5 x 21 cmart, bill caldwell, walter withers house, artist, bolton steet, brougham steet, fay bridge collection, neville emerson real estate, sketches, walther withers, wiregrass gallery calendar

Greeting card from Neville Emerson and Staff with sketch commissioned by Neville Emerson Real Estate The image was also used on the Wiregrass Gallery calendar for c.1984Christmas cardart, grand hall, montsalvat, artist, bill caldwell, fay bridge collection, neville emerson real estate, sketches, the grand hall montsalvat, wiregrass gallery calendar

Donated with a Water Colour painting (6642) of a cottage by Will ReesBlack and white photo of woman on horse with her two children in a rural setting. c 1950's Isobel is the daughter of Will Reeswill rees, art, painting

Mrs Roy Deller[?]/ nee Isobel Pratt office staff GKtextile mills - staff textile mills - history textile mills, returned soldiers and sailors mill, the spirit of anzac, textile mills - staff, textile mills - history, textile mills

Order of service for the funeral of Amy Isobel Huitt, 1915-2010.The Huitt family were well known in the Greensborough area in the mid 20th century.4 page order of service, colour photograph on cover.huitt family, amy isobel huitt, amy huitt

Isobel Antoinette McDonagh (her first name also spelled Isabel, Isabell, Isabella) was born in Jamaica in 1847, a daughter of Robert & Antoinette McDonagh. In 1851, in Ireland, Isobel and her sister Jane were orphaned after both their parents died within a few months of each other. In 1855 Isobel and her sister came to Australia with their uncle John McDonagh and his wife Martha (née Mathews). Following the death in childbirth of her sister Jane in 1878, Isobel married her brother-in-law Frederick William Mitchell in 1881. She was the mother of Frederick William Mitchell, Robert Harold Mitchell, Albert Earnest Mitchell, Ida Olive Mitchell and Lillian (or Lily) Isabell Mitchell.Painted/modified black and white photograph which has been printed on glass, depicts a young lady with hair drawn back from face and worn in a bun or chignon at the back, wearing a dark coloured dress with a high neck and some trimming on bodice and sleeves. A narrow frill of white lace(?) is visible above the collar. Afterwards Mrs. Frederick Mitchell Several pages from a book have been pasted onto the back of the glass on which the photograph is printed. There is some writing in pencil (arithmetic calculation?) across these pages.isobel antoinette mcdonagh, isobel antoinette mitchell

The Grave of Isobel Ida Maddison (died 1998), St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photograph (grave)st helena cemetery, maddison family

The Grave of Isobel Joyce Clements (nee McLennan) (died 13/01/1969) St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, isobel joyce clements

A page from a calendar showing the Marysville Patisserie in Marysville in Victoria.A page from a calendar showing the Marysville Patisserie in Marysville in Victoria. The Marysville Patisserie was established in Falls Road in 2002. The Patisserie was known for its delicious light lunches, European-style cakes, and Yarra Valley fudge, all of which were made on the premises. The Patisserie, along with most of the businesses in Marysville, was destroyed in the 2009 Black Saturday bushfires.marysville patisserie, marysville, victoria, isobel gregory, 2009 black saturday bushfires

Yields information about tram 19 in Bendigo and Mitchell St and its similarities with Ballarat.Agfa colour slides, white cardboard mount, photo by Keith Caldwell 11-3-1962 of: Bendigo 19 about to cross Pall Mall in Mitchell St with the Ezywalkin shoe store in the background and other shops. Tram has the destination of Eaglehawk and has a Briquettes advert on the front dash panel. Signs include Pye, Ezywalkin, A. G. Palmers, Edmonds, Monaghans, Astor Radio and R. White.on the slide stamped in red ink "SUS23102" and in ink "Bendigo 11.3.62 Caldwell" and other pencil markings.tramways, trams, bendigo, mitchell st, tram 19

Isobel Dowling began her career in tertiary education in Ballarat at the Teachers' College. This merged with the Ballarat College of Advanced Education in 1976. More name changes and she finished her career as a lecturer in Sociology and Politics at the University of Ballarat. One of her students was Steve Bracks who became Premier of Victoria. One of her greatest achievements involved pioneering work towards forging a career in higher education for women. An inaugural listing on "Ballarat's Great Women Honour Roll' in 2008, Isobel Dowling died in 2013.isobel dowling, women of note, tertiary educator, ballarat teachers' college, ballarat college of advanced education, university of ballarat, sociology and politics, steve bracks, premier of victoria, career in higher education for women, honour roll in 2008

This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

This design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a three-piece mould, a method often used in the late 19th and early 20th centuries, with the maker's name engraved into the mould section for the base. The glass blower would cut the bottle off the end of his blowpipe with a tool and join a mouth onto the top, rolling the lip. The bottle was then filled with ink and sealed with a cork. This method of manufacture was more time-consuming and costly to produce than those made in a simple two-piece mould and 'cracked' off the blowpipe. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. This particular bottle is unusual as it has four sloping indents at the corners of the shoulder, most likely for resting a pen with its nib upwards and the handle resting on a flat surface. Most of the bottles made during this era had horizontal pen rests that were indented into both of the long sides of the shoulder. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. This only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This hand-blown bottle is significant for being the only bottle in our collection with the unusual sloping pen rests on its shoulder. It is also significant for being made in a less common three-piece mould. The method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle is of state significance for being produced by an early Melbourne industry and exported overseas. This ink bottle is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottle; rectangular base, hand-blown clear glass bottle with its own cork. The bottle has side seams from the base to the mouth, an indented base and an applied lip. The corners of the shoulder sides have unusual diagonal grooves that slope down and outwards that may have been used as pen rests. Inside the bottle are remnants of dried blue-black ink. The glass has imperfections and some ripples on the surface. The bottle has an attached oval black label label with gold-brown printed text and border. The base has an embossed inscription. The bottles once contained Caldwell’s blend of blue black ink.Printed on label; “CALDWELL's BLUE BLACK INK” Embossed on the base "CALDWELLS"flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture, three part mould, cauldwells, cauldwell's

Note by E.B. Littlejohn 4 March 1992, "Also identified: Bert Clinton (another poultry expert) a world expert on poultry parasites, second on left of small boy in front row. E.E. Pescott front row third from right."Large black and white photograph pasted on to cardboard. 3 copies black and white photographs and negative. Group of approximately 200 people outside entrance to Pavilion. Copies donated by Isobel McLennanCaption on original and 1 copy, "Part of Audience which attended Lecture and Demonstration by Mr. A. Hart and Mr. A.V.D. Rentoul, Poultry Experts. Department of Agriculture Burnley Gardens 21st November 1914." On reverse 2 copies, "Part of audience for lectures by A.Hart & A.V.D. Rentoul, poultry experts, D. Of Ag 21/11/1914. Note Bert Clinton, E.E. Pescott (Principal.)"pavilion, audience, lecture, demonstration, a. hart, a.v.d. rentoul, poultry experts, department of agriculture, burnley gardens, bert clinton, poultry

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Isobel McNamaraCotton panties with lace trim, cotton side ties with button on either side.clothin, lace, mcnamara isobel, underwear

Handmade by Isobel McNamara.Silk baby slip with lace edging a rear neck pearl placket opening.Nilhandmade baby clothing, silk, cotton, lace pearl buttons

Handknitted/embroidered by Isobel McNamara- Handknitted woollen baby singlet - Lace pattern with Floral embroidery - Button fastening on both shoulders (shell or plastics?)Nilknitting, baby clothing, embroidery

- Handknitted (on bicycle spokes?) - Isobel McNamara- Handknitted baby booties - Woollen - Satin ribbon Refer to Supplementary fileNilhandworked, knitting, booties, baby

Donated by Heather McNamara From Isobel McNamara, her mother-in-law.Cream guipure lace front.heather & isobel mcnamara lace

Black netting from Isobel McNamara, mother-in-law to Heather McNamara.Piece of black hat netting.hat, netting, idobel mcnamara, heather mcnamara

One of several photographs submitted by Miss Isobel McLennan, daughter of J.P. McLennan. Copy of a black and white photograph of a buggy drawn by a white pony with Principal, J. McLennan and 2 children.buggy, pony, principal, j. mclennan, children, isobel mclennan