Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Jeweller's sample card with six sample of Cameo brooches. Design numbers printed below each design.On the back of the card "From F. PRESCOTT. Artistic Jeweller, BENDIGOcameo brooches, jeweller's designs

Worn by Late Miss E.M. SebireSilver setting blue cameo brooch with clip and on a chain.

The cameo was given to Mrs. Lord by a friend, and she had it mounted in a 9ct gold setting.Oval cameo brooch in a 9ct gold setting, with a chain.

Two copies of this photograph are in the collection. One is Registration no. 619 and the other is Registration no. 267.Sepia photograph of a woman wearing dark jacket and hat, white blouse with cameo brooch at throat.ada bennett, ada keil

Ada Keil married Gordon Bennett in 1935.Black and white portrait of a young woman wearing dress with cameo brooch on bodice, coat and hat.ada bennett, ada keil

This outfit belonged to Ethel May Robertson (nee Watt) b: 1879 in Jindiwick, Victoria, Australia. She was the daughter of John Alexander Watt. John Watt was an early selector who in 1879 selected land on the Marlo Road. She married Frank Edward Robertson on 4 March 1901 in Orbost.A black silk lace skirt and top. It has a petticoat attached. There is a black scarf with a cameo brooch attached.costume-women's lace robertson watt

The portrait photograph is of Nina (Regina) Black (Mavrokefalos). Nina is the first born of Constantine and Efstathia (Toula) Mavrokefalou. Her father was a founding member of the Society and her mother was President of the first Greek women's committee established in Melbourne in 1917, the Greek Women's Organisation. Nina was well known for her contribution to Greek community life. Nina was a member of Ladies' Auxiliary of the IPS in the 1950s and held the position of treasurer. Nina was also a member of AHEPA and the first president of the Daughters of Penelope. She taught Greek at the Greek Community school as well as to non-Greeks at the Council of Adult Education. Nina also performed in Greek theatrical productions and taught Greek dance to Greeks and non-Greeks. In 1985 Nina Black received the Hellenic Distinction Award for her contribution to Greek language and cultural pursuits in Australia and during the Bicentennial celebrations (1988) she was honoured by the Australian Government for achievements in the wider Australian community. A studio photograph of a head and shoulders profile of a young lady. She is wearing a cameo brooch at her neck. culture

A cameo brooch with carved image depicting a side profile bust portrait of female holding racquet. Materials: Shell, Silver/Metaltennis

Oval cameo brooch, with a marcasite and gold trim around the edge of the cameo. Has a pin for brooch-style and a clip for necklace-style.brooches

A cameo brooch with carved image depicting a side profile bust portrait of female about to hit ball with racquet. Materials: Shell, Gold/Metaltennis

Studio Portrait of older Lady with umbrella and glasses wearing a Toque - a lace Cape - pinned at neckline with a cameo Brooch and Chain. Note fine Dress.stawell

A cameo brooch with carved image depicting a female playing tennis and inscr: 'US OPEN'. Maker name inscribed in side of shell section. Brooch framed by gold filigree. Materials: Shell, Gold/Metaltennis

A cameo brooch with carved image depicting a female playing tennis and inscr: 'WIMBLEDON 2001'. Maker name inscribed in side of shell section. Brooch framed by gold filigree. Materials: Shell, Gold/Metaltennis

Black and white matte copy of a drawing of a solemn young woman wearing a dark buttoned bodice with a white collar and a cameo brooch at her throat. Her dark hair is drawn back into a low bun.mrs newcomen

Frederick Napoli Prescott was a prominent Bendigo Optician and Jeweller. He was born and educated in Hobart before joining his father's jewellery and optical business. After studying in Europe to gain further qualifications he returned to Australia and opened a business at the corner of Mitchell and Hargreaves Street Bendigo. He was later in partnership with Mr C.M. Dawe trading as Prescott & Dawe. Vyse Street Birmingham was once the centre of the jewellery making industry in Birmingham.Jeweller's sample card with samples of Cameo brooches, bar brooches, a necklet and a set of earrings. Design numbers printed below each design. A label glued on to the back reads " WALTER NEEDHAM, PARAGON WORKS, 34, VYSE ST., BIRMINGHAM, ENGLAND.jeweller's designs, cameo jewellery

Black and white image, black border around photo. Portrait of young woman seated dressed in long dress, hat with ruched underneath, cameo brooch at neck of dress. On back of photo, Photographers Miniature and Portrait Painters, Bartlett Bros View Place Sandhurst.Bartlett Bros., Sandhurstcottage, miners, bartlett bros., bendigo, sandhurst, woman

A cameo 'habille' brooch with carved image depicting a side profile portrait of female holding racquet and wearing diamond bracelet. Materials: Shell, Gold/Metaltennis

This print was an 1885 Christmas gift from the publishers of the Australian Town and Country Journal to their subscribers. At that time Queen Victoria was 65 years old although she may not have been that age when the portrait was painted. The print shows Queen Victoria’s signature in the bottom right corner. It cost sixpence per copy and operated from 1870-1919. The Australian Town and Country Journal was printed weekly, on Saturdays, in Sydney. The edition on December 26, 1885, contained 51 pages. The Journal claimed “Circulation Ten Thousand Copies, Greater than any other Weekly in Australia.” The frame of the print has a solid back of thick timber panels and is crudely made. The edges of the frame appear to have an underlying plaster base that has been covered with a layer of wood. The corners are reinforced with metal protectors. The subject of the print is Queen Victoria, Queen of the United Kingdom of Britain and Ireland. She was born as Princess Alexandrina Victoria of Kent on May 24, 1819. She became Queen on June 24, 1837 when King William IV died. She married Prince Albert of Saxe-Coburg and Gotha on February 10, 1840. Queen Victoria lived and reigned until her death on January 22, 1901, at age 82 years, after reigning for sixty-three years and seven months. This portrait is significant historically for its origin as an inclusion the Australian Town and Country Journal, a late 19th century Australian weekly newspaper, in circulation for almost fifty years. The portrait gifted to the newspaper’s subscribers is historically significant as an example of the connection between the people in the British Colony of Australia, with the value and respect held for the Queen of the Colony. The frame of the portrait, of solid and protective construction, shows the value that the owners placed on this portrait.Print behind glass in a brown wooden frame; coloured print of a portrait of Queen Victoria, made in watercolours. The Queen is wearing a blue sash, crown, and white ribbon pinned to the sash along with a cameo brooch and Royal Emblem. The portrait has an oval floral border of roses in pastel colours. Text is printed outside the border, as a title above and a signature below, in the lower right corner. The back of the frame is made of heavy timber panels with holes for attaching wire. The timber frame is over a white layer of soft substance, perhaps plaster. "Presented to the Subscribers of the Australian Town and Country Journal, December 25th 1885" “Victoria R”flagstaff hill, warrnambool, flagstaff hill maritime village, flagstaff hill maritime museum, maritime museum, shipwreck coast, great ocean road, queen victoria, princess alexandrina victoria of kent, portrait of queen victoria, australian town and country journal, presented to subscribers, 1885

The Studio Portrait shows a older woman looking to the left of camera. She is wearing a cardigan over a pale top with a cameo brooch pinned to it. Her grey hair is tied back. She is wearing wire-framed glasses. Message on the back of postcard says “Grey Hair. Blue Eyes. Bust (crossed out). If possible to be done without glasses. Please let me know in letter when it will be delivered. Address (obscured) Madigan c/- Mrs H. Currie, 11 Princess St, Seddon.” The woman is Margaret Madigan, nee Brady, wife of Patrick Madigan The couple lived at Menzies Creek.

Black and white photograph mounted on cream card with embossed border. Subject is a young lady dressed in a white dress with a black graduation robe with three stripes on the sleeves. On her head is mortarboard with tassel hanging on the left. She is standing with one hand resting on a table and in the other she is holding a book with the word Longfellow on the cover. She has a brooch in the shape of a bar with a cameo suspended from it at her neck.photograph, portrait, female

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the brooch-pendant has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal brooch-pendant with a cameo of one pink and one red rose."© SARAH COV" thought to be first used in 1953 on the lower edge of the back surface.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, brooch-pendant, brooch, pendant

Black and white head and shoulder cameo photograph Lena Briderson (Mrs Beyer) wearing high lace collar finished with a bar broochgenealogy