Showing 4 items
matching camp 1 art work
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Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, 1945
... camp 1 art work.... baron von brandenstein camp 1 art work watercolour painting ww2 ...Watercolour painting done by internee Baron von Brandenstein whilst an internee in Camp 1 Tatura.small water colour painting of gum trees, blue sky and white clouds in light coloured timber frame with glass.on back: painted by Baron von Brandenstein 1945 in Tatura German Internment Camp. Signed on front left bottom - CB 1945baron von brandenstein, camp 1 art work, watercolour painting, ww2 internee art work -
Tatura Irrigation & Wartime Camps Museum
Album - small photo album
The artist of the sketches Hans - Wolter von Gruenewaldt - ex South African Mining Engineer served in the North Africa campaign. This album also includes photos of visitors to the Tatura Museum, Memorial service German War Cemetery 1992 and visitors to Camps 1, 2, 4 and 13 Photos include Murchison R.S.L clubhouse,which was Murchison P.O.W Camp,13 Recreation Hall, Colonel Walter Tinsley D.S.O who was appointed Commandant camp 13 1946, Folk Dancers from Hungary,Scotland, Yugoslavia, Russia, Spain, Holland, German waitress, African Mother and Child,, Asia, Australian swagman, Australian A.W.A.S, British Army W.O, British Naval Officer. Visitors to Memorial service German War Cemetery 1992 Photos show a collection of the art work painted on walls of Camp 13 Recreation hall Small, green coloured photo albumHans-Wolter von Gruenewaldt, German P.O.W. painted these scenes and figures as murals on the walls of the camp 13 Recreation Hall. The hall was transferred to Murchison after WW2 and was purchased by the Murchison R.S.L. as its headquarters in 1955. These paintings can now be seen at the David Jones Nursing Home in Murchison.murchison pow recreation hall, german war cemetery -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, 5 Trees and a River
1 of 2 Oil painting by Charlotte Rippert which were given to Otto Lobert and his wife on the wedding Camp 3 1946.landscape scene with a hill in background and five tall trees and a river in the foregroundBack: 'Oil Painting by ??Charlotte Rippert?? Wedding Gift - in Camp 3. DONOR: Otto Lobert (One of pair C3502) Nov. 1993)charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, oil paintings, internment camp art work -
Federation University Art Collection
Painting, Norman Hofmaier, 'Promethius 1 from the Mallee Mysteries Series', by Norman Hofmaier
Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni