The Camp Hill State School is a gothic inspired building, completed in 1877, with an initial enrolment of over 1200 students. A deputation had previously been made in 1875 proposing that a school be built. As well as regular classes, night classes for boys were held at Camp Hill from 1879.Red covered Minutes Book, handwritten in ink, from June 1967 to April 1976. Known as Camp Hill State School until Feb 1972 when it was changed to Camp Hill Primary School.Written on inside first page "Minute Book, Camp Hill state School, Mother's Club". Price of book $1.79 written in pencil on fly leaf.minutes, mothers'club, 1960s, camp hill state school

Colour photo of Camp Hill Primary School located in Rosalind Park, Bendigo. Photo taken from the Post Office tower.education, bendigo, camp hill state school, camp hill primary school.

A black and white photograph of Camp Hill State School C. 1950s.' Bendigo Teachers' College was situated here in a section of the school.bendigo, education, camp hill state school, la trobe university bendigo collection, bendigo, collection, education, camp hill state school, state schools, schools, primary schools, bendigo teachers' college, photo, photograph, photographs, photography, tertiary education, teacher training

Photograph. Camp Hill Primary School, 1960s. Above Rosalind Park.bendigo, education, camp hill primary school

Black and white photograph of high school site taken from Camp Hill School in 1870, looking North East. Inscriptions: Identification of buildings typed on attached paper. Far left is the Corporate High School, the Police Office is the long building, the Supreme Court building at read and the Principal's residence towards the foreground. The vegetation and path in the front is now part of the Camp Hill Primary School.place, landscape view

A black and white photograph of Camp Hill Primary School above Rosalind Park. This is a brick building with arches and quoins, tall lancet windows and steep slated roofs. It has a tower with a balcony, a fire-brigade lookout and a steeple.bendigo, education, camp hill primary school, la trobe university bendigo collection, collection, bendigo, education, tertiary education, primary schools, state schools, bendigo teachers' college, buildings, schools, central state school, camp hill primary school

Black and white photo: landscape view of Bendigo valley looking towards One Tree Hill in distance. Great Extended Hustlers timber mine buildings, chimney and poppet head in foreground, trees middle ground, One Tree Hill in background. On back 'Mng10' In pencil - 'Great Extended Hustlers Freehold looking south, Moore St., just north of mine'. James Lerk ' From Hustlers Hill looking over Bendigo to One Tree Hill' late 19C, early 20C ?bendigo, gold mining, great extended hustlers, great extended hustlers mine, mining, one tree hill, camp hill primary school

(a) A black and white photograph of Camp Hill State School the third site of Bendigo Teachers' College. The top right hand rooms were used from 1945 to house the college until May, 1959. (b) A Bendigo 'Advertiser' photo of the Central State School situated in Rosalind Park, Bendigo. See 3320.100bendigo, education, camp hill state school, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, photo, photos, photograph, photographs, photography, state school, primary school, bendigo teachers' college, central state school, camp hill state school, rosalind park, ms. j.c. burnett, mr. geoff pryor, newspaper, advertiser, place, building

Photograph of Camp Hill State School (Central School) looking up the hill from Rosalind Park. There are several children standing on the bottom left and right of the shotbuildings, government, camp hill state school, central school, rosalind park

B&W photograph Grade 4B, Camp Hill State School Four rows of students taken in school ground Mixed class, some nominated student names: N. Weddle T. Bodner (!), N. Player, F. Leach, Cannaton (!), Stadler, B. Murley, Neilson, R. Hardman, K. Brown, N. Wiley, A. Richardson, D. Quinn C. Watts, F. Kerr, C. Johns, P. Leachphotograph, camp hill school

From Police Camp to Pedagogue: Camp Hill Primary School No. 1976 Centenary 1878 - 1978. (1978). Wesley C. Harry and Edward C. Thompson. 42 pages. Includes b/w photographs. Turn to page 21 for information on the Camp Hill ghost. With IndexWesley Harry and Edward Thompsonbendigo, education, camp hill primary school, bendigo, gravel hill primary school no. 1976. education, schools.

Sepia post card, printed on back 'Post Card, printed in Australia, R.E.M. Series' Image shows Camp Hill Primary School at top of image, gardens below. Gardens being tended by students.place, building, camp hill primary school, camp hill primary school, central school, camp hill, bendigo, students, school

Minute Book for the Camp Hill State School Committee. First entry 4 April 1958 - President Mr. J Thomas. Last entry 17 September 1970. Includes several invoices and letters of correspondence. Cream coloured cover. Printed on front cover 'Minute Book Education Department, Victoria'book, camp hill, camp hill state school

Black & white photograph of Camp Hill primary school, Gaol and Bendigo High school taken from poppet head by Bendigo Advertiser. From Carwardine collection. Carwardine.W.H. Soap & Soda Crystal works Charleston Road Bendigo (Sands& McDougall 1907-1908)Bendigo Advertiserphotograph, streetscape, bendigo, bendigo-history-gaol-schools

''From Police Camp to Pedagogue'' - Camp Hill Primary School No. 1976 Centenary publication 1978. Compiled by Wesley C Harry and Edward C Thompson. Detailed 32 page photocopy history of school with some photos- various class photographs, views, ''Camp Hill Champion Club Swingers 1903''. Includes list of 1978 School Council (Arie Eyles - then current Principal; List of all Head Teachers for 1878 - 1977.Compiled by Wesley. C. Harry, Edward. C. Thompson.school, centenary, camp hill primary school no.1976

Two small black and white photographs of Room 1 at Camp Hill State School. (a) Ms. J.C. Burnett is photographed teaching a class. She has a blackboard behind her and she is looking at some books on her desk. She is wearing a gown over her clothing. (b) A black and white photograph of an unknown teacher standing in front of her desk. There is some work written on the blackboard. On one side the date is written as August 4th with some writing below. On the other side is some writing underneath the heading 'Instruments of the Orchestra'. 14/8/47. See 3320.100bendigo, education, miss j.c. burnett, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, ms. j.c. burnett, camp hill state school, photo, photos, photograph, photographs, photography, staff, bendigo teachers' college, mr. geoff pryor, history, place, person, female

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.