Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Mutton Bird eggers camps Cape Woolamai showing tent sites, boats in bay. Several figures standing on the old stone jetty built from red Woolamai granite. Part of the Granite Quarry.Mutton Bird eggers' camps Cape Woolamai.local history, photography, photographs, postcards, phillip island, mutton bird eggers camp, cape woolamai

During the construction of the Kiewa Hydro Electric Scheme at Bogong Junction camps of tents were built from 1935. These were replaced by houses for the workers in 1940 when the Bogong township was built.The SECV constructed the Bogong township to house workers on the Kiewa Hydro Electric SchemeA plastic Folder with a black spiral spine and black back cover. 3 pages typed on one side naming and describing the camps at Bogong Junction in the 1930s.miners camp, staff camp, reservoir camp, bogong township, lewis construction camp, albion quarry camp

Compiled from articles submitted by member societies of the Association [regional] Historical Societies. A collection of stories about holidays, camping, picnics, sporting carnivals and more. How people enjoyed their leisure time n the early 1900's. Empire Day train services to Surrey Hills 24th May 1907 by Jack McLean is of particular local interest on page 23.A collection of stories about holidays, camping, picnics, sporting carnivals and more. How people enjoyed their leisure time n the early 1900's. Empire Day train services to Surrey Hills 24th May 1907 by Jack McLean is of particular local interest on page 23.scouts, doncaster, empire day, surrey hills, 1907, (mr) jack mclean, trains, box hill, sports and recreations

The American fleet camps at Warburton Negative Black white Scanned at 600 dpi

Image of a Charles Conder painting on front of soft covered book titled The Artists' Camps: Plein Air Painting In Melbourne 1885-1898. FOREWORD by Margaret Plant - Department of Visual Arts, Monash University. The paintings of the 'Heidelberg school" are the best loved group of works in Australian art. The affection is linked in the national mind with a recognition that the authentic Australian landscape had been discovered and colonial bonds broken. The painting activity of the 1880s and 1890s was by no means confined to Heidelberg. Helen Topliss painstakingly presents the variety of sites around Melbourne, in the bush and on the coast, reconstructing their original character and the history of their accessibility. The major figures are well known — Roberts, McCubbin, Streeton and Conder — but there were a number of 'minor' artists associated with the various painting spots that have been too long neglected. A research programme is here initiated in the hope that some of these figures might be more fully returned to us. The restoration of the sites provokes a more extensive roll-call of artists involved in the plein air phenomenon. Various expressions of nationalism in the late nineteenth century have been accorded attention: the painters contributed in varying degrees. But it is, finally, the quality of the painting, the freshness, the particularity of nuance, the calculated aesthetic angles that have governed response and inspired affection. The elegant relaxation themes of many of the paintings have in fact been overlooked in the intellectualization of the quest for 'national identity'. The orchards and the beaches, the ladies promenading a la mode on the beach at Mentone or in the grasses of Box Hill are as important to our artistic tradition and social history as the shearers of rams.

Folder of information including a list of Military Camps in the Eltham area 1930-1940. Including photocopy of pages from unknown book, printout of photo from State Library Victoria and various copies of historial newspaper articles researched by Jim Allen in 2008HG Booklet 4harry gilham collection, military camps, eltham