This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Cape Town from New York on the S.S. Morgenster. This ship is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photographs depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the S.S Morgenster, sailing from New York to Cape Town.Date on verso: 19-2-48allan-quinn, colour-photograph, morgenster, cape-town, new-york

This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Cape Town from New York on the S.S. Morgenster. This ship is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the S.S Morgenster, sailing from New York to Cape Town, Date on verso: 19-2-48.allan-quinn, colour-photograph, morgenster, cape-town, new-york

This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Cape Town from New York on the S.S. Morgenster. This ship is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the S.S Morgenster, sailing from New York to Cape Town.Date on verso: 19-2-48allan-quinn, colour-photograph, morgenster, cape-town, new-york

This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Cape Town from New York on the S.S. Morgenster. This ship is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the ocean and the S.S Morgenster, sailing from New York to Cape Town.Date on verso: 19-2-48allan-quinn, colour-photograph, morgenster, cape-town, new-york

This photograph is part of series of colour photographs taken by Allan Quinn while sailing to Capetown from New York on the S.S. Morgenster - which is mentioned in some of Allan's letters (such as Object 0152).This is a photograph from the Allan Charles Quinn collection which is a collection of letters and photograph depicting aspects of life at sea for a young man in the era immediately following World War II.A colour photograph of the ocean and a ship - the Cape Town Castle - off the coast of Cape Colony, dated 29-2-48.allan-quinn, colour-photograph, morgenster, cape-town, new-york

Pinnacles, Cape Woolamai Phillip Island. Beautiful coastal area. Part of the Jessie Smith Collection.View of The Pinnacles - coastal rocks projecting into sea at Cape WoolamaiThe Rose Series P 677. The Pinnacles, Cape Woolamai, Phillip Is., Victoria.local history, photographs, cape woolamai, phillip island, black & white photograph, coastal geography, jessie smith collection, stan mcfee

This card is part of the McIntyre collection from three sons, J.L. McIntyre (founding member of Lara RSL Sub Branch WW1; J. W. McIntyre WW1 and T.G. McIntyre WW2. Jim McIntyre picked this card up while on leave in Cape Town, South AfricaA card sent home to family from WW1 Anzac serving in the AIFOn cover (see image) is written Everlasting Silver Leaves from Table Mountain Cape Town South Africa On second page (see image) is a photo of Strand Street, Cape Town On third page (see image) are three leaves with a picture of flowers, a hand and sign 'Remember Me' On back page (see image) is writing - Cape Town 12/1/17 To Florrie From Jim silver leaves, table mountain, cape town, south africa, ww1, world war 1, australian army, aif, mcintyre, strand street

Digital file only - scanned by EDHS from item on loan aif, cape town, eric, first world war, letters, lew howard collection, south africa, ww1

Card was sent by Harry Jenkins, owner of Churchill Island 1936-1963, to his aunt Ada Annie Trott in 1902 while he was serving in the Boer War. It shows prison camp in Cape Town.Communication from Harry Jenkins, a previous owner of Churchill Island and serving Australian soldier to his family in Boer War. This forms part of an eclectic collection of documents from Harry Jenkins.Folded card with printed front cover, blank back page. The front cover has a thin black border with printed drawing of leaves and vines concealing a black footed cat with 'Everlasting Silver Leaves From Table Mountain Cape Town South Africa' inside. Inside left is sepia photo stuck on showing "prisoners' camp cycle track Cape Town". Inside right page has three everlasting silver leaves. Centre leaf has hand painted three ostriches and a tree. Left leaf has handwritten " Loving greetings". Right leaf " To my dear Aunt". Red white and blue striped ribbon glued to base of centre leaf.Front: EVERLASTING / Silver Leaves / from Harry J [handwritten in ink]] / FROM / JAN 25 1902 [ink stamp] / TABLE / MOUNTAIN, / Cape Town / SOUTH / AFRICA. Inside: Prisoners Camp, Cycle Track, Cape Town Loving/Greetings [handwritten on leaves in ink]/To my/Dear/Auntharry jenkins, jenkins, boer war, churchill island, ada, annie, trott, boer, card, communication, australian, soldier

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. Part of the rock formation on Cape Woolamai. Known as The Watch Tower.Rose Series P679. The Watch Tower, Cape Woolamai.local history, photography, photographs, postcards, cape woolamai, phillip island, black & white postcard copy, the watch tower, rock formation

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. Rock formation known as The Pinnacles at Cape Woolamai.Rose Series P678. The Pinnacles, Cape Woolamai, Phillip Island, Victoria.local history, photography, photographs, postcards, phillip island, black & white postcard copy, the pinnacles, cape woolamai

Part of a collection of Rose & Valentine series Post Cards. Copied by John JanssonView on Cape Woolamai of Mutton Birders' Camps and their boats anchored in the bay. Figures on beach and sitting around their tents.Mutton bird eggers camps Cape Woolamailocal history, photography, photographs, postcards, black & white photograph, phillip island, mutton bird eggers camp, cape woolamai

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View at Cape Woolamai. Faint background of Phillip Island including The Nobbies.The Rose Series P3425. view at Cape Woolamai, Phillip Island.local history, photography, photographs, postcards, cape woolamai, phillip island, black & white postcard copy

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Male & female looking for Mutton bird eggs on Cape Woolamai - western side - looking towards the "Pinnacles".Seeking for Mutton Bird eggs Cape Woolamai Phillip Islandlocal history, photography, photographs, postcards, black & white photograph, phillip island, cape woolamai, the pinnacles

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Mutton Bird eggers camps Cape Woolamai showing tent sites, boats in bay. Several figures standing on the old stone jetty built from red Woolamai granite. Part of the Granite Quarry.Mutton Bird eggers' camps Cape Woolamai.local history, photography, photographs, postcards, phillip island, mutton bird eggers camp, cape woolamai

Pinnacles south side of Philip Island, Cape Woolamai. Part of the Jessie Smith Collection.Coastal view of The Pinnacles, Cape Woolamai - rocks at coast edge.local history, photographs, the pinnacles, cape woolamai, phillip island, coastal geography, jessie smith collection, stan mcfee

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984Black & White Postcard. View of Philip Island from high up on Cape Woolamai - Churchill Island can be seen on right hand side of photograph.The Rose Series P676. Looking over Phillip Island from Cape Woolamai Victorialocal history, photography, photographs, postcards, black & white postcard copy, cape woolamai. phillip island, churchill island, phillip island

View of Cape Woolamai with fishing boat. Part of the Jessie Smith Collection.View of Cape Woolamai from San Remo with 3 masted boat in background, right.local history, photographs, cape woolamai, phillip island, sepia photograph, coastal geography, jessie smith collection, stan mcfee

Produced for the Centenary of the town of Stawell. contains Photographic copy of the proclamation of the Borough of Stawell, list of the members of the Borough Council 1870, Minutes of the first meeting of the Council. Past Mayors and othe rinformation White Card Cover with Blue Print, including the Town of Stawell seal,Centenary of the Town of Stawell (Seal of Stawell) Proclaimed a Municipality - November 10th 1869 First Council Meeting January 12th 1870 Centenary Council Meeting Monday, January 12th, 1970stawell

Colour photographs of Cape Schank and the Cape Schank Lighthouse.cape schank, cape schank lighthouse, sea

Medal issued to commemorate the 50th jubilee of the Town of Kew. It names J.F. McCrea as Mayor. John Falding McCrea was Mayor of Kew 1910-11. Kew was proclaimed a municipality on 22 December 1860, seceding from the Boroondara Road Board District, then comprising Kew, Hawthorn and Camberwell. It was proclaimed a town on 8 December 1910, the year this medal was issued, and a city on 10 March 1921. On 22 June 1994 Kew city was united with Camberwell and Hawthorn cities to form Boroondara city. (MV)This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Bronze Town of Kew Jubilee medal in the shape of a Maltese Cross.Obverse description Shield of six wheat-sheafs above motto CRESCO on ribbon; above shield is the Royal coat of arms with lion and unicorn supporters and, on ribbon DIEU ET MIN DROIT; on arms of cross top, TOWN / OF, bottom, KEW, left TO COMMEM / -ORATE, right, ITS JUBILEE / 1910 Reverse description shield of six wheat-sheafs above motto CRESCO on ribbon; above shield is the Royal coat of arms with lion and unicorn supporters and, on ribbon DIEU ET MIN DROIT; on arms of cross top, TOWN / OF, bottom, KEW, left TO COMMEM / -ORATE, right, ITS JUBILEE / 1910town of kew jubilee (1910), commemorative medals - kew (vic), australian commemorative medals

This painting is one of a pair of large paintings by W. Langley-Taylor in our collection. Currently, no further information has been found about the artist but research is ongoing. The subjects of these paintings are seascapes of notable areas of the coast on each side of Port Phillip Bay, south of Melbourne, Victoria. The subject of this painting is Cape Schanck, Victoria, which is on the east side of Port Phillip Bay. It includes the Cape Schanck Lighthouse and its Flagstaff. The Cape Schanck Lighthouse was built in 1859 and is the second of Victoria’s coastal lights. It is 21 metres tall and made from limestone. Unusually, its stairway is made from stone rather than wrought iron. Gilded tours are available to explain its use and significance to visitors. The lighthouse keepers at Cape Schanck kept records of the ships that sailed past them along Bass Strait; ship’s names, direction, time and date and so on. The details would also be passed on to shipping agencies, Harbour Masters and newspapers, which published Arrivals and Departures into and out of shipping ports such as Port Phillip Bay and the Port of Melbourne. INSCRIPTIONS “Mrs M Irby” (and on the Eagle Rock, Warrnambool, painting “980/Regency”) The inscription “Mrs M Irby” is on the back of both paintings but the significance of the inscription has not yet been discovered. Perhaps she was connected with the ship or shipping company “Irby”. A ship named “Irby”, built in Merseyside, Liverpool in 1881 by R & J Evans, Birkenhead. It was a four-masted iron ship built for the White Star Line. Henry Wilson Hewitt bought her in 1882, then later she was owned by Chadwick & Pritchard. In 1888 she was registered under the Irby Ship Co. Ltd. (trading as J. Joyce) in Liverpool. In 1912 Galgate Co. Ltd owned her. She traded between London, England and Australia, and is recorded as being in Melbourne and Hobart. In 1919 the Irby was destroyed by a mine when on her way to England. Or perhaps her name and the inscription in pencil “980/Regency” on the Eagle Rock Warrnambool, painting could be a delivery address for the paintings, perhaps an apartment in a hotel. NOTE: The artist’s spelling of the title “Cape Schank, Vic.” is incorrect. The location in this painting is named Cape Schanck. This painting is significant geographically for its representation of the coastal scenery of Victoria, Australia. It is also significant as one of a pair of paintings of seascape, one at sites each side of Port Phillip Bay. The painting is significant historically as an example of late 19th and early 20th methods and materials used to construct a painting’s frame. Painting oil on board in a dark wooden frame, portrait orientation. Seascape of coast with cliffs, lighthouse and flagstaff, flying birds, high waves breaking onto rocks, blue sky with clouds. The title is painted on lower left corner and the Victorian artist, W. Langley-Taylor, has signed his name on lower right. The inscription on back is handwritten script in red crayon or thick red pencil. The board is held in place inside the timber frame with small, dark metal tacks around all sides. Metal eyes join the wire to the frame. Small round, dark metal nail heads are dispersed around the frame and there is a change of colour on both the board and the wood of the frame. Painted on front “W.LANGLEY-TAYLOR.” and “CAPE SCHANK, VIC.” [NOTE: correct spelling is Schanck] Handwritten on back “Mrs. M. Irby” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, painting, oil painting, cape schanck painting, w. langley-taylor, wall decoration, seascape of victoria's coast, art, mrs m irby, victoria's coast, pair of paintings

Sepia photograph of the coastline, people at the waters edge and standing on large granite blocks. Two people in a small dingy near the edge.The Quarries Cape Woolamaicape woolamai, photographs, granite quarry cape woolamai

Colour photograph of a landscape at Cape Bridgewater.cape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest

Colour photographs of the beach at Cape Bridgewater.cape bridgewater, beach

Part of a collection of 'Rose & Valentine' series of Post Cards. Copied by John Jansson 1984View on Cape Woolamai of rock formation on western side of Cape."The Rocks" Cape Woolamai, Phillip Island Victorialocal history, photography, photographs, postcards, cape woolamai, phillip island, black & white postcard copy, rock formation

Colour photograph of the Petrified Forest at Cape Bridgewatercape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest

Colour photograph of wind turbines at Cape Bridgewater.cape bridgewater, geology, ocean, coastal, landscape, seascape, petrified forest, wind farm, wind turbine