Showing 2 items matching "carroll's terrace"
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Port Melbourne Historical & Preservation SocietyPhotograph - Carroll's Terrace, Bay Street, Port Melbourne, Arthur Rowan, 1987
... Carroll's Terrace, Bay Street, Port Melbourne...CARROLL...Carroll's Terrace...Small print mounted on white card, with mounted, typed caption: Carroll's Terrace 350-364 Bay Street P.M. Built in 1884 as houses, altered in 1927 to incorporate shop fronts....Built Environment - Domestic Built Environment - Commercial Arthur ROWAN William CARROLL Carroll's Terrace Small print mounted on white card, with mounted, typed caption: Carroll's Terrace 350-364 Bay Street P.M. ...As a member of the Port Melbourne Historical and Preservation Society, donor Arthur ROWAN photographed a series of significant buildings in the Port and South Melbourne area over several years. A selection of nineteen of these was presented to the Port Melbourne Society in 1993.Small print mounted on white card, with mounted, typed caption: Carroll's Terrace 350-364 Bay Street P.M. Built in 1884 as houses, altered in 1927 to incorporate shop fronts.built environment - domestic, built environment - commercial, arthur rowan, william carroll, carroll's terrace -
Women's Art RegisterBook - Monograph, Alison Carroll, Barbara Hanrahan. Printmaker, 1986
... Terrace Cemetery. Thursday 5th Dec at 11.30 AM Rd5 Path 28. White Lady Funerals (inside back cover) Barbara Hanrahan. Printmaker Book Monograph Alison Carroll Wakefield Press ...Traces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender
