Leo Charles Roy Pallamountagne was born at Moyhu, Vic, Aus. and at the time of WW 1 was employed as a farm hand on the property of Mrs Ellen McCormack (nee Power) at Ovens Vale, Victoria, Australia. Ellen's husband, John McCormack, had deceased 1916. Leo was born at Moyhu, Vic. 1899. He enlisted for service abroad on 30/8/1916 and was posted to the 21st Battalion, Serial No. 6829. Leo's next of kin was nominated as Clara Pallamountagne of Benalla, Victoria. Leo's father was listed as "whereabouts unknown" at the time of Leo's enlistment. Leo was wounded in action in France, Oct 1917. Leo returned to Australia on 10th March 1919 and was discharged on 17th April the same year. Leo (or Leon) married Evelyn Mary Paxman in 1922, they had seven children. Leo died on 23rd April, 1941 at the Military Hospital, Caulfield. Address in 1931 was Pier Street, Dromana. Occupation, Civil Servant Address in 1936 was Tresco, Victoria, Occupation, OrchardistMemorabilia of Leo Pallamountagne War Service on Western Front, France, 1917. Postcard of card and light gauze cloth upon which is embroided six flags in national colours flanking a rising sun plus wording in red on a blue ribbon flourish "For Liberty and Justice 1917"Hand written in pencil Addressed to Mrs J McCormack, Ovens Vale, Victoria, Australia. "France Sept 1917 To the Company just a few lines hoping you are all well as it leaves me at present There is not news here at present but will write again, Your true Friend Leo, Pallamountagnepallamountagne. western front. postcard.

The postcard was sent to Miss Reita Austin by D. Campbell in January 1907, while Miss Austin was holidaying at Sorrento. The postcard is postmarked "LINTON /VICTORIA" and is dated "JA 8 / 07".Black and white postcard photo showing young lady with hair loose over her shoulders, with grapes and leaves decorating hair, wearing strapless dress with flowers on bodice.Addressed to: "Miss Reita Austin, Ellerslie, Back Beach Rd, Sorrento. Postmarked: "Linton / JA 8 / 07 / Victoria". Message: "Dear Miss Austin, you ought to be enjoying your trip at the sea-side it is enough to melt anyone up. Am just sending silly P.C. with this mail. P.C's are very scarse in Linton and there are not many nice ones. With love D Campbell".d. campbell, reita austin

Postcard, WW1, sepia image of the ruins of a Church. Location unidentified. Desolate landscape. Written on the back in pencil "G41" and stamped "B148".postcard, postcard, ww1, church ruins

Postcard, WW1, Sepia photo of some ruined buildings either side of a pathway. Wooden gate in background. Location not known. G47 written in pencil on the back and stamped B148postcard, postcard, ww1, france, ruins

Postcard, coloured photo of the Piazza Municipio (main square) in Naples, Italy. Buildings around two sides of the Piazza. Pedestrians in foreground one with a box on his head and next to him one wearing a yellow/orange cape. Equestrian statue on a plinth in the centre is of Vittorio Emanuele II of Savoy.postcard, photograph, postcard, naples, italy, victor emanuel ii

Postcard, B&W photo of an iced over river with a destroyed bridge in foreground. Buildings on the left. Covering of snow all over. Handwritten in pencil on the back, I2 - The Lys and destroyed bridge between Bac St Maur and Croix du Bac (near Armentieres) G15 (crossed out)postcard, postcard, ww1, river lys, bac st maur, croix du bac, armentieres

Postcard, coloured photo of Geneva, Switzerland on the shores of Lake Geneva. The Brunswick Monument is shown at right in the Jardin des Alpes. Several horse drawn carriages are parked among trees on the boulevard. The Monument is a mausoleum built in 1879, to commorate the life of Charles II, Duke of Brunswick. On the reverse is printed - Photographie- Verlag Wehrli A.-G. Kilchberg, Zurichpostcard, photograph, postcard, geneva, switzerland, duke of brunswick

Postcard, B&W photo of a panorama view of Montmartre, Paris, France. The domed cathedral Sacre Coeur is prominent with the bell tower on the right. Apartment buildings in the foreground.postcard, photograph, postcard, paris, montmartre, sacre coeur

Postcard, B&W photo of the railway station serving the villages of Iselle and Trasquerra in the Piedmont region of north west Italy. It was opened in 1906. The rail tracks lead to the entrance of the Simplon Tunnel in the distance. An empty flat tray carriage sits on the tracks (lower right). Part of the the Simplon road (Strada del Sempione) is shown at lower left. This road connects Italy to Switzerland.postcard, photograph, postcard, iselle, trasquerra, italy, station, simplon tunnel.

Postcard, B&W photograph, taken from the Eiffel Tower in Paris, of the new section of the Champs-de-Mars park. The park and trees have been tinted green for the postcard. Among the buildings in the distance can be seen the dome of the Pantheon.postcard, photograph, postcard, paris, parc du champ-de-mars, eiffel tower, pantheon

Postcard, abstract purple image of a dwelling and flowers. Addressee on the back 'Miss Lyd Geehard'postcard, lyd geehard

Views of places before and after bombardment during World War One.Small cream covered postcard booklet containing 12 postcards. The cover has red printing on the front. Tissue separates each individual postcard. The views shows scenes after the Bombardment of august 1916Front cover: In red print with border down LHS - Souvenir de NEUVE-ENGLISE 12 vues du bombardement "1917" in red print on top right hand corner Verso individual postcards: "Carte Postale" at top Correspondence (LHS top) and Adresse (RHS top) separated by a line in the middle of page LHS bottom corner "Vise Paris 850. Names of scenes on each postcard.postcard, 1917, views, wwi, world war one, first world war, 1st ww, 1916, bombarded church, steenwerck street, ypres, old council house, estaminet de la tete d'argent, "welcome" public house, boarding school for girls, la chapelle, rue de bailleul, bailleul, moulin, windmill, route de dranoutre, mill, brasserie "glorie" au borg, "glorie", brewery, carte postale, postcard, 1917, views, wwi, world war one, first world war, 1st ww, 1916, bombarded church, steenwerck street, ypres, old council house, estaminet de la tete d'argent, "welcome" public house, boarding school for girls, la chapelle, rue de bailleul, bailleul, moulin, windmill, route de dranoutre, mill, brasserie "glorie" au borg, "glorie", brewery, carte postale

Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored

A photograph of the 1933 wedding of Mr Nikos Antypas and Nina Paizis (Kotsinis) in the Ithacan village of Kollieri surrounded by family and friends. As was traditional the village would accompany the the bride and bridegroom to the church. Nina was from the village of Anoghi.A sepia photograph reproduced in carte postale format of a wedding party which took place in the Ithacan village of Kollieri in 1933. The bride and bridegroom, Nikos Antipas, are surrounded by family and friends in a large open outdoor area. A printed label in Greek and English has been stuck across the bottom of the photograph.Written in pencil on the back:ER 4. The Ithacan Historical Society stamp is stamped on the back. The words 'CARTE POSTALE and columns for correpondence and address are printed on the back also.

A sepia photograph in past card format of a head and shoulders portrait of a lady. Her hair is parted in the centre and swept back in a bun . She is wearing a patterned scarf around her neck and shoulders over a plain dark top.On the back: CARTE POSTALEportraits, post card photograph

The inscription in Greek on the back of the photo which was taken in Ithaca: An old photo of then young children of Asklipios Vrettos. Antonis, Ismini, Odysseas The little ones Ektoras and SperosA sepia photograph of a family group of two men, a young girl and two little boys siting in a garden with a young palm tree behind the group. Details about the photograph have been hand-written in Greek. The four corners have been trimmed. Printed on the back: CARTE POSTALE

Postcard with a photograph of a group of unidentified Australian soldiers. There are 38 soldiers, including two officers, in the uniform typical of the World War 1 era. The soldiers are standing in front of a building draped with the Australian flag. The soldiers are in rows with each row elevated sufficiently to raise the row above that in front. It is possible that this photograph was taken somewhere in France during World War 1. The normal postcard format is printed on the rear of the photograph and is in the French language."CARTE POSTALE" and the headings "Correspondance" and "Adresse"

The photograph on the obverse side of the postcard was taken some time between 1914-1918. Depicted are five unidentified Australian soldiers. They are all dressed in military uniforms. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are rectangular colour patches. One is visible on the soldier in the front row, first from the left on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the right arms of a soldier’s tunic. The sepia nature of the record means that we cannot determine the colour, and therefore cannot establish which battalion this soldier was part of. Furthermore, the man seated in the middle of the front row has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the sepia nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Reverse: CARTE POSTALE / hyossest (?) / 6538 /military album, army, aif, australian imperial force, postcard, wwi, world war i, portrait, soldiers

Two Soldiers in Uniform in front of the Sphinx Cairo Egypt. Fox Errington in Front later Killed in Action.CARTE POSTALE: FROM FOXIE TO REG CHAPMANstawell ww1

Sent to donor's grandmother by her grandfather during WWI.WWI postcard with pocket with embroidered flap, organza with silk embroidery of flags, thistle, rose and rope. Small gift card inside pocket (1914-1915)Reverse side - Carte Postale (J.S.Paris) 1914 - 1915 postcard, embroidery

B&W Postcard showing the Facade of Amiens Cathedral before the war“Amiens La Cathedral facade” on rear “Carte Postale”documents postcards, amiens

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flowers and green foliate decoration on front. Handwritten message on the back.Front: "I THINK OF YOU" (embroidered) Back: "Write Soon / O[ct]? / To Enid / From [Dad] / Best [lo]ve / xxxxx" wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Front: "FROM YOUR SOLDIER BOY" (embroidered) wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered yellow rising sun, crown, banner and foliate decoration. Handwritten message on backFront: "FROM 5TH PIONEER BATTALION FRANCE" "KEEP SMILING" (embroidered) Back: "To Enid best love from Dad xxxxxx / France June 28/6/1917" "My Dear Mary / just a pc to let you know I'm still well and hope you are all the same I have not seen Joe yet is is still warm over here yet we have been out shooting to day I feel tired. I wish it was all over I full up of it. I seen Dexter the other night he is looking well on it ?? I'm beginning to think it is never going to end well this all at present love Will love from your loving husband xxx / xxxx " wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered numbers representing flags and colours of different countries. Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered)wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered yellow, orange, red, white rising sun badge, green banner and english maritime flags.Front: "AUSTRALIAN COMMONWEALTH" "Australian Commonwealth Military Forces" (embroidered) Back: "To Alice best of love from loving husband Will xxxxxxx write soon"wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered foliate and flowers, laurel wreath beneath oval union jack and crown. Handwritten message on back.Back: "To Enid From Dad / With best love / from France xxxxxxx"wwi, postcard, embroidered postcard, carte postale

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in Egypt to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered foliate and flowers bordering a message. Handwritten message on back.Front: "Remind / France" (embroidered) Back: "1268 2 of 5 Pioneers Battalion" "Egypt / May 28 1916" "My dear Alice just a PC to let you know I'm well and hope you are all the same I got a letter from you yesterday and Enid PC but I have not got the money yet did you ??? if you need not send enny more till I send for it well I have not seen joe since you say you are goin gto town for a trip it will not hurt you i wish I was going to will my eyes are a bit weak yet it is the sand and flys. well this is all at present. Best love to all from your loving husband Will xxxxx"wwi, postcard, embroidered postcard, carte postale