Note by T.H. Kneen 19.11.1991. This view shows the Principal's office (nearest to camera). The deciduous tree is Gleditsia triacanthos. The tree on the left is Angophora costata. The 2 trees together with the Casuarina cunninghamii to the right of the Gleditsia specimen formed a fine group on an island lawn. The Casuarina has since died but the other two are now splendid specimens.2 copies black and white print. North end of building before garden was developed.On reverse, "Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.3 FJ5266 When Ordering Further Prints Please Quote K370-5." trees, principal's office, rear view, administration building, main building, gleditsia triacanthos, angophora costata, casuarina cunninghamii

Ferdinand von Mueller was an examiner of botany at the Ballarat School of Mines (SMB) between 1880 and 1888. During that era he was active in donating related items to the School. When the Ballarat School of Mines Council agreed to introduce pharmacy and botany classes in 1879, it was apparent students would require access to botanical specimens in order to further their studies. Council members, who were inspired by the work of Baron Ferdinand von Mueller, authorised development of an area along the School's northern boundary, fronting Lydiard Street South, and oversaw the establishment of the new Botanical Gardens. Baron von Mueller took a practical role the development of SMB's Botanical Gardens from the beginning. He became a generous benefactor who 'donated collections of seeds and leguminous fodder plants, including valued grasses of interest and use to agriculturalists and graziers generally' to SMB over many years. Ferdinand von Mueller's entry on the University of Ballarat Honour Roll can be found at http://www.ballarat.edu.au/curator/honour-roll/honourroll_von_mueller.shtml A light brown, hardcovered book of 152 pages. Chapters include Eucalyptus Trees; Wattles or Acacias; Casuarinas or Sheoaks; Cypress Pines or Sandarac trees; Exocarpos trees of Natice Cherry trees; Mistletoes; Native Honeysuckles or Banksias; Bellflower, Lobelia and Goodenia; Heaths; Correas; Mallow; Buttercups and Clematis; Cruciferous Plants; Mints; Orchids; grasses; ferns. The book has numerous botanical line drawings, and a comprehensive index.Inside front cover "J. Clement Souter M.D."victorian, schools, botany, ferdinand von mueller, von mueller, botanic illustrations, j. clement souter

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Rob Andrew’s career was as an Environmental Health Officer with various councils around Victoria. As an Altona resident he became interested in the Truganina Explosives Reserve when he heard the site was to be sold. He was concerned that because of the prospect of commercial development the community would lose tranquil open parklands. Through his involvement with the Reserve he realised the historical, geomorphic, flora and fauna significance of the site. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018native grasses, explosives, cheetham wetlands, cheetham salt works, doug grant, chirnside, cliff gibson, lava plain, brown coal, sand ridges, selwyn fault, rowsley fault, victorian coastal strategy, aboriginal stone artefacts, aboriginal habitation, aboriginal remains, red gums, casuarinas, altona skipper butterfly, orange bellied parrot

'Fulling', the half-hectare property at Pitt Street, Eltham was the home of landscape designer Gordon Ford and his wife Gwen. Ford bought the property in 1948, originally part of an orchard. The garden encapsulates the major trends of Australian garden design in the second half of the 20th century. The garden design is based on mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informality and attraction to native wildlife. The mud brick house and designed and built by Ford commenced in 1948. Several extensions were added up to 1970 and were built by Graham Rose (Source: information panel for exhibition, n.d.) Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p147 A narrow timber gate opens onto a garden that has had a huge impact on natural garden development in Australia since the 1950s.1 Fulling, the half-hectare property at Pitt St, Eltham, was the home of the landscape designer, Gordon Ford, who died in 1999. The garden ‘encapsulates the major trends of Australian garden design in the second half of the 20th century...and epitomises the Eltham style of garden’.2 It in turn, was influenced by several Victorian major landscape designers of the mid 20th century – Ellis Stones, Peter Glass and Edna Walling. The gate opens onto a sandy gravel path, one of several, which wind around dramatic pools and what appear to be natural bush, but on close inspection are carefully integrated native, indigenous and exotic plantings. Retaining walls and steps of rock through the garden link different terrace levels. Lichen-covered boulders serve as steps across a pool, leading to the triple level mud-brick house. Ford bought the property, which was originally part of an orchard, in 1948. As the son of a Presbyterian minister, Ford received a good education, which included learning Latin. This was advantageous when he worked in plant sales for the Forestry Commission, before the Second World War. In the late 1940s, however, Ford turned to building and landscape gardening. He worked on the Busst house, an early mud-brick building designed by Alistair Knox and at the same time, Ford was employed by Ellis Stones. Knox described Ford as, ‘one of the funniest men of the district. ...Rocky’s (Ellis Stones) Depression stories and Gordon’s memory and quick tongue made the jobs the most enjoyable of all those hysterical times that made Eltham the centre of the eternal laugh, between the years of 1945 and 1950’.3 Ford’s house, like so many after the war, was built progressively, as more space was needed and formerly scarce materials became available. It began with an army-shed of timber-lined walls, now used as the kitchen. Ford then built what is now the lounge room, and the house grew ‘like topsy and on a shoestring,’ says his widow Gwen. A lot of second-hand materials such as window frames were used, a style made famous particularly with their extensive use at Montsalvat, the Eltham Artists’ Colony. The house was constructed as a joint venture with friends, including artist Clifton Pugh, who built Ford’s bedroom for £10. The polished floorboards and solomite (compressed straw) ceilings, interspersed with heavy beams, exude warmth. The result is a home of snug spaces, with soft light and garden vistas. Several other mud-brick buildings were constructed as needed, including a studio and units for bed-and-breakfast clients. The garden, which has been part of the Open Garden Scheme since the mid 1980s, is based on a balance of mass (plants) and void (paths and pools), textures and forms. It epitomises the Eltham style because of its relaxed informal ethos and attracts native animals. Wattlebirds, scrub wrens, pardalotes, currawongs, owls and even kangaroos, have been seen at Fulling. Gwen, a former English teacher who has worked on the garden since around 1970, urged and helped Ford write his book, The Natural Australian Garden.4 Several of Ford’s favourite trees are in the garden, including the native Casuarina or She-Oak. In spring, the garden is dusted with the purple Orthrosanthus multiflorus or blue native irises and rings with the calls of birds attracted to plants like the callistemons, correas and grevilleas.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, fulling, gordon ford garden, pitt street, eltham mud brick buildings, mud brick house

Twenty-three colour photographs of Jim Murray's house, Eltham North showing house and barn and dug out dairyhouses, outbuildings, eltham north, jim murray, murrays place, casuarina ridge, wattletree road

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Jim Murray's house, Eltham North showing house and barn and dug out dairy shortly before it was demolished.Roll of 35mm colour negative film, 4 stripsKodak Gold 100-3casuarina ridge, eltham north, jim murray, murray's farm, murrays place, outbuildings

Digital copy of colour photographfred mitchell collection, 1981, bible street, plants, houses

Recipient of the Local Prize, Nillumbik Prize for Contemporary Art 2019. The imprints of eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta and casuarina verticillata onto woollen blankets. They tell a story of home and comfort, of legacy and place, of connection and continuity. Large wall hanging comprised of strips of recycled woollen blankets stitched together. Each strip has been printed (eco dyed) with organic matter local to the Shire of NillumbikN/Aeco dying, wool, blanket, wall hanging, environment, botanical printing, nillumbik prize, local prize recipient, eucalyptus ficifolia, eucalyptus polyanthemus, grevilia robusta, casuarina verticillata, nillumbik, karena goldfinch

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Cliff Beauglehole was an orchardist at Portland, Victoria, who throughout hislife took an intense interest in the plants of Victoria. Over his lifetime he collected 90,000 plant specimens as part of a comprehensive study of Victoria's plants and wrote thirteen books under the heading The Distribution and Conservation of Vascular Plants in Victoria, each written to cover the 13 study areas of the Victorian and Conservation Council.A mounted botanical specimen.beauglehole herbarium, herbarium specimen, botany, herbarium, plant science, plant specimen, field naturalists' club ballarat, federation university herbarium, allocasuarina littoralis, casuarina littoralis, black she-oak, casuarinaceae

Cliff Beauglehole was an orchardist at Portland, Victoria, who throughout hislife took an intense interest in the plants of Victoria. Over his lifetime he collected 90,000 plant specimens as part of a comprehensive study of Victoria's plants and wrote thirteen books under the heading The Distribution and Conservation of Vascular Plants in Victoria, each written to cover the 13 study areas of the Victorian and Conservation Council.A mounted botanical specimen.beauglehole herbarium, herbarium specimen, botany, herbarium, plant science, plant specimen, field naturalists' club ballarat, federation university herbarium, allocasuarina verticillata, casuarina stricta, drooping sheoak