A Carte de Visite (hereafter CdV) (also known as a calling card) was popular within the mid-19th Century. It is a small card with a photographic portrait mounted on it. These cards were exchanged during the Victorian era (peaking in the 1860s) between families and friends. This particular CdV was captured by James Bray in c.1870. Bray who worked as a professional photographer in Camp Street Beechworth from 1870-1891. He was one of four men who photographed the Kelly Gang after the siege in Glenrowan in 1880. He is also renowned for his previous work photographing members of the Kelly gang. Depicted in this photograph is Isaiah “Wild” Wright. Wright was born in approximately 1846 in County Monaghan, Ireland. At age 11, Wright arrived with his father John Wright, mother Margaret and younger siblings in Victoria on the 9th of July 1857. They sailed on the ship ‘Carleton’ which left from Liverpool in England. Wright was stood 5 foot 11 inches tall and had brown hair with hazel eyes. He had a scar on the inside corner of his left eyebrow, a large scar on his right cheek and a scar on the back of his head. Over the years in Australia, Wright was sentenced on numerous (particularly of horse theft) charges and spent time in Pentridge, Hulk Sacramento and Hulk Sandridge. Wright married Bridget Lloyd in 1973. Through this marriage he was connected to the Kelly family as Bridget’s mother was one of Ellen Kelly’s (Ellen was the mother of Edward “Ned” Kelly) sisters. Wright is famous for his participation in the horse stealing incident of 1871 and subsequent bare knuckle fight against Ned Kelly that occurred in 1874. In 1878, Bridget and Isaiah Wright became parents to John "Jack" Thomas Wright. Jack Wright was an Australian rules footballer who played for Geelong in the Victorian Football League 1902-1906. Wright passed away on the 29th of May 1911.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Individuals like Isaiah “Wild” Wright played an essential part in the Kelly story which have been enlarged and adapted for popular culture. The study of these individuals thorugh their images and records can help researchers to correctly interpret their involvement with Ned Kelly and the Kelly gang. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Beechworth photographer James Bray who is responsible for many images depicting members of the Kelly Gang. Sepia oval CDV printed on Card. Obverse: J.E. Bray/ Photo Reverse: 10238 Portrait & Landscape/ Photographer J E Bray Signature Beechworth/ Victoria/ Negatives Kept. Copies 5I/. Each May/ Be Had By Forwarding Name And Address/ Accompanied With Remittance To/ The Amount Of Order/ Photographs Coloured In Watercolourskelly album, kelly gang, beechworth, wild wright, boxing, burke museum, imperial hotel, bare-knuckle boxing, isaiah wright, ned kelly, isaiah wild wright, horse theft, hulk sacramento, calling card, pentridge, james bray, cdv, carte de visite

Part of Old Lintonian collection No. 43Sepia CDV (carte de visite) portrait a lady in period dress.miss clem lloyd, old lintonian collection, clementine

Part of Old Lintonian collection ; No. 98.Oval sepia CDV portrait of a lady wearing gown with fringed shawl.mrs nicholas dunstan, old lintonian collection

Part of Old Lintonian collection ; No. 35.Sepia CDV photograph of a bearded gentleman wearing buttoned up jacket.james beale, old lintonian collection

Sepia CDV (carte de visite) photograph of gentleman with long sideboards, wearing suit. john gow linton

Part of Old Lintonian collection ; No. 97CDV (carte de visite) sepia oval portrait of a bearded man wearing suit jacket.mr nicholas dunstan, old lintonian collection

Part of Old Lintonian collection No. 76CDV (carte de visite) portrait of a man with beard and moustache wearing jacket and wide tiejames dodds, old lintonian collection

Ann Keating married William Lewis at Gnarkeet in 1853. Mrs Lewis is said to have been with her husband at the Eureka Stockade. Photograph is part of Old Lintonian collection ; No. 109.Sepia CDV (carte de visite) portrait of a lady wearing high necked clothing and hat.ann lewis (née keating), mrs lewis snr., old lintonian collection

Methodist minister for approximately sixty years; began his Ministry in the Ballarat district in the late 1870s. Photograph is part of Old Lintonian collection ; No. 89.Sepia CDV (carte de visite) portrait of a gentleman with moustache, wearing suit with collar and tie.reverend charles ingamells (ingamels), old lintonian collection

Part of Old Lintonian Collection ; No. 102.Oval framed CDV (carte de visite ) portrait of a gentleman wearing suit high collar and tie.old lintonian collection

Black and white copy of original portrait of a young man wearing a striped jacket with light coloured shirt and tie. He has short light coloured hair parted in the centre."Tom Cornish Ex Lewers Album From CDV Richards and Co 19 Sturt St B/Rat"tom cornish

Part of Old Lintonian collection ; No. 47. Mentioned in 1939 "Historic Souvenir of the Linton Centenary" as being on the staff when Linton State School No. 880 opened in 1873. Mentioned as one of original staff in "Linton SS No. 880 : Brief Historical Survey" (1967).CDV (carte de visite) sepia portrait of a man with beard and moustache, wearing jacket, shirt and wide tie.denis cronin, linton state school no. 880, old lintonian collection

Part of Old Lintonian collection ; No. 101.Oval CDV (carte de visite) portrait of a man with moustache and muttonchop whiskers, wearing suit collar and wide tie.tom sneddon, old lintonian collection

Part of Old Lintonian collection ; No. 119.Sepia CDV photograph of a gentleman with moustache, wearing suit with high shirt collar, wide tie, flower on left lapel.james mcintyre, old lintonian collection

M Bent photographer Centre of Pall Mall Sandhurst on reverse of CDV. Studio portrait of unknown matron wearing victorian dress.Bent Sandhurstphotograph, person, female

Part of Old Lintonian collection ; No. 46CDV (carte de visite) portrait side view of a lady wearing high necked dress, hair drawn back into bun.mrs maclachlan, old lintonian collection

Part of Old Lintonian collection ; No. 131. CDV (carte de visite) photograph of a bearded man wearing jacket, pin striped trousers, seated with arms on arms of chair."September 1878 / Frank / Mr Ted Nicholls " ted nicholls, old lintonian collection

Part of Old Lintonian collection ; No. 114. Maria Nicholls, a daughter of Henry and Marian Nicholls, married Robert Roland Stevenson.A sepia CDV (carte de visite) portrait of a lady wearing sleeved long gown, seated with arms resting on a book on her lap."Mrs R Stevenson (Maria Nicholls)" maria stevenson, maria nicholls, old lintonian collection

Part of Old Lintonians collection ; No. 44Sepia CDV photograph of a bearded man wearing suit, seated with left arm resting on chair arm and high crowned hat on lap.george lloyd, old lintonians collection

Part of Old Lintonian collection No. 39CDV (carte de visite) sepia photograph of a gentleman wearing suit, standing with right hand resting on back of a chair, left hand in pocket."John Seals".john seals, old lintonian collection

Part of Old Lintonian collection ; No. 21Sepia CDV (carte de visite) photograph of a bearded man wearing suit, seated with left harm on lap, right arm at right chest."Christmas 1873"henry nicholls, old lintonian collection

Part of Old Lintonian collection ; No. 77CDV (carte de visite) photograph of a man wearing coat and trousers, standing with right hand resting on arm of chair, left hand on hip.w.h. walker, william henry walker, old lintonian collection

Part of Old Lintonian collection ; No. 78CDV (carte de visite) sepia portrait of a man with beard and moustache, wearing suit and sash across chest, standing with right arm resting on chest height furniture and right arm by his side.james mclachlan, old lintonian collection

William Wilson was a staunch member of the Linton Methodist congregation and a local preacher. He died in 1890 age 83 and is buried in Linton cemetery.Sepia CDV photograph of an old, bearded gentleman wearing suit with long jacket and fob chain, seated with left arm resting on lap, right arm resting on side table holding a book in his hand."Mr (Daddy) Wilson".mr w. wilson, william wilson ("daddy" wilson), old lintonian collection

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

Part of Old Lintonian collection ; no. 42Sepia CDV photograph of a well-dressed older woman wearing a long-sleeved waisted long gown with large fancy collar, and bonnet tied under chin with wide bow, standing with left hand resting on the back of furniture, right hand waist height.mrs lloyd, old lintonian collection

Photographer: T. Butler, Yan Yean CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 19911869, jean shillinglaw (nee blemner 1819-1906), marg ball collection, shillinglaw family photo album 1, t. butler photographer yan yean

Possibly mother and son No photographer details CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1875, female shillinglaw 9, male shillinglaw 10

No photographer details. The fashion dates this photo to the early 1870s. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, shillinglaw family photo album 1, unknown, 1870, sarah aldous (nee shillinglaw 1854-1925)

This Carte-de-visite (CdV) taken by renowned Wangaratta based photographer William Edward Barnes previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. In this photograph, eight men stand along the railway line near Glenrowan. The photo dates to shortly after 1880 and references the attempt by the Kelly gang to derail a police train in June 1880 on those very tracks. Ultimately, this plan failed and the police train was never derailed. Ned Kelly and the Kelly gang took their final stand at Glenrowan which has been immortalised through Australian popular culture.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to Wangaratta based photographer William Edward Barnes and to the Glenrowan Siege of June 1880. Taken at an unknown time, after the siege at Glenrowan, this image depicts eight gentlemen standing about the railway line near Glenrowan. This is a reference to the Kelly gang's plan to derail a train which would barrel up to Glenrowan after news reached Melbourne that Aaron Sherritt had been shot by Joe Byrne in the Woolshed Valley. This image is important for its artistic information that it can provide about the Kelly story and the fashion and streetscape of Glenrowan.This sepia coloured Carte de Visite is attached to yellow cardboard. The obverse of the photo depicts the railway line near Glenrowan around 1880s. The rails are positioned in the centre of the image and are made on an incline of earth. In the foreground are three men, two standing next to the rails and one slightly off to the right of the image. In the background are trees which line the side of the rails and slightly in front of these trees is a group of five men standing on the rails. The reverse of the image is yellow card and contains printed and pencil writing. The printed writing is in the centre of the card. It reveals that the photographer was William E Barnes from Wangaratta. The pencil writing provides the inscription stating that the photo was taken near Glenrowan around the time of Ned Kelly.Pencil: Railway line near / Glen Rowan / Kelly's time / Printed: W. E. Barnes / Photographer / Wangaratta / BMM 8089 /kelly album, glenrowan, glenrowan siege, carte-de-visite, glenrowan railway, ned kelly, kelly gang, last stand, colonial australia, kelly siege, train, railway line, railway, sepia, photography, william e barnes, william barnes