Showing 49 items
matching centennial display
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University of Melbourne, Burnley Campus Archives
Plan - Plans, Alterations and refurbishment of the Centennial Display Building
... Alterations and refurbishment of the Centennial Display... and additions to the Centennial Display Building by Orlean Constructions... and refurbishment of the Centennial Display Building 1. Specification ... -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Justine Curry (nee Mitchelson), Wilson's Promontory, 1954
... centennial display... to Wilson's Promontory. Used in the Centennial Display in 1991.... excursion centennial display justine curry (née mitchelson) wilson's ...Original donated by Justine Curry (née Mitchelson) 1954 in a photograph album B09.0004. Copy of black ans white photograph of Students, T.H. Kneen and his children gathered around a campsite on an excursion to Wilson's Promontory. Used in the Centennial Display in 1991.students, t.h. kneen, children, campsite, excursion, centennial display, justine curry (née mitchelson), wilson's promontory -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints and negatives, Students With Draught Horses, 1920-1930
... centennial display...-size (part only) used in Centennial Display....female students draught horse rodda centennial display ...2 copies black and white photograph and negative. 3 female students holding 2 draught horses. Students dressed in jodhpurs and long boots. Two of them in shirts and ties.1 Copy nearly life-size (part only) used in Centennial Display.On reverse, "Rodda."female students, draught horse, rodda, centennial display, jodhpurs, long boots, shirts and ties -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, The Australian Garden Lover, "An Australian Horticultural School.", 1926
... centennial display... in the Centennial Display mounted on board. The espaliered fruit tree... in the Centennial Display mounted on board. The espaliered fruit tree ...The 4 bottom photographs used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 52 and also used in the Centennial Display mounted on board. The espaliered fruit tree was located in the old nursery trained by George Russ. Top right orchard spraying. Bottom left View of Pavilion showing Luffmann's pond and a Pinus radiata planted in the 1860's. Bottom right A.W. Jessep (Principal) and E.E. Pescott (Lecturer). outside Principal's Residence. E.B. Littlejohn.See detailed description in paper catalogue and B91.404 for Journal Article.Colour photograph of part of the cover of , "The Australian Garden Lover," Vol. 2 No. 7 October, 1926, entitled, " 'An Australian Horticultural School.' Enterprise at Burnley, Vic." ella chalmers (née fry), green grows our garden, a.p. winzenried, centennial display, a.w. jessep, principal, e.e. pescott, lecturer, principal's residence, e.b. littlejohn, espaliered fruit tree, old nursery, george russ, orchard spraying, pavilion, pinus radiata, ponds., lily ponds, luffmann ponds -
Ballarat Tramway Museum
Newspaper - Trove Extract, The Argus Newspaper, Ballarat Horse tram on display - Centennial Exhibition 1888, 2-8-1888
... Ballarat Horse tram on display - Centennial Exhibition 1888... sheet Ballarat Horse tram on display - Centennial Exhibition ...Report by the Argus newspaper on the South Australian stand at the 1888 Centennial exhibition held in Melbourne reporting that a Ballarat tram by Duncan and Fraser was on display.Yields information about the exhibition of a Ballarat horse tram at the Melbourne 1888 Exhibition.Extract from Trove - The Argus 2-8-1888 - printed on an A4 sheettrams, exhibitions, 1888 centennial exhibition, horse trams, duncan & fraser, ballararat -
University of Melbourne, Burnley Campus Archives
Plan, Alterations and Refurbishment of the Centen nial Display Building, 1990
... in the construction of: Alterations and Refurbishment of the Centennial... and Refurbishment of the Centennial Display Building at Victorian College ...Specification of workmanship and materials to be used in the construction of: Alterations and Refurbishment of the Centennial Display Building at Victorian College of Agriculture and Horticulture, Burnley for VCAH by Urban Spaces Pty. Ltd., Architects. Includes Plans and Elevations, and Presentation Drawings. Provenance Geoff C(?) 19.08.91. vcah, centennial -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white prints and negatives, Students in Class, c. 1950
... . A further enlargement (B92.564) was used in the Centennial Display... enlargement (B92.564) was used in the Centennial Display. Same ...Enlargement. of black and white photograph B91.172 Chemistry class. R.D.M. Soil Indicator colour chart on table and substances in test tubes. Front row: Margot George, Peter Smith. A further enlargement (B92.564) was used in the Centennial Display. Same students in B91.174.Inscribed, Students in Class Room Burnley Gardens B19-1238. Similar Negs B19-1237. Dup B87, B19-1239. Dup B88, B19-1240. Dup B89."r.d.m. soil indicator, colour chart, test tubes, margot george, peter smith, students in class, chemistry class -
Puffing Billy Railway
Phoenix Foundry Plate
... freight locomotive on display at the Centennial International... on display at the Centennial International Exhibition, Melbourne ...Phoenix Foundry Plate - replica Made about 2010 cast off original from locomotive Y112 The Phoenix Foundry (1857-1906) fabricated iron and brass products - including engines and pumping gear for the mining industry, locomotives, steam rollers, water pipes, water gauges and diverse small items. Throughout its operation the business was located at premises on Armstrong Street, Ballarat . Background In 1852, at the age of thirty-three and after a year of operating his own engineering business at Williamstown, Lancashire-born blacksmith and engineer George Threlfall (1819-1897) arrived on the Sebastopol gold plain and immediately undertook blacksmith work repairing picks and tools for the miners. Little did he know that this fledgling business would be the genesis of the most iconic business of nineteenth-century Ballarat. At approximately thirty-nine years of age, English mechanical engineer Richard Carter (c1814-1883) came to Australia on board the Arrogant - arriving in Melbourne on 19 April 1853. He soon travelled to the Ballarat goldfields. Born in the year 1830 in Belfast (Ireland), mechanical engineer William Henry Shaw (1830-1896) arrived in Australia in October 1853. He worked briefly with George Threlfall at Sebastopol, then moved to Geelong to manage the small foundry of Frederick Moore. Twenty-four year old English-born iron moulder Robert Holden (c1831-?) left his home in Belfast (Ireland) in late 1854 and travelled from Liverpool to Melbourne on board the James Baines - arriving in February 1855. Afterwards he joined his brother-in-law William Henry Shaw in Ballarat. History Foundation to Incorporation In March 1857 George Threlfall joined in business with Richard Carter, William Henry Shaw and Robert Holden. They relocated Threlfall's successful engineering enterprise from Sebastopol to new premises in Armstrong Street, Ballarat. This business was then known variously as the Phoenix Iron Works Company, Phoenix Foundry or Messrs Carter and Co. By 15 April 1857 they were advertising that they were open for business as engineers, millwrights, boiler makers, smiths, iron founders and brass founders. In January 1858 George Threlfall left the partnership. Incorporation to 1889 1890 to Closing locomotive Y112 Builder: Phoenix Foundry, Ballarat Builder’s Number & Year: 238 of 1889 Designer: Kitson & Co Wheel Arrangement: 0-6-0 No. in class: 31 Entered Service: 24 July 1889 Taken off Register: 11 May 1961 The origins of the Victorian Railways Y-class lay with the decision by Kitson & Co, Leeds to place a 0-6-0 freight locomotive on display at the Centennial International Exhibition, Melbourne in 1888, together with a 2-4-2T suburban passenger locomotive. This marketing initiative proved successful as the Victorian Railways were clearly impressed with these machines, with both purchased after the exhibition and becoming the patterns for new standard locomotive types. Thirty examples of the 0-6-0 heavy freight design were ordered from the Phoenix Foundry, Ballarat, becoming the Y-class for main line heavy freight duties, while the 2-4-2T design became the E-class for Melbourne suburban passenger duties (represented by preserved locomotive E 236). The Y-class prove successful in service and accrued high mileages. They were inevitably superseded by more modern and powerful steam locomotives and a number cascaded into shunting and yard pilot duties, often with the addition of shunters steps along both locomotive and tender. Y 112 was one of the last in service when withdrawn in 1961. Fortunately it was saved for preservation and plinthed in central Ballarat, ostensibly in commemoration of Phoenix Foundry. I understand it is owned by the Sovereign Hill Museums Association. During the 1980’s, Y 112 was leased to Steamrail Victoria and restored to operation at an industrial site in Ballarat. Y 112 features an attractive lined apple green livery and has performed various rail tours around Victoria since restoration. It is normally based at the Steamrail depot in Ballarat East. Y 112 is the only 19th century design in operational condition in Victoria and as such is one of the oldest working steam locomotive in Victoria . Historic - Phoenix Foundry Plate - replica Made about 2010 cast off original from locomotive Y112Phoenix Foundry Plate Oval shaped plate with an image of a phoenix centered at the top with lettering surrounding it.Phoenix Foundry No 238 Ballarat Company Limited 1889.puffing billy, phoenix foundry, ballarat, locomotive y112, phoenix foundry plate - replica -
Kew Historical Society Inc
Work on paper, Joy Stewart, 1. Survey Team, 1988
Kew Tapestry. The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.1. Survey Team. A Handcoloured cartoon created by the artist Joy Stewart as a template for the first of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "8th February 1803. SURVEY. Grimes, Flemming (sic), Robbins and McCallum explored the river (Yarra) to the falls (Dights), sighting several friendly aborigines, and were the first Europeans to set foot in the area now known as Kew". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 2. Turinville, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.2. Turinville. A Handcoloured cartoon created by the artist Joy Stewart as a template for the second of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "TURINVILLE. Early country residence overlooking the Yarra River. Recreational activities of the period included picnics." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), turinville, joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 3. East Kew State School, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.3. East Kew State School. A Handcoloured cartoon created by the artist Joy Stewart as a template for the third of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "EAST KEW STATE SCHOOL. Typical country school attended by children from surrounding farms and market gardens". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 4. Boroondara Cemetery, established 1859, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.4. Boroondara Cemetery, established 1859. A Handcoloured cartoon created by the artist Joy Stewart as a template for the fourth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "BOROONDARA CEMETERY, Established 1859. Horse drawn trams from Victoria Bridge terminated at gates bringing visitors to graves of relatives and friends; and sightseers to view the impressive pioneer memorials". Signed by the artist "(c) JStewart, 1988". bicentennial project (kew), boroondara general (kew) cemetery -
Kew Historical Society Inc
Work on paper, Joy Stewart, 5. Kew Railway Station (1887-1958), 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.5. Kew Railway Station (1887-1958). A Handcoloured cartoon created by the artist Joy Stewart as a template for the fifth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "KEW RAILWAY STATION (1887-1958). Established to transport passengers and produce too and from the city ... Kew developed as a residential suburb which included cottages an dlarge homes such as Villa Alba". Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 6. War Memorial: Unveiled 1925, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.6. War Memorial: Unveiled 1925. A Handcoloured cartoon created by the artist Joy Stewart as a template for the sixth of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "WAR MEMORIAL: Unveiled 1925. Post Office, Court House and Police Station erected 1888. ... The Junction of High Street and Cotham Road became the commercial heart of Kew." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart, wwi, kew war memorial -
Kew Historical Society Inc
Work on paper, Joy Stewart, 7. Churches, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.7. Churches. A Handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "CHURCHES. Religion has played an important part in the lives of Kew residents. The churches established schools and caring institutions." Signed by the artist "(c) JStewart, 1988"bicentennial project (kew), joy stewart -
Kew Historical Society Inc
Work on paper, Joy Stewart, 8. Kew: City of Parks and Gardens, 1988
Kew Tapestry The eight panels depict the history of Kew. This was a 1988 Australian Bi-Centennial Project carried out under the auspices of City of Kew Council and the Kew Historical Society Incorporated. Nearly 600 citizens including many children participated in the production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart Co-ordinator: Dorothy BenyeiSydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.8. Kew. City of Parks and Gardens. A handcoloured cartoon created by the artist Joy Stewart as a template for the seventh of a series of embroidered panels depicting the history of Kew. Wool colour codes at left. Inscription: "Proclaimed a Municipality - 18th December 1860 / Created a Borough - 1st October 1863 / Gazetted a Town - 14th December 1910 / Declared a City - 9th March 1921". Signed by the artist "(c) JStewart, 1988"joy stewart, bicentennial project (kew) -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1900
Mount William Gold Rush Photo taken from Spion Kop looking at western side of My WilliamView of township called Ladysmith George Mason's farmhouse in centre of picture with smoke rising from chimney Seven men in foreground carrying various items eg. shovel, gold pan, swag etc.1 copy B/W 1 copy sepia 1 on displaymining, gold mining, mafeking -
Halls Gap & Grampians Historical Society
Photograph - Sepia, C 1900
Mt William Gold MiningLooking towards Sugar Load and Mason's house from Spion Kop Six men in foreground with 2 covered wagons snow scene1 copy B/W, 1 copy sepia 1 copy on display mining, gold mining, mafeking -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900s
Silverband Falls. The original photo is in a frame and is on display in the History Room. ** Oct 2009: The original has 'disappeared' !!Photo shows 22 people below, alongside and above falls Logs and ferns in foregroundscenery, waterfalls, scenery, silverband falls -
Halls Gap & Grampians Historical Society
Flyer - Coloured, C 1938
Annual wildflower shows took over the Hall's Gap Hall during spring and, in the 1930's, transformed it into a veritable wonderland. So popular were these displays that they have continued through until present times, the format has altered but the display of flowers remains the same. Ladies' Committees were formed to sell art and crafts during shows, and much of the revenue from these events went towards a future new building. In 1938, the Wildflower Show was to be held on 30 September and 1 October, and was to be opened by A. McDonald, Esq., MLA. Admission in that year was 1/- (one shilling), with children being half price (a comparison with record 388 shows that this was the same as the 1933 price). Afternoon tea or supper were also 1/- and an entry fee of 3d (three pennies) was charged per exhibit. In that year the organising secretary was H. Williamson (whose phone no. was 26!).A flyer for the "Grand Wildflower and Nature Show" to be held at the Hall's Gap Hall on 30/09/1938 and 01/10/1938.media, flyers, events, wildflower show -
Halls Gap & Grampians Historical Society
Document - Ticket (B/W), C 1933
Annual wildflower shows took over the Hall's Gap Hall during spring and, in the 1930's, transformed it into a veritable wonderland. So popular were these displays that they have continued through until present times, the format has altered but the display of flowers remains the same. Ladies' Committees were formed to sell art and crafts during shows, and much of the revenue from these events went towards a future new building. The ticket shows that the admission price in 1933 was 1/- (one shilling). A comparison with Record 387 shows that the price had not risen from that rate in 1938. The Hon. Sec at this time was H. Goodwin Taylor.A ticket for the Grampians Mountains Wildflower Show to be held in Halls Gap Public Hall on 29/09/1933 and 30/09/1933.media, tickets, events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C Oct 1985
The photo is of a mural displayed at the wildflower show in 1985. It would have been made by the local Halls Gap school children.The photo is of a large, colourful mural consisting of five rows and six columns of different panels, attached to a brick wall. There is a young boy standing in front of the mural.events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C Oct 1985
The photo is of a mural displayed at the wildflower show in 1985. It would have been made by the local Halls Gap school children.The photo is of a large, colourful mural consisting of five rows and six columns of different panels, attached to a brick wall. There is a a man with a young child sitting on his shoulder and two other people (one with back to camera) in the lower left corner.events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1930s
The young woman is Clare Eltze. The building is the shop and home of Gilbert Rogers, a resident guide and photographer. The back of the photo records that it was an "everything place". The third copy of the photo is on display under the glass on the table in the History Room.The photo shows a young woman sitting on kerosine tins outside a building (shop). behind her are blackboards with chalk writing advertising Kodak films developing and printing, various items for sale, Horses for hire, houses to let and railway information.people, eltze, buildings, shops -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1997
This is an arrangement put together by Effie Walsgott. It was displayed at the entrance to the Halls Gap Hall during the 1997 Wildflower Show. ** there are 2 originals of the photo (& no copies).The photo shows a floral arrangement in front of a dark green curtain. There is an "Enter" sign to the left and part of an "Exit" sign can be seen on the far right.events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows a view of the entire display and record # 457 shows a different close-up view of the display.The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. Brown cloth covered by wooden trellis can be seen covering the front of the display. A sign in the centre reads "1937 Wildflower and Nature Show".events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Records # 455 & 457 show close-ups of the display. ** there are 3 originals of the photo (& no copies).This is a photo of a display of flowers, plants, photos and leaflets, laid out on a stage. Two landscape paintings and a framed wildflower painting can be seen on the wall behind the stage. Brown cloth covered by wooden trellis can be seen covering the front of a part of the display that extends beyond the stage. A sign in the centre reads "1937 Wildflower and Nature Show"."Wildflower Stage Replica of the 1937 Show" written in black ink on back of Copy 1. -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1996
This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C Oct 1985
The photo is taken outside the Halls Gap Hall. A parade was held in conjunction with the 150th anniversary of Major Mitchell's visit, together with the unveiling of a plaque commemorating the Wildflower Show and its many volunteers.The photo shows people chatting. There is a brick wall with a mural displayed on it in the background. Two women in the foreground are pinning sprigs of thryptomene to their apparel.events, wildflower show -
Halls Gap & Grampians Historical Society
Photograph - Coloured, 27/09/1985
A display at the Wildflower Show.The photo shows a stage display with a tent, fireplace with billy hanging on a tripod and a dummy dressed as a camper. There is a man wearing jeans, a jumper, gum-boots and a beanie posing with the dummy. A large painting of rock banded peaks forms the backdrop of the stage. "85 9 27" photo date on lower right side of photo.events, wildflower show