The Ballarat Hibernian Society was a friendly society formed at Ballarat in 1868. In 1871 the group amalgamated with a similar group in Melbourne to form the HACBS. Due to legislative changes the insurance interests of the society were absorbed into those of the IOOF in the late twentieth century . These collars were worn at official functions and meetings of the society. They vary in elaboration from heavily embroidered to very simple silk collars and many are embroidered with motifs such as kangaroos, emus, shamrocks and Irish harps.Large velvet ceremonial collar with gold metal braid trim and PP for Past President embroidered in gold metal thread.hibernian, hacbs, textile, ceremonial collar, friendly society.

Worn by the principal of Ballarat Teachers' College over black academic gown at formal assemblies. Ellwood was the Principal of the Ballarat Teachers' College. Ballarat Teachers’ College was opened on 04 May 1926, at S.S. 33 Dana Street, with an enrolment of 61 students. Its original staff consisted of the Principal, Mr W.H. Ellwood, M.A., M.Ed. (Chairman of the Teachers’ Tribunal from its inception in 1946 until 1954), Miss A. Bouchier, B.A., and Mr A.B. Jones, BA., (lecturers). In 1927 Miss P.A. Hamano joined the staff. In 1927 the college moved to the old Ballarat East Town Hall (remodelled for their use) in Barkly Street. During 1927 the numbers in the College were augmented by 26 Manual Arts students, who had formerly received their training at Ballarat High School. Manual Art students continued till 1930 when, on grounds of economy, their training was concentrated at Melbourne Teachers’ College. During the four succeeding years, approximately 60 students annually entered the primary course. Inclusive of Manual Arts students, and private fee-paying students, exactly 400 trainees passed through the College in its brief span of life (1926-1931). Five per cent of each year’s students were granted an extension of their studentship to enable them to proceed to Melbourne Teachers’ College, and to take the first year’s course for a University degree. With the advent of the economic depression of the ‘thirties, Ballarat Teachers' College closed its doors in December, 1931. Fourteen years were to pass before the College opened again on February 2nd, 1946. The college re-commenced at SS Dana Street, under the guidance of Mr W.F. Lord, M.C., M.M., B.A., Dip. Ed., (acting, later Principal 1946-1950) and a staff consisting of Miss E.B. Hughes, B.A., Dip. Ed., Mr C.B. Bryan, B.A., B. Com., Dip. Ed., Miss Monica H. Miller, L.Mus.A., and Miss G. Kentish, Dip. Phys. Ed. The opening ceremony was performed by the Minister of Education at that time, the Hon. F. Field, M.L.A., accompanied by the Hon. T.T. Hollway, M.L.A., and the then Director of Education, Mr J.A. Seitz. It was originally intended to cater for women students only but, at the last moment, men resident in Ballarat were also accepted. A co-educational college was thus set up instead, and it has continued as such. 1951 saw the introduction of the two-year course, successful students being presented with the Trained Primary Teacher’s Certificate at the final College Assembly each year. In December 1955, College held its first Graduation Ceremony, with its own Graduation Hymn, the words of which were written by Miss C.M. (Mavis) Canty of the staff. Lord remained as principal until 1951 when he transferred to establish a teachers' college at Toorak. Tom William Turner was Lord's successor. A highlight of his term was the construction of new college buildings at Gillies Street with the students commencing their lessons there in February 1958. Turner retired in 1970, having overseen a period of substantial growth in the institution. In that year alone more than one hundred and forty students completed their primary teaching qualification to meet a severe shortage of teachers. Doug Watson commenced as principal in 1971. In 1973 Ballarat Teachers' College became the State College of Victoria at Ballarat. Three years later Ballarat College of Advanced Education was formed and the teacher education students moved to the Mount Helen Campus. In 1990 Ballarat College of Advanced Education became Ballarat University College, an affiliated college with the University of Melbourne. The University of Ballarat was formed in January 1994.Light blue grosgrain sash, bound in yellow taffeta, sewn by machine. Two mitred seams, one at each shoulder, hand sewn and two seams machine stitched on straight part of sash. A BTC insignia is placed in the centre back. The insignia is stitched in yellow, royal blue and dark blue cotton. This sash is hand sewn at the end of one side length, in order to shorten it. Extra Muros (Beyond the Wall) on insignia BTC (Ballarat Teachers' college)education, teaching, assembly, btc, ballarat teachers college, university of ballarat, regalia, ceremony, graduation, stoll, balalrat teachers' college

knights, southern cross,

Silk ceremonial collar of Mr A. Burke St Arnaud who was a member of the Hibernian Australasian Catholic Benefit Society (HACBS).hibernian, australasian, hacbs, st arnaud, victoria, burke, ceremonial, collar.

Ancient Order of Druids was formed in London in 1871. Their motto was "Justice, Philanthropy and Brotherly Love". The Order was established in Australia in 1851.The Sandhurst Lodge 247 met at Queens Head Hotel (Lockwood cross roads) and was first mentioned in the Bendigo Advertiser in 1863.Ceremonial collar in red velvet with gold metallic bullion fringe around outside edge and lower inside edge and gold metallic lace to edge. At one end (LHS) there is a large gold metallic star in sequins and gold metallic bullion. At the other end (RHS) the initials PA are worked in zardozi work in gold metallic thread 5cmx7cm.ceremonial collar, ancient order of druids

Ceremonial purple velvet collar with gold metallic bullion fringe to outside edge and gold metallic ribbon and ribbon lace to all edges. At each end is a five point star in gold zardozi work in sequins and metallic thread with central couched button. Above the stars on the LHS is couched zardozi work initial G and on RHS couched zardozi work initial M and above these are two identical five point stars as lower ones with the addition to each of two metallic thread tassles. At the bottom centre of the collar are two small rings. In a separate bag is a purple velvet rosette with central sequined button and braided surround with large tassle all in gold metallic thread.ceremonial collar, grand master

Ceremonial collar from Derry (Londonderry) Ireland in Northern Ireland for the Ancient Order of Hibernians and belonging to John Duddy donated in 2013 by the Macalinden family Port Fairy.A rare example of Irish Hibernian regalia in an Australian collection brought to Australia by the immigrant owner and later donated to the Diocesan Archive by his family. The object is significant in its embroidery and applique work and as an example of the importation of an Irish form contrasting to Australian variants of such collars. Significant in its representation of the contribution of migrants and the Irish to Australian culture.applique red hand of Ulster, Shamrock, Harp, Celtic cross with stars on each shoulder. Fringed in gold metal braid.port fairy, hibernian, derry, londonderry, northern ireland.

The Ballarat Teachers College held a 45 year Reunion for the class of 1971 on the 5 & 6 November 2016. All students plus their four teachers were invited. Three sticky notes are attached to the poster to identify famous persons.This is a photographic collage poster featuring many mug-shot style photographs of the members of the class of 1971, with a note to identify which classroom they were a part of. Sticky notes with hand-written labels identify three members of the group with a personal achievement. A poem titled 'Extra Muros' is displayed verso inbetween two logos of the Ballarat Teachers College.Ballarat Teachers College logo as part of a flag.ballarat teachers' college, denis spielvogel, marg heffernand, joy dunstan, rachel smith, alumni, reunion, john mildren, ian fryar, ian gribble, geoff mcrea

Colour photographs of the Old Colonists' Association Collar, which is worn by the incoming Association President on the installation night. old colonists' association, president's collar, collar, costume, stitchery, embroidery, gold braid, ballarat old colonists' club, ceremonial collar

Worn by Pastor Steinicker (?)White pastor's collar with two reinforced holes at front.Reliance Trademark' with umbrella stamped inside at back, 'chaplain made in in England', size '1 1/4" 15 1/2'costume, male ceremonial, pastor, collar, lutheran, steinicker

Part of regalia worn by K.J.Riddell Grand Master of MUIOOF 1950-51 DMG-1929Part of regalia worn by K.J.Riddell Grand Master of MUIOOF 1950-51 Ceremonial Collar: Collar- Purple velvet, gold braid, heavy metallic gold embroidery, two gold tassels, metallic gold fringe, backed with black material possibly cotton. Four(4) medals attachedFirst medal, purple/gold ribbon- 1929 K.J.Riddell, DGM, Port Fairy District. 2nd medal, Blue/white ribbon, K.J.Riddell for introducing 50 members 1947. 3rd medal, Faded purple ribbon, K.J.Riddell Grand Master 1950-51societies, muioof, riddell, k.j.

Buff coloured document, printed on front is photo of 'Jubilee group of Cobden Junior Tent (Boys) No. 16 and Superintendents'. 6 rows of boys and men, some wearing ceremonial collars. On back of document is an overview of the IOR organisation in Bendigo and tells of the founding of the Cobden Tent of Rechabites in California Gully, with 11 members, in 1865 'built on the solid foundation of sobriety and virtue'bendigo, clubs, rechabites

Buff coloured document, printed on front is a photo of a group of men and women, some wearing ceremonial collars. Printed on bottom ' Jubilee group of adult members and members of Myrtle Junior Tent (Girls) No. 400' On back of document ' Cobden Tent I.O.R. California Gully, Jubilee Celebrations 1865 - 1915, will be conducted from Sunday August 22 to Wed., August 25 in the California Hill, Methodist Church and Schoolroom'. Program of events is then described.bendigo, clubs, rechabites

Mayoral robe worn with jabot and lace cuffs. Black Faille ceremonial robe with lapin collar and cuffs and cream lining.Unknowncity of greater bendigo ceremonial item

Item could date later if used by someone wearing ceremonial or uniform dress collars after collar attached shirts became the norm rep[lacing detachable collars for everyday wear.Small leather- look composition board, horseshoe shaped collar box with thin real leather strap and buckle fastening. Saddle stitched on outer edges, inside box is lined with paper printed with faux alligator or crocodile skin pattern in sepia colour.On top of lid in right lower corner: 'Collars' in faded gilt cursive printed text.costume accessories, male, personal effects, travel goods

Abraham Harkness was Mayor of the City of Bendigo when St Andrew's Presbyterian Church school hall was erected. The foundation stone was laid on Wednesday the 15th March 1899 to much ceremony including hymns and speeches. Abraham Harkness had arrived in Victoria in 1857 aged 28. He was initially successful in his search for gold and after a return trip to England in 1862 returned to Bendigo were he opened a general store and then a foundry whereby his company manufactured mining machinery. He stood for council from in 1880 and was elected a further eight times over the next twenty years. Cr Harkness served as Mayor in 1882, 1897 and 1898. His son Andrew became Mayor in 1908-09. Abraham Harkness married Jane Noble in Bendigo in1864 and together they had six sons and five daughters. Abraham died in 1912 and Jane in 1927.Sterling Silver ceremonial trowel with silver collar and bone handle. Front surface is ornately engraved with fern leaf pattern scrolled around central middle section which holds the engraved dedication. Back section is plain. Engraved: PRESENTED / TO / A. HARKNESS. ESQ. J.P. / MAYOR OF BENDIGO / ON THE OCCASION OF HIS LAYING / THE / FOUNDATIONAL STONE / of / St Andrew's School Hall / 15th March, 1899. Hallmark: P.A & S E P (Peter Atkin ?) + (windmill or pump) mayor harkness, mayoress harkness, city of greater bendigo education

Ushabti are tiny anthropoid (human-shaped) figures placed in the tombs of wealthy Egyptians. They were intended to do the work of the deceased in the afterlife. This purpose is implied through their name, which may have derived from the Egyptian word “to answer”. The Burke Museum in Beechworth is home to a particular ancient Egyptian Ushabti figure. This artefact was donated to the Museum in 1875. No details about how it left Egypt, arrived in Australia, and where it was located before this donation are known. The Nineteenth Century, when this artefact was donated, was a period when many museums acquired items of ancient Egyptian heritage. Many of these items were procured in less than desirable circumstances, having often been looted from ancient tombs and sold to tourists without documentation as to their original location and/or accompanying grave goods. These artefacts were also divested through partage (the trading of artefacts for funds); however, the latter is unlikely to have been the case for this artefact. Since the Ushabti was donated by an unknown donor, it is likely to have been in a private collection rather than an institution. Ushabti can be dated using iconographic analysis which is non-invasive and provides a comprehensive study of the artefact. The later period of the 18th Dynasty marked the beginning of an increase in both the inclusion of Ushabti as essential funerary items and the creation of Ushabti with tools. From this period, they are no longer depicted without tools. Depictions of tools including gardening hoes are frequently depicted grasped in the Ushabti’s hands whilst items like the seed-bag are depicted hanging on the back rather than in an alternative position. This Ushabti figure grasps a gardening hoe and a mattock and a small seed bag surrounded by a yoke bearing water jars are depicted on the upper back of the Ushabti. These features are essential in helping narrow this dating to the late 18th and before the early 20th Dynasty. The position of this seed bag also provides dating information. In the early 18th Dynasty this bag was consistently drawn on the front of the figurine; however, by the reign of Seti I, this feature moved to the back. Thus, since the seed bag is located on the back of this Ushabti, it cannot date to the early 18th Dynasty. By the 19th Dynasty, Ushabti’s were increasingly made from either faience or terracotta. The availability of these materials in Egypt resulted in the increase of Ushabti production with tombs containing many more figurines than previously seen. The Ushabti held by the Burke collections is made from terracotta. Terracotta was rarely used for Ushabti before and during the early 18th Dynasty with only the odd appearance until the late 18th Dynasty and becoming common through that period until the late Third Intermediate Period. Whilst the face has been damaged, there is no evidence for the Ushabti having been provided with an Osirian false beard. This omission rules out a dating of later than the 25th Dynasty when beards became prominent. The inscriptions also date the Ushabti to the New Kingdom. This is because of the use of sḥḏ (“to illuminate”) with Wsjr (“Osiris”) which only occurs in these periods. Therefore, considering all these elements, the Ushabti can be confidently be dated to between the late 18th to early 19th dynasty.Artefacts like this Ushabti are no longer exclusively representative of their origins in burial assemblages and significance in the mythology of the Egyptian afterlife but are also significant for the accumulated histories they have gained through travel. The movement of this artefact from Egypt to Australia allows insight into the collecting habits of the 19th century, and in particular, the reception of ancient Egyptian artefacts in small rural museums. The procurement of Egyptian artefacts was a social trend around the late 1800s to early 1900s. Egyptian artefacts were considered curiosities and recognised for their ability to attract public attention to museums. They were also utilised in Australian museums, like the Burke Museum, to connect the collection to one of the oldest civilisations known to man and since Australia was considered a “young” country by European settlers, this was vital and derived from an interest in Darwin’s “Origin of the Species” 1859. Furthermore, there was a culture of collecting in the 1800s amongst the affluent in English society which led to the appearance of many Egyptian artefacts in private collections. The acquisition of this Ushabti figure is not certain, but it was likely donated from a private collection rather than an institution. This particular artefact is significant as an example of a high-quality Ushabti representative of those produced during the late 18th or early 19th century. It provides insight into the individualism of an Ushabti and the mythology of ancient Egypt. It also provides an example of the types of items required in the tomb assemblages of this period and reinforces the importance of ensuring the successful afterlife of the deceased through art. This Ushabti belonged to a woman named Taweret-Khaiti, Chantress of Amun, in the late 18th Dynasty or early 19th Dynasty (c.1292 BC) of the Egyptian New Kingdom. It likely comes from an undetermined tomb in the locality of Thebes. This figure is made from Nile silt clay (a polyester terracotta; clay sourced from the banks of the Nile River) which was a popular material for Ushabti construction in the early 19th Dynasty. It is in a fair state of preservation (with the exception of a break through the centre) and originally made to a high quality. The face has been damaged but the eyes and eyebrows are clearly marked with black ink and the sclera painted white. The Ushabti is painted a light brown/yellow colour and features a vertical line of inscription down the lower front. The Ushabti wears a large wig and and a schematic collar. The arms are painted light brown and depicted crossed with bracelets around the wrists. It grasps a hoe and mattock. A yellow seed-basket is depicted on the Ushabti’s back. These features represent the likelihood that this particular Ushabti was intended to complete farm work for the deceased in the next life. There would have been additional Ushabti of similar design within the tomb who worked under the supervision of a foreman Ushabti. The foreman Ushabti would be depicted dressed in the clothing of the living. The inscriptions are painted freehand in black ink and written in a vertical column from the base of the collar to the foot pedestal on the front of the Ushabti. The owner of the Ushabti could elect to have the figures inscribed with their name, the Ushabti spell and any other details they deemed necessary. In the case of this example, the Ushabti is inscribed with the owner’s details and is an abbreviated version of the standard Ushabti formula. This formula ensured that the Ushabti would complete the desired task in the afterlife when called upon by the deceased. Ushabti which were not inscribed would represent their intended purpose through design; however, this Ushabti, like most made in the late 18th Dynasty, conveys its purpose both through both design and inscription. The inscription is as follows: sHD wsir nbt pr Smayt imn tA-wr(t)-xai(ti) mAa xrw which translates to: "The illuminated one, the Osiris (the deceased), the mistress of the household, Chantress of Amun, Taweret-Khaiti, true of voice (justified)"ancient egypt

Badges attached to uniforms on ceremonial occasions. Items in the collection of "Craig Triffett", refer Cat No. 5997.5. For his service details.1. Two collar badges for RAA Uniforms. Letters "RAA" in gold metal with line across top and bottom. Mounted on apiece of hard cardboard. Each attached by two studs. 2. Gold metallic emblem of the Royal Australian Artillery (RAA). RAA letters written across the motto, going across the bottom and a crown on top. Two gold studs attached to back.Motto "Quo fas et gloria ducunt" which is latin for "Where right and glory lead."raa, badges, craig triffett

2. Uniform issued to "A. Hughes".1. Jumper - part of the Winter Ceremonial Uniform worn by Recruit to Leading Seaman ranks RAN. Also known as a Barathea or Jumper. Black colour wool fabric with square collar, V shaped front opening, long sleeves with cuffs. Two black colour plastic buttons attached at bottom of front V to attach a collar. Navy blue cotton tape (bow). White colour cotton fabric manufacturers label below back collar. 2. Shirt - also known as white flannel. Part of the Summer or Winter Ceremonial uniform worn under a black or white barathea. White colour cotton/polyester fabric - square neck with navy blue colour ribbon trim and short sleeves. White colour cotton shoulder flash with blue "AUSTRALIA" and rank insignia - blue embroidered anchor and foiled rope.Manufacturers information - blue and red ink print. 1. Blue ink print "MADE IN AUSTRALIA". Red ink print "11". 2. Handwritten black ink pen "A. HUGHES".uniforms, ran, a. hughes

Jacket - RAN winter ceremonial uniform Officers. Dark Navy Blue colour wool fabric, double breasted with six buttons, collar, sleeves with two buttons near cuff. One inset breast pocket and two inset pockets with flap. Buttons - tarnished brass metal with shank and raised emblem, Kings crown, anchor, lettering - "AUSTRALIA". Black colour cotton fabric lining, white collar. White colour fabric manufacturers label - back inside collar.Manufacturers information - red ink print "M.TX/SIZE S".uniforms, ran

Jacket - RAN Winter Ceremonial non-commissioned Officer's Uniform. Dark navy blue colour wool fabric, double breasted with six buttons, collar, sleeves with two buttons. one inset breast pocket and two inset pockets with flap. Buttons - gold colour metal with shank, raised emblem and lettering, Kings Crown, Anchor and "AUSTRALIA". Service ribbons above breast pocket - fabric ribbon. Blue and yellow ribbon - Korea Medal. Blue and white ribbon - United Nations Medal for Korea. Black colour cotton sateen lining with white cotton strip sleeve lining.Manufacturers inscription on back of buttons "STOKES & SONS/ MELB".uniforms, ran, korea

RAN Winter Ceremonial Officer's Uniform - black colour wool/polyester fabric. 1. Jacket - double breasted style with six buttons, collar, one inset, left breast pocket, two inset lower pockets with flap. Collar with two lapel metal badges - gold colour - Coat of Arms, Australia. Shoulder patch - black fabric, gold lettering "AUSTRALIA". Sleeve rank insignia patch fabric - Coat of Arms Australia = Warrant Officer. Buttons - gold colour metal buttons with shank with raised emblem lettering. Queens Crown, Anchor and "AUSTRALIA". Lining - black colour, polyester cotton fabric. Two concealed pockets. 2. Trousers - with fob pocket, two inset side pockets, one inset back pocket. Belt loops nylon/metal zipper fly and metal hook closer.Manufacturers inscription on back of buttons "STOKES & SONS/ VICTORIA"uniform, ran

Name on drycleaning ticket - "SHARPE".RAN Winter ceremonial uniform Officers. 1. Jacket, black colour wool/polyester fabric. Double breasted with six buttons, collar, two inset lower pockets with flap. Shoulder patches/flashes at top - black fabric, gold lettering "AUSTRALIA". in middle of sleeve black fabric with gold thread embroidered Queen's Crown, with real inserts and crossed anchors. Attached below are three gold stripe chevrons on black fabric. indicates Petty Officer with years of service. Buttons - gold colour metal buttons with shank with raised lettering and emblem - Queen's Crown, Anchor and "AUSTRALIA" (one missing). Lining - black colour polyester/ cotton fabric. Two concealed pockets. Sleeves - two gold buttons. Right sleeve - shoulder patch - black colour fabric with gold embroidery "S" in six pointed star surmounted by Queens crown with red inserts. Petty Officer - Steward. 2. Trousers - black colour wool/polyester fabric with fob pocket, two inset side pockets, one inset back pocket. Black and white colour buttons for waist adjustment and braces. cream colour cotton fabric lining waistband and pockets. Black colour ribbon stripe down outside seam. Metal zipper fly. Manufacturers information - gold embroidery. 1. "C.G.C.F.", on back of metal buttons "STOKES & SONS/ MELB".ran, uniform, steward

Robert Harper and Co. Ltd. was an Australian company involved with sugar refining and starch and oatmeal production. Silver Star Starch was a well-known product and starch was used extensively in most households, mainly for shirt collars, aprons, nurses’ uniforms, household linen, tablecloths, doyleys etc. This item is of some interest, both for display and as a good example of housekeeping methods of the past (up to about the 1970s). However, the starching of clothing does continue today, mainly for special purposes – theatre costumes, clerical and ceremonial garb etc. The item can be specifically used by the Warrnambool and District Historical Society in any display connected to the 1896-7 Warrnambool Industrial and Art Exhibition as this exhibition had, as one of its competitions, the Silver Star Starch Ironing Competition (see pages 96-7, book, ‘The Great Warrnambool Exhibition’, by E. O’Callaghan, Collett, Bain and Gaspars, 2002)A box that contained 12 ounces of Silver Star starch for domestic use, mainly for ironing clothes. The box, a product of Robert Harper and Company Limited, Victoria, Australia, has several advertising captions – ‘Won’t Stick to the Iron’, ‘The Best in the World’. ‘Requires no Boiling’, and has directions for use. The front of the box has an illustration of two women from Victorian times using the product,warrnambool, silver star starch, robert harper & co ltd

Royal Australian Navy - Uniform belonged to LS MTP E Rayner.1. Jumper/Barathea - long sleeve white polyester/cotton fabric with Navy blue collar attached, side zip under arm. Insignia to left sleeve depicting rank. Right side insignia depicts category. 2. Trousers - white polyester/cotton fabric, bell bottom. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia to left sleeve. 4. Silk - Black polyester black fabric to arrange around the collar. 5. Bow - white cotton tape. 6. Lanyard - white cord to arrange around neck. 7. Lid - white with black "Tally" band, sailors cap with Navy blue tape - chin strap. 1., 2. - Hand embroidered red cotton - "E RAYNER", 7. Handwritten, black ink, "LS MTP RAYNOR inside on the crown, Tally band - Embroidered gold thread "HMAS DERWENT'", on black band. " RED ANCHOR/TAILORED GARMENTS/ 65% POLYESTER 35% COTTON/ DO NOT BOIL, DRIP DRY, WARM IRON"ran, uniform

Royal Australian Navy Uniform belonging to E Rayner. Sailor cap/lid belonged to LS MTP Ross.1. Jumper/Barathea - Long sleeve, black wool/polyester fabric. Insignia - left sleeve depicting rank - right sleeve - depicting category. 2. Trousers - bell bottom, black wool/polyester fabric. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia on left sleeve. 4. Collar - Navy blue with three white stripes, cotton fabric - lined. 5. Silk - black polyester fabric. 6. Bow - Navy blue cotton tape. 7. Lanyard - white cotton cord. 8. Lid - Sailor's cap - white plastic with black band with Navy blue chin strap.1 & 2. Maker's label - Red and white print. Hand embroidered red cotton "E. RAYNER". 3. Handwritten blue ink "44" on back of neckline. 4. stamped in black ink " E.W. RAYNER", makers label. 8. Handwritten, black ink "LS MTP ROSS" inside on crown. Tally band embroidered gold thread "H.M.A.S. CERBERUS' on black band.uniform, ran

In clothing, a collar is the part of a shirt, dress, coat or blouse that fastens around or frames the neck and may be permanently attached to the main body of the garment (e.g. by stitching) or detachable. Today's shirt collars descend from the ruffle created by the drawstring at the neck of the medieval chemise, through the Elizabethan ruff and its successors, the whisk collar and falling band. Separate collars exist alongside attached collars since the mid-16th century, usually to allow starching and other fine finishing. Jabots made of lace and hanging loose from the neck were an essential component of upper class, male fashion in the baroque period. During the Edwardian period, and sporadically thereafter, ornamental collars were worn as a form of jewellery. Names for specific styles of collars vary with the vagaries of fashion. Jabots survive in the present days as components of various official costumes, as are those worn by judges and counsel throughout Australian courts and town mayors. 2018 Kingston City Council Mayor Steve Staikos asked CMHS to loan the Former Moorabbin Mayoral Robes and Jabot for display at KCC Office Cheltenham. These Moorabbin Mayoral Robe with Jabot are now displayed along with those of the former City of Chelsea Robe and the former City of Mordialloc Robe at Cheltenham . KCC possesses the original Mayoral Chains of each former Council and they are displayed on each Robe for the annual Opening Meeting of KCC in February. This set of a 'Jabot' style collar and cuffs was part of the ceremonial Mayoral Robes c1960- 94 for the City of Moorabbin 1934-94. This is the last City of Moorabbin Mayoral Robe and was worn by Mayor Ron Brownlees, (prior to amalgamation with the City of Glen Eira and City of Kingston in 1994), and donated to the City of Moorabbin Historical Society in February 2007 by the City of Kingston. The City of Moorabbin developed from the Moorabbin Roads Board of 1862, becoming The Shire of Moorabbin in 1871 and the City of Moorabbin in 1934. November 2018 At the request of the Mayor Cr Steve Staikos this Jabot Collar and Cuffs is now on display with the Mayoral Robes at Kingston City Council Offices Nepean Highway Cheltenham . A detachable , white, nylon, 'Jabot' style, standing collar with a pleated, ruffled, and lace-trimmed frill down the front and 2 matching cuffs that was part of the City of Moorabbin Mayoral Robes c1960 - 94 It has a tear in corner. clothing, collars, ornamental collars, civic robes, mayoral robes, moorabbin, cheltenham, bentleigh, lacework, dressmaking, fashion, formal wear, city of moorabbin. moorabbin shire, moorabbin roads board, brownlees ron, city of glen eira, city of ikngston