Black and white photograph of a metalwork chandelier by Matcham Skipper with sixteen light bulbs. Nonematcham skipper, photograph, chandelier, montsalvat

Black and white photograph of a Matcham Skipper chandelier with central circle with decorative design and outer circle with seven radiating spokes with light bulbs. Nonematcham skipper, photograph, chandelier, metalwork

Iron chandelier with central cross and decorative design and eight radiating spokes containing light bulbs. Nonematcham skipper, metal work, chandelier

A chandelier with an ornate brass overhanging centre lamp on scrolled decorated branches, ending in flower-shaped opaque glass shades. It has a brass ceiling cap and an acorn-shaped finial below.chandelier, floral, botanical, botanical design, floral design

A chandelier resting on a stainless steel bench which houses a refrigeration unit. The unit is connected to the chandelier and generates ice growth around its central body.

A Catalogue of items from Several Catalogues Between 1880 - 1940Yellow cover with red rectangle containing Title & Author. over Various itemsPeter Cuffley Chandeliers and Billy Tea A Catalogue of Austrlian Life 1880-1940stawell

Book cataloging various and many items that found their way to, or were made in Australia during the first 200 years of white settlement.- Published in 1984 - Soft cover with illustrations of various historical objects by Peter Cuffley. - A catalogue of Australian Life 1880-1940Peter Cuffley Chandeliers and Billy Tea A catalogue of Australian Life 1880-1940australian history, australian life

Three colour photographs of the house at Edendale Farm, including leadlight windows and chandelier.edendale, houses, elham, gastons road

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are of an elaborate study. Chandelier in centre of room.(23)-8335-Private study where Pope Pius X reads and writes. (His Holi / ness at desk). Vatican, Rome.stereographs

On Saturday, the 2nd of November 2002, the Arthritis Foundation of Victoria (AFV), incorporating Osteoporosis Victoria (OV), held a Fibromyalgia Syndrome (FMS) Information Day at the Carlton Crest Hotel. Titled 'The Way Forward', it was attended by around 550 people. In this photo, several people attend the registration table. In the background, several people are standing around the lobby.COL photo of a large group of people standing in a lobby. A few people are standing in front of some long tables, at which four people are seated. Behind the people seated are several freestanding display boards. In the background, there is a large modern decorative chandelier hanging from the ceiling.arthritis foundation of victoria, afv, osteoporosis victoria, ov, fibromyalgia syndrome, fms, the way forward, information day, education, pain management, registration, chandelier, carlton crest hotel, 2002

Michael Davitt was born in Straide, County Mayo, on March 25th 1846 at the height of the Great Famine. He was the second of five children born to Martin and Catherine Davitt. At the tender age of four Michael and his family were evicted from their home and forced to emigrate to Haslingden, Lancashire, England. At the age of eleven while working in a cotton mill, Davitt had his arm so badly maimed in an accident that it had to be amputated. At sixteen, while working for the local postmaster, he began evening classes in Irish history at the Mechanic's Institute. It was at this time that his thoughts began to turn to politics and he joined the Fenian movement in England. The Fenians Joining the Fenians in 1865 he rose through the ranks to become organising secretary for England and Scotland but was arrested in 1870 for arms smuggling and sentenced to fifteen years penal servitude. After seven years he was released on a ticket of leave.(http://www.museumsofmayo.com/davitt1.htm, accessed 21 January 2014)Images of a bearded man known as Michael Davitt. He is writing at a large table in a large room with chandelier. ballarat irish, davitt, michael davitt

Copy of a black and white photo of the interior of the Long Gully Methodist Church, decorated for the annual harvest thanksgiving service. The photo shows produce in front of the altar and sheaves of oats/wheat hanging from above the altar. There is also a chandelier, roof support poles, and pews in the photo. A large pipe organ is behind the chandelier.bendigo, history, long gully history group, the long gully history group - interior of long gully methodist church, vahland and getzschmann, annual harvest thanksgiving service, bendigo historical society, a crossley, bendigo advertiser 9/2/01

Chandeliers and billy tea - a catalogue of Australian life 1880 - 1940. 224 pages with photos and illustrations. Published by Five Mile Press, Hawthorn, Vic.Peter Cuffleyaustralia, culture, culture, fashion, history of technology, butterick fashions

On Saturday, the 2nd of November 2002, the Arthritis Foundation of Victoria (AFV), incorporating Osteoporosis Victoria (OV), held a Fibromyalgia Syndrome (FMS) Information Day at the Carlton Crest Hotel. Titled 'The Way Forward', it was attended by around 550 people. This photo depicts four people staffing the registration table at the event.COL photo of four people sitting behind several long tables which have been joined together. The tables are covered with a white tablecloth with a long red valance around the sides. Behind them are three free-standing panels with white labels marked "E-H", "I-L", "M-P", "Q-T" and "U-Z". On the table, are three wrapped gifts. There is a large, modern, decorative chandelier hanging from the ceiling.arthritis foundation of victoria, afv, osteoporosis victoria, ov, fibromyalgia syndrome, fms, the way forward, information day, education, pain management, registration, gifts, chandelier, carlton crest hotel, 2002

Archie and Ruby Harker were connected to the Wieland Family through Ruby's sister Thelma who married Stan Wieland. Archie did well in the printung company he worked for and was a Manager.6 Black and white photos of the Harker house and garden and 38 coloured photos of rooms and particularly the chandeliers and ceilings. (Scanned as groups of 3 or 4 photos due to the number)

Black and white photo: ornate dome shaped roof, diamond shaped leadlight inserts, chandelier-like light fitting suspended on rod. On bottom right of mount 'Photograph R. BallR. Ballbuildings, commercial

Black and white photograph of a room at Fortuna Villa. Victorian era furniture, paintings, statuettes, hanging light with small chandelier, jars/urns, chair with decorative pillow show the opulent furnishings of an internal room at Fortuna.fortuna villa, internal room at fortuna., george lansell, victorian era

Green cloth covered hardcover book, The National Temperance Reader, with gold rectangle at top with title in green lettering. Picture in black on cover of a well in the countryside and inset at table in a dining room with gold chandelier. Back cover has initials NTPD for publisher - setting is a table and lamp.non-fictionRecitations, Readings, Dialogues &c. Original and selected. All teaching temperance or moderation in action, thought or feeling: restraint. Habitual moderation in or abstinence of alcohol, moderation in indulgence of appetites or passions.religion, poetry, plays, temperance, books, non fiction

During a visit to Violet Town in 1993, Dr Elsie Koadlow (1922-2010) and Dr Leslie Koadlow AO (1920-2006), pose for a photo with Grandparent of the Year entrant, Pat McGuigan. This photo, attributed to the Euroa Gazette, appears on the back cover (page 16) of the Vol 6 No 2 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update. The photo is captioned: "Bottom Left: Pat McGuigan, right, an entrant in the Grandparent of the Year, is pictured with Dr Les (AFV President) and Dr Elsie Koadlow when they visited a function at Violet Town. Picture courtesy of Euroa Gazette."B&W photo of three people standing in front of a framed painting on a stand or easel. One woman is wearing a badge or sticker on her top with the text "ARTHRITIS WEEK". Another framed painting, on the floor and leaning against something, is evident to the left of the frame. The reflection of a chandelier light fitting is evident in the windows behind them.[Stamped in the top right corner, in purple ink] Euroa Gazette Photo [Handwritten in pale orange/brown ink] 16D [Handwritten in red pencil or ink] 78%arthritis foundation of victoria, afv, outreach, arthritis week, outreach, dr leslie koadlow, president, dr elsie koadlow, pat mcguigan, grandparent of the year, gpoty, entrant, paintings, violet town, euroa gazette, arthritis update, 1993

Black and white photograph. Victorian / Edwardian Drawing Room (perhaps Lancewood in McLaren St?) Ornate chandeliers, draping on fireplace. Large sideboard with shelves above, various shaped vases. Statue on pedestal in right hand corner. Various magazines. Inscriptions: on back - in ballpoint pen :Mueller's, McLaren St'. On front - BRH corner 'U1589.2'.buildings, lancewood house

The photograph was taken during the ceremony of the Sacrament of Marriage when the wedding party, led by the priest circles the ceremony table. Known as the Dance of Isaiah, it forms part of the rich and symbolic Greek Orthodox wedding. The circling represents a dance for the joy of God’s presence and the couple is lead by the priest who holds the Holy Gospel. The wedding crowns (stefana), which represent the couple being king and queen of their home, are joined by a ribbon symbolizing the couple's unity. Father Voyatzoglou is the priest officiating at the wedding service. A black and white photograph of a Greek wedding ceremony taken during the time of the ritual 'procession'. The wedding party at the altar includes the priest, the bride and groom, four bridesmaids, a flower girl and a candle bearer. A large chandelier hangs above the altar and there is a partial view of a religious icon which is part of the iconostasis, a wall which separates the nave from the sanctuary.wedding ceremony

This light hanging mechanism could have been used for an adjustable chandelier with candle holders. It would likely be attached to the ceiling by its long stem to suspend the light fitting. A chain would have been threaded around each pulley, with one end joined to the top of the light fitting and the other end joined to a counter weight. The four counter weights would allow the light fitting to be raised or lowered to the desired height with little effort, to allow for lighting the candles or change the intensity of the light. This light fitting was once installed on the famous sailing ship, the Loch Ard, which was built in 1873 and tragically wrecked in 1878.The fitting was recovered from the wreck almost 100 years later, at the time it was discovered. LOCH ARD 1873-1878 – The Scottish-built clipper ship Loch Ard was bound for Melbourne in 1878 with 54 people on board. The mixed cargo it carried included items for the 1880 International Exhibition in Melbourne, one of which was the now famous Majorca ware Minton ‘Peacock’ statue. The Loch Ard was wrecked on June 1st when the ship crashed into Mutton Bird Island, east of Port Campbell. The only survivors were Tom Pearce, a crew member, and Eva Carmichael, a young passenger who was rescued by Pearce. The Gibsons, owners of nearby Glenample Homestead, cared for Tom, and for Eva who stayed longer before returning to Ireland. The wreck of the Loch Ard was discovered in 1967, before the introduction of the Victorian historic shipwreck legislation. In 1969 it was decided that all recovered material should be lodged with the Receiver of Wrecks. In 1980 Flagstaff Hill Maritime Museum Divers received a permit to recover artefacts from the wreck to safeguard them from looters. In 1982 the site was listed as a Historic Shipwreck, and the Maritime Archaeology Unit recovered loose artefact material. The light fitting is recognised as being historically significant as an example of lighting either as part of the ship ‘Loch Ard’ or part of the ship’s cargo, imported for use in Colonial Victoria in the 19th to early 20th century. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Light fitting; hanging mechanism with simple pulley wheels for pendant light. Metal pipe, closed and hooked at one end, stem has three decorative rings, and open end has a short narrower metal pipe inserted. Narrow pipe has a three tiered, scallop-edged dome attached to the end. The dome encloses remnants of broken chain length and is attached to a set of four pulley wheels arrayed in a circle with their edge sat right angles to each other. The light fitting was recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, victoria, eva carmichael, tom pearce, lighting, lidht fitting, pendant light, chandelier, pulley light, adjustable height light

2 x Stereoscope faded photos (circ. 1880's ?) on cream slightly damaged cards - Number 2532 , Grand Saloon , Steamer City of Natchez, Mississippi River showing tables , chairs and chandelier / Number 135. Dumbarton Castle - Scotland ,Photographed and published by Kilburn Brothers , Littleton N.H. / accompanying scrap paper states -'Antique photos -Stereoscope cards , Mr W. Ennis , 87 Harley St , Bendigo ,Kilburn Brothersphotograph, building, stereoscope photo cards /grand saloon , steamer city of natchez, mississippi river / dumbarton castle - scotland / kilburn brothers , littleton n.h /mr w. ennis , 87 harley st , bendigo

black and white photo; Lancewood House, home of Ernest Mueller and family. Corner of a sitting room with plant, flower motif wall paper. Pictures cover much of the upper walls, small tables and furniture pieces around the wall, drops of a chandelier visible, a vase of carnations on square table in foreground. A chimney breast and elaborate mirrored over mantle visible on the rift. Ornaments and vases on shelves of overmantle. UI 589.3 on front bottom left.buildings, fittings & materials, lancewood house

(Third Newspaper Clipping )The Shamrock lights are blazing again article. Photograph of a chandelier framed in an archway in the first floor foyer. Electricity was a modern innovation when the Shamrock re-opened in 1897. Electric light lit the interior throughout and there were electric bells in every room. (The fourth Image directly underneath) depicts an invitation to the Governor of Victoria and his wife Lady Loch to a sumptuous banquet at The Shamrock in Novemebr 1886 to commemmorate their visit Sandhurst for the opening of the Juvenile and Industrial Exhibition.bendigo, history, shamrock hotel

black and white photo ; Lancewood House, home of late Ernest Mueller and family. Interior of sitting room with wall paper patterned with flower and plant motifes. Many pictures on the wall around a large mirrored edwardian side board. Vases, ornaments, jareniers, and lute haning on the right. Two elephant occasional tables on either side with jardenieres. A small couch on the right against the wall. Drops of a chandelier visible at the top. On front bottom right margin ' UI 589.7 'buildings, fittings & materials, lancewood house

Brooklyn Park homestead built 1875 by Stephen George Staughton, son of Simon Staughton. In 1907 the residence was refurbished for Cr Stephen John Staughton who was returning from England with his bride. The building contained over 25 rooms some 25x20 feet. There were elaborately decorated rooms with friezes, embossed wall papers, massive curtains, marble and carved mantle pieces. A Ryder Erickson Hot air engine pumped water from underground tanks up to elevated tanks to circulate water through the house. Acetylene gas generator for 100 light and chandeliers. Prominent family with civic connection in Melton holding very large areas of land. 'Brooklyn' mansion built by Stephen Staughton, local identities, pioneer families

A comprehensive catalogue book: Chandeliers and Billy Tea 1880 - 1940. The front cover has brown tonings and shows a full page photograph of many kitchen and household objects from the past. The title is written in different elaborate lettering inside a square shape towards the top of the cover. The author's name, Peter Cuffley, is printed in white lettering at the bottom. Inside is a Contents page with Catalogue references, a Selected Bibliography, Acknowledgements and an Introduction. There are hundreds of black and white drawings and photographs of household items and general life of the times.non-fictionA comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.social history, australian history, family history, history

Sherwood Ltd. Was a manufacturer of oil lamps and burners at the Nechells Park Works Birmingham UK and regarded at the time as a renowned name in the oil lamp and burner manufacturing industries in Birmingham during the early part of the 20th century. They started selling as ‘Isaac Sherwood & Son Ltd.’ in 1904, later around 1920 they merged with Linley and Co makers of American pattern lamps and became ‘Sherwood-Linley” moving to 44-50, Granville St. Birmingham. They became one of the largest manufacturers of lighting devices and burners in England. They produced all sorts of illumination devices and became famous for their oil burners. Apart from oil burners, they produced table and floor lamps, sconces, lanterns and chandeliers that made Sherwood unique. A Significant item as part of a kerosene lamp that was commonplace in homes and other premises during the early 20th century as a means of lighting before electric lighting became the standard. These types of items give a snapshot into domestic and social life during this period.Lamp Burner housing, brass with wick-screw (no wick). Made in England Sherwoods LTD Birminghamwarrnambool, flagstaff-hill, shipwreck-coast, flagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp burner, sconces, kerosene lamp, wick adjuster, sherwood & son ltd, sherwood-linley