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Mt Dandenong & District Historical Society Inc.
Photograph, Percy Child, c1910
Percy Child was the son of Francis Matthew (Frank) Child whose father Mathew Child was one of the first three settlers in the area. Percy ran the Child Bros. Sawmill with his brother Harry.Black and white photograph showing Percy Child using a cant-hook at Child Bros. Sawmill. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Charles Percival Child (Sammy) about 1910percy child, harry child, sawmill, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph, Doris Child
John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas. William Lucas , who came from England to visit Matthew Child in the late 1870s. He purchased land from Matthew and married his daughter Catherine. They developed their property as the sporting lodge 'Glenrivers'. Their daughter Dorothea was born in 1888. She was an accomplished horsewoman who married her cousin Charles Percival (Percy) Child in 1917. Percy worked a sawmill on the creek .Black and white copy of studio portrait of Doris (Dorothea) Child (nee Lucas).Handwritten by John Lundy-Clarke on reverse: Doris Lucas “Dorothea?” Daughter of W Lucas and Catherine nee Child. Wife of Percy Child. Mother of Lois. Born 1889 died 1936 (?)dorothea lucas, dorothea child, percy child, matthew child, william lucas, catherine child -
RMIT GSBL Justice Smith Collection
Report, Child Welfare Practice and Legislation Review Committee, Child welfare practice and legislation review executive summary and recommendations report, 1984
Vol no. 1, Vol range. 3, Vol missing 2 ISBN 0724121730 children -- legal status: laws: etc. -- victoria -
Mt Dandenong & District Historical Society Inc.
Photograph, Hubert Child
Bert Child son of Francis Matthew father of Jack, Bert and Len. Husband of Maria Madden. Died 1926.Black and white photograph of Bert Child as a young man. He is sitting in the grass near a wooden building. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Bert Child son of Francis Matthew father of Jack, Bert and Len. Husband of Maria Madden. Died 1926.bert child, hubert child, francis matthew child, maria madden, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph, Francis Matthew Child and Family, c1886
Francis Matthew Child was 15 when he came to the Valley with his father, Matthew Child in 1855. He married Martha Jeeves (born 1857) in 1875. They had 6 children. Harry, May, Edward, Alice, Bert, Eva.Posed photograph of Francis Matthew Child, his wife Martha (nee Jeeves) and six children, all well dressed with background of bushes. Handwritten inscription on back by John Lundy-Clarke.F.M. Child and Family about 1886. Back Row Martha (nee Jeeves), Harry, May, Francis Mathew, Edward (Ted). Front Row Alice (Petty), (Bert), Eva.francis matthew child, martha child, martha jeeves, eva child, bert child, harry child, alice child, may child, ted child, edward child -
Mt Dandenong & District Historical Society Inc.
Photograph, Child Family Property Kalorama Valley c1900, c1900
Landscape showing land clearance against uncleared bush. Child property went almost to Silvan. Harry Child had the sawmill.child, harry child, kalorama valley -
Federation University Historical Collection
Photograph - Photograph - Little Gem tintype, Possibly American Studio, Portrait of a child
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat -
Port Melbourne Historical & Preservation Society
Film - Video Recording, The Growing Child, c.1939
'The Growing Child' featured Barbara HEGARTY (GARDINER) in the role of the child, Rosemary.Video recording 'The Growing Child'.the growing child, barbara gardiner, barbara hegarty -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Portrait of a Child
Photographic tintype portrait of a child.fullarton, ballarat, willetts, child -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Portrait of a Child
Photographic tintype portrait of a child.fullarton, ballarat, child, tintype -
Federation University Historical Collection
Photograph - Photo - Little Gem tintype, Possibly American Studio, Portrait of a child
The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait -
Greensborough Historical Society
Photograph - Digital Image, Constantine mother and child, 1954c
Mother and child from 1950's.Black and white photograph of a mother and childconstantine family, noel constantine -
Mt Dandenong & District Historical Society Inc.
Photograph, Matthew Child, late 1800s
Matthew Child was considered to be the first of the settlers to set foot in the valley as he scouted it for the others (Isaac Jeeves & Jabez Richardson). He was not the first to settle in the valley - that was Isaac Jeeves.Copy of portrait photo of Matthew Child.matthew child, kalorama valley, valley, settler, settlers, kalorama -
Ballarat Base Hospital Trained Nurses League
Child
Photochild -
Tatura Irrigation & Wartime Camps Museum
Photograph, Walter Jendry and wife and child, 1950
Ex POW Camp 13 Murchison. Walter Jendry, wife and child wearing hat with upturned brim. Germany. Post WW2. Foam backed copy in file.Black and white photograph of a lady (left) and man and a child (front centre) wearing a hat with upturned brim. Trees in background.pow's, camp 13 murchison, walter jendry -
Mt Dandenong & District Historical Society Inc.
Photograph, Home Of Francis Matthew Child, c1910
The homestead of Francis Matthew Child taken from the forest area downstream of Child Bros. Sawmill.Black and white photograph showing the homestead of Francis Matthew Child.This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke.Francis Matthews home on Crown Allotment “E” taken from the forest edge of Harry Child miners lease on which he had his mill. Mill was upstream to the left. The trees in the background were on Hand’s selection “F” and beyond them was the summit of Mt Kalorama.homestead, francis matthew child, sawmill, child's sawmill -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Ballarat Law Courts and Grafitti from the Ballarat sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse, May 2015, 30/05/2015
The Royal Commission into Institutional Responses to Child Sexual Abuse is investigating how institutions like schools, churches, sports clubs and government organisations have responded to allegations and instances of child sexual abuse. It is the job of the Royal Commission to uncover where systems have failed to protect children so it can make recommendations on how to improve laws, policies and practices. The Royal Commission is about creating a safer future for children. It can look at any private, public or non-government organisation that is, or was in the past, involved with children. This includes where an organisation caring for a child is responsible for the abuse or for not responding appropriately, regardless of where or when the abuse took place.(http://www.childabuseroyalcommission.gov.au/about-us, accessed 30/05/2015)A number of colour photographs that show chalk grafitti drawn onto the steps and paving outside the Ballarat Law Courts during the May 2015 sitting of the Royal Commission into Institutional Responses to Child Sexual Abuse.ballarat, ballarat law courts, royal commission into institutional responses to child sexual abuse, graffiti -
Wodonga & District Historical Society Inc
Plaque - Official Opening of the Child Care Centre & South Street Pre-School, Wodonga, 1989
This training module was available to enginemen who had completed Modules 1 to 5 (1983 Scheme). The manual contained fault finding checklists and standard procedures to be carried out if faults occured. Every driver was required to be conversant with and follow the instructions. Enginemen issued with this manual had to carry it with them at all times when in charge of a diesel electric locomotive.This plaque commemorates the official opening of an occasional child care centre and pre-school in South St, Wodonga in 1989 by the Governor of Victoria Dr. Davis McCaughey. With strong population growth in Wodonga community services had expanded rapidly throughout the 1980s. The first child minding centre had opened in 1975. BY 1987 Upper Murray Family Care provided full-day family day care and occasional care and there were also 2 private child care centres. By 1986 there were 350 full-time places and 75 part-time places, but pre-schools were unable to fill the demand for another 511 applicants. This new facility helped to ease a little of the problem. As well as the inscription included here, the name of the Mayor, all members of the Wodonga Council, City Engineer, Architect and Builder are listed on the plaque.This item illustrates an important development in the provision of pre-school and child care services in Wodonga.A bronze rectangular plaque with detailed inscription, designed to be attached to the wall of a building. There is a hole in each corner for bolts to be inserted. The text is raised above the surface of the plaque. It features the symbol of the shield of the Rural City of Wodonga in the top left corner.fiction"RURAL CITY OF WODONGA WODONGA OCCASIONAL CHILD CARE CENTRE AND SOUTH STREET PRE-SCHOOL CENTRE OFFICIALLY OPENED BY HIS EXCELLENCY DR. DAVIS MCCAUGHEY, A.C., GOVERNOR OF VICTORIA ON 9TH DAY OF MAY 1989child care facilities wodonga, children's services wodonga, pre-schools wodonga -
Greensborough Historical Society
Pamphlet, Knight Street Occasional Child Care Centre Inc, Knight Street, 2006
A pamphlet outlining services available at Knight Street Occasional Child Care Centre, later named Watsonia Occasional Child Care.4 page pamphlet, printed on light green paper.watsonia occasional child care., knight street occasional child care centre -
Federation University Historical Collection
Photograph - Ambrotype, Ambrotype of a woman and child, c1850 ?
Possibly Emma Smith (b Keys) and daughter Clara Emma Smith. Emma and her husband George Henry Smith emigrated to Australia and settled at Happy Valley near Linton (Victoria) on the invitation of her brother Edward who owned two houses there..1 Ambrotype of a woman and child .2 Photo taken off ambrotype. Woman and childambrotype -
Victorian Aboriginal Corporation for Languages
Book, Jo Harrison, Tjitji tjuta atunymanama kamiku tjukurpawanangku =? looking after children grandmothers' way : report to the Child Protection Policy and Planning Unit, S.A., on the Child Protection Project, 1991
This report presents the results of a project that looked at the attitudes to child protection of Pitjantjatjara women living on the AP lands in South Australia. It also looks at the implications of the views and experiences discussed by the women interviewed.colour illustrations, mapspitjantjatjara, child abuse, child welfare, social policy -
Montsalvat
Plaster Relief, Untitled (Mother and Child)
Oval plaster relief depicting a mother and child.Nonematcham skipper, relief, jewellery, mother and child -
Montsalvat
Plaster Relief, Untitled (Mother and Child)
Oval plaster relief depicting a mother and child.Nonematcham skipper, relief, jewellery, mother and child -
Montsalvat
Rubber Mould, Untitled (Mother and Child)
Round rubber mould depicting a mother and child. Nonematcham skipper, mould, rubber, mother and child -
Montsalvat
Rubber Mould, Untitled (Mother and Child)
Rectangular rubber mould depicting a mother and child.Nonematcham skipper, mould, rubber, mother and child -
Montsalvat
Silicon Mould, Untitled (Mother and Child)
Rectangular silicon Mould depicting a mother and child.Nonematcham skipper, mould, silicon, mother and child -
Ringwood and District Historical Society
Photograph, Child Care Centre 1985, East Ringwood
Written on back of photograph, "Child Care Centre 1985, East Ringwood". -
Ringwood and District Historical Society
Photograph, Child Care Centre 1985, East Ringwood
Written on back of photograph, "Child Care Centre 1985, East Ringwood" -
Ringwood and District Historical Society
Photograph, Child Care Centre 1985, East Ringwood
Written on back of photograph, "Child Care Centre 1985, East Ringwood." -
National Vietnam Veterans Museum (NVVM)
Photograph, Injured child
Black and White Photograph of a young child in traction on a stretcher.photograph, vietnamese children, medical