Clothing. Child's white linen dress with fold over lace trimmed sailor collar (13cm) and neckline casing. Dress has yoke front and back with a dropped waist trimmed with insert lace (ribbon missing). Above the hem is a horizontal strip of lace (3cm) and two narrow tucks.Item is edged with 5 cm broiderie lace with scalloped edge. Dress has cap sleeves of 5 cm broiderie lace. Full length centre back opening fastened with cotton tape ties at neckline and two pearl like buttons at lower edge of yoke and at dropped waistline.costume, children's, child's white linen dress

Clothing. Child's white linen dress. Wide round hemmed neckline. Dress made up of two pieces of fabric. Dress is straight to below the waist (35cm) and then widens to the hem (51 cm). Sleeveless with arm holes edged with one cm lace. Front of dress is cotton fabric with alternating vertical stripes of embroidered fabric and floral patterned lace. Back opening (16cm) with placket, fastened with two metal press-studs.costume, children's, child's white linen dress

This child's white linen day dress was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child.This child's dress is representative of child's fashion of the 1910s.Child's white linen day dress; hand-sewn dress with pleated skirt, short sleeves and a plain bodice. The neckline and sleeves have a rick-rack braid and crochet trim. The back closure has four buttons, a hook closure and a short back seam. c. 1910. Worn by Robert Barnard son of Mrs W N Barnard of Portland. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, robert barnard, mrs w.n. barnard, w.n. barnard of portland victoria, child’s dress 1910’s, 1910, child's dress

Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relative. This apron is very similar in style to the other children's clothing which indicates it could have been made in the early - mid 1900's. It is preventative of aprons which little girls wore over their dresses at the time. This items has good historical significance because it shows the style of aprons which little girls wore over their dresses in the Kiewa Valley during the early to mid 1900's. This is part of the children's clothes in the KVHS collections which gives this item more interpretive capacity. Natural coloured linen with red binding around the edges. 2 white buttons. Would fit a small child.clothing. children. apron.

Was left over from material used for child's christening robe. was donated by Mrs Jo Hermann ( Elsie Winchester). Jo Hermann was an Orbost resident -blacksmith, painter and signwriter. Baptism through the ages has held great importance in celebrating a new life for social and religious beliefs and to announce another generation. Christening gowns, dresses or robes became special for these occasions and followed fashion as life changed. this cloth is an example of the needlework skills of women in the early 20th century.A cloth of handmade broderie anglaise on white fine linen with white thread.cloth handcraft needlework

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This child's dress was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Short, white cotton child's dress. This high-necked dress with long sleeves, compared to other infant's clothing in the Weir Family Collection, is quite ornate, indicating that it was designed to be a piece of 'best' clothing. It is the only child's dress in this collection which is otherwise comprised of christening or infant's gowns. The dress is a one-piecer. It has wide sleeves with scalloped cuffs, designed to allow for movement. What was the waist in the infant's gowns has moved higher towards the neck, but still maintains the decorative eleent of ruching below it. The dress includes extensive use of scalloped lace in the lower portion of the outfit.Nilchildren's wear